Sentences with phrase «at aspect ratio»

The big smartphone flaunts a giant and exquisitely beautiful, 6.3 - inch Infinity Display, punching a resolution of 1440 x 2960 pixels, at an aspect ratio of 18.5:9, making a gargantuan pixel density of ~ 521 PPI.

The Vision 3 features a large, 5.7 - inch, edge to edge display at an aspect ratio of 18:9 and an HD + resolution of 1440 x 720 pixels, making a pixel density of 282 PPI.

The 6 - inch screen diagonal at this aspect ratio means it fits comfortably in the hand, and while it's a little slick, it's not what you'd call a particularly slippery fish.

While a traditional flatscreen monitor will almost always display at an aspect ratio of 16:9 (the width - to - height measurement, or 1.77:1), ultrawide monitors stretch things out on a horizontal bias to 64:27 (2.37:1).

XC I have a solo show in February at Aspect Ratio gallery in Chicago, which is a video focused space.

Sánchez's first solo exhibition, mounted at Aspect Ratio, continued to play with conventions of vision and picturing that have been historically linked to painting, but were here approached through the material conditions of the moving image.

Sánchez's first solo exhibition, mounted at Aspect Ratio, continued to play with conventions of vision and picturing that have been historically linked to painting, but were here approached through the material conditions

Currently, Zanisnik is exhibiting in a solo show, titled «The Ineluctable Modality,» at Aspect Ratio in Chicago.

THE DVD - 2002 release MGM releases The Return of the Living Dead on an excellent platter that features a beautiful anamorphically - enhanced video transfer (at an aspect ratio of approximately 1.87:1) on one side and a standard full - frame presentation on the other.

, a CinemaScope cartoon presented in dupey non-anamorphic widescreen at an aspect ratio of 2.35:1.

Not exact matches

Many apps are still optimized for the regular 16:9 aspect ratio that most smartphones used before 2016, and some apps are slightly cut off at the bottom as a result.

That is one of the aspects of his game that attracted Allardyce, who said: «Joey has been among the goalscorers for Manchester City over the last two years and I felt this was the biggest area where Newcastle needed to improve having looked at the goal - scoring ratio of midfield players last season.

Part 1 — Press Here Looking at goal ratio per game only reveals part of the story, we need to look at key aspects of TW's game over 3 - 4 seasons to see how he has developed (if at all)-LSB-...]

«A strong correlation was shown between aspect ratio and the degree of tilting,» says Joseph Wartman, a geotechnical engineer at Drexel University.

If the postcard is used, the most check the date on the Aspect Ratio If you see postcards for sale but are unsure of their size when looking at them on your computer screen, you can usually tell by the «Aspect

Aspect Ratio If you see postcards for sale but are unsure of their size when looking at them on your computer screen, you can usually tell by the «Aspect The first and the best free dating site for Expats in Germany.

Although the world's first picture post cards date from the 1860s to the mid-1870s, post cards, as we know them, came Aspect Ratio If you see postcards for sale but are unsure of their size when looking at them on your computer screen, you can usually tell by the «Aspect

For an additional preview look at how all the films have been newly tweaked for this Blu - ray release, including aspect ratio framing, color corrections, soundtrack enhancement and the replacement of the «Muppet Yoda» with an all - CGI version in the Phantom Menace, check out the report from Slash Film.

Those like me accustomed to seeing the Indiana Jones films in the wonder of degraded pan-and-scan videocassettes should rejoice at the sight of these DVDs, which offer higher resolution and preserve the considerable frame width in anamorphic widescreen transfers nearer to 2.35:1 than the 2.20:1 aspect ratios widely cited.

Presented in Dolby Digital with Widescreen 2.39:1 aspect ratio, Oscar Faura's handsomely photographed frames generally capture the sense of war torn England as a prolonged race against the clock transpires at Bletchley Park.

As with the earlier edition, both films are presented in anamorphic widescreen at the original aspect ratio of 2.35:1.

The most unusual visual oddity or style choice, depending on how you look at it, is the forced letter box aspect ratio that the game has.

As one of the few new films these days employing the narrower aspect ratio (approximated here at 1.78:1), the movie stands out by using all of Blu - ray's 1080p resolution.

A shame, though, that neither the BD nor the 4K Ultra-HD release offers the movie at the 1.90:1 aspect ratio, as it was projected in IMAX; the spectacle stuff, if anything, wants for height in this incarnation.

THE DVDs Carrying the «Vault Disney» tag within its platters but not on the cover art itself, Disney's THX - certified, 2 - disc Special Edition of 20,000 Leagues Under the Sea (overseen by production house Sparkhill) presents the film at its original, true CinemaScope aspect ratio of 2.55:1 in a transfer enhanced for 16x9 displays.

Gladly, this new release puts the aspect ratio issue to bed at least for those who have upgraded to Blu - ray.

At the end of the day though, while Anderson has made some little efforts to shrug off some the more comfortable elements of his films — going handheld, changing up aspect ratios, ditching his trademark fonts — he is himself, the filmmaker he wants to be and he has fully embraced that.

