Sentences with phrase «associate research curator»

The coordinator was Elizabeth Streicher, associate research curator at the Gallery.

Paleontologist and associate research curator at the Academy of Natural Sciences.

Not exact matches

Details of the tumor confirmation, announced by an international research team led by Penn Museum Associate Curator and Paleoanthropologist Janet Monge, is available in a research paper, «Fibrous dysplasia in a 120,000 + year old Neandertal from Krapina, Croatia,» in the online scientific journal PLOS ONE.

Not that deep and not that many of them,» says Janet Voight, associate curator of zoology at the Field Museum and an author of a new study on the octopuses published in Deep Sea Research Part I.

«Having seen the «Tufts - Love Rex» during its excavation I can attest to the fact that it is definitely one of the most significant specimens yet found, and because of its size, is sure to yield important information about the growth and possible eating habits of these magnificent animals,» said Jack Horner, former curator of paleontology at the Museum of the Rockies and current Burke Museum research associate, in a statement.

James Meyer is currently a curator in the Department of Modern Art at the National Gallery of Art and Adjunct Professor of Art History at Johns Hopkins; he was formerly the Winship Distinguished Research Associate Professor at Emory University.

Curated by Margaret Miller, Director, USF Institute for Research in Art, and Megan Voeller, Associate Curator of Education, USF Contemporary Art Museum; organized by USF Contemporary Art Museum.

Performa Staff RoseLee Goldberg, Founding Director and Curator Esa Nickle, Producing Director and International Affairs Defne Ayas, Curator - at - Large Mark Beasley, Curator Charles Aubin, Associate Curator Adrienne Edwards, Associate Curator, Performa Institute Lana Wilson, Film and Dance Curator Luisa Gui, Development and Special Events Jessica Massart, Communications Manager Job Piston, Communications Coordinator & Special Projects Marc Arthur, Research and Archives Jennifer Piejko, Editor, Performa Magazine Bret Tonelli, Production Assistant Tali Wertheimer, Membership and Special Events Anna Cline, Development Assistant

In addition to an art - historical overview by Laurence Madeline, the catalog includes essays by Bridget Alsdorf, Associate Professor, History of Art, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art Institute.

Independent Curator, and Genevieve Westerby, Research Associate, European Painting and Sculpture, Art Institute of Chicago

As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histories.

Open Plan: Michael Heizer is organized by Deputy Director for International Initiatives and Senior Curator Donna De Salvo and Melva Bucksbaum Associate Director for Conservation and Research Carol Mancusi - Ungaro.

The DMA also appointed Fran Baas associate curator of objects to support chief conservator Mark Leonard and said it is collaborating with the University of Texas at Dallas and the University of North Texas in Denton on three long - term research projects that focus on new analytical techniques and technologies for the study of artists» materials.

In this video, Deputy Director for International Initiatives and Senior Curator Donna De Salvo and Melva Bucksbaum Associate Director for Conservation and Research Carol Mancusi - Ungaro discuss how the Whitney's fifth - floor dramatically opens up to artist Michael Heizer's 1970 installation Actual Size: Munich Rotary, which is part of the experimental five - part exhibition Open Plan.

Past appointments include Associate Curator at The Studio Museum in Harlem, New York, and Curator at LAXART, Los Angeles, where she helped coordinate the 2012 Pacific Standard Time Public Art and Performance Festival for The Getty Research Institute, and «Made in L. A. 2012,» the Hammer Museum's first Los Angeles biennial.

PAHC / studio · lab will also invite two curators to travel back to Chicago to further their research and engage with the studio as part of the Forum's Associate Curators curators to travel back to Chicago to further their research and engage with the studio as part of the Forum's Associate Curators Curators Program.

Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator & Research Assistant, Alma on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China

He is an associate research fellow at the Centre for Urban and Community Research, Goldsmiths College and Curator of Cross-Cultural Programmes at Tate research fellow at the Centre for Urban and Community Research, Goldsmiths College and Curator of Cross-Cultural Programmes at Tate Research, Goldsmiths College and Curator of Cross-Cultural Programmes at Tate Britain.

