Sentences with phrase «at mass gallery»

Your heart is clean at MASS Gallery continues through May 31.

IMAGE ABOVE: Installation view of Mariah Dekkenga and Josef Bull: We have never been modern, on view through July 19 at MASS Gallery in Austin.

Alice Wang is participating to the group show The First Horizons of Juno at MASS gallery in Austin (TX, USA)

In her solo exhibition Your heart is clean at MASS Gallery, Ogunji unveils a body of works on paper and video installation developed during return trips to her father's homeland of Nigeria and time shared between industrial metropolis Lagos and Austin, TX.

Not exact matches

Alexander and Bonin has announced that they will be moving to a new space at 47 Walker Street in Tribeca this summer, thereby becoming the latest gallery to join the mass exodus from Chelsea.

Her work has been exhibited in many galleries and museums, including Kidspace at MASS MoCA in 2003 - 2004 and 2010.

His installation at MASS MoCA will include a selection of photographic works and a sculpture built for the gallery which will play off those images and the materials involved in their production, storage, and presentation.

Situated just outside of new galleries devoted to the musical instruments of Gunnar Schonbeck and works by experimental musician and artist Laurie Anderson, Slip conflates visual art and musical performance — cornerstones of MASS MoCA's program — at a grand architectural scale.

Performance Iconic choreographer Bill T. Jones, co-presented by MASS MoCA and Jacob's Pillow Dance, will give a rare performance of original solo work inspired by his October 2016 visit to the gallery, on Saturday, March 4, at 8 pm.

Voice of America interviews Mina Cheon about her new solo exhibition at Ethan Cohen Gallery «UMMA: MASS GAMES - Motherly Love North Korea» https://www.voakorea.com/a/4099128.html

Community Event Series Together with the Massachusetts College of Liberal Arts, North Adams - based Common Folk Artist Collective staged «Venable 8: Three Lessons on Gun Violence in the Classroom,» in the Kidspace gallery at MASS MoCA, where Cave is also exhibiting.

Following the Alberses» move to New Haven, Anni Albers shifted her focus primarily to her workshop, spending the 1950s creating mass - reproducible fabrics (including a commission from Walter Gropius for Harvard University), writing, and developing her «pictorial weavings,» culminating in the exhibition Anni Albers: Pictorial Weavings at the MIT New Gallery, Cambridge, Massachusetts, in 1959 (traveled to Carnegie Institute of Technology, Pittsburgh; Baltimore Museum of Art; Yale University Art Gallery, New Haven; and Contemporary Arts Museum, Houston).

Simultaneously featured in the new Maine Center for Contemporary Art's 2016 Biennial, Carly Glovinski is the 2016 recipient of an Artist Advancement Grant from the New Hampshire Charitable Foundation, recently did a residency at the Studios at MASS MoCA, and has a solo exhibition at Carroll and Sons Gallery in Boston this winter.

Gallaccio's wave will begin at the back of the two - story gallery, putting the viewers virtually on top of the mass, and gently undulate to the floor at the gallery entrance.

Inside the museum, Kidspace at MASS MoCA is the museum's child - centered art gallery.

Recent shows include Death's Boutique at the Yerba Buena Center for the Arts, San Francisco; Mixed Signals, a traveling exhibition organized by ICI (Independent Curators International); This is Killing Me, a group exhibition at MASS MoCA; a solo show at Simon Preston Gallery, New York; and most recently, Despair Beyond Despair, a solo project at LAXART, Los Angeles.

An art review on Friday about the contemporary art museum MASS MoCA, which recently expanded its gallery space, misstated the frequency of a residency by the band Wilco at the museum, where popular music events are also held.

Here's what did work: Glenn Kaino's glittering mass of arrows in flight at Honor Fraser's booth, a demure suite of gelatin silver prints showing Carrie Mae Weems dancing in a nearly transparent white nightgown, Galerie Brandstrup's laser - focus on young painters (including Michael Kvium and Christer Glein), and Chris Wiley's quirky photographs mimicking and framed with quotidian substances (never has Astro - Turf served a better purpose than a picture frame) as part of Nicelle Beauchene Gallery's entry into Armory Presents.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstat Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, FeldstAt The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

At the Rivington Street gallery, she applies this construct to the conception and installation of the works, presenting a contemporary portrait gallery with abstract masses installed high, and cheek by jowl.

