Sentences with phrase «at ikon»

As an editorial photographer, he found himself working with teenage fathers and elderly prisoners, and this set him on his route to working with terror suspects, prisoners in Guantánamo Bay, and, most recently, a three - year residency at the UK's only wholly therapeutic prison, HMP Grendon, where he worked with the inmates to produce four new bodies of challenging work, each employing methods new to his practice, which are now on show at the Ikon Gallery, Birmingham.

Her first monographic presentation in Europe was held at the Ikon Gallery in Birmingham, England, in 2009, which then traveled to Museum Pfalzgalerie, Kaiserslautern, Germany.

*** Forthcoming solo exhibitions will take place at the Ikon Gallery in Birmingham (July) and the Tate Lightbox (September).

Herrera's solo and project - based exhibitions have been held at Ikon Gallery, Birmingham, UK; Kettle's Yard, Cambridge, UK; The Art Institute of Chicago, IL; The Aldrich Contemporary Art Museum, Ridgefield, CT; daadgalerie, Berlin; Whitney Museum of American Art, New York; CGAC, Santiago de Compostela, Spain; Americas Society Art Gallery, NY; Centre d'Art Contemporain, Switzerland; Art Gallery of Ontario; ICA Philadelphia; The UCLA Hammer Museum, Museum of Modern Art, NY; and The Renaissance Society of the University of Chicago.

Artists exhibited at Ikon since 2000 include Ignasi Aballi, Adel Abdessemed, Giovanni Anselmo, Christiane Baumgartner, Frederic Bruly Bouabré, Alice Cattaneo, Ruth Claxton, Martin Creed, David Cunningham, Marjolijn Dijkman, Ceal Floyer, Katherina Grosse, Arturo Herrera, Sofia Hulten, June Bum Park, On Kawara, Vladimir Logutov, Mike Marshall, Juneau Projects, On Kawara, Kelly Mark, Julian Opie, Cornelia Parker, Simon Patterson, Cesare Pietrojusti, Navin Rawanchaikul, Beat Streuli, Tadasu Takemine, Zhao Bandi and Andrea Zittel.

Forthcoming exhibitions of her work will be presented at Ikon Gallery, Birmingham (2015) and Kunsthalle Nuremberg (2016).

Important solo exhibitions include Green Light Wanes at Towner Gallery, Eastbourne, UK (2011); Elizabeth Magill at Ikon Gallery, Birmingham, UK; Milton Keynes Gallery, UK; BALTIC, Gateshead, UK (2004 - 5); Hugh Lane Gallery, Dublin (2003) and Southampton City Art Gallery, Southampton, UK (1999).

In addition to her solo show at the Ikon Gallery, Birmingham (2014), Gomes will have a solo show at the Centre International de l'art et du Paysage, Vassivière (2013) and and will be included in the Istanbul Biennial (2013).

This marks Gomes» first show in the UK since her solo exhibition at the Chisenhale Gallery in 1997 and comes a year before her forthcoming museum solo show at the Ikon Gallery, Birmingham.

Her impressive track record at Spike Island and at Ikon mean she brings a wealth of expertise to the role.

Other important solo presentations include the artist's major commission as part of the permanent sculpture program at the List Visual Arts Center at Massachusetts Institute of Technology in Cambridge, MA (2011), Martin Boyce and Ugo Rondinone: We Burn, We Shiver at SculptureCenter in New York (2008), This Place is Close and Unfolded at Westfalischer Kunstverein in Munster, Germany (2008), Out of This Sun, Into This Shadow at Ikon Gallery in Birmingham, UK (2008), A Lost Cat and Alleyways, Back Gardens, Pools and Parkways at Centre d'Art Contemporain Genève in Switzerland (2007), For 1959 Capital Avenue at Museum für Moderne Kunst in Frankfurt (2002), and Our Love is Like the Flowers, the Rain, the Sea and the Hours at Tramway in Glasgow (2002).