Confirmed speakers include: Dr David Anfam (author, Mark Rothko: The Works on Canvas, Yale University Press, 1998); Lindsay Aveilhé (editor, Sol LeWitt: Wall Drawings Catalogue Raisonné); Dr Lee Beard (editor, Ben Nicholson: Catalogue Raisonné of Paintings & Carved Reliefs); Susan Cooke (Director of Programming, the US Catalogue Raisonné Scholars Association, and Associate Director of David Smith Sculptures: A Catalogue Raisonné); Dr Dietmar Elger (Director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, and editor of the Gerhard Richter Catalogue Raisonné); Dr Jo Melvin (Director Barry Flanagan Estate and Reader in Fine Art Theory, Archives and Special Collections at Chelsea College of Arts); James Rawlin (independent advisor and curator, formerly Head of Modern and Post-war British Art at Sotheby's); Karen Sanig (Head of Art Law, Mishcon de Reya); Mark Waugh (Head of Research and Innovation, DACS); Sarah Whitfield (editor, William Scott: Catalogue Raisonné of Oil Paintings, Thames & Hudson, 2013).

Sarah Roberts serves as Andrew W. Mellon Foundation Associate Curator of Painting and Sculpture at SFMOMA, where she has directed research initiatives on the museum's collection since 2004.

Before joining the Menil Collection, Mr. Breslin was associate curator of contemporary projects at the Clark Art Institute in Williamstown, Mass., where he also helped lead the research and academic program.

Panel discussion moderated by Executive Director Yael Reinharz with: Glenn Phillips, Getty Research Institute curator Adam Berg, artist and Adjunct Associate Professor, Otis College of Art and Design and Adjunct Faculty, CalArts.

Like Life: Sculpture, Color, and the Body (1300 — Now) is curated by Luke Syson, Iris and B. Gerald Cantor Chairman of European Sculpture and Decorative Arts, and Sheena Wagstaff, Leonard A. Lauder Chairman of Modern and Contemporary Art, both at The Met, with Brinda Kumar, Assistant Curator of Modern and Contemporary Art, The Met, and Emerson Bowyer, Searle Associate Curator of European Painting and Sculpture at the Art Institute of Chicago, with the assistance of Elyse Nelson, Research Associate, European Sculpture and Decorative Arts, The Met.

Moderators: Jill Ahlberg Yohe, associate curator of Native American Art, and Dakota Hoska (Oglala Lakota), research assistant in Native American Art at Mia.

A previous Curator of Contemporary Art at Tate Britain, associate research fellow at the Centre for Urban and Community Research, Goldsmiths research fellow at the Centre for Urban and Community Research, Goldsmiths Research, Goldsmiths College.

Roberts serves as Andrew W. Mellon Associate Curator of Painting and Sculpture at SFMOMA, where she has directed research initiatives on the museum's permanent collection since 2004.

The exhibition has been organized by Susan Alyson Stein, Engelhard Curator of Nineteenth - Century European Painting, Department of European Paintings, with Guest Curator Colta Ives, Curator Emerita, Department of Drawings and Prints, and the assistance of Research Associate Laura D. Corey, Department of European Paintings.

She is associate curator at the Onomatopee project space in Eindhoven and is also an art book publisher and member of the research duo The Translation Trip, who investigate translation as practice, philosophical notion and curatorial device.

Featured artists Marina Abramović, Bas Jan Ader, Francis Alÿs, Eduardo Basualdo, Chris Burden, Sophie Calle, Paolo Canevari, Chim ↑ Pom, José Dávila, Jeremy Deller, Juan delGado, Marcel Duchamp, Tim Etchells, Harun Farocki, Peter Fischli and David Weiss, Simon Faithfull, Félix González - Torres, Eva Hesse, Jeppe Hein, Thomas Heatherwick, Carsten Höller, Peter Kennard, Yves Klein, Kris Martin, Linda Matalon, Robert Morris, Yoko Ono, ORLAN, Heather Phillipson, Ruth Proctor, Gerhard Richter, Santiago Sierra, Gregor Schneider, JMW Turner, Lucy Wood, Ai Weiwei, Lucy Wood, Artur Żmijewski Turner Contemporary is working in collaboration with the Organizing Disaster research project at Goldsmiths College, London and with independent curator Francesca Laura Cavallo on aspects of the exhibition and associated public programme.

