Sentences with phrase «at cultura»
It will hit the market this November for 129 $ at Cultura, Thalia, and at Virgin.
https://goodereader.com/
Matt was previously the opening Bar Director at Cultura Comida y Bebida, Food & Beverage Director at Big Sur Roadhouse, General Manager of Big Sur Bakery, and the Director of Food Service Operations at the Esalen Institute.
Not exact matches
LOS ANGELES, California (April 26, 2017)-- Facing History and Ourselves and The Allstate Foundation will present Facing History Community Conversations: Youth Lead featuring author Sonia Nazario on Thursday, April 27 at La Plaza de Cultura y Artes from 4:30 p.m. to 7:30 p.m..
The Kobo Touch e-Reader will be available for purchase at all 14 Livraria Cultura stores, as well as its website.
The launch was at Livraria Cultura's main store, in the heart of São Paulo — a wonderful building where, years ago, three movie theater exhibition rooms were standing, at Paulista Avenue.
Mauro Widman, an engineer who worked for the past year and a half developing the e-book platform at Livraria Cultura, one of the largest bookstore chains in Brazil, started work earlier this week (Monday, January 9th) at the American retailer.
At a classical mansion housing a casa de cultura, elderly women practice to the sound of a piano, the halls reverberating sweetly with their voices at five in the eveninAt a classical mansion housing a casa de cultura, elderly women practice to the sound of a piano, the halls reverberating sweetly with their voices at five in the eveninat five in the evening.
In 2015, the California Historical Society and LA Plaza de Cultura y Artes embarked on a project for the Getty's 2017 Pacific Standard Time: LA / LA initiative — a far - reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles from September 2017 to January 2018 at more than 70 cultural institutions across Southern California.
Property Location With a stay at Hotel Costa Rica Morazan, you'll be centrally located in San Jose, steps from Morazan Park and minutes from Plaza de la Cultura.
Apartments Sundamer is conveniently located close to the center of downtown San Jose.10 minute walk to at National Theater, Plaza de la Cultura and Hotel del Rey.
Genuine local food was enjoyed at La Criollita and our local guide Daniel provided a walking tour of Plaza de la Cultura, Museo Nationale and Mercado Central -LSB-...]
Property Location With a stay at Balmoral Hotel, you'll be centrally located in San Jose, steps from Plaza de la Cultura and minutes from Morazan Park.
Property Location With a stay at Hotel Presidente - San Jose, Costa Rica, you'll be centrally located in San Jose, steps from Plaza de la Cultura and National Theater.
Property Location A stay at Courtyard by Marriott Santo Domingo places you in the heart of Santo Domingo, walking distance from National Theater and Plaza de la Cultura.
Situated at the Centro Centro Costarricense de la Ciencia y la Cultura complex in the capital of San Jose, Costa Rica, the Museo de los Niños is a children's museum.
Property Location With a stay at Villas Roma in San Rafael de Heredia, you'll be convenient to Universidad Nacional and Casa de la Cultura.
You can buy the entrance ticket to Machu Picchu online, in the office in Cuzco located at Avenue Casa de la Cultura No. 238 Condominio Huascar, Cusco, Peru, also in Aguas Calientes village or in any authorized tourist offices (you can check them here).
Furthermore, My Night Job won the 2014 «Programa de Produção de Projetos Audiovisuais» prize at the Secretaria Municipal de Cultura de São Paulo.
TODAY in New York — David Kertzer (2000 Resident, AAR Trustee) of Brown University will discuss his new Penguin Random House book «The Pope Who Would Be King» with Alexander Stille (2009 Affiliated Fellow) at the Istituto Italiano Di Cultura.
His work has also been shown at the Centre Pompidou, Paris; MoMA New York; SFMoMA; Hamburger Bahnhof, Berlin; Serpentine Gallery, London; Tate Modern, London; EYE Film Museum, Amsterdam; Moderna Museet, Stockholm; Hangar Bicocca, Milan; Lugano Arte e Cultura; Fundacio Gaspar, Barcelona, amongst others.
México 1900 — 1950: Diego Rivera, Frida Kahlo, José Clemente Orozco, and the Avant - Garde presented at the Dallas Museum of Art, is organized by the Dallas Museum of Art and the Secretaría de Cultura / Instituto Nacional de Bellas Artes / Museo Nacional de Arte, México (MUNAL), in partnership with the Latino Center for Leadership Development.
