Sentences with phrase «at ait»

It was the second in a series of the Nobel Laureates» and Eminent Person's Lectures at AIT following Prof. Jerome Karle's lecture titled «The Role of Science and Technology in Quest for a World at Peace» on November 26, 2003.
Stay: January 19, 2015 - April 17, 2015 Founder: Mondriaan Fonds Event: The 7th «Yebizo» Yebisu International Festival for the Art and Alternative Visions 2015 partnership program AIT ARTIST TALK # 66 Elodie Hiryczuk (March 2, 2015, 19:00 - 21:00 at AIT Room Daikanyama)
At AIT, has curated several art projects and Residency Program exhibitions such as «Divided Against Ourselves» (2013 / YAMAMOTO GENDAI), «Home Again» (2012 / Hara Museum of Contemporary Art), and «Round» (2011 / hiromiyoshii roppongi).
On completion of residency at AIT, she will begin a new cross-disciplinary ceramics role as Lecturer at Westminster University, London.
In addition visiting artists, curators and critics have also spoken at AIT, wherever possible reflecting current developments in contemporary art.
Stay: January 21 - March 23, 2014 Co-organized by: The Agency of Cultural Affairs (Bunkacho) Event: BYOB - Bring Your Own Beamer at AIT (February 22, 2014) Polish Art Night: «Franek kimono king bruce lee karate mistrz «Video art and food with two emerging artists from Poland.
Her research at AIT is based on a various references concerning Japanese aesthetics, for instance, from Junichiro Tanizaki's In Praise of Shadows and the films of Akira Kurosawa and Yasujiro Ozu.
The core of her residency at AIT is formed by architectural and geographical references from Junichiro Tanizaki's «In Praise of Shadows» and the films of Akira Kurosawa.
Kiev international Biennale ARSENALE 2012, Mystetskyi Arsenal, (Kiev, Ukraine, 2012), Ain't no sorry, Museum of Modern Art, (Warsaw, Poland, 2008) Stay: January 21 - March 23, 2014 Co-organized by: The Agency of Cultural Affairs (Bunkacho) Event: BYOB - Bring Your Own Beamer at AIT (February 22, 2014) Polish Art Night: «Franek kimono king bruce lee karate mistrz «Video art and food with two emerging artists from Poland.
Dokpesi made this call at the AIT Christmas party after his...
At AIT, we vigorously seek opportunities to earn our customers» trust by delivering exceptional worldwide logistics solutions while passionately valuing our co-workers, partners and communities.

Not exact matches

«Consortium» Tackles «Criminal Use Of Dark Web» Sponsored by the Austrian Institute of Technology GmbH (AIT) under the auspices of the European Commission, a fifteen - strong «consortium» made up of seven EU member states will look at how to «prevent criminal use of the dark web and virtual currencies.»
I don't think it's a coincidence that these events are being held at ARMY basic and AIT bases where they have a captive audience.
The soldiers that oversee AIT graduations are NCOs, and if our country has been at war for ten years, then it is only reasonable to conclude they all have multiple combat tours and have made countless sacrifices.
If the private was graduating from AIT, then he had to have graduated from BCT, and I hate to bust his bubble, but as the wife and mother of active duty service members I know they have invocations and benedictions at those ceremonies, so why did he just now embrace his inner atheism?
Media guru and owner of African Independent Television, AIT, a division of Daar Communications PLC, Raymond Dokpesi, has fired back at president - elect, Gen Muhammadu Buhari over...
«Our data suggest that a single bout of AIT performed three times per week may be a time - efficient strategy to improve VO2max,» says Arnt Erik Tjønna, a postdoctoral fellow at the centre and lead author of the study.
If you're in San Diego and want to say Hi, the best place to look for me will be at booth # 2001, where First Comics have borrowed some space to setup shop from AiT.
The short to intermediate picture for AIT looks weak, especially if it is unable to hold the $ 33 support level, at which point the stock would begin making lower lows, a bearish sign.