Pace will publish a catalogue to accompany the exhibition that will include an essay by art historian and curator Dr. Kellie Jones, Associate Professor in Art History and Archaeology at the Institute for Research in African American Studies at Columbia University.

Currently serving as adjunct associate curator of contemporary art for the Indianapolis Museum of Art and as director of research for the Sol LeWitt Wall Drawing Catalogue Raisonné, Roberts will join the Blanton in February to oversee and develop the museum's modern and contemporary program.

Kery James Marshall's «Mastry «exhibit, is co-organized with The Metropolitan Museum of Art and the Museum of Contemporary Art, Los Angeles, and cocurated by former Manilow Senior Curator Dieter Roelstraete; Helen Molesworth, Chief Curator at LAMOCA; and Ian Alteveer, Associate Curator at The Met; with the assistance of Karsten Lund, former Curatorial Assistant, and Abigail Winograd, former Research Associate at the MCA.

He has also served as curator of the Photographic Research Center (PRC), an independent non-profit organization associated with Boston University.

Eleonora Luciano, associate curator of sculpture; Dylan Smith, Robert H. Smith Research Conservator; Naomi Remes, exhibition officer; Donna Kirk, senior architect and designer; Brad Ireland, publishing designer, National Gallery of Art.

She is also Associate Curator of Himalayan Art Resources and maintains a research affiliation with the National Library and Archives of Bhutan.

Vivian Ziherl is an Associate Curator at If I Can't Dance, I Don't Want to Be Part Of Your Revolution (Amsterdam) and Curatorial Fellow at the Institute of Modern Art (Brisbane) where she initiated the multi-platform research project Frontier Imaginaries.

Here to tell us more are David Breslin, Associate Director of the Research and Academic Program and Associate Curator of Contemporary Projects at the Clark Art Institute and artist Stephen Hannock.

Ridha Moumni, Independent Curator and Research Associate at the Institut de Recherche sur le Maghreb Contemporain, Tunis

The jurors for thee - dimensional art — which includes such media as sculpture, clay, jewelry, and fiber — were Dagmar Painter, curator of Gallery Al - Quds at the Jerusalem Fund and a nominator for the Smithsonian Artist Research Fellowship program; mixed - media artist Maria Karametou, an associate professor in the George Mason University School of Art; and Rick Wall, a sculptor and educator with the Corcoran College of Art and Design.

Guest faculty for the program include Doryun Chong (Associate Curator, Department of Painting and Sculpture, MoMA, New York), Olga Egorova and Dmitry Vilensky (artist collective Chto delat, St. Petersburg), Weng Choy Lee (art critic, and Director of Projects, Research, and Publications, Osage Foundation, Hong Kong), Nat Muller (independent curator, RottCurator, Department of Painting and Sculpture, MoMA, New York), Olga Egorova and Dmitry Vilensky (artist collective Chto delat, St. Petersburg), Weng Choy Lee (art critic, and Director of Projects, Research, and Publications, Osage Foundation, Hong Kong), Nat Muller (independent curator, Rottcurator, Rotterdam).

