«They loved how it was a fun take on an animal print,» says Style at Home
associate design editor Morgan Lindsay.
«My goal was to play with texture, colour and pattern,» says
associate design editor Morgan Lindsay.
Associate design editor Morgan Lindsay printed out a saying in a font she liked and then covered the letters in gold glitter.
Our savvy
associate design editor Morgan Lindsay shows us how rental living is done.
- Samantha Pynn,
Associate Design Editor At the beginning of Charade (1963), Audrey Hepburn comes home to find her Parisian apartment empty and her hubby gone.
While most people in their 20s are cobbling together their first apartment from leftover student furnishings and dubious hand - me - downs, Style at Home's
associate design editor, Morgan Lindsay, has managed to assemble a sweet and stylish look that would make most 40 - somethings envious.
Homeowner and Style at Home
associate design editor Morgan Lindsay enlisted her mom to sew most of the toss cushions in the space.
In her light - filled Toronto apartment, Style at Home
associate design editor Morgan Lindsay cleverly combines old and new with her own crafty creations.
Not exact matches
Their
design editor has explained that he wanted to
associate the magazine with the ethic of slave resistance, not just the revolt but also the pre-war period when «slaves had effectively instituted their own policy of poisoning damn - near everything that breathed... master, the mistress and the rest of the f — ing plantation Brady Bunch.»
SI.com: Adam Levine, B.J. Schecter (Executive
Editors); Ryan Hunt (News Director); Bobby Clay, Richard Deitsch, Neil Janowitz, Mallory Rubin, Brad Weinstein (Senior
Editors); Matt Dollinger, Tom Mantzouranis, Andrew Perloff, Chris Sesno, Jimmy Traina (Senior Producers); Andy Gray (Special Projects Producer); Ben Eagle, Paul Forrester, Ben Glicksman, Ted Keith, John Rolfe, Amanda Younger (Producers); Alexander Abnos, Lorenzo Arguello, Eli Bernstein, Peter Bukowski, Bette Marston, Jonathan Tayler (
Associate Producers); Chris Heine (
Design Director); Alicia Hallett (Art Director); Joey Maestas (Social Media Producer); John Blackmar (Photo Director); David Kaye (Senior Photo Producer);
► In an editorial in this week's issue, Science
Editor - in - Chief Marcia McNutt gave an update on Science in the Classroom, «an online resource of annotated research papers published in Science, with
associated teaching materials
designed to help pre-college and college students understand how science moves forward as a structured way of revealing the laws of nature.»
Associate editor Emily DeMarco thought that knowing the future could hinder creativity, and
design director Erin Otwell said thinking about the future comes with too much worry.
Full name: Victoria Smith Age: 53 Current title / company: Publisher /
Editor sfgirlbybay.com Educational background:
Associate Arts Degree Interior
Design Year you started your blog: 2006
, Syd Garon (CEH15, Outstanding Graphic
Design, Jodorowsky's Dune), Eugene Hernandez (Deputy Director, Film Society at Lincoln Center), Eric Hynes (
Associate Curator of Film, Museum of the Moving Image), Jason Ishikawa (Head of International Sales, Cinetic Media), Steve James (CEH12 Winner, Outstanding Feature & Direction, The Interrupters), Kirsten Johnson (CEH17 Winner, Outstanding Feature & Cinematography, Cameraperson), John Kusiak (CEH12 Winner, Outstanding Score, Tabloid), Loira Limbal (Vice President, Firelight Media), Elizabeth Lo (CEH16 Winner, Outstanding Nonfiction Short Film, Hotel 22), Michal Marczak (CEH17 Winner, Heterodox Award, All These Sleepless Nights), Marilyn Ness (CEH17 Winner, Outstanding Feature, Cameraperson), Dan Nuxoll (Artistic Director, Rooftop Films), Bill Ross (CEH13 Nominee, Outstanding Direction, Tchoupitoulas; CEH16 Nominee, Cinematography, Western), Kelli Scarr (CEH09 Nominee, Outstanding Score, In a Dream), Mo Scarpelli (CEH16 Nominee, Spotlight Award, Frame by Frame), Jess Search (Chief Executive, The Doc Society), Signe, Byrge Sorensen (CEH16 Winner, Outstanding Feature Film & Production, The Look of Silence), Jean Tsien (
Editor of CEH17 Audience Nominee Miss Sharon Jones!)