The Fonds BKVB has access to artist - in - residence places and studios in New York (ISCP), Annandale - on - Hudson (CCS Bard), Berlin (Künstlerhaus Bethanien and AiR Berlin Alexanderplatz), Paris (Atelier Holsboer), Banff (Center for the Arts, Canada), Rome (Projectstudio at the American Academy), Stockholm (IASPIS), Istanbul (PiST / / /), Cairo (Townhouse Gallery), Beijing (Projectstudio), Tokyo (AIT), Rio de Janeiro / Sao Paulo (Capacete), Curaçao (IBB), Belgium (WIELS), Prague (Meetfactory), and Moengo, (Tembe Art Studio, Surinam).
Stay: May 9, 2016 - Jul 28, 2016 Co-organized by: The Backers Foundation Upcoming Exhibition: The BAR vol.9 (The Backers Foundation and AIT Residence Programme) New works by Thermakrishnar Krishnapriya and Chaw Ei Thein (Saturday, July 9 - Saturday, July 23, 2016 at YAMAMOTO GENDAI) Opening reception: 18:00 - 20:00, Saturday, July 9, 2016 at YAMAMOTO GENDAI
【 概要 】 日時 : 2015年11月25日 ( 水 ) 19:00 - 21:00 場所 : 代官山AITルーム ( 東京都渋谷区猿楽町30 - 8 ツインビル代官山 B - 403 ) [MAP] 主催 : NPO法人アーツイニシアティヴトウキョウ [AIT / エイト] 協力 : カムデン ・ アーツ ・ センター 定員 : 30名 ( 予約制 、 先着順 ) 参加費 : 一般1, 000 円 ( 税込み ) 、 学生 ・ ベースメンバー800円 ( 税込み ) 、 ハウスメンバー / サポートメンバー無料 * 1ドリンク付き * 本トークは 、 英語のみで行われます 。 ( 日本語の逐次通訳はありません ) 【 お申し込み方法 】 otoiawase@a-i-t.net 宛てに 、 タイトルを 「 AIT SLIDE TALK # 33参加希望 」 とし 、 お名前 ( ふりがな ) 、 ご連絡先を明記したお申込メールをお送りください 。 ( @ を半角にして 、 お使いください ) 【 スピーカー略歴 】 Jenni Lomax / ジェニー ・ ロマックス Director, Camden Arts Centre (London, UK) Jenni Lomax has been the director of Camden Arts Centre, London, since 1990, where she has established a forward thinking programme of international exhibitions, artists, residencies and education projects, all of which have artists and their ideas at the core.
Stay: May 13, 2015 - July 31, 2015 Co-organized by: The Backers Foundation Group exhibition: «TIME OF OTHERS» (April 11, 2015 - June 28, 2015 at Museum of Contemporary Art Tokyo) Artist Talk: «TIME OF OTHERS» Meeting the artist Vol.1 Rattana Vandy (15:00 - May 30, 2015 at Museum of Contemporary Art Tokyo Upcoming Exhibition: The BAR vol.8 (The Backers Foundation and AIT Residence Programme) «Today of Yesterday» New works by Rattana Vandy and Kanitha Tith from Cambodia (Saturday, July 11 - Saturday, July 25, 2015 at YAMAMOTO GENDAI) Opening reception: 18:00 - 20:00, Saturday, July 11, 2015 at YAMAMOTO GENDAI
Currently working as a curator, lecturer, and facilitator of Artist in Residence Program at Arts Initiative Tokyo [AIT].
The talk will invite three artists currently undertaking residencies at ARCUS Project, Ernesto Bautista from El Salvador, Gan Siong King from Malaysia, Yen Noh based in Austria and one artist, Jenny Yurshansky who is staying with AIT in its residency program, she is based in Sweden and the USA.
