Sentences with phrase «at box gallery»

In 2012 she was invited to be the Box Artist - in - Residence at Knox College in Galesburg, IL where she had a solo show at the Box Gallery.
If you're more interested in monochromatic paintings (rather than animal parts), attend Tom Miller's opening tonight at Box Gallery, August 12, 5 - 7 PM.
[8] Her Field Piece (1968 — 1972) was the central work of a show at The Box gallery in Los Angeles (November 17, 2007 — January 5, 2008).

Not exact matches

Dorchester Open Studios will kick off with a performance this evening at Black Box Theatre in Codman Square, and will continue from noon to 5 pm on Saturday and Sunday with pop - up galleries, street art in the making, and more.
5) JAMES R. «RICK» PERRY, PERSONAL FINANCIAL STATEMENT, Part II 2 (1997)(showing Perry invested in Movie Gallery, Inc), available at Texas State Ethics Commission * 201 East 14th St. * 10th Floor * P. O. Box 12070 * Austin, TX 78711 - 2070.
A few blocks away at the Paramount (1990), guests enter a tall dark box with a massive wedge of stair in the corner which leads to a gallery where it's possible to watch the theatre of activity below.
Check out my project gallery here, or search using the box at the top of each page.
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NEW YORK, United States — At Proenza Schouler's Spring / Summer 2017 runway show held in the Dia: Chelsea art gallery, box - shaped seats draped with black patent leather were arranged in a Pac - Man maze.
Both the Pass and the single tickets are always sold through Town Hall Theater, either on the THT website, at the box office in the Jackson Gallery or day of show at the THT lobby.For the 2018/19 season, MNFF expects to expand the Winter Screening Series yet again to seven films beginning with a pre-Thanksgiving film in mid-November.
If the completist inside you opts to pick up this set at its reasonable release date discount pricing, you'll likely want to still keep the Toy Box, if only for the worthwhile extras from that set which have not been ported over here, such as the Tin Toy short, several animation featurettes, more expansive art galleries, original story treatments, sound effects - only track, and the making - of documentary that has been unfavorably abbreviated.
Menichino tells Shelter Me that on top of the donations themselves, she's hopeful Goldberg's gallery will «spark interest in the homeless animals that we have here at the shelter» and «give others the idea to think outside of the box when it comes to fundraising for the homeless pets at the Humane Society of Tampa Bay.»
Not only will your tile remain a permanent part of the Tribute Gallery at Animal League America, but you can also receive a second tile that is either inlaid in a felt - lined keepsake box or placed in a frame that is suitable for hanging.
For more information contact Haystack Gallery at PO Box 12, Cannon Beach, OR 97110.
Amenities available at The Abian Resort & Spa: Total Number of Room 11, Number of floors 1, Elegant Main Swimming Pool 1, Number of Gift Shop and Gallery 1, Reception Hours 24 Hours, Laundry Service, Library, Tour Desk Foreign Exchange, Doctor on call, Luggage Storage Room, Safety Deposit Box, Fax / E-mail service, Shuttle Bus to - from Ubud, Airport Transfer on request.
As mentioned and as the box games title hints at, LEGO Batman 2 isn't just about Batman anymore, bringing in Superman, the Justice League and a considerable chunk of the Dark Knight's rogues gallery into the mix, such as Poison Ivy, Captain Boomerang (He's just so awesome.
Take a look at our gallery of its contents: Unfortunately the Black Box edition is no longer available to purchase, but the Day One edition is still over...
For more screens and images of the box sets, check out our gallery below and the gallery at jeuxvideo24.
Lévy Gorvy — which last night opened a Dan Colen show at its gallery, just a 10 - minute walk from the Armory — sold a Warhol Brillo box for which it said it had been asking around $ 1 million and a 1982 Basquiat,
Lévy Gorvy — which last night opened a Dan Colen show at its gallery, just a 10 - minute walk from the Armory — sold a Warhol Brillo box for which it said it had been asking around $ 1 million and a 1982 Basquiat, Extra Cigarette, which had carried a price tag somewhere under $ 5 million.
If you have not heard of fantastic photo book by Meryl Meisler, Disco Era Bushwick: A Tale of Two Cities, you must be living under a rock because everyone, including Bushwick Daily have been raving about this amazing photography project virtually non-stop since its launch during Bushwick Open Studios at Black Box Gallery at Bizarre
Their specters hang in the air of Otero's current show of recent work at Lehmann Maupin Gallery, where he has plumbed the depths of his paint box and come up with a plethora of color combinations that are sure to dazzle the eye, not to mention stimulate the other four senses.
Her practice also has included curatorial projects with Pratt Center for Community Development and Bedford - Stuyvesant Restoration Corporation, and at the Ice Box Gallery in Philadelphia.