In recent years, Thompson's work has also been exhibited regularly in group exhibitions worldwide, including Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016).
Her art education took place at La Dirección de Fomento a la Cultura Regional del Estado de Sinaloa.
Her work has been shown at the New Art Exchange (Nottingham), Victoria & Albert (London), Arnolfini (Bristol), National Portrait Gallery (London), IKON gallery (Birmingham), Centre de Cultura Contemporània de Barcelona (Barcelona), Art Dubai (Dubai), Centre d'Art Contemporain (Geneva), Palazzo Papesse (Siena), and this year she will be presenting a new commission at the 56th Venice Biennale.
Bronx Museum of the Arts, New York Patricia Phelps de Cisneros, New York El Museo del Barrio, New York, NY ICA Miami, Florida Ninart Centro de Cultura, Mexico Allen Memorial Art Museum at Oberlin Collage, Oberlin, Ohio Perez Art Museum, Miami, Florida The Henry Buhl Foundation, New York, New York Centro de Fotografia de Tenerife, Islas Canarias, Spain Cintas Foundation, New York, New York Rhode Island School of Design, Rhode Island, Providence Philip and Patricia Frost Art Museum, Miami, Florida Blanton Museum of Art, Austin, TX
His work has been widely exhibited at venues such as the Sundance Film Festival, Park City, Utah; The Indianapolis Museum of Contemporary Art, Indianapolis; 303 Gallery, New York; Wesleyan University, Middletown, Connecticut; Artsonje Center, Seoul; Context Galleries, Derry; The Hospital, London; PKM Gallery, Beijing; Kunst - Werke, Berlin; Palacio de Bellas Artes, Mexico City; Participant Inc, New York; Centre de Cultura Contemporània, Barcelona; White Box, New York; Galerie Chez Valentin, Paris; Smart Project Space, Amsterdam; The Islip Art Museum, Islip, New York; and Momenta Art, Brooklyn, New York.
Pérez Monzón's first solo exhibition, Luna Llena, took place at the Casa de Cultura de Jaruco in 1980.
In 1956 Peláez exhibited with Sánchez and Soldevilla in a group show at the Galería Cubana, and again with Sánchez at a special exhibition of female painters at the VIII National Salon organized by the Ministerio de Educación of the Instituto Nacional de Cultura.
Youssef's work has been presented in numerous solo and group exhibitions at venues including The Villa Medici, Rome; La Maison Rouge, Paris; The British Museum, London; Galleria dell» Accademia, Florence; MMK Museum für Modern Kunst, Frankfurt; Centro de la Imagen, Mexico City; North Carolina Museum of Art, North Carolina; BALTIC Centre for Contemporary Art, Newcastle; Michael Stevenson Gallery, Cape Town; Galeria Leme, São Paulo; Gemäldegalerie, Staatliche Museen zu Berlin; Centre de Cultura Contemporánea de Barcelona, MACBA, Barcelona; Victoria & Albert Museum, London; Institut du Monde Arabe, Paris; Kunstmuseum, Bonn; Smithsonian National Museum of African Art, Washington, D.C; The Third Line, Dubai; The Kennedy Center, Washington DC; Centro Andaluz de Arte Contemporáneo, Sevilla; and Aperture Foundation, New York.
David Shrigley has participated in numerous exhibitions including The Fantastic Recurrence of Certain Situations: Recent British Art and Photography at Consejéria de Cultura in Madrid (2001), The British Art Show 5 (2000), Common People, British Art between Phenomenon and Reality curated by Francesco Bonami at Fondazione Sandretto re Rebaudengo per L'arte, Torino, Italy (1999) and Waste Management at Art Gallery of Ontario, Canada (1999).
Recent solo projects have been presented at Gallery 106, Austin, TX (2004); Sicardi Gallery, Houston, TX (2003); and Palau de la Virreina, Institut de Cultura de Barcelona, Spain (2001).
