Sentences with phrase «at shift gallery»

Ken Barnes New Work at Shift Gallery Stephanie Hargrave Ken Barnes» New Work at Shift Gallery is a search for beauty and wisdom expressed through stone carving.

Joseph Pentheroudakis at Shift Gallery through Jan. 27, 2018 Stephanie Hargrave Finger Painting, Joseph Pentheroudakis's new exhibition, is comprised of limited edition digital drawings — a departure from his modern, -LSB-...]

Wooded by Karen Klee - Atlin At Shift Gallery through June 25 By Cynthia Hibbard Karen Klee - Atlin's show «Wooded» moves from a popular Ballard park to remote areas in Ontario, Canada, to express -LSB-...]

Hidden Messages Carolyn Gracz Through May 28 at Shift Gallery By Cynthia Hibbard Carolyn Gracz's hushed but compelling new show of softly hued, abstract etchings — bookended with companionable monotypes and encaustics — lay -LSB-...]

At Shift Gallery, Nov. 3 - 26 Cynthia Hibbard's show Joshua and Jesus imposes a connection between two towering two biblical figures — a deity and a prophet — who themselves share the Hebrew name «Yehoshua,» among -LSB-...]

at Shift Gallery through October 29 Patrice Donohue's new body of work continues her use of newspaper as a primary medium.

This exhibition coincides with her show Making Marks at Shift Gallery.

At Shift Gallery through October 29 The twenty prints that make up Pam Galvani's current show «In Dialogue» explore what happens when there is a conversation between the artist, her -LSB-...]

Anna Macrae at Shift Gallery through Jan. 27th, 2018 Stephanie Hargrave A cacophony of bold brush strokes and smudges is what Macrae's latest body of work features, and it is -LSB-...]

Cynthia Hibbard at Shift Gallery through November 25, 2017 By Stephanie Hargrave Cynthia Hibbard's exhibit at Shift Gallery is a study on the ground we walk on.

Liz Patterson at Shift Gallery through Sept. 2nd, 2017 Stephanie Hargrave Curator Liz Patterson has created a show at Shift Gallery that includes five artists.

Rust No Rust Ed McCarthy at Shift Gallery through July 30 By Cynthia Hibbard Ed McCarthy's show Rust No Rust furthers his exploration of metal sculpture in the areas -LSB-...]

Anna Macrae at Shift Gallery through Sept. 2nd, 2017 Stephanie Hargrave Artist Anna Macrae is a process painter.

Joseph Pentheroudakis at Shift Gallery through July 29, 2017 Written by Stephanie Hargrave / Edited by Cynthia Hibbard When I first encountered Joseph Pentheroudakis's work, I was visiting an open -LSB-...]

at Shift Gallery through April 29, 2017 by Stephanie Hargrave and Cynthia Hibbard Like novelist Virginia Woolf's admonition to «arrange whatever pieces come your way,» Jodi Waltier made art out -LSB-...]

Artist Talk: French - Malian photographer Aminata Dabo Saturday, April 26th from 6 - 8 p.m. at Shift Gallery Two years ago as she was finishing her master's degree in art history, Liz Patterson -LSB-...]

Carmi Weingrod at Shift Gallery through May 27th, 2017 Writing: Stephanie Hargrave — Editing: Cynthia Hibbard Carmi Weingrod's new body of work is titled Imperfect Harmony, Mandalas for a chaotic -LSB-...]

Untitled at Shift Gallery is the culmination of work that disrupts and defies, and consequently is the work that keeps Patterson thinking late into the night.

at Shift Gallery through July 1, 2017 by Stephanie Hargrave Karen Klee - Atlin's solo show fills Shift Gallery with an impressive range of mediums and styles.

Stephanie Hargrave at Shift Gallery through Sunday, Feb. 25 2018 Hargrave's solo exhibition Obeisance / Derision is a balancing act.

Jodi Waltier at Shift Gallery through April 28, 2018 Stephanie Hargrave Jodi Waltier's show Evaporation Diaries is rich in blues and rust.

Not exact matches

In a remarkable video he made in Uganda that is posted on YouTube (since removed, though activist and blogger Andrés Duque made a copy, which is posted at the end of this story), Cabrera described the «cultural shifters» throughout history as a despotic rogues» gallery — Communists, Nazis, the North Korean government.

Kate Middleton re-wore an animal print shift at the Turner Contemporary Gallery in Margate, England that she originally wore while pregnant with Prince George.

When she isn't perfecting her gallery wall, she can be found making magic with paper at Lettered Olive, shifting through thrift store finds, or soaking up some South Carolina sunshine on the beach.

His return to Sydney in 1967 contributed to a generational shift towards minimal geometric abstraction that was reflected in his first solo show at Gallery A and the ground breaking exhibition «The Field» in 1968.

The game will then shift to a tedious shooting gallery, where you shoot at the ghost with a gun and use an extendo - arm device to block its attacks and gather items it drops.

I jumped at the chance to spend a whole day at the gallery; and instead of just sitting around waiting for potential customers to walk in off the street, I turned my shift into a special event.

June Kelly, whose gallery represents Little, has noticed a positive shift in the art world at large toward black abstract painters.

Were you aware of that shift in his works, which were shown regularly at the Pointdexter gallery during that time?

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

In your new show at James Cohan Gallery, «Surface Tension,» color seems to play a more important role in your work than ever, and you have apparently shifted your focus from depicting abandoned homes — a recent series that you described as deliberately «mundane and ugly» — to taking on nature.

The show resonates with her 2015 exhibition Lives on Wire at the Institute of Contemporary Arts, where she created a site - specific installation, repurposing a resistor mechanism from an old cinema organ to produce rainbow strobes that transformed the gallery through shifting coloured light.

