Sentences with phrase «at home in this world»

Wills is completely at home in this world: he worked for years as a bush pilot in northern Canada and later flew for Fed Ex.
Keep in mind last year at Sundance, we produced the film that won the jury prize [«I Don't Feel at Home In This World Anymore»], and we acquired «Mudbound» in the biggest acquisition of the festival.
For to be at home in the world of nature does not just mean finding out how to utilize nature economically and efficiently — home is not a hotel!
Here are expressed the desires, the urges, the hopes, the dreams, the successes, the failures of man in his struggle to make himself at home in his world.
There were many individuals who came to be increasingly at home in this world of rational consciousness and increasingly estranged from the mythical world that still controlled their situation.
Here human nature was at home in the world for one last glorious moment, and then it was all over — the point of culmination was the eve of disintegration.
The editors were at home in a world that formed the United Nations and the National and World Councils of Churches.
And by disbelief I do not mean some sort of brave rejection of the doctrine, some defiant demand flung at heaven for possession of one's own soul; I mean merely the impotence of an imagination that finds the very notion of sin incomprehensible, the conscience of a man who is sure that, whatever sin might be, it surely lies lightly upon a soul as decent as his own, and can be brushed off with a single casual stroke of a primly gloved hand; I mean an habitual insensibility to the illuminations and chastisements of beauty, a condition of being wholly at home in a world from which mystery and sin and glory have all been banished, and in which spiritual wretchedness has become material contentment.
The Franciscan spirit finds itself less at home in the world than ever before, less able to give a direct assurance that such faith in love is the key to human existence.
Oscar contenders like I Don't Feel at Home in This World Anymore are more likely to be released on Netflix right after premiering at Sundance, for example.
We've got Christian pop music to make us feel right at home in the world.
When we view the world through the complex matrix of globalization, we begin to see how human trafficking has come to be at home in our world; or more precisely, how we have come to be at home in a world of human trafficking.
The wide dissemination in the Near and Middle East at this time of dualistic faiths, the staple of that religious phenomenon loosely labeled Gnosticism, was another manifestation of the same malaise; while in Hellenism many suffered from a «sense of helplessness in the hands of fate» which made them «wonder whether it is possible to be at home in the world at all.»
It is hardly necessary to remind ourselves that one of the reasons Americans and the British have not required a total immersion in the imagery of continental existentialism is that they had already found, in the early work of Eliot, an adequate description of not being at home in the world.
Thanks to it, men became quite at home in this world.
Among the most potent was the one launched by the mad sophists of the modern age» those radicals who promised, at long last, to make us at home in the world, not by reconciling us to its imperfections, as their ancient counterparts had proposed to do, but by transforming the world into a post «political paradise.
His verse was brilliant, ironic, often funny, wide - ranging in its reference — equally at home in the worlds of Anglo - Saxon heroic poetry and the technology of mining — and sometimes....
After Jillian loses a close friend to drugs, she herself is saved by her fierce, bold love for her son as she fights to make him — and herself — feel safe and at home in the world.
Let's hear it from: Nadia from Child Mode Heather from Globetrotting Mama Jennifer from At Home In The World Dana at Ciao Bambino Karine at Accompanied Minors
Like its title, writer - director Macon Blair's I Don't Feel at Home in This World Anymore strains to draw attention to its topicality, unironically trading in the kind of histrionic us - versus - them mentality that characterizes much of our current national political discourse.
The wonderful, unsung New Zealand - born actress Melanie Lynskey stars in I Don't Feel at Home in This World Anymore (2017) as Ruth Kimke, a nursing assistant who has a very bad day.
But unlike the rigorous skepticism of films like Blood Simple, Fargo, and Burn After Reading, I Don't Feel at Home in This World Anymore uses its allegorical narrative to further a simplistic political message meant to give it an aura of timely social commentary.
I Don't Feel at Home in This World Anymore is perhaps most notable as the debut of Macon Blair as a director, who gained notoriety primarily as an actor featured prominently in the films of Jeremy Saulnier (Green Room), to which this film attempts to emulate to some degree.