Camera (Technicolor, Panavision widescreen, Arri Alexa digital), Trent Opaloch;
editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan; production designer, Owen Paterson; supervising art director, Greg Berry; art directors, David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume designer, Judianna Makovsky; sound (Dolby Atmos / Dolby Digital), Manfred Banach; supervising sound
editors, Shannon Mills, Daniel Laurie; sound designers, David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual effects and animation, Industrial Light & Magic, Method Studios; visual effects, Trixter Film, Rise Visual Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine
Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus;
associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halley Finn.
Camera (color, HD), Ian Kerr;
editor, Charlie Renfrew; music, Schaun Tozer; art director, Miller; production
design, Chad Krowchuck; set decorator, Candise Paul; sound, Simon Doucet;
associate producers, Paulie DiPinto, Chang Lae Kim.
«On first impression, everything looks more upscale than you'd expect, like the classy dash
design, well - finished steering wheel, and nicely weighted buttons and knobs,» noted
associate web
editor Joey Capparella.
Sessions claimed that the Honda was «straight from Planet Strange with its odd proportions and disappointing details,» while
associate web
editor Ben Timmins faulted Honda «for not pushing the envelope in terms of the
design.»
ASSOCIATE EDITOR JAKE LINGEMAN: I really liked our long - term Volvo S60 R -
Design, but this new one doesn't hit the same buttons for me.
ASSOCIATE EDITOR GRAHAM KOZAK: If GMC told the guy who
designs Tonka trucks that he needed to create a minivan, something resembling the 2013 GMC Acadia Denali would probably be the result.
ASSOCIATE EDITOR GRAHAM KOZAK: Someone who managed to sleep through the recent bloating of the full - size pickup range would be shocked to learn that the Canyon is classified as midsized truck; it looks more like a 5 / 6th scale reproduction of the Sierra than a small truck
designed from the ground up.
ASSOCIATE EDITOR JAKE LINGEMAN: This Volvo S60 R -
Design rips off the line.
It occurs to me that
editors and their
associated services such as cover
design become more useful as the author becomes more successful.
Abraham Lincoln Presidential Library Academic Editorial Services Accent
Design Accuright Medical Acxiom Corporation Adept Content Solutions Agricultural Communications Alban Institute All Credit Media Ltd American Bar Association American College of Surgeons American Geophysical Union (AGU) AGV Communications AirZip Alexander Editorial Services Alick MacFarlane Allegro Communications Allen Editorial Ltd Allen, Kopet &
Associates Alliance for Children and Families Allied Art Allied Editorial Alpha Science
Editors American Enterprise Institute American Geophysical Union American Institute of Chemical Engineers American Library Association American Medical Association American Nuclear Society Anderson
Associates Antigenics Inc Antz Editorial Apha Apollo Appelbaum A-R Editions, Inc..
In 1985 - 86, she was
Associate Editor of ID (then Industrial
Design Magazine) where, along with Senior
Editor Steven Skov Holt, she redeveloped it into its present form, ID: the Magazine of International
Design.
Crosher recently served as visiting faculty at the University of California, Los Angeles and Art Center College of
Design in Pasadena, CA as well as
associate editor at the journal Afterall.
Frieze Talks This year's programme, co-curated by Christy Lange (
Associate Editor, frieze) and Gregor Muir (ICA, London) will include Tania Bruguera (artist and activist), Douglas Coupland (writer), Anicka Yi (artist), Adrian Searle (critic) and Metahaven (graphic
design studio).
Nina was previously the Managing
Editor at Designlines magazine, Toronto's ultimate guide to
design, and the
Associate Editor of Azure magazine, where she wrote about
design and architecture.
Rózsa Farkas: Founder, Director Ruth Pilston: Gallery Manager,
Associate Editor Sharlean Reynolds, Chloe Filani: Gallery Assistants Website
Design: The Ideal Press
Sophie Buonomo is the
Associate Web
Editor for Art at BOMB Magazine and a master's candidate in History of Art and
Design at the Pratt Institute.
«Seeking to serve as an
associate photo
editor, offering extensive knowledge of digital and film photography and graphic
design to contribute to high quality publications.»