Sentences with phrase «at swiss»

From 2014 he will be co-director of gta Exhibitions at the Institute for the History and Theory of Architecture gta at the Swiss Federal Institute of Technology ETH in Zurich.

Works and performances have been seen in New York, NY at Swiss Institute; Whitney Museum of American Art; The Kitchen; Art in General, Brooklyn; Los Angeles Contemporary Exhibitions, CA; Stedelijk Museum, Amsterdam; the Art Institute of Chicago, IL; the Museum of Contemporary Art, Chicago, IL; Contemporary Art Museum, Houston, TX; and Museo de Arte Contemporáneo, Oaxaca, Mexico.

At the Swiss Pavilion, Bove's sculptures require juxtaposition to achieve their full effect; a glossy white tubular glyph is placed next to an assemblage of weathered, rusty found steel and bright yellow fabricated steel to create a dynamic and photogenic display.

Alex Mackin Dolan and Amalia Ulman in The St. Petersburg Paradox at the Swiss Institute in New York 28 May - 4 August 2014

Screening of the work «Objects in Mirror Might Be Closer Than They Appear» by Julian Charrière & Julius von Bismarck at Swiss Institute Contemporary Art New York.

Selected exhibitions include; Beyond the Nation Station State I want to Dream, solo exhibition, Decad, Berlin, 2018; A Farewell to Progress, performance, South London Gallery, London, 2018; A Farewell to Progress, performance, KW, Berlin, 2017; Ideology Meets Implementations, group exhibition, W139, 2017; Gentle Dust, group exhibition, Showroom MAMA, Rotterdam, 2017; Southern Summer School, summer school and public programme, BAK, Utrecht, 2017; Northern Winter Workshops, collective events programme across, the Netherlands, South Africa and the UK, 2017; duo exhibition at Kunstraum, London; The Things We Talked About, group exhibition at St PAUL St Gallery, Auckland; Wilderness, group exhibition at New Shelter Plan, Copenhagen;... instead to meet strangers who might change our minds, solo exhibition at the Swiss Church, London (2014); A Space of No Exception, group exhibition at Sokol Space, Moscow (2014).

A closer look at Swiss watchmaker Audemars Piguet's ongoing commitment to supporting contemporary artists.

In 2017, Kaiser was appointed curator of «Women of Venice — Carol Bove and Teresa Hubbard / Alexander Birchler» at the Swiss Pavilion of the 57th Venice Biennale.

The judging panel for the 2016 NEON Curatorial Award are: Mathieu Copeland, Independent Curator; Laura McLean - Ferris, Adjunct Curator at the Swiss Institute, NYC; Andrew Renton, Director at Marlborough Contemporary, London, chaired by Nayia Yiakoumaki Curator Archive Gallery & Project Manager of NEON Curatorial Exchange & Award.

Jon Kessler getting the band back together at the Swiss Institute Contemporary Art New York.

His most recent exhibitions include the solo show Composite Arcade at Château Shatto, Los Angeles (2014); and the group exhibitions St. Petersburg Paradox at the Swiss Institute (2014); Downtown Light and Sound, Human Resources, Los Angeles (2013); Culm, Night Gallery, Los Angeles (2013); and Made in LA, organized by the Hammer Museum and Los Angeles Municipal Art Gallery in 2012.

Selected exhibitions include; Kunstraum, London (forthcoming); The Things We Talked About, group exhibition at St PAUL St Gallery, Auckland (forthcoming); Wilderness, group exhibition at New Shelter Plan, Copenhagen (forthcoming); instead to meet strangers who might change our minds, solo exhibition at the Swiss Church, London (2014); A Space of No Exception, group exhibition at Sokol Space, Moscow (2014).

Photographs from the series «Equilibres» (1984 — 87) are on view at Matthew Marks Gallery, while extensive archival material can be seen in «Books, Editions and the Like» at the Swiss Institute in SoHo.

At the Swiss Institute Lupo has created an installation of bathroom storage shelves coated in Magic Smooth, an epoxy clay, and cat litter, assembled into 28 oversized human teeth, conjuring for this writer afterimages of Haim Steinbeck, Claes Oldenburg and Rachel Harrison.

While Toroni's painting has been well - received internationally for decades, the current exhibition at the Swiss Institute is, surprisingly, the first - ever Toroni survey in New York.

With a number of solo exhibitions in her name, the work of this soft - core Matta Clark (and precursor to Rachel Whiteread) is slowly being rediscovered, most recently thanks to a show at the Swiss Institute in New York.

Laura McLean - Ferris has been promoted to curator at the Swiss Institute.

These two groups literally come face - to - face in Hans Schärer: Madonnas and Erotic Watercolors at the Swiss Institute, the first solo exhibition of Schärer's work in the United States and a condensed version of a show the Aargauer Kunsthaus hosted last May.

Strauss has been in residence at Skowhegan School of Painting and Sculpture and Movement Research and has been a guest lecturer at Swiss Institute and Hampshire College.

«Hans Schärer: Madonnas and Erotic Watercolors,» at the Swiss Institute, is the first solo exhibition of his art in the United States, and it's wholly delightful.

Breuning has been the subject of solo exhibitions at the Swiss Institute in New York, the Migros Museum in Zurich, the Australian Center of Photography in Sydney, and the Centre d'Art Contemporain in La Chapelle du Geneteil, France, among others.

A work by Heidi Bucher at his solo exhibition on view until May 11th at Swiss Institute Contemporary Art New York, New York.