Following the Alberses» move to New Haven, Anni Albers shifted her focus primarily to her workshop, spending the 1950s creating mass - reproducible fabrics (including a commission from Walter Gropius for Harvard University), writing, and developing her «pictorial weavings,» culminating in the exhibition Anni Albers: Pictorial Weavings at the MIT New Gallery, Cambridge, Massachusetts, in 1959 (traveled to Carnegie Institute of Technology, Pittsburgh; Baltimore Museum of Art; Yale University Art Gallery, New Haven; and Contemporary Arts Museum, Houston).

FORGETTABOUT IT, her second exhibition at the Lisson Gallery, is exclusively made up of Pensato's 2017 output, revealing an artist still working intensively and experimenting with subtle shifts in her well - established style.

To date, SP Weather Reports have been exhibited in 7 exhibitions including 1 solo show; group exhibitions include Shifting Communities at the Bronx River Art Center in 2011, the 2009 Queens International at the Queens Museum of Art, the International Print Center New York and the University of Pennsylvania Meyerson Hall Gallery.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

Saturday was marked by migrating crowds of various sizes that moved from building to building, from floor to floor taking in exhibitions at small make - shift art collective show spaces, artist studios and some more clearly identified art galleries like the Fuchs Project and Robert Henry Contemporary.

the chinese artist makes a major shift towards the virtual world for «art hacker», a solo exhibition at klein sun gallery.

Schedule — 16 - 20 hours per week, including one eight hour weekday shift at the gallery working alongside staff as well as working remotely on video content, and visiting artists at their studios to film video content.

2017 Third Space: Shifting Conversations about Contemporary Art, Birmingham Museum of Art, Birmingham, AL We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, Brooklyn, NY; California African American Museum, Los Angeles, CA; Albright - Knox Art Gallery, Buffalo, NY; Institute of Contemporary Art, Boston, MA Magnetic Fields: Conversations in Abstraction by Black Women Artists 1960 - Present, Kemper Museum of Contemporary Art, Kansas City, MO; National Museum of Women in the Arts, Washington, DC; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL Approaching Abstraction: African American Art from the Permanent Collection, La Salle University Art Museum, Philadelphia, PA 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Carnegie Institute, Pittsburgh, PA Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY MIDTOWN, Salon 94 at Lever House, New York, NY

Shape Shifters: New York Painters, Sideshow Gallery, Brooklyn, NY, A.D. Gallery, University of North Carolina at Pembroke, NC

Built from the foundation of five early paper negatives by Baron Adolphe Humbert de Molard (b. 1800), first exhibited as part of a three - person show originally presented ten years ago at Andrew Kreps Gallery, New York and Galerie Nelson, Paris, this expanded exhibition further investigates a premise that expounds the ways in which our perception of such work, historically bound to context and experience, has shifted over time, and continues to generate a discursivity and evaluation of content.

Titus Kaphar's latest two - part show, Shifting Skies at Jack Shainman Gallery examines the racial injustices of mass incarceration in the United States.

At the fair, Rastorfer senses a shift in demand towards the historical: «In the past, contemporary galleries complained that modern galleries were showing contemporary art at BaseAt the fair, Rastorfer senses a shift in demand towards the historical: «In the past, contemporary galleries complained that modern galleries were showing contemporary art at Baseat Basel.

Kurt Mueller, director of institutional and media relations, remarks, «Jonas» second exhibition in our galleries is a paradox: At once, it feels even more expansive, with views of Las Vegas, the contents of his wife's ceramics studio, and the Colombian jungle via 20th Century Fox, as well as more «micro,» with increasingly refined and subtle shifts in hue, mark and texture.

The work in my current show at Halsey McKay Gallery has developed in scale and continues to investigate spatial relationships with a perceptual shift that occurs as the viewer places themselves within the work.

2017 Past Skin, MoMA PS1, The Museum of Modern Art, New York, NY Invisible Cities, The Wallach Art Gallery at Columbia University, NY Mundos Alternos: Art and Science Fiction in the Americas, «Pacific Standard Time», UCR / California Museum of Photography, Riverside, CA COMM ALT SHIFT, Aljira A Center for Contemporary Art, Newark, NJ Biennale of Moving Images, Faena Bazaar and Faena Hotel, Miami Beach, FL Biennale of Moving Images, Faena Art Center Buenos Aires, Argentina Digital Bodies, Eli and Edythe Broad Art Museum, East Lansing, MI Vision All Together, Durango Arts Center, Durango, COSouth Florida Consortium Exhibition, Museum of Contemporary Art, North Miami, FL South Florida Consortium Exhibition, Museum of Contemporary Art, North Miami, FL Prospect 4: The Lotus in Spite of the Swamp, New Orleans Biennial, New Orleans, LA No burden as heavy, David Castillo Gallery, Miami Beach, FL Change Agents, Art and Culture Center of Hollywood, Hollywood, FL

For Tuesday Evenings at the Modern, Andria Hickey expands upon her recent curatorial work to explore the shifting nature of the art object from the sanctioned art spaces of galleries and museums to the unyielding context of the public realm.

At SFMOMA, Philipsz has chosen to present the «voice» of the clarinet from Night and Fog, installing the twelve speakers in a long gallery with views onto the shifting weather patterns over the city skyline.

The sculptures that help you to see (and feel) color in a new light Los Angeles Times The magical mysteries of color strut their shape - shifting stuff in «Peter Alexander, Sculpture 1966 - 2016: A Career Survey» at Parrasch Heijnen Gallery in Boyle Heights, where the exhibition is a garden of earthly delights.