Stay: February 1 - March 31, 2016 Co-organized by: The Agency of Cultural Affairs (Bunkacho) Event: Exhibition «Karaoke at Le moulin de la Galette» The Revival of the Lost Exhibition by Thai Artivists curated by Atikom Mukdaprakorn Date: Fri, Feb 12 - Sat, Feb 20, 2016, 11:00 - 19:00, Closed on Sunday Place: AIT Room Daikanyama Opening Reception: Fri, Feb 12, 19:00 - 21:00 (Door Open 18:30) * Artist Talk starts at 19:30
Stay: September, 5, 2014 - September 13 / February, 2015 (scheduled) Co-organized by: The Agency of Cultural Affairs (Bunkacho) Event: AIT SLIDE TALK # 31 (Tuesday, September 9th, 19:00 - 21:00) «At the still point of the turning world...» - a salon event curated by Gina Buenfeld (February 21, 2015) Related: Tokyo Correspondence (Camden Arts Centre website) At the Still Point of the Turning World (Camden Arts Centre website)
[AIT Artist in Residence]- Menja Stevenson (Germany / Supported by Mercedes - Benz Japan Co., Ltd.)- Fredrik Färg and Emma Marga Blanche (Sweden / Supported by IASPIS)[OUTLINE] Date: Friday, November 27, 2015 Time: 18:30 - 21:30, Mini Talks begin at 19:00 Venue: AIT room Daikanyama [MAP] Organized by: Arts Initiative Tokyo [AIT] Supported by: ARCUS Project, IASPIS, Mercedes - Benz Japan Co., Ltd..
Daikanyama B - 403, 30 - 8 Sarugaku - cho, Shibuya - ku)[MAP] Capacity: 20 Admission: 1,000 yen (general), 800 yen (MAD students, general students and AIT base member), free (AIT house and support member) All admissions with 1 drink / Booking required / Consecutive translation available 後援 : Mondriaan Fonds, Embassy of the Kingdom of the Netherlands [Booking] Please send an email with its subject line as «AIT ARTIST TALK # 73» at otoiawase@a-i-t.net, including your name, contact phone number and the category of your admission.
Commencing at 7 pm, the talk and video screening will be led by Rattana Vandy and Kanitha Tith, two Cambodian artists who are currently in Tokyo with the support of The Backers Foundation and AIT.
For Pilgrim's time with AIT he will build upon a new body of work entitled «ERASURE» that focuses on the body as a site of action in at a time of impending ecological collapse and the fusion between human, non human species and machine in an era of hypermodernity.
>> > Japanese ARCUS + AIT Artist Mini-Talk «Peeled, Peel, Peeling» Talk by artists from El Salvador, Malaysia, Korea and Sweden Date: Sunday, November 27, 2016 Time: 16:30 - 18:00 * Talk begins at 16:30 followed by a gathering from 18:00 Venue: ARCUS Studio (2418, Itatoi, Moriya, Ibaraki) Access: http://www.arcus-project.com/en/about/access.html Organized by ARCUS Project, Arts Initiative Tokyo [AIT] Supported by IASPIS * Admission Free / No booking required / Consecutive translation available ARCUS Project and Arts Initiative Tokyo [AIT] are pleased to host a mini-talk on Sunday, November 27, 2016 starting from 16:30 at ARCUS Studio which is the base of ARCUS Project.
As a project that emerged from Buenfeld's curatorial residency with AIT last year, and her ongoing research, «At the still point of the turning world...» is a selection of works that proposes questions about sculptural and dynamic form with a particular focus on dance and ceramics - two craft traditions with a strong historical and contemporary presence in Japan.