Leading the pack of institutionally - recognised artists enjoying solo attention at the fair are figures including Pierre Huyghe, whose mesmeric L'Expédition Scintillante Act II (Light Box)(2002) is presented by Marian Goodman Gallery (C21) following Huyghe's acclaimed installation at Skulptur Projekte Munster 8 and ahead of a new installation at London's Serpentine Galleries this October.
She received her MFA from Columbia University and has exhibited her work at the Museum of Contemporary Art, Los Angeles (MOCA); Sculpture Center, New York; Night Gallery, Los Angeles; CANADA, New York; Cardi Black Box, Milan; Loyal Gallery, Stockholm; and Galerie Crevecoeur, Paris; among others.
Pierre Huyghe will be the focus of Marian Goodman Gallery's presentation (Booth C21) at Frieze New York (May 4 - 6, VIP Preview on May 2 - 3) with his iconic work: L'Expédition Scintillante, Acte 2, Untitled (Light Box)(2002).
Kim Rugg at Mark Moore Gallery Kim Rugg dismantles and reassembles things — mostly words and images, including newspaper articles, magazines, cereal boxes, stamp and now maps....
Arlen Austin (b. 1981, Winooski VT), has worked on an uncompensated or below minimum wage basis for: Columbia University School of the Arts, Scaramouche Gallery, Chinese Staff and Workers» Association, Brooklyn is Burning, Public Art Fund Development Grant, Daniele Ugolini Contemporary, National Mobilization Against Sweatshops, Lower Manhattan Cultural Council, Mole Vanvitelliana, Ancona, Sweatshop Free Upper West Side, Volta NYC, Creative Time / Queens Museum, 6 - 9 Months Project Space, Fischer - Landau Center for Contemporary Art, Barefoot in the Head at Bruce High Quality Foundation, White Box and Frederich Petzel Galleries.
His work has been exhibited at the Baltimore Museum of Contemporary Art, White Box Gallery, Rooster Contemporary Art, and Simon Gallery, and he will be part of a forthcoming show at Lesley Heller Workspace in New York.
Oklahoma City [ArtSpace] at Untitled Blue 7 Oklahoma Contemporary Arts Center Collected Thread dna galleries Downtown Library Downtown YMCA Full Circle Books Individual Artists of Oklahoma Gallery JRB Art at The Elms La Baguette (N. May) Lyric Theatre Nault Gallery Next Door Studios Oklahoma City Community College Library Oklahoma City University Art Department Paseo Art Space Pickard Art Gallery Prairie Thunder Baking Company Red Cup Regency Tower Apartments SixTwelve Studio Six Summerwine Art Gallery The Project Box
His box and pin works have also been featured in his retrospectives at the Whitney Museum of American Art, New York (1972 and 2003) and the National Gallery of Greece (2005) as well as in Offerings from a Restless Soul at The Metropolitan Museum of Art, New York (2014).
At Culturgest, Lisbon, by Justin Jaeckle Ignasi Aballi at Museo Nacional Centro de Arte Reina Sofía, Madrid, by Keith Patrick Göteborg International Biennal for Contemporary Art, by Sara Arrhenius David Claerbout at Marabouparken, Stockholm, by Stefanie Hessler Charlotte Prodger at Spike Island, Bristol, by David Trigg Dorothy Cross at Frith Street Gallery, London, by Sean Ashton Juha Pekka Matias Laakkonen at Corvi - Mora, London, by Oliver Basciano Grazia Varisco at Cortesi Gallery, London, by Mark Rappolt Gianfranco Baruchello at Massimo de Carlo, London, by Paul Pieroni Ben Burgis and Ksenia Pedan at Union Pacific, London, by Tim Steer The Human Face of Cryptoeconomies at Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire RigAt Culturgest, Lisbon, by Justin Jaeckle Ignasi Aballi at Museo Nacional Centro de Arte Reina Sofía, Madrid, by Keith Patrick Göteborg International Biennal for Contemporary Art, by Sara Arrhenius David Claerbout at Marabouparken, Stockholm, by Stefanie Hessler Charlotte Prodger at Spike Island, Bristol, by David Trigg Dorothy Cross at Frith Street Gallery, London, by Sean Ashton Juha Pekka Matias Laakkonen at Corvi - Mora, London, by Oliver Basciano Grazia Varisco at Cortesi Gallery, London, by Mark Rappolt Gianfranco Baruchello at Massimo de Carlo, London, by Paul Pieroni Ben Burgis and Ksenia Pedan at Union Pacific, London, by Tim Steer The Human Face of Cryptoeconomies at Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Museo Nacional Centro de Arte Reina Sofía, Madrid, by Keith Patrick Göteborg International Biennal for Contemporary Art, by Sara Arrhenius David Claerbout at Marabouparken, Stockholm, by Stefanie Hessler Charlotte Prodger at Spike Island, Bristol, by David Trigg Dorothy Cross at Frith Street