Sentences with phrase «at jeu»

She was guest curator of the 14th Prix Fondation d'Entreprise Ricard, Paris (2012) and the Satellite Program at the Jeu de Paume, Paris (2010) and has, since 2007, been tutor of theory / exhibition history at De Appel postgraduate curatorial training program and advisor at the Rijksakademie in Amsterdam.
«An immersive exhibition, Peter Campus — Video ergo sum, on view at Jeu de Paume, Paris until May 28, 2017 is the first solo exhibition dedicated to American artist Peter Campus (born 1937, New York), one of the most influential pioneers of video art whose seminal work has inspired generations of artists.»
Cristin Tierney Gallery is pleased to announce peter campus: video ergo sum at the Jeu de Paume.
His work has been featured in numerous solo and group exhibitions, including the 2004 Whitney Biennial and a career survey at the Jeu de Paume in 2008.
A survey retrospective, accompanied by a monograph, «Lorna Simpson» published by Prestel Press, New York NY, premiered in 2013 at the Jeu de Paume, Paris, France, and traveled to the Haus der Kunst, Munich, Germany, and in 2014 to The BALTIC Centre for Contemporary Art, Gateshead, England and the Addison Gallery of American Art, Andover, MA.
The nominees are Alberto García - Alix (born 1956, Spain) for his publication Autorretrato / Self - Portrait; Jochen Lempert (born 1958, Germany) for his exhibition Jochen Lempert at Hamburger Kunsthalle; Lorna Simpson (born 1960, USA) for her exhibition Lorna Simpson (Retrospective) at Jeu de Paume, Paris; and Richard Mosse (born 1980, Ireland) for The Enclave, a six - screen video installation at the Venice Biennale.
Yet an upcoming exhibition at Jeu de Paume is honoring a pioneering surrealist photographer whose influence, like her work itself, remains cast in shadows.
He has participated in group exhibitions at Jeu de Pomme in Paris, PS1 MOMA in New York, Fundacion Marcelino Botin, Berardo Museum in Lisbon, Centro de Arte 2 de Mayo, the Museum of Contemporary Art in Santiago de Chile, the Hirshhorn Museum in Washington D.C., and MART in Trento Roveretto, among others.
His work has also been included in group shows at such venues as The Museum of Modern Art, New York, the Kunsthalle Fridericianum, Kassel, the Reina Sofia, Madrid, the Kunsthalle Wien, the Schirn Kunsthalle, Frankfurt, the De Appel Foundation, Amsterdam, the Chicago MCA, the Seattle Art Museum, and at the Jeu de Paume and the Palais de Tokyo, both in Paris.
Retrospective exhibits were mounted at Jeu de Paume in Paris in 1994 and Madrid's Reina Sofía Museum in 2000.
He was the subject of retrospective exhibitions at the Jeu de Paume in Paris in 1994 and at the Reina Sofía Museum in Madrid in 2000.
For her 2014 solo exhibition at the Jeu de Paume, «Maji Maji,» she examined the history of the Maji Maji War (1905 — 07), one of the African continent's biggest uprisings in the 20th century.
The Musée des Beaux Arts de Nantes organized a career retrospective in 1989, and in 1993 his paintings from the 1980s were the subject of an exhibition at the Jeu de Paume in Paris.
He is believed to have painted over 8,000 works, during his long life his work has been exhibited in museums and institutions all around the world, including solo exhibitions at the Jeu de Paume in Paris, the Museum of Modern Art and the Guggenheim Museum in New York.
Simpson's exhibition at the AAM coincides with her first major European retrospective at the Jeu de Paume in Paris.
In 2009 a major retrospective of his art was held at the Jeu de Paume, in Paris.
Also in 2004, The Whitney Museum of American Art organized two simultaneous exhibitions: «Cotton Puffs, Q - tips ®, Smoke and Mirrors: The Drawings of Ed Ruscha,» which traveled to the Museum of Contemporary Art, Los Angeles and the National Gallery of Art, Washington, D.C., and «Ed Ruscha, a Photographer» opened at the Jeu de Paume in Paris in 2006.
She has had film retrospectives at the Jeu de Palme (Paris), Museum of Modern Art (New York), Tate Modern (London), National Gallery of Art (Washington, Dq, Kunsthall (Oslo, Norway), Toronto Film Festival, and Pink Life Queer Festival (Ankara and Istanbul, Turkey).
Via this blending of materials and ideas relating to economics, agriculture, magic, anthropology and museology, she extends earlier research, undertaken at the Jeu de Paume and the South London Gallery, into belief systems and pre - and post-independency trajectories in Tanzania.
Ali Kazma at Jeu de Paume October 17 — January 21, 2018 Ali Kazma is an Istanbul - based artist creating videos that question economic and social structures in our globalized society.
The solo show «Subterranean» at Jeu de Paume is curated by Pia Viewing.
