Sentences with phrase «at classical sculpture»

There's also a Tony Matelli sculpture that pokes fun at Classical sculpture with the strategic placement of bronze watermelons, a large conceptual project by Kay Rosen, the first museum survey of the work of Suzanne McClelland, and the anxious futurism of Beth Campbell.

Not exact matches

The Sculpture program at PAFA embraces contemporary and classical approaches across a broad range of art making — from traditional figurative sculpture to video and installaSculpture program at PAFA embraces contemporary and classical approaches across a broad range of art making — from traditional figurative sculpture to video and installasculpture to video and installation art.
He received his training at the Rhode Island School of Design where he studied classical drawing, painting, sculpture and anatomy.
Best Use of In Situ Classical Statuary by a Contemporary Artist: Nicole Eisenman's Carnegie Prize - winning installation at this year's Carnegie International for her show within a show interspersing her own paintings and plaster sculptures among marble figures in the museum's permanent collection
Thanks to support from the Art Fund, three of the works are now making their UK debut at Sir John Soane's Museum, as part of the exhibition Power in Woman, which draws parallels between Sir John Soane's classical plaster casts and Lucas's sculptures.
The Yale Center for British Art, meanwhile, is preparing for a major survey of Victorian sculpture — a genre drenched in classical (or pseudo-classical) ideals — which will arrive at Tate Britain in 2015.
At the Carnegie, there were paintings around a balcony and her sculptures were one top of a sort of balustrade where they blended in with other classical sculptures.
Shot at the Glasgow School of Art, it features a selection of classical sculptures, which Lloyd films statically.
At first glance the arrangement looks very classical, but upon closer inspection it seems to have a disruptive effect on the harmony of the sculpture park.
After obtaining the degree in classical Violin in Lithuania, Lina moved to London where she studied Sound Arts and did her MA in Sculpture at the Royal College of Art.
She began playing cultural catch - up, devouring not only modern and contemporary art (including Joseph Beuys and Frank Stella) but also centuries» worth of classical European paintings and sculptures that she'd missed at home.
Featuring varied sculptures, photographs and drawings, our booth examines the legacy of classical sculpture in Marie and Orensanz» work, and looks at how both artists draw on a tradition of fragmentation that comes from the display of broken statues from antiquity.
At the Foire Internationale d'Art Contemporain (FIAC) the Tuileries Gardens were filled with site specific sculptures, creating compelling juxtapositions between the contemporary and the classical.
On the occasion of her first solo show at T293 the Swiss - Tunisian artist Sonia Kacem presents a site - specific installation in several volumes, evoking the fundamental issues related to sculpture and more specifically those of the dematerialization and the decomposition of classical forms.
Art Radar has a look at the second solo exhibition of the Chinese artist in Singapore, which takes among its points of departure the classical sculptures of Michelangelo and Rodin.
In recent years, Urs Fischer has been exploring the genres of classical art history (still lifes, portraits, nudes, landscapes, and interiors) at the intersection with everyday life in cast sculptures and assemblages, paintings, digital montages, spatial installations, mutating or kinetic objects, and texts.
Extending across the entirety of the museum, the exhibition allows for free association between artists and the themes they address: at once playful and dynamic, works from Ryan Gander, Institute for New Feeling, Liu Wa, and Yangzi invite audiences to explore a wealth of possibilities through combinations of meditation and wry humor; classical mediums of sculpture and painting are reinvented by Yngve Holen and Austin Lee; insidious implications of our hi - tech society are skewered by Lawrence Abu Hamdan and aaajiao; the powers of synthetic materials over human desire are brought to the fore by Sean Raspet and Pamela Rosenkranz; and products of Internet culture are given to refined study with Gillian Wearing and Amalia Ulman.
Daniel Dewar & Grégory Gicquel, «The Mammal and the Sap», Portikus, Frankfurt am Main At the core of Daniel Dewar & Grégory Gicquel's «The Mammal and the Sap», their first institutional exhibition in Germany, was a meshing of handcrafted furniture and cabinetry techniques with classical sculpture.
Inspired by the gems, sculptures, or jewelry at the Met, she often incorporates classical and ancient imagery in her works on paper, sculptures, and textiles.