Hughes has recently participated in group exhibitions at MASS MoCA (North Adams, MA), Galerie Eva Presenhuber (Zürich, Switzerland), Phillip Haverkampf Gallery (Berlin, DE), Jack Hanley Gallery (New York, NY), and the High Museum of Art (Atlanta, GA).

Gallery view: THUMBS UP FOR THE MOTHERSHIP at MASS MoCA, work by Dawn DeDaux in the foreground, Lonnie Holley in the distance

Join us at MASS MoCA for an evening of good vibrations with the gospel - soul legend on Saturday, March 25, at 8 pm, with museum galleries open from 11 am to 7 pm.

The artworks remain on view at MASS MoCA on Saturday, April 11, and Sunday, April 12, from 11 am to 5 pm (gallery admission required).

Jurors include Jay Clarke, curator at The Clark; Denise Markonish, curator at MASS MoCA; and Julia Morgan - Leamon, manager of MCLA Gallery 51.

She has exhibited and performed at the Brooklyn Museum, New York (2017); Kochi - Muziris Biennale, Kerala (2016 - 17); Louisiana Museum of Modern Art, Humlebæk (2016); Seattle Art Museum (2015); MASS Gallery, Austin (2014); Gordon Institute of Performing and Creative Arts, Cape Town (2014); the Museum of Contemporary African Diasporan Arts, New York (2013 — 14); CCA Lagos (2013); The Menil Collection, Houston (2012 — 13) and The Pulitzer Foundation for the Arts, Washington, D.C (2013 — 12).

NORTH ADAMS, MASSACHUSETTS — This year's Teen Invitational, the fifth annual exhibition featuring art by local high school students on view in MASS MoCA's main galleries, opens with a reception and awards ceremony on Friday, April 10, at 7 pm.

Titus Kaphar's latest two - part show, Shifting Skies at Jack Shainman Gallery examines the racial injustices of mass incarceration in the United States.

The Teen Invitational exhibit opens at MASS MoCA on Friday, April 10, at 7 pm, with free admission to the galleries.

The two - part exhibition will be on view at Cabinet from January 21 through March 5, 2011 and in MASS MoCA's Prints and Drawings Gallery from January 23 through March 31, 2011.

At the back of the gallery, a selection of work by Hudinilson Jr. showcases the late Brazilian artist's idiosyncratic oeuvre, from a disturbing, jaundiced painting of harlequins (Amantes e casos, Ménage à Trois, 1978) to his homoerotic collages and tender photocopy self - portraits — all masses of hair and folded skin.

Recent solo exhibitions include Via degli Eremiti at CAR DRDE in Bologna, Rules for Coyote at Dürst Britt & Mayhew, DOLLS (with Sherrie Levine) at Paula Cooper Gallery, Heads, Calves at Laurel Gitlen, Doll Index at Peter Blum Gallery and Five Sets Five Reps at the Massachusetts Museum of Contemporary Art (MASS MoCA).

She has been the subject of solo exhibitions, including at Casey Kaplan, New York, NY (2018); «Sarah Crowner / Tutsi Baskets,» Galerie Nordenhake, Stockholm, Sweden (2016); «Plastic Memory,» Simon Lee Gallery, London, United Kingdom (2016); «Beetle in the Leaves,» MASS MoCA, North Adams, MA (2016); among others.

Sponsorship Kidspace at MASS MoCA is a child - centered art gallery and hands - on studio that presents exhibitions and educational experiences in collaboration with leading artists.

Gallery 51, for example, is run by the college through its Berkshire Cultural Resource Center, and many college graduates have worked at MASS MoCA.

In addition to her works on acetate, which will stretch down a gallery wall at MASS MoCA and onto platforms on the floor, Jemison will present a selection of photographs along with an excerpt from her ongoing novella printed in vinyl on the wall.