Summary Title: «At the still point of the turning world...» Date: Saturday 21st February, 2015 Time: 15:30 - 21:00 (Doors open at 15:00) Venue: SHIBAURA HOUSE ( Level 5, 3 -15-4 Shibaura, Minato - ku, Tokyo ) [Access] Admission: Free (refreshments will be available for purchase) Capacity: 50 people No reservations needed Organisers: Arts Initiative Tokyo [AIT], Camden Arts Centre Supported by: Agency for Cultural Affairs Government of Japan in the fiscal 2014, British Council, SHIBAURA HOUSE Curator: Gina Buenfeld (Camden Arts Centre) Time table 15:00 Doors open 15:30 - 17:00 Introductory presentations and discussion - Intermission - 17:30 - 18:30 Act 01 Theme: Noh (screening)- Intermission - 18:45 - 20:00 Act 02 Theme: Butoh (screening, live performance) 20:00 - 21:00 Open Discussion Participating artists Live Performance: Mildred Rambaud Talk: Caroline Achaintre Jesse Wine Screening: 1: Theme / Noh (45 min) Hiraki Sawa Jeremy Millar Jefford Horrigan Ursula Mayer Manon de Boer Joachim Koester 2: Theme / Butoh (45 min) Mildred Rambaud Simon Martin Trisha Brown Babette Mangolte Fernanda Muñoz Newsome and Ina Dokmo Sriwhana Spong [Artist ProfilAt the still point of the turning world...» Date: Saturday 21st February, 2015 Time: 15:30 - 21:00 (Doors open at 15:00) Venue: SHIBAURA HOUSE ( Level 5, 3 -15-4 Shibaura, Minato - ku, Tokyo ) [Access] Admission: Free (refreshments will be available for purchase) Capacity: 50 people No reservations needed Organisers: Arts Initiative Tokyo [AIT], Camden Arts Centre Supported by: Agency for Cultural Affairs Government of Japan in the fiscal 2014, British Council, SHIBAURA HOUSE Curator: Gina Buenfeld (Camden Arts Centre) Time table 15:00 Doors open 15:30 - 17:00 Introductory presentations and discussion - Intermission - 17:30 - 18:30 Act 01 Theme: Noh (screening)- Intermission - 18:45 - 20:00 Act 02 Theme: Butoh (screening, live performance) 20:00 - 21:00 Open Discussion Participating artists Live Performance: Mildred Rambaud Talk: Caroline Achaintre Jesse Wine Screening: 1: Theme / Noh (45 min) Hiraki Sawa Jeremy Millar Jefford Horrigan Ursula Mayer Manon de Boer Joachim Koester 2: Theme / Butoh (45 min) Mildred Rambaud Simon Martin Trisha Brown Babette Mangolte Fernanda Muñoz Newsome and Ina Dokmo Sriwhana Spong [Artist Profilat 15:00) Venue: SHIBAURA HOUSE ( Level 5, 3 -15-4 Shibaura, Minato - ku, Tokyo ) [Access] Admission: Free (refreshments will be available for purchase) Capacity: 50 people No reservations needed Organisers: Arts Initiative Tokyo [AIT], Camden Arts Centre Supported by: Agency for Cultural Affairs Government of Japan in the fiscal 2014, British Council, SHIBAURA HOUSE Curator: Gina Buenfeld (Camden Arts Centre) Time table 15:00 Doors open 15:30 - 17:00 Introductory presentations and discussion - Intermission - 17:30 - 18:30 Act 01 Theme: Noh (screening)- Intermission - 18:45 - 20:00 Act 02 Theme: Butoh (screening, live performance) 20:00 - 21:00 Open Discussion Participating artists Live Performance: Mildred Rambaud Talk: Caroline Achaintre Jesse Wine Screening: 1: Theme / Noh (45 min) Hiraki Sawa Jeremy Millar Jefford Horrigan Ursula Mayer Manon de Boer Joachim Koester 2: Theme / Butoh (45 min) Mildred Rambaud Simon Martin Trisha Brown Babette Mangolte Fernanda Muñoz Newsome and Ina Dokmo Sriwhana Spong [Artist Profile]
Deeply involved with Japan, he was an AIT Residency Program participant in 2009, has held solo exhibitions at Takuro Someya Contemporary Art (2010, 2016, 2017) and an interactive art installation in collaboration with Calvin Klein (2012).
[OUTLINE] Date: Monday, October 23, 2017 Time: 19:00 - 21:00 (18:30 Door open) Venue: Daikanyama AIT Room Capacity: 20 * Booking required Admission: JPY1000 (JPY800 for Students and AIT Base Members / Free for AIT House and Support Members) * All admissions with 1 drink / Booking required / English only [Reservation] Please send an email with its subject line as «AIT ARTIST TALK # 71» at otoiawase@a-i-t.net, including your name, contact phone number and the category of your admission.
Moderator: Roger McDonald [AIT] Translation: Satoshi Ikeda Organized by Arts Initiative Tokyo * Agency for Cultural Affairs Government of Japan in the fiscal 2016 [Booking] Please send an email with its subject line as «AIT ARTIST TALK # 69» at otoiawase@a-i-t.net, including your name, contact phone number and the category of your admission.