They have also had several retrospectives in recent years: at the Jeu de Paume, Paris in 1993, PS1, New York in 1999 and at the Musee D'Art Moderne in Lille earlier this year.
Other notable solo exhibitions took place at the Institute of Contemporary Arts, London (1956); Museu de arte moderna, So Paulo (1960); Musée d'art moderne de la Ville de Paris, his first Parisian retrospective (1963); a retrospective at the Grand Palais, Paris (1978); and at Jeu de Paume, Paris (2002).
A work from Empire, State, Building, the latest exhibition by the Parisian collective Société Réaliste, until 8 May at the Jeu de Paume, 1 Place de la Concorde, Paris.
In 1936, his work was included in the exhibition Cubism and Abstract Art at the Museum of Modern Art in New York City, and in an important show with another Czech painter, Alphonse Mucha, at the Jeu de Paume in Paris.
He has also participated in exhibitions at the Jeu de Paume in Paris, the Museo del Barrio Biennial in New York, the Biennial of the Americas in Denver, and the Kunsthalle of Vienna.
In 2008, a large survey exhibition of Soth's work was exhibited at the Jeu de Paume in Paris, France and Fotomuseum Winterthur in Switzerland.
While Moulène has already had major international solo shows, for example in 2005 at the Jeu de Paume in Paris and in 2011 at Dia: Beacon, the reception of his work in Germany has been limited until now, being represented for example in numerous group shows with his photographic series «Objets de grève» (Strike Objects).
AMc: You are currently showing work in Paris, at Jeu de Paume, as part of an exhibition, Our Ocean, Your Horizon, curated by Heidi Ballet.
I am also looking forward to various solo presentations: the French - Moroccan artist Bouchra Khalili — whose meditations on statelessness feel more relevant than ever — at Jeu de Paume, Paris (5 June — 23 September); and in London, the Hayward Gallery's timely Andreas Gursky retrospective (25 January — 22 April) is bound to shine a light on globalization after a torturous year of Brexit induced self - reflection.
His work has also been included in group shows at Jeu de Paume, Paris, 2013; The Museum of Contemporary Art, Jacksonville, Florida (2013); The British Museum, London (2012); National Museum of Contemporary Art, Oslo (2012); Fundament Foundation, Tilburg (2011); Solomon R. Guggenheim Museum, New York (2010); and Martin - Gropius Bau, Berlin (2009).
for the Israeli Pavilion at the Venice Biennale (2003); Fields at the Jeu de Paume, Paris, which traveled to the Tel Aviv Museum of Art (2005 — 06); and Histoires at the Louvre (2011).
Her research into belief systems and ethnographic collections informs her practice, notably her installation about one of the first large uprisings on the African continent, Rumours that Maji was a lie... (2014), first shown at the Jeu de Paume in Paris last year, and later developed as a new project, Kinjeketile Suite, which was exhibited this year at the South London Gallery.
Group exhibitions include the British conceptual exhibition at the Hayward Gallery in 1972, The New Art, and the 1996 exhibition Un siecle de sculpture anglaise at the Jeu de Paume in Paris.
This year the artist had solo exhibitions at Tomio Koyama Gallery inTokyo, the Musée d'art contemporain de Bordeaux, the Kunstlerhaus Bethanien in Berlin and Rubber Man at the Jeu de Paume in Paris.
I understand that it was the subject of your solo show at the Jeu de Paume in 2014, and that you took that research further in your exhibition at the South London Gallery this year.
Ahtila has had solo exhibitions at the Jeu de Paume, Paris (2008); K21, Dusseldorf (2008); the Museum of Modern Art, New York (2006), the Moderna Museet Museum, Stockholm (2012), among many others, and participated in group exhibitions around the world.
She is included in the forthcoming 9th Berlin Biennale and this year has institutional solos at Jeu de Paume, Paris, France (7 June — 25 September) and chi K11 Art Space, Shanghai, China (October).
Ten January and February exhibitions you don't want to miss: Marlene Dumas at Tate Modern, London; Melgaard + Munch at Munch Museum, Oslo; Otobong Nkanga at Museum Folkwang, Essen; By Proxy at James Cohan, New York; Barbara Hammer at KOW, Berlin; Melanie Gilligan at Casco, Utrecht; The Lulennial at Lulu, Mexico City; Monika Sosnowska at Museu de Arte Contemporânea, Porto; Nick Mauss at 303 Gallery, New York; Garry Winogrand at Jeu de Paume, Paris.