(John Salt, curated by Jonathan Watkins and Diana Stevenson, is showing at Ikon Gallery, Birmingham, UK, until 17 July 2011)

Brum Art Gallery Puts on Sex Video by Turner Prize Winner Sunday Mercury (Birmingham, England); October 12, 2008; Varma, Anuji; 700 + words... 18s are banned from seeing Sex Film by former Turner Prize winner Martin Creed at the Ikon Gallery in Birmingham... knownpiece is the work he exhibited for the 2001 Turner Prize show at the Tate Gallery.

R.J. Preece, «Yinka Shonibare at Ikon Gallery,» Sculpture, vol.

This book contains the essay «Beatriz Milhazes or The Advantages of Never Leaving the Labyrinth in Painting,» by curator Frédéric Paul; as well as the re-edition and the first translation to Spanish of two key texts about the artist: «Beatriz Milhazes — The Brazilian Trove» by critic and curator Paulo Herkenhoff, first published in 2001 for her exhibit at the Ikon Gallery (England) and at the Birmingham Museum of Art (United States), and an interview with fashion designer Christian Lacroix, which was originally published in Beatriz Milhazes / Avenida Brasil (Frédéric Paul ed., Domaine de Kerguéhennec, Centre d'art contemporain, 2004).

At Ikon Gallery, Birmingham, until 5 Mar

Andrea Zittel showed at the Ikon Gallery, Birmingham in 2001 and was included in the Whitney Biennial in 2004 and 1995.

She has also completed solo projects at Ikon in Birmingham, England and Artpace in San Antonio, Texas.

Published in 2015 to coincide with large exhibitions of her work at Ikon, Birmingham and Kunsthalle, Nuremberg, Fiona Banner's book Scroll Down and Keep Scrolling is a slightly staggering 832 pages long.

As Exciting As We Can Make It: Ikon in the 1980s, currently on display at Ikon Gallery, Birmingham, is a departure from the solo and two - person exhibitions that have become synonymous with Ikon's programme.

In 2011 - 2012 his retrospective «All in Order, with Exceptions» was presented at Ikon Gallery, Birmingham; Fondazione Galleria Civica Trento («All in (My) Order, with Exceptions»); S.M.A.K., Ghent and Fundação de Serralves, Porto.

You Know It Makes Sense continued at Ikon until 5 September 2010.

Despite the visionary nature of her work and association with artists of great reputation, including Barnett Newman and Leon Polk Smith, Herrera's paintings were the subject of few exhibitions — until a large - scale survey at Ikon Gallery, Birmingham in 2009 — a story familiar to many women artists of her generation, emerging during the post-war years.

In the decade since winning the Turner Prize he has exhibited extensively throughout the world, including large survey shows at Trussardi Foundation, Milan («I Like Things»), Bard College, New York («Feelings»), and a touring exhibition which started at Ikon Gallery Birmingham and toured to Hiroshima and Seoul.

Unfolded at Westfalischer Kunstverein in Munster, Germany (2008), Out of This Sun, Into This Shadow at Ikon Gallery in Birmingham, UK (2008), A Lost Cat and Alleyways, Back Gardens, Pools and Parkways at Centre d'Art Contemporain Genève in Switzerland (2007), For 1959 Capital Avenue at Museum für Moderne Kunst in Frankfurt (2002), and Our Love is Like the Flowers, the Rain, the Sea and the Hours at Tramway in Glasgow (2002).

At the Hayward Gallery in 1989 was Ades's show (on which Brett was a key collaborator) Art in Latin America: The Modern Era, 1820 - 1980, while in 1990 Brett curated the smaller but also influential Transcontinental: Nine Latin American Artists at the Ikon Gallery in Birmingham, following it in 1999 with a solo exhibition of the work of Victor Grippo, also at the Ikon, and with Force Fields: Phases of the Kinetic in 2000 at the Hayward Gallery, London, the exhibition which most clearly continued the aesthetic concerns first raised through Signals.

Key works from her recent survey shows at Ikon Gallery Birmingham and Kunsthalle Nürnberg investigate the slippage between object, image and text and highlights the central role of Banner's publishing imprint, The Vanity Press, in her work since 1997.

Scroll Down and Keep Scrolling (2015) is its most recent publication, a compendious 800 page artist's book of archive material produced for the occasion of Banner's solo exhibition at Ikon Gallery, Birmingham, of the same name.