When the burglar is revealed to be Christian (Devon Graye), the white male scion of a wealthy family, I Don't Feel at Home in This World Anymore sheds any remaining effort to conceal its political bleeding heart.
And then there's Melanie Lynskey in I Don't Feel at Home in This World Anymore, a violent crowd - pleaser about a nurse named Ruth who literally fights for the right to be nice.
With Netflix distributing odd and offbeat movies like Okja and I Don't Feel At Home in This World Anymore, could it become a new haven for indie film?
Macon Blair's «I Don't Feel at Home in This World Anymore,» in which Melanie Lynskey plays an ordinary woman who becomes empowered as a detective - avenger after she is robbed, won the U.S. grand jury prize in the dramatic category.
Blair starred in festival favorites Blue Ruin and Green Room and his directorial debut, I Don't Feel at Home in This World Anymore, won top honors at this year's Sundance Film Festival.
Other Feature Films I'm Looking Forward To Seeing: Gillian Robespierre's Landline, Macon Blair's I Don't Feel At Home In This World Anymore, Brett Haley's The Hero, Matt Spicer's Ingrid Goes West, Michael Almereyda's sci - fi Marjorie Prime, Dee Rees» Mudbound, Mark Palansky's sci - fi Rememory, Taylor Sheridan's Wind River, Michael Showalter's The Big Sick, Cate Shortland's Berlin Syndrome, Jonathan Milott & Cary Murnion's Bushwick, and the all - female horror anthology XX.
He brings us to a time and place, Britain in the 1950s, and places us with a set of characters, and immediately we're at home in this world.
Courtesy of a great Lynsky performance that's equal parts miserable and furious, I Don't Feel at Home in This World Anymore (which won the Grand Jury Prize at Sundance before premiering exclusively on Netflix) finds humor and horror in the notion that «everyone is an asshole» — and then locates hope in the closing - note idea that, rather than worrying about them, life is best spent in the company of those precious few who aren't.
Headshot I Don't Feel at Home in this World Anymore.
Suspenseful and hilarious, despondent and optimistic, I Don't Feel at Home in This World Anymore is a masterful genre film, one that immerses itself in the small, painful indignities of everyday life, and then casts the battle against those wrongs as a serio - comic odyssey of sleuthing, heavy metal, and nunchakus.
2 (Gunn) After the Storm (Kore - eda) Jim & Andy: The Great Beyond - Featuring a Very Special, Contractually Obligated Mention of Tony Clifton (Smith) God's Own Country (Lee) Lost in Paris (Abel and Gordon) Three Billboards Outside Ebbing, Missouri (McDonagh) A Quiet Passion (Davies) Logan Lucky (Soderbergh) 1922 (Hilditch) Cars 3 (Fee) Betting on Zero (Braun) People You May Know (Shilati) D + Wonderstruck (Haynes) T2 Trainspotting (Boyle) Raw (Ducournau) King Arthur: Legend of the Sword (Ritchie) It Comes at Night (Shults) Win It All (Swanberg) I Love You, Daddy (C.K.) Atomic Blonde (Leitch) Valerian and the City of a Thousand Planets (Besson) Alien: Covenant (Scott) Before I Fall (Russo - Young) Rough Night (Aniello) Take Me (Healy) Patti Cake $ (Jasper) A Cure for Wellness (Verbinski) Last Flag Flying (Linklater) The Big Sick (Showalter) The Babysitter (McG) To the Bone (Noxon) The Little Hours (Baena) Queen of the Desert (Herzog) Casting JonBenét (Green) D Personal Shopper (Assayas) A Ghost Story (Lowery) It's Only the End of the World (Dolan) Bright (Ayer) I Don't Feel at Home in This World Anymore (Blair) Good Time (The Safdies) The Lovers (Jacobs) Tulip Fever (Chadwick) The Bad Batch (Amirpour) The Vault (Bush) The Dinner (Moverman) Beauty and the Beast (Condon) War Machine (Michôd) Song to Song (Malick) War on Everything (McDonagh) Kong: Skull Island (Vogt - Roberts) Death Note (Wingard) The Mummy (Kurtzman) Girls Trip (Lee) Okja (Bong) Despicable Me 3 (Balda, Coffin and Guillon) Little Evil (Craig) Catfight (Tukel) Transformers: The Last Knight (Bay) Manifesto (Rosefeldt) D - Slack Bay (Dumont) iBoy (Randall) The 101 - Year - Old Man Who Skipped Out on the Bill and Disappeared (The Herngrens) XX (Benjamin, Clark, Kusama and Vuckovic) Woodshock (The Mulleavys) Super Dark Times (Phillips) The Layover (Macy) Fifty Shades Darker (Foley) The Boss Baby (McGrath) xXx: Return of Xander Cage (Caruso) F The Emoji Movie (Leondis) Shimmer Lake (Uziel) The Incredible Jessica James (Strouse) Baywatch (Gordon) Sandy Wexler (Brill)