Poor Art / Arte Povera: Italian Influences, British Responses and Gino de Dominicis at Estorick Collection and Luxembourg & Dayan, both London, by Ben Eastham Abstract Hungary at Künstlerhaus, Halle für Kunst & Medien, Graz, by Mark Rappolt Folklore: A Controversy with Works from the Collections at Museum der Moderne, Salzburg, by Martin Herbert Ali Kazma at Jeu de Paume, Paris, by Aoife Rosenmeyer Preis der Nationalgalerie 2017 at Hamburger Bahnhof, Berlin, by Raimar Stange The Yellow Wallpaper at Ginerva Gambino, Cologne, by Moritz Scheper Beth Laurin at Index — The Swedish Contemporary Art Foundation, Stockholm, by Stefanie Hessler Pressure / Imprint at Malmö Konsthall, by Kristian Vistrup Madsen Carola Bonfili at Smart, Rome, by Mike Watson Raša Todosijević at Handel Street Projects, London, by Chris Fite - Wassilak Julian Rosefeldt's Manifesto, at London Film Festival / British Film Institute by David Terrien Luciano Fabro at Simon Lee Gallery, London, by Gabriel Coxhead Kati Heck at Sadie Coles HQ, Kingly Street, London, by J. J. Charlesworth Ad Minoliti, Aleksandra Domanović, Dis, Lynn Hershman Leeson, Vikky Alexander, Wang Newone at Project Native Informant, London, by Matthew McLean Simone Fattal at Heni Publishing, London, by Isabella Smith Puppies Puppies at Overduin & Co, Los Angeles, by Jonathan Griffin Laura Owens at Whitney Museum of American Art, New York, by Cat Kron Lewis Stein at Essex Street, New York, by Jeppe Ugelvig Gerard Byrne at Lisson Gallery, New York, by Wendy Vogel Prospect.4 at various locations, New Orleans, by Sam Korman
His work has been exhibited in numerous one - person exhibitions at the Jeu de Paume, Paris (1991); Musée Nationale d'Art Moderne (Centre Georges Pompidou), Paris (1994); Institute of Contemporary Art, London (1994); the Museo Nacional Centro de Arte Reina Sofia, Madrid (1994); The Art Institute of Chicago, Chicago, IL (2000); and The Serpentine Gallery, London, England (2002), among others.
She has had film retrospectives at the Jeu de Palme (Paris), Museum of Modern Art (New York), Tate Modern, National Gallery of Art (DC), Kunsthall (Oslo, Norway), Toronto Film Festival, and Pink Life Queer Festival (Ankara and Istanbul, Turkey).
As video ergo sum, a new retrospective at the Jeu de Paume in Paris, tracks Campus's investigation of the self from early interactive installations into recent «videographs» of landscapes, key mid-career works are concurrently featured in circa 1987 at Cristin Tierney Gallery in New York.
In 2004, his work was presented in Os anos 80: Uma topologia / The 80s: A Topology at Museu Serralves, Porto, Portugal and Éblouissement at Jeu de Paume, Paris, and in 1992, his work was included in documenta IX.
/ Between Declarations and Dreams, inaugural exhibitions at National Gallery Singapore, by Mark Rappolt Liu Chuang at Magician Space, Beijing, by Edward Sanderson Yan Xing at Galerie Urs Meile, Beijing, by Kristian Mondrup Nielsen Zheng Bo at Leo Xu Projects, Shanghai, by Wu Yan Tsuyoshi Ozawa at Shiseido Gallery, Tokyo, by Taro Nettleton David Diao at Ullens Center for Contemporary Art, Beijing, by Fiona He Nina Canell at Arko Art Center, Seoul, by Aimee Lin Kyuchul Ahn at MMCA, Seoul, by Tiffany Chae Richard Streitmatter - Tran at Dia Projects Dong Khoi, Ho Chi Minh City, by C.A. Xuan Mai Ardia 6th Moscow Biennale at VDNKh, Pavilion No. 1, by Sergey Guskov 14th Istanbul Biennial, by Aimee Lin Nguyen Trinh Thi at Jeu de Paume, Paris, by Heidi Ballet Jitish Kallat at Galerie Daniel Templon, Paris, by Christopher Mooney Survival Is Not Enough at Rodeo, London, by Ming Lin Ian Cheng at Pilar Corrias, London, by Ming Lin 8th Asia Pacific Triennial of Contemporary Art at Queensland Art Gallery and Gallery of Modern Art, Brisbane, by Vera Mey
The gallery collaborates regularly with international institutions for the loan of works for temporary exhibitions, including the Magritte retrospective A to Z at Tate Liverpool and the Albertina in Vienna in 2011, the Magritte exhibition Mystery of the Ordinary 1926 - 1938 at MoMA in New York, the Art Institute of Chicago and the Menil Collection in Houston, in 2013 - 2014, as well as Lisette Model at the Jeu de Paume in Paris in 2009 - 2010.
Beginning in Paris at the Jeu de Paume last May, then moving to Barcelona in September, the exhibition will be in Chicago until June.
The material gathered in the exhibition currently presented at Jeu de...
A major European retrospective of Arbus» work opened at the Jeu de Paume, Paris in October 2011 and traveled to Winterthur, Berlin and Amsterdam through 2013.
On view last year at Jeu de Paume in Paris (Simpon's first European exhibition), the presentation at Addison Gallery features «Chess,» 2013, a three - channel video installation making its U.S. debut.
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