Gallery, London, by Sean Ashton Juha Pekka Matias Laakkonen at Corvi - Mora, London, by Oliver Basciano Grazia Varisco at Cortesi Gallery, London, by Mark Rappolt Gianfranco Baruchello at Massimo de Carlo, London, by Paul Pieroni Ben Burgis and Ksenia Pedan at Union Pacific, London, by Tim Steer The Human Face of Cryptoeconomies at Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Marabouparken, Stockholm, by Stefanie Hessler Charlotte Prodger at Spike Island, Bristol, by David Trigg Dorothy Cross at Frith Street Gallery, London, by Sean Ashton Juha Pekka Matias Laakkonen at Corvi - Mora, London, by Oliver Basciano Grazia Varisco at Cortesi Gallery, London, by Mark Rappolt Gianfranco Baruchello at Massimo de Carlo, London, by Paul Pieroni Ben Burgis and Ksenia Pedan at Union Pacific, London, by Tim Steer The Human Face of Cryptoeconomies at Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Spike Island, Bristol, by David Trigg Dorothy Cross at Frith Street Gallery, London, by Sean Ashton Juha Pekka Matias Laakkonen at Corvi - Mora, London, by Oliver Basciano Grazia Varisco at Cortesi Gallery, London, by Mark Rappolt Gianfranco Baruchello at Massimo de Carlo, London, by Paul Pieroni Ben Burgis and Ksenia Pedan at Union Pacific, London, by Tim Steer The Human Face of Cryptoeconomies at Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Frith Street Gallery, London, by Sean Ashton Juha Pekka Matias Laakkonen at Corvi - Mora, London, by Oliver Basciano Grazia Varisco at Cortesi Gallery, London, by Mark Rappolt Gianfranco Baruchello at Massimo de Carlo, London, by Paul Pieroni Ben Burgis and Ksenia Pedan at Union Pacific, London, by Tim Steer The Human Face of Cryptoeconomies at Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Corvi - Mora, London, by Oliver Basciano Grazia Varisco at Cortesi Gallery, London, by Mark Rappolt Gianfranco Baruchello at Massimo de Carlo, London, by Paul Pieroni Ben Burgis and Ksenia Pedan at Union Pacific, London, by Tim Steer The Human Face of Cryptoeconomies at Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Cortesi Gallery, London, by Mark Rappolt Gianfranco Baruchello at Massimo de Carlo, London, by Paul Pieroni Ben Burgis and Ksenia Pedan at Union Pacific, London, by Tim Steer The Human Face of Cryptoeconomies at Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Massimo de Carlo, London, by Paul Pieroni Ben Burgis and Ksenia Pedan at Union Pacific, London, by Tim Steer The Human Face of Cryptoeconomies at Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Union Pacific, London, by Tim Steer The Human Face of Cryptoeconomies at Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigat Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigby
Mattingly has held solo shows at Galerie Adler in Frankfurt, Germany and at the New York Public Library, White Box, and Robert Mann Gallery in New York.
Reid Kelley has had solo exhibitions at the Neuer Kunstverein Wien, Vienna, Austria (2014); The Samuel Dorsky Museum of Art and the University Art Museum at SUNY Albany, NY (2014); The Institute of Contemporary Art / Boston, Boston; Yale University Art Gallery, New Haven, CT (2013); The Contemporary Austin, Austin, TX (2013); The Box at Wexner Center for the Arts, Columbus, OH (2012); and Rochester Art Center, Rochester, MN (2007).
Mattingly has had solo shows at Robert Mann Gallery, NY and in 2006 she released a multimedia opera at White Box entitled Fore Cast that featured installation and music performance depicting World War IV as predicted by Albert Einstein.
Recent international group exhibitions and screenings include Sanctioned Array - Other2 Specify at the White Box gallery in NYC, Rencontres Internationales Paris / Berlin / Madrid at the Centre Pompidou and at the Reina Sofia National Museum, Madrid, Spain; The Haus der Kulturen der Welt, Berlin; FILE 2012 and 2015 at the SESI Cultural Centre Sao Paulo, Brazil, the Berlin International Director's Lounge 2014 and the Moscow Museum of Modern Art, where he won an award.
She has had solo exhibitions at Mitchell Algus Gallery, New York (2008), The Box, Los Angeles (2009 and 2011), and Alex Zachary, New York (2010).
His past projects, readings, performances, and exhibitions have been presented at the Museum of Modern Art; Socrates Sculpture Park; The Queens Museum of Art; The DUMBO Arts Festival; White Box Art Center; Show Room Gallery; Hunter College; The Children's Museum of Art NY; The Howl Festival; Lodge Gallery; the Center for Book Arts, and Freight + Volume Gallery.