David Choi's Jumbo, a giant flowered piranha is a tour de force of epoxy and man - made materials, the classical sculptures carved out of Polystyrene insulation by Morgan Herrin put sensation sculptor Marc Quinn's 2005 exhibition The complete Marbles at Mary Boone to shame, (not that this is overly difficult, but Quinn did receive a baffling number of positive reviews for a very easy show) and Brian Basnett's tiny soft sculptures made from found plastics are whimsical, but not at the expense of being personal and warm.
The material recalls classical Greek sculpture, while the style, and even the titles at times, refers to classical Chinese landscape painting.
Cambridge University: Publication, Greece and Rome at the Crystal Palace: Classical Sculpture and Modern Britain, 1854 - 1936, Kate Nichols, December 2014 - # 365
With À la Lumière des Deux Mondes (At the Light of Both Worlds, 2005), a site - specific work created for the Louvre's glass pyramid — the first time a contemporary artist had exhibited in the institution — Tunga used one of the building's columns as a pivot on which various symbolically charged objects were balanced: gold and black skulls and a giant walking stick intertwined with braided hair on one side; a chain of skulls caught in a dark net falling towards a floor littered with golden and black reproductions of heads from the Louvre's classical sculptures on the other.
«Kongo: Power and Majesty» at the Metropolitan Museum of Art (through Jan. 3) turned a corner on traditional approaches to African material by explicitly presenting so - called classical African sculpture as a response to the traumas of colonialism.
Jed Morse, curator at the Nasher Sculpture Center, Dallas, will present a lecture entitled The Classical and the Primitive: Modern Sculptures of the Kimbell as part of the Museum's Art in Context series, on Wednesday, September 21, at 12:30 p.m., in the Kimbell Art Museum auditorium.
«Howard Bust» by Christopher Simon Sykes One of the many classical sculptures at Castle Howard, Yorkshire, c 1990 captured in the late afternoon with deep contrasting shadows lend...
Erwin Wurm's latest solo exhibition at Lehmann Maupin investigates classical modes of sculpture through unconventional means.
Though not as hilarious, the non-sausage works in «Synesthesa» are similarly adept at aping the forms and proportions of classical sculpture all the while subverting them to comic effect.
He studied the classical antiquities, sketching from sculptures at the Hermitage on a visit to St Petersburg in 1911.
On «The Greek Miracle»: Classical Sculpture from the Dawn of Democracy at the Metropolitan Museum of Art.
For the show — the museum's first monographic exhibition of a single artist at the sculpture park, and this artist's first exhibition in Austin in 10 years — Bove «interprets a classical sculpture garden, reinventing it in a multitude of abstract forms in varying shapes, colors, and scales.»
Through drawing, sculpture, video and performance, he looks at the historical otherness in order to unveil the links between power, fascination and classical art.
Greeting the viewer at the door, Jon Pylypchuk's sculpture «allright I guess I can't be sincere to you anymore» is simply the sum of its parts: a figure on a pedestal made with tennis rackets and lightbulbs for eyes; Keith Edmier's «Medea» is cast from pink dental stone and rises from the exploded kiln of the late artist Lowell Grant; Sean Landers» casts a beautifully menacing god Pan; Heimo Zobernig «s take on the classical contrapposto is a 3D composition of three sculptures; bulky, elegant and graceful, Georg Herold's «Brown Betelgeuze is a beautifully imagined bronze of the second - brightest star of Orion.
In Ballerinas (2010 — 14) from the Antiquity series, Koons depicts figurines of dancers, derived from decorative porcelain, at the imposing scale of classical sculpture.
While the pedestal, figurative form, and rotation at first call reference to classical bronze sculpture, the momentum of the rotation suggests a deeper intent that challenges classical conventions.
Given my involvement as a geometric abstract painter over the years, I have indelibly respected and admired Ortman's block - like paintings, each built in a hybrid manner related to a kind of folk constructivism — a way of working that recalls some strains of classical music, such as Bartók and Dvorak, and to a lesser extent, the folk - style sculpture of H. C. Westermann and the faux - systemic paintings of Alfred Jensen recently shown at Pace.
To create the photographs - cum - sculptures which line the side walls of the booth (priced at $ 6,800 apiece) Strömberg photographs classical stone sculptures and monuments throughout his native Berlin and processes them on the computer to create prints that the artist deems more object than image.
He is seated on a large, low pedestal at the site where Virgilio Sieni's Atlante del gesto (Atlas of Gesture), 2015, was recently performed, and where examples of classical sculpture and their copies stood in Anna Anguissola and Salvatore Settis's 2015 exhibition «Serial Classic.
McKenna studied at the National College of Art in Dublin in the early 1950s where he specialised in sculpture, particularly in 19th - century classical figuration.
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