He has exhibited both nationally and internationally, including: Anna Meliksetian MJ Briggs, Los Angeles; Thierry Goldberg, New York; Eleven Rivington, New York; Centro di Cultura Contemporanea Strozzina, Florence; Shoshana Wayne Gallery, Los Angeles; Austin Museum of Art; Weatherspoon Art Museum; Kunstverein INGAN e.V., Berlin; and participated in Made in L.A. 2012 at the Hammer Museum.
Two other pieces in this series were shown at Centro De Cultura de Nuevo, Nuevo Laredo, Mexico and at the Austin Museum of Art.
His work has been exhibited at the National Museum of Mexican Art, Grand Rapids Art Museum, Urban Institute of Contemporary Art, Bemis Center for Contemporary Arts, and Casa de la Cultura in México.
He has presented his work at the National Museum of Mexican Art, Grand Rapids Art Museum, Urban Institute of Contemporary Art, and Casa de la Cultura in Jalisco, México amongst others.
She attends the MFA in Social Practices at Queens College as a Fulbright / Ministerio de Cultura de Colombia grantee.
The exhibition has been on display at CCCB — Centre Cultura Contemporania Barcelona.
With a BA in architecture from the Universidad Iberoamericana in Mexico City and an MA and PhD in architecture from the Universitat Politècnica de Catalunya in Barcelona, she was most recently the associate director and senior curator at MACLA / Movimiento de Arte y Cultura Latino Americana in San Jose, California.
+ Tefaf Time wsj + video > 60 Works in 60 Seconds from TEFAF Maastricht 2014 blouin + video > Judd Tully Tours TEFAF Maastricht 2014 blouin + TEFAF 2014: Sales Swift, Confidence High at the Mother of All Art Fairs artnet + TEFAF Sales Report 2014 artmarketmonitor + Brisk Old Masters Sales and Other News From TEFAF blouin + Art Sales: Where salerooms get upstaged telegraph + Un buste de Canova par Adamo Tadolini acquis par le Rijksmuseum latribunedelart + À la TEFAF, le Met acquiert une nouvelle aiguière de la galerie Kugel latribunedelart > Tefaf adjusts to the times wsj + TEFAF Maastricht 2014: Contemporary Art And Design Take Centre Stage artlyst + Tefaf, la fiebre del arte elcultural > La cita de Maastricht tiene una lista de espera de más de 300 candidatos para exponer elpais > Siete mil años de cultura a la venta lavanguardia + fotog > Diez curiosidades que podrás hallar en la feria de Maastricht abc.....
His work has been exhibited internationally at venues such as: Queens Museum, NYC; Cleveland Museum of Art; Museum of Contemporary Art (MOCA) Cleveland; Bureau for Open Culture; Mattress Factory Museum, Pittsburgh; Flux Space, Philadelphia; Katonah Museum of Art, NY; Green on Red Gallery, Dublin; Centro di Cultura Contemporanea Strozzina, Florence; La Galería de Comercio, Mexico City; Catalyst Arts, Belfast; and ZKM Museum of Contemporary Art, Karlsruhe.
Most recently, Ramírez - Montagut was the Associate Director and Senior Curator for MACLA / Movimiento de Arte y Cultura Latino Americana and previous to that she was the Senior Curator at the San Jose Museum of Art, both in San Jose / Silicon Valley, California.
39, No. 250, October Rosler, Martha and Hirschhorn, Thomas, War, Wrong Times Hirschhorn, Thomas, Power of Brazil, edition of work on paper for Porno, Texte Zur Kunst, December Hirschhorn, Thomas, Nail & Wire insert, Hors d'œuvre, no. 17 Herzberg, Nathaniel, Quand l'art agite la cité, Le Monde, 11 January de Llano, Pedro, The show must go on, La Vanguardia, Culturas, 18 January Bran, Xosé M. Buxán, A arte insubmisa de Thomas Hirschhorn na Serralves, Cultura, 19 January Shock and Awe, Time Out New York, 26 January Saltz, Jerry, Killing Fields, Artnet, 27 January Douglas, Sara, The AI interview: Thomas Hirschhorn, Artinfo, January Duenas, Issa Ma Benitez, In conversation with Thomas Hirschhorn, Dardo, no. 1, January Yablonsky, Linda, Hirschhorn's Dead Bombers, War Headlines, Nailed Mannequins, Bloomberg News, 1 February Schmitz, Rudolf, Sein Altar kommt aus dem Baumarkt, Faz, 1 February Hénard, Jacqueline, Was Hirschhorn in die Banlieue bringt, Tages - Anzeiger, 6 February Johnson, Ken, A Vivid Potpourri With Carnage at Its Core and an Aside of Transcendentalism, The New York Times, 7 February Bishop, Claire, The social turn: collaboration and its discontents, Artforum, no. 6, February Ramirez, Nicollette, Thomas Hirschhorn, The New York Art World, February Wolinski, Nathacha, Dur droit de cité, Beaux Arts magazine, February Zerbib, David, Surface de résistance, Les lettres françaises (supplement with l'Humanité), 28 February Berwik, Carly, Peace, Love, and Misunderstanding, Artnews, vol.