Norwegian visual artist and writer Matias Faldbakken is currently exhibiting a new series of works titled Shocked into Abstraction at Ikon Gallery in Birmingham, UK.

Prior to this role, Helen was Curator at Ikon, Birmingham, working on exhibitions and offsite projects.

The latter was represented at Ikon with major exhibitions by Peter Sedgley, Jeremy Moon, Barrie Cook and John Walker.

Published to coincide with the exhibition at Ikon Gallery, Birmingham 7 October - 22 November 1998 and Kunsthalle, Bern 6 February — 28 March 1999.

The slickest works at group show MK Calling are those by Boyd & Evans, who have enjoyed a solo show at Ikon in Birmingham.

«Adrian Piper», exhibition review of retrospective exhibition at Ikon Gallery, Birmingham.

Arden has had solo exhibitions at the Ikon Gallery, Galerie Tanit and Vancouver Art Gallery.

Hannah Collins» career began in the UK, and her institutional recognition has been marked by solo exhibitions at Ikon Gallery, 1988; ICA London 1989; Chisenhale Gallery, 1996; Cornerhouse Gallery, Manchester, 1996; Contemporary Art Centre, Glasgow, 1996; as well as a nomination for The Turner Prize in 1993.

Two of Richard Billingham's videos, Ray in Bed (1999) and Tony Smoking Backwards (1998), as well as a photographic triptych of Ray's hands, were in the artist's show at the Ikon Gallery in Birmingham last year; the show finished an international tour this June.

He has had solo exhibitions at Ikon Gallery, Birmingham, U.K.; Reykjavik Art Museum, Iceland; Museum Tinguely, Basel, Switzerland; Garage Museum of Contemporary Art, Moscow; Kuntshalle Wien, Vienna, Austria; and the Palais de Tokyo, Paris, among others.

The evolving ambition of Creed can be gauged at the Ikon Gallery in Birmingham, which is staging a career - long survey of his work.

Forthcoming solo exhibitions are scheduled at MUDAM — Musée d'Art Moderne Grand - Duc Jean, Luxembourg, in the fall of 2013 and at the Ikon Gallery, Birmingham, UK, in 2014.

Paul Ramírez Jonas» selected solo exhibitions include Pinacoteca do Estado, Sao Paulo, Brazil; The Aldrich Contemporary Art Museum, Ridgefield, Connecticut; The Jack S. Blanton Museum of Art, Austin, Texas; a survey at Ikon Gallery (UK) and Cornerhouse (UK); Alexander Gray Gallery (NYC); Roger Björkholmen (Sweden); Nara Roesler Gallery (Brazil); and Postmasters Gallery (NYC).

Starting at the Ikon Gallery in Birmingham, England in 2002, On Kawara: Consciousness.

«Hurvin Anderson: Reporting Back» was at Ikon Gallery, Birmingham, from 25 September — 10 November 2013.

She has completed solo projects at Ikon Gallery in Birmingham, England, Locust Projects in Miami, and at Jack Hanley Gallery, New York.

The bright red and yellow are Judd - like, and likewise the fluorescent lamp combinations of white, pink, red, yellow, blue and green in untitled (to Don Judd, colorist) 1 - 6 (1987), also exhibited at Ikon.

BOOKSHELF «Hurvin Anderson: Reporting Back» was published on the occasion of his survey exhibition at Ikon Gallery in Birmingham UK.

In February 2017 she was also in the Palm Springs Popup exhibition at Ikon, Ltd., in Santa Monica alongside artists such as Richard Prince, Ellsworth Kelly, and Bruce Nauman.

His solo exhibitions have been seen in international galleries and museums, including Pinacoteca do Estado, São Paulo, Brazil; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; the Jack S. Blanton Museum of Art, Austin, Texas; a survey at Ikon Gallery (UK) and Cornerhouse (UK); Koenig & Clinton (NYC); Nara Roesler Gallery (Brazil); Alexander Gray (NYC); Roger Björkholmen (Sweden); and Postmasters Gallery (NYC).

«Some People (Welcome Series)» was featured in «reporting back,» Anderson's solo exhibition at Ikon Gallery in 2013.

Janet Mendelsohn's photographs at Ikon gallery capture the human face of Birmingham's most notorious district