She has also participated in group shows at The Ice Box, AUX / VOX Populi, Tiger Strikes Asteroid, Flux Gallery, Barber Shop Gallery and Stella Elkins Tyler Gallery, Philadelphia, UWM Union Art Gallery, Milwaukee, and at the Hampshire College Gallery, Amherst.
Certainly the gallery's white box matters, just as for Novros, and at David Zwirner painting can hardly help looking stranded and polite — even when, like Lisa Yuskavage, it bends over backward to shock.
Ask about wheelchairs, gallery stools, and event listening devices at the Box Office.
The gallery has enthusiastically promoted Bauermeister's work for over thirty years, including her in group exhibitions; most recently, she was included in The Time Is N ♀ w. Bauermeister will be featured, along with six others, in the gallery's forthcoming booth (C22) at Frieze New York (May 2 — 6, 2018) with a selection of her iconic lens boxes and stone reliefs.
His work has been widely exhibited at venues such as the Sundance Film Festival, Park City, Utah; The Indianapolis Museum of Contemporary Art, Indianapolis; 303 Gallery, New York; Wesleyan University, Middletown, Connecticut; Artsonje Center, Seoul; Context Galleries, Derry; The Hospital, London; PKM Gallery, Beijing; Kunst - Werke, Berlin; Palacio de Bellas Artes, Mexico City; Participant Inc, New York; Centre de Cultura Contemporània, Barcelona; White Box, New York; Galerie Chez Valentin, Paris; Smart Project Space, Amsterdam; The Islip Art Museum, Islip, New York; and Momenta Art, Brooklyn, New York.
Also in the «Feature» section, which is devoted to curated shows by established and historic artists, look out for the work of Nam June Paik, whose market is catching up with his exalted reputation, at James Cohan Gallery, and the experimental film - maker Stan VanDerBeek at Los Angeles» The Box, which is one of 17 newcomers to the fair.
Artists in the sector include: Sérvulo Esmeraldo (b. 1929, d. 2017) at Galeria Raquel Arnaud; Judith Bernstein (b. 1942) at The Box; Wesley Duke Lee (b. 1931, d. 2010) at Ricardo Camargo Galeria; Claude Viallat (b. 1936) and Noël Dolla (b. 1945) at Ceysson & Bénétière; David Driskell (b. 1931) at DC Moore Gallery; Carlos Leppe (b. 1952, d. 2015) at Espaivisor; Hércules Barsotti (b. 1914, d. 2010) and Willys de Castro (b. 1926, d. 1988) at Henrique Faria Fine Art; Alexis Smith (b. 1949) at Honor Fraser; Frank Bowling (b. 1936) at Hales Gallery; Dadamaino (b. 1930, d. 2004), Mario Nigro (b. 1917, d. 1992) and Rodolfo Aricò (b. 1930, d. 2002) at A arte Invernizzi; Letícia Parente (b. 1930, d. 1991) at Galeria Jaqueline Martins; Roberto Matta (b. 1911, d. 2002) at Robilant + Voena; Edgardo Antonio Vigo (b. 1928, d. 1997) at Richard Saltoun Gallery; Cícero Dias (b. 1907, d. 2003) at Simões de Assis Galeria de Arte; Brian O'Doherty (b. 1928) at Simone Subal Gallery; and William Turnbull (b. 1922, d. 2012) at Offer Waterman.
Anyone weary of the vast white - box spaces of Chelsea may want to visit the refreshingly human - scale Lower East Side, where a show of recent work by Robert Moskowitz at the Kerry Schuss Gallery presents a potential beacon.
Complete the Visitor Survey and prize draw forms at MK Gallery's Information Desk, and drop them in the box provided.
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Pavia's work has been exhibited widely, including at Ashawagh Hall, Amagansett, NY; Butler Fine Arts, the Millennium Gallery, and Solar, in East Hampton, NY; the Sculpture Center, the American Academy, The Annex, 2nd Street Gallery, Phoenix Gallery, White Box Gallery, and Side Show Gallery in New York, NY; and the St. Agostino Museum, Pietrasanta, Italy.
Art of Elysium» GENESIS Benefit choreographer 2014, LAX Greystone Mansion Event Collaborator to Creative Director / Artist Liz Glynn 2014, Art of Elysium Heaven Gala site specific soloist 2015, as manifesto speaker for Marina Abramovic's opening Gala for MOCA LA, LA Art Show choreographer for Suzanne Lacy's Myths of Rape, Los Angeles Museum of Art as Choreographer for Liz Glynn's Hello Girls, Dilletante Gallery Papercranes RESIDENCY, Santa Museum of Art Choreographer for Barkley Hendricks Opening, Center Theater Group as dance captainn for Phil Soltanoff workshop, LAX Arts 2012 Blackbox presenter, Hammer Museum, Show Box LA residency recipient and Director and curator for site specific event The Series at the Standard DTLA, and LACE.
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