Still, it's kind of a fun movie and, restored it to its original widescreen aspect ratio, this disc makes for a decent first - time purchase at the right price.

The very first image we see announces Chazelle's grand ambitions: we see a black - and - white square frame — the old pre-1953 Academy aspect ratio of 4:3 — with the word CinemaScope framed in the center, its right and left syllables cut off, which suddenly expands to the wider aspect ratio that the word implies (in this case, 2.55:1), gaining color at the same time.

The 1.33:1 fullscreen aspect ratio is appropriate, and at least here, it does not entail any classic Disney film get cropped to fit the standard television dimensions.

The image, transferred at the 1.78:1 HDTV aspect ratio, has a layer of soft, era - appropriate film grain throughout and is remarkably clean, though it occasionally exhibits a mild degree of gate weave.

It's been scanned in full native 4K, graded for HDR10 and Dolby Vision, and the result is presented here on 4K Ultra HD at the correct 2.39:1 theatrical aspect ratio.

While all films in the set ring with Hammer's trademark attention to colour process, offering bloody reds and fleshy fleshtones, Horror of Dracula's 1.77:1 anamorphic widescreen image (recropped from its original 1.66:1 aspect ratio) is sadly jumping with grain so dense it's at times almost misty.

At a recent roundtable interview, Anderson and production designer Adam Stockhausen talked about how the project first came together, what inspired the story, the influence of Viennese writer Stefan Zweig's work on the multi-layered storytelling approach, their collaboration on the vision for the movie, how they created this rich, lush cinematic world and brought the audience into it, how Anderson cultivated a communal atmosphere on set and made available a large selection of books and films to the cast during production, Stockhausen's favorite day of shooting, and the challenge of using different aspect ratios.

Scream Factory's cover copy implies the main difference is aspect ratios: Disc 1 presents the film in the HD - native aspect ratio of 1.78:1 and disc 2 in 1.66:1 — the latter billed as a «new 2K scan at director David Cronenberg's preferred aspect ratio.»

But if we played the NES or PSX roms, then we could play in landscape in the aspect ratio that they were released at... Which means huge black bars on both sides of a widescreen display.

The 1.78:1 presentation, an acceptable approximation of the 1.85:1 original aspect ratio, doesn't have the sharpness and detail of modern fare, but it is clean and untroubled nonetheless, at least in the theatrical cut.

THE DVD by Bill Chambers Just about the only thing that drives me nuts about Blade II on DVD has nothing to do with the way it was mastered: The first film was in 2.35:1, while Del Toro chose to shoot the sequel at 1.85:1 — I loathe an inconsistency in aspect ratio between franchise entries (see also the Alien «Legacy» and the Halloween films).

Additionally, the pan-and-scan version on US streaming services has excised the score, but the UK version has the correct widescreen aspect ratio and soundtrack (although the latter is a little poorly mixed at times.)

While the regular «director's cut» of the feature tracks at about 76 minutes, there's also an 88 - minute cut of the movie, «presented in authentic VHS - vision» (read: a crappy dubbed VHS version, in 1.33:1 aspect ratio), for what it's worth.

It's only during the rushed final act that the film starts to pull apart at the seams, the rest of it boxed up by the square «Academy» aspect ratio, bound together in Crystel Fournier's Cold War cinematography, and welded shut by the dry heat of Nicchiarelli's humor (which even reduces Nico's rumored anti-semitic streak into a cheap punchline rather than wrestle with it in a meaningful way).

Nonetheless, based on the questionable widescreen framing, a definitive statement on the film's proper aspect ratio can not be made at this time.

This mode screws up the aspect ratio of the game in exactly the same way split - screen multiplayer did in Sonic 2, which is either a fun nostalgic nod or a strange annoyance depending on how fondly you look back at the quirks of a game from 25 years ago.

Wild At Heart appears in an aspect ratio of approximately 2.35:1 on this Blu - ray Disc.

The weird aspect ratio points to a 65 mm source, but that isn't precisely the case: the picture was shot with the Sony F65 CineAlta, a 4K camera with a Super35 sensor and a base AR of 1.9:1, which is what Tomorrowland was projected at in IMAX.

Transferred at the same aspect ratio and likewise enhanced for 16x9 displays, the other versions, while sufficiently clean, are comparatively lacking in vitality.

Disney's DVD release presents The Island at the Top of the World in a 1.85:1 widescreen aspect ratio, and for the first time, the film is enhanced for 16x9 televisions.

Presented at the original 2.39:1 aspect ratio, the Ultra HD image is... well, a little bit underwhelming.

The great news, however, is that all 9 of these shorts are also available here as originally produced in their 1.33:1 TV broadcast aspect ratio... and these are indeed native 4K scans of the original film negatives that were completed in 2014 by Ron Smith and his team at Technicolor.

Appearing in its original widescreen theatrical aspect ratio of 1.75:1 and enhanced for 16x9 televisions, Old Yeller looks to be at its peak.