, Wuhan, China), Fulya Erdemci (Curator, 13th Istanbul Biennial), Kate Fowle (Chief Curator at Garage, Moscow, and Director - at - Large of ICI, New York), Hou Hanru (Curator of the 5th Auckland Triennial), Vasif Kortun (Director of Research and Programs, SALT, Istanbul), Julian Myers (Associate Professor at California College of the Arts, San Francisco), Georges Pfruender (Head of the Wits School of Arts, Johannesburg, South Africa), Andrea Phillips (Curator of Public Programme, Istanbul Biennial 2013), Sally Tallant (Director of the Liverpool Biennial), and Fatos Ustek (independent curator and art cCurator, 13th Istanbul Biennial), Kate Fowle (Chief Curator at Garage, Moscow, and Director - at - Large of ICI, New York), Hou Hanru (Curator of the 5th Auckland Triennial), Vasif Kortun (Director of Research and Programs, SALT, Istanbul), Julian Myers (Associate Professor at California College of the Arts, San Francisco), Georges Pfruender (Head of the Wits School of Arts, Johannesburg, South Africa), Andrea Phillips (Curator of Public Programme, Istanbul Biennial 2013), Sally Tallant (Director of the Liverpool Biennial), and Fatos Ustek (independent curator and art cCurator at Garage, Moscow, and Director - at - Large of ICI, New York), Hou Hanru (Curator of the 5th Auckland Triennial), Vasif Kortun (Director of Research and Programs, SALT, Istanbul), Julian Myers (Associate Professor at California College of the Arts, San Francisco), Georges Pfruender (Head of the Wits School of Arts, Johannesburg, South Africa), Andrea Phillips (Curator of Public Programme, Istanbul Biennial 2013), Sally Tallant (Director of the Liverpool Biennial), and Fatos Ustek (independent curator and art cCurator of the 5th Auckland Triennial), Vasif Kortun (Director of Research and Programs, SALT, Istanbul), Julian Myers (Associate Professor at California College of the Arts, San Francisco), Georges Pfruender (Head of the Wits School of Arts, Johannesburg, South Africa), Andrea Phillips (Curator of Public Programme, Istanbul Biennial 2013), Sally Tallant (Director of the Liverpool Biennial), and Fatos Ustek (independent curator and art cCurator of Public Programme, Istanbul Biennial 2013), Sally Tallant (Director of the Liverpool Biennial), and Fatos Ustek (independent curator and art ccurator and art critic).

Davies has contributed to a wide range of research, programming, and archival projects related to art and photography in the Middle East since serving as associate curator of the Townhouse Gallery in Cairo between 2004 and 2006.

Shlomit Dror, independent curator and Research associate of American Art at the Newark Museum, New Jersey

In the past she was Associate Editor of Manifesta Journal, curator of the Research Section of dOCUMENTA (13), and coordinator of The Most Beautiful Kunsthalle in the World project at the Antonio Ratti Foundation.

The project is led by curators Professor Charles Quick and Elaine Speight with research associate Rachel Bartholomew.

Artist's Voice: History's Claim (90:00) Lynne Cooke, Curator, Dia Art Foundation Gary Garrels, Deputy Director, Exhibitions and Public Programs and Chief Curator, Hammer Museum Pip Laurenson, Head of Time - Based Media Conservation, Tate Anne Wagner, Professor of Modern and Contemporary Art, University of California, Berkeley Glenn Wharton, Conservator of Modern Art Chair: Carol Mancusi - Ungaro, Associate Director of Conservation and Research, Whitney Museum of American Art

In putting together this show, Valdés draws on his research and experience of working in Asia as Associate Curator of the 2014 Gwangju Biennial, as well as his background as a renowned Latin American curator who has been interested in art as a space for knowledge, both rational and irraCurator of the 2014 Gwangju Biennial, as well as his background as a renowned Latin American curator who has been interested in art as a space for knowledge, both rational and irracurator who has been interested in art as a space for knowledge, both rational and irrational.

4 - 5PM Panel discussion moderated by Executive Director Yael Reinharz with: Glenn Phillips, Getty Research Institute curator Adam Berg, artist and Adjunct Associate Professor, Otis College of Art and Design and Adjunct Faculty, CalArts

Iniva's Senior Curator and Research Associate Grant Watson gives insights into the Social Fabric exhibition.

Before joining The Blanton in 2010, Crossman served as curator of academic programs at the Allen Memorial Art Museum, Oberlin College, and as a curatorial research associate and education programs assistant at the Hirshhorn Museum and Sculpture Garden.