Stay: May 14, 2015 - Aug 7, 2015 Co-organized by: The Backers Foundation Upcoming Exhibition: The BAR vol.8 (The Backers Foundation and AIT Residence Programme) «Today of Yesterday» New works by Rattana Vandy and Kanitha Tith from Cambodia (Saturday, July 11 - Saturday, July 25, 2015 at YAMAMOTO GENDAI) Opening reception: 18:00 - 20:00, Saturday, July 11, 2015 at YAMAMOTO GENDAI
Stay: May 10, 2017 - Aug 6, 2017 Co-organized by The Backers Foundation Exhibition: The BAR Vol.10 (The Backers Foundation and AIT Residence Programme) «Shaping Voices, Silent Skies» New works by Miti Ruangkritya (Thailand) and Sarah Abu Abdallah (Saudi Arabia) Saturday, July 1 - Monday / National holiday, July 17, 2017 8 / ART GALLERY / Tomio Koyama Gallery Opening reception: 18:00 - 20:00, Friday, June 30 Artist Talk: 14:00 - 16:00, Saturday, July 8 at 8 / COURT (Shibuya Hikarie 8F)
【 Exhibition Details 】 Exhibition title: Art Scope 2012 - 2014 - Remains of Their Journeys Dates: July 12 (Saturday)- October 13 (Monday, national holiday), 2014 Place: Hara Museum of Contemporary Art, 4-7-25 Kitashinagawa, Shinagawa - ku, Tokyo 140 - 0001 Organized by: Hara Museum of Contemporary Art and Daimler Foundation Japan Under the auspices of: Embassy of the Federal Republic of Germany in Japan Supported by: Mercedes - Benz Japan Co., Ltd., Mercedes - Benz Finance Co., Ltd. and Mitsubishi Fuso Truck and Bus Corporation Cooperation provided by: Arts Initiative Tokyo [AIT] Participating artists: Ryosuke Imamura, Satoshi Ohno, Rita Hensen, Benedikt Partenheimer Hours: 11:00 am - 5:00 pm, Wednesday until 8:00 pm (last entry 30 minutes before closing) Closed: Mondays (except July 21, September 15 and October 13), July 22 and September 16 Admission: General 1,100 yen; Students 700 yen (high school and university) or 500 yen (elementary and junior high); Free for Hara Museum members, students through high school every Saturday during the school term; 100 yen discount per person for groups of 20 or more 【 Related Event 】 Artist Talk July 12 (Saturday), 2014, 2:30 - 4:30 pm Place: The Hall at the Hara Museum of Contemporary Art Speakers (scheduled): Ryosuke Imamura, Satoshi Ohno, Rita Hensen, Benedikt Partenheimer, Atsuo Yasuda (Hara Museum of Contemporary Art) Fee: Regular 2,000 yen (includes museum admission), Museum members and up to 2 guests 1,000 yen Reservations are required (requests accepted from June 24).
He obtained a BA in Film at the University of the Philippines, an MFA in Fine Art at Goldsmiths - University of London, residencies at the Rijksakademie in Amsterdam and AIT in Tokyo, and visiting lectureships at London Metropolitan University and Tokyo National University of Fine Arts.
That said, and regarding «AIT», much as I admire Al Gore's sentiment, I think the use of exaggeration and apocalyptic language actually works * against * the clarity of the climate science, such as it stands at present, rather than promoting clarity.
I'd never watched AIT — but when I eventually did — I was disgusted at the poor level of scientific content and amazed that anyone would hold this up as some kind of «proof»!
The AIT had to consider whether Chindamo was an EEA national who had resided in the UK for a continuous period of at least 10 years before the deportation decision.
The AIT recorded that at the hearing, Home Office lawyers elected not to cross examine Chindamo or his witnesses.
aIt denotes that disparities in mean mental health scores between married and widowed persons reflect statistically significant differences at the p <.05 level.
I used to be a French professor before being at home with my littles and wanted to send you wishes «en francais» since it is among the languages your sweet little boy hears each day:) Maybe you could teach him Jean 3:16 when he is a little older... (please excuse the lack of accents): «Car Dieu a tant aime le monde qu'Il a donne son Fils unique afin que quiquonque croit en lui ne perisse point mais qu'Il ait la vie eternelle.»
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