Her work has been included in group exhibitions at the Young Art Center, The Consulate General of Mexico, SFMOMA Artist Gallery, all in San Francisco; the MACLA / Movimiento de Arte y Cultura Latino Americana, San Jose; Harvey / Meadows Gallery, Aspen; Instituto Cervantes, New York; Transmitter, Brooklyn; Bruce High Quality Foundation, New York; Oakland Museum of California, Oakland, among others.
Juried by: Monica Ramirez - Montagut: Associate Director and Senior Curator at MACLA (Movimiento de Art y Cultura Latino Americana) Eli Ridgway: Director, Eli Ridgway Gallery Justine Topfer: Project Manager, Public Art Program / San Francisco Arts Commission
Monteiro's works have been exhibited widely; most recently a series of his, The Prophecy (2013), was included in the itinerant Making Africa: A Continent of Contemporary Design (exhibited across 2015 — 2016 at Vitra Design Museum in Weil am Rhein in Germany in 2015; Guggenheim Museum Bilbao in Spain; and Centre de Cultura Contemporània de Barcelona (CCCB) in Spain).
2016 SP - Arte / Videobrasil award solo exhibition, Galpão VB, São Paulo, Brazil 2016 In Context: Where We Are, Goodman Gallery, Cape Town, South Africa 2016 The Art of Disruptions, Iziko South African National Gallery, Cape Town, South Africa 2016 New Revolutions: Goodman Gallery at 50, Goodman Gallery, Cape Town, South Africa 2016 Making Africa: A Continent of Contemporary Design, Centre de Cultura Contemporania de Barcelona, Barcelona, Spain
The Art Institute of Chicago, Illinois Atlanta College of Art, Georgia Boston Museum School, Massachusetts Brigham Young University, Salt Lake City California College of Arts and Crafts, Oakland Central Michigan University, Mount Pleasant Contemporary Arts Center, Cincinnati Denison University, Granville, Ohio Florida State University, Tallahassee Institute of Contemporary Art of the University of Pennsylvania, Philadelphia Instituto de Cultura Puertoriquena, San Juan Madison Art Center, Wisconsin Maryland Institute of Art, Baltimore Miami - Dade Community College, Miami, Florida Northern Illinois State University, DeKalb Northwood Institute, Dallas Rhode Island School of Design, Providence San Jose State University, California San Francisco Art Institute, California School of Visual Arts, New York City Tyler School of Art, Elkins Park, Pennsylvania University of Colorado at Denver, Boulder, Pueblo University of Illinois, Chicago Circle University of Texas, El Paso Utah State University, Logan Virginia Commonwealth University, Richmond Wake Forest University, Winston - Salem, North Carolina Washington University, St. Louis, Missouri
She has exhibited in North America, Europe, and Asia at festivals and venues including Anthology Film Archives (New York) and the Centre de Cultura Contemporània de Barcelona.
The Centro di Cultura Contemporanea Strozzina (CCCS — www.strozzina.org) at the Palazzo Strozzi (www.palazzostrozzi.org) in Florence, Italy, is currently organizing for the spring / summer 2012 in partnership with the Hudson River Museum, New York.
She has collaborated with institutions such as El Museo del Barrio, New York and Fundacao Municipal de Cultura, Brazil and has been the co-curator of exhibitions at Konsthall C, Sweden, Moderna Museet, Sweden and Fondazione Sandretto Re Rebaudengo, Turin.