Filed Under: Movies, Reviews, Robert Kojder Tagged With: Christine Woods, David Yow, Devon Graye, Elijah Wood, Gary Anthony Williams, I Don't Feel at Home in This World Anymore, jane levy, Lee Eddy, Macon Blair, Melanie Lynskey, Michelle Moreno, Myron Natwick, Robert Longstreet
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With big wins for I Don't Feel At Home In This World Anymore, Beach Rats, Crown Heights, the documentary Chasing Coral, Roxanne Roxanne's Chante Adams, The Niles Hilton Incident and Last Men In Aleppo, the 2017 Sundance Film Festival handed out its awards tonight.
Netflix films have been released with comparatively little fanfare (the Grand Jury prize winner of Sundance, I Don't Feel at Home in This World Anymore dropped onto the platform in February and registered nary a blip, with Bong Joon - ho's Okja also not succeeding in moving the needle all that much), as they seemed content with simply putting it up on the service and setting up a few awards qualifying runs in New York and LA and leaving it at that.
While it may not light the world on fire with a fresh take on the genre, it is perfectly at home in this world of bullets and bourbon.
Although her character is introduced only to provide filler and exposition, Christine Woods» brief performance in I Don't Feel at Home in This World Anymore is just as entertaining as the primary revenge plot.
Netflix will release I Don't Feel at Home in This World Anymore on its streaming service on February 24.
I Don't Feel at Home in This World Anymore The eventual winner of this year's Grand Jury Prize (a worthy one), writer - director Macon Blair's scuzzy justice quest was the movie of the moment, filled with distinctly American rage, splattery violence and plenty of dark laughs.
Release: Friday, February 24, 2017 (Netflix)[Netflix] Written by: Macon Blair Directed by: Macon Blair In his directorial debut Macon Blair shows how much he's learned from his Qui - Gon Jinn, the one and only Jeremy Saulnier, director of Murder Party, Blue Ruin and Green Room — all of which Blair has had at least a supporting part... Continue reading I don't feel at home in this world anymore.
Other Stuff We Watched A Cure for Wellness Hacksaw Ridge No Highway in the Sky Lion Kedi Edge of Eternity 20th Century Women I Don't Feel At Home in This World Anymore The Bullet Train The Gate The Red Shoes Legion One of Our Aircraft is Missing Love in the Afternoon
Actor Peter Dinklage presents the final award of the night at Sundance, the U.S. Grand Jury Prize: Dramatic to «I don't feel at home in this world anymore.»
Notably, the top films in both the narrative and documentary categories differ from the ones that took home the grand jury prizes, which singled out «I don't feel at home in this world anymore» and «Dina» in the American categories.
Instead, the Grand Jury Prize in Dramatic Competition went to Macon Blair's directorial debut I Don't Feel at Home in This World Anymore and the Audience Award went to Crown Heights, and while neither is a bad movie, I don't think either will get the buzz that something like Whiplash received.
The good news is that when it comes to I Don't Feel at Home in This World anymore, you won't have to wait long to judge for yourself.
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