Not exact matches
For example, how often do you find yourself referring to the marketing personas you built several years ago — buyer personas that were based on
assumptions you once made
about your
audience and its buying habits?
The best segmentation tactics are based on true data
about your
audience rather than
assumptions based on their role or geography.
But the picture is so utterly lacking in any serious theological vision that all the
audience hears is a mishmash of words gleaned from popular culture's
assumptions about the man called Jesus — references to love, kingdom, power, sin, guilt, anger, forgiveness, not to mention that constant, most oppressive of all forces, the one who makes ultimate demands, God himself.
What's so dismaying, finally,
about By the Light of My Father's Smile is Alice Walker's apparent
assumption that her only job is to serve as a cheerleader for Eros, to exhort her
audience to love and respect their bodies.»
Now we have another film built on a similar scaffold: Game Night is also
about friends, games, secrets, lies, a disappearance, sudden violence, and the overturning of
audience assumptions.
And yes, I felt I could offer them something unique, something that challenged them and forced the
audience to revisit
assumptions they might have
about Richard Gere's career, or Dennis Quaid's.
Karen Mapp of Harvard Graduate School of Education stated that it is vital to transform yourself before doing transformative family engagement work, asking the
audience to consider «what
assumptions or biases do we have
about families as they sit across the table from us in our schools».
Even though the shot of Mozzhukhin's face remained identical with each cut, the
audience made different
assumptions about the meaning of his expression.
If you're not a part of your target
audience, your
assumptions about it are probably full of prejudices and could be plain wrong.
Fusing personal experiences with an articulate political message, Adrian Piper's work as both an artist and a philosopher has pushed her
audiences to interrogate and reassess longstanding societal
assumptions about gender, class, and race.
Although nearly one hundred years have passed since the birth of Dada in Zurich and much has changed in terms of the initial purpose of the movement (which was founded to diminish social pretensions, ridicule the human situation, and force
audience self - awareness by attacking their common
assumptions about art), there are contemporary artists, like Boller, who employ similar forms, gestures and attitudes towards materials which like a steady heart seem to keep the beat of the movement alive.