Art Gallery — Day,» at the Swiss Institute.

Since then we have done three more fairs, one in Milwaukee and two versions of our Dark Fair, at the Swiss Institute in NYC in»08 and as part of Art Cologne in» 09.

At the Swiss Institute in New York, where he served as Director from 2000 - 06, Wahler curated large - scale exhibitions with artists including Urs Fischer, Takashi Murakami, Jim Shaw, and Jutta Koether, and established initiatives to encourage collaboration amongst artists and leaders in fields as disparate as urban planning, chemistry, and sociology.

Try a glass of absinthe and see the shows by Jordan Wolfson and Greg Parma Smith at the Swiss Institute under the influence of the herbal liquor.

Adolf Dietrich / Richard Phillips: Painting and Misappropriation Swiss Institute Contemporary Art New York, NY May 6 - June 26, 2010 Adolf Dietrich / Richard Phillips at Swiss Institute

Lauded for her presentation at the Swiss Pavilion in the 56th Venice Biennale, Rosenkranz fills both of Miguel Abreu's Lower East Side spaces with an ambiance inspired by the Amazon rainforest.

Recent exhibitions include System of Objects, The Dakis Joannou Collection Reloaded by Andreas Angelidakis at DESTE Foundation in Athens (co-curator and exhibition architecture), 2013; DO - IT Moscow at Garage, 2014 (exhibition architecture); Crash Pad, A preliminary statement for the 8th Berlin Biennial, 2014 (artist); Every End is A Beginning at National Museum of Contemporary Art Athens, 2014 (artist, co-curator); Fin de Siècle at Swiss Institute / Contemporary Art, New York, 2014 (curator, exhibition architecture); and 1:1 Period Rooms at Het Nieuwe Instituut, Rotterdam, 2015 (artist, curator).

The temperature in New York had reached the low 80s when I schlepped downtown for Sam Lewitt's Less Lights Warm Words at the Swiss Institute.

The tour ended at the Swiss Institute with a presentation of the founder of the Homeless Museum in Brooklyn (HoMu) Filip Noterdaeme, Director of Development Madame Butterfly and Coyote Florence, HoMu's Director of Public Relations.

Gastaldon's work is on view in New York in Stop Believing, Start Knowing at the Swiss Institute through March 10 and the group show Hello I'm Crashing at Salon 94 through March 20.

Recent projects such as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes curator, the exhibition becomes a medium and the exhibition device an exhibited object.

NEW YORK, NY - NOVEMBER 13: General view of the atmosphere at the Swiss Institute launch celebration of Hans Ulrich Obrist's new book Ways Of Curating on November 13, 2014 in New York City.

In 2009, Miller curated the group exhibition Regift at Swiss Institute.

On view at the Swiss Institute and titled «Less Light Warm Words,» the series of work was created to exhaust the precise amount of power running through the space's electrical lighting grid; Lewitt's copper heaters, laying on the floor with chords running to the ceiling, replace the Swiss Institute's fluorescent lights.

Revolt and renewal Now the exhibition will be shown, in somewhat different form, at the Swiss Institute in New York.

But this summer, Niele Toroni, a Swiss painter born in Muralto (the Italian - speaking border region nestled in the high peaks of Locarno), lands at the Swiss Institute for his first - ever solo institutional show in New York.

Sam Lewitt's «Less Light Warm Words» is the last exhibition at the Swiss Institute in its Wooster Street space.

At Swiss Institute, maxing out the electrical load strains the temperature regulation system, yet the heaters struggle throughout the day to raise the surrounding temperature, creating what the artist describes as a «weak local lineament» of the conditions of circulation.

September 24 through November 8 at Swiss Institute, 18 Wooster Street; swissinstitute.net

The evening at Swiss Institute will unfold according to the rituals, choreography and aesthetics of color field painting and strategy games, in which human - scaled objects become pawns in activating their own function as sculpture.

A number of 1970s - era film posters selected by Lawrence Weiner is on view at the Swiss Institute, New York, until July 19.

«Blue Room,» Heath's recent exhibition at Swiss In situ (the temporary Tribeca location of the Swiss Institute), features new works that merge the conspiratorial tone of «On the Beach» with old - fashioned phone pranksterism.

Image: Photo of The Tenderness of Maggots performance at Swiss Institute, January 7, 2017, taken by Aura Rosenberg.

Artist Sam Lewitt's new exhibition, Less Light Warm Words at the Swiss Institute, is literally New York's hottest show this summer.

Judges: - Mathieu Copeland (Independent Curator)- Laura McLean - Ferris (Adjunct Curator at the Swiss Institute)- Andrew Renton (Director at Marlborough Contemporary - Chaired by: Nayia Yiakoumaki (Whitechapel Gallery)

Recent group exhibitions include The St. Petersburg Paradox at the Swiss Institute for Contemporary Art, New York (2014); Rituals of Rented Island: Object Theater, Loft Performance, and the New Psychodrama — Manhattan, 1970 — 1980 at the Whitney Museum of American Art, New York (2014); and The Pictures Generation 1974 — 1984 at Metropolitan Museum of Art, New York (2010).

Her work is included in the permanent collections of the Boston Museum of Fine Arts, the Kock Collection at the Swiss National Museum, the Racine Art Museum, and Morikami Museum and Japanese Gardens, Florida.

Based in Massachusetts these days, Kusumoto has an indefinite presence at the Museum of Fine Arts Boston, The Kock Collection at the Swiss National Museum, Racine Art Museum, and Morikami Museum and Japanese Gardens.