On May 23, just nine days after the Ryan Lee opening, Ross will unveil the first and largest phase of his ambitious summer show at MASS MoCA, «Clifford Ross: Landscape Seen & Imagined,» an immersive multi-media exhibition that takes place across two buildings, six galleries, two courtyards and two beer gardens.

Other well know names represented include Cy Twombly and Richard Diebenkorn at Susan Sheehan Gallery, a Jim Dine solo show at Pace Gallery, Sam Francis at Manny Silverman Gallery and lastly Michael DeLucia, a former assistant to Jeff Koons, whose sculptural work is engaged with appropriation and the exploitation of objects of mass production in the search of a final abstract form, who is in a two person show with Al Held at the Van Doren Waxter / Eleven booth.

Her work has been included in numerous group exhibitions such at MASS MoCA; Guangzhou Triennial, Guangdong Art Museum, China; Contemporary Art Museum at USF, Tampa, Florida; Yerba Buena Contemporary Art Center, SF; National Academy of Arts, NY; American Academy of Arts and Letters, NY; Katonah Museum of Art, NY; Hong Kong Art Centre; Sotheby's, NY; Shanghai MOCA; Contrast Gallery, Shanghai; Juan Silos Gallery, Santander, Spain.

There is perhaps no greater indicator of changing tastes in London's contemporary art scene and the West's hunger for fresh cultural and artistic influences than the masses of people who came to witness the «Korean Eye: Moon Generation» Exhibition, which showcases the finest contemporary Korean art at the renowned Saatchi Gallery in London.

Experience the merging of music and art in MASS MoCA's Building 5 gallery on Friday, October 28, at 8 pm.

His work has been featured at the Shanghai Biennial (China), Palermo Gallery of Modern Art (Italy), MASS MoCA (USA), Musée de Design et d'Arts Appliqués Contemporains (Switzerland), and the Philadelphia Institute of Contemporary Art (USA).

This exhibition includes two new groups of paintings: a selection of self - portraits and a series depicting the Million Man March on Washington, D.C. Displayed as counterpoints in two separate galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks — large, unstretched canvases screenprinted with mass - media images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.

Upon arrival at the main gallery space, we are confronted by a mass of tangled wires overtaking the entire room.

The power of Ruznic's vision can be evidenced in her myriad accomplishments: she has recently shown her work at Carmen Wiedenhoeft Gallery in Denver, Galeri G - Art in Istanbul, MASS Gallery in Austin, Galerie Ernst Hilger in Vienna, Arc Gallery in San Francisco, and locally at Charlie James Gallery, the Torrance Art Museum, Shulamit Nazarian Gallery, and most recently as part of MAIDEN LA.

He has shown at both local galleries, including the Mass Museum of Contemporary Art (MASS MOCA) as well as hung in shows in Hong Kong and Tokyo.

Following the Alberses» move to New Haven in 1950, Anni Albers shifted her focus primarily to her workshop, spending the 1950s creating mass - reproducible fabrics (including a commission from Walter Gropius for Harvard University), writing, and developing her «pictorial weavings,» culminating in the exhibition Anni Albers: Pictorial Weavings at the MIT New Gallery, Cambridge, Massachusetts, in 1959 (traveled to Carnegie Institute of Technology, Pittsburgh; Baltimore Museum of Art; Yale University Art Gallery, New Haven; and Contemporary Arts Museum, Houston).

Realizing that the Gallery did not have enough space to install and maintain a large number of the artist's wall drawings at any one time, Reynolds suggested to LeWitt that MASS MoCA — with its expansive historic mill complex, growing audience, and history of realizing ambitious new works — might be interested in accommodating an extended retrospective.

A collaborative Installation by Michelle Devereux, Max Juren and Duncan Malashock at the old MASS Gallery location.

His work has been shown at the Parrish Art Museum, ISCP, Carpenter Center for the Visual Arts at Harvard University, EFA Project Space, MoMA PS1, MASS MoCA, the Walker Art Center, the Bronx Museum, Stacion Center for Contemporary Art Prishtina, Parsons, Columbus College of Art and Design, 80WSE Gallery at NYU, and SUNY Purchase.