Sentences with phrase «at tanager»

Stacie works as a training consultant at Tanager Place providing training to internal and external human service professionals in the areas of Trauma and Loss, Play Therapy, Collaborative Problem Solving and Child Abuse Reporter Training.

Previously, Stacie worked at Tanager Place for 9 years in the Tanager Place Clinic as a Clinician Supervisor.

His first one - person exhibition was at Tanager Gallery in 1953, not long after Giacometti debuted his walking figures in two major New York shows (1948 and 1950), which had a tremendous impact not only on the sculptural practice of the time, but also on avant - garde theater and dance.

The artists were among a circle of friends who began their careers at Tanager Gallery on 10th Street, an artists» cooperative that as Frank O'Hara wrote in Kulchur 6 in the summer of 1962 was able to «confer on a first show by an unknown artist a distinction pretty much unavailable to the younger artist elsewhere.»

In 1952, he had his first public showing in a group exhibition at the Tanager Gallery; in 1954, Clement Greenberg selected his work for a show at the Kootz Gallery, New York, titled Emerging Talent; and in 1955, he opened his first one - man exhibition at the Tanager Gallery.

She also participated in important group shows during these years, such as one in late 1952 at Tanager Gallery, another of the most active artists» cooperatives, and in three annual exhibitions from 1953 to 1955 at the Stable Gallery on West 58th Street.

The influence of this success is evident in the work of some of the artists in the exhibition, most notably in the work of Angelo Ippolito at the Tanager Gallery and Hale Woodruff of the Spiral Group, as well as several others.

When Thomas exhibited her work in a group show in 1954 at Tanager Gallery (an artist's cooperative), Stuart Preston noted in the New York Times that she, along with Miriam Schapiro, were «both talented and comparatively unknown.»

Thomas had a one - artist show in 1954 at Hendler Gallery in Philadelphia; her first New York solo exhibition occurred two years later at Tanager.

She had her first solo show at Tanager in 1954.

These were artists whose work you would have begun to know, I guess, at Cooper Union in the case of Alex Katz or certainly at the Tanager Gallery in the case of both Katz and Pearlstein.

Both Dodd and Drummond, who are friends, exhibited at the Tanager Gallery and were part of the burgeoning downtown scene.

V.R. «Tom Wesselmann at Tanager.»

He met Alex Katz through Henry Geldzahler and Katz offered Wesselmann a show at the Tanager Gallery, where he had his first solo show later that year.

Inventing Downtown looks at this broad perspective through the lens of The Private Myth, an ambitious exhibition mounted at the Tanager in October 1961.

Over the years she exhibited in New York at the Tanager Gallery, Green Mountain Gallery and Ingber Gallery.

Wilson had three solo shows at Hansa, in 1953, 1955, and 1957, and also participated in important group shows during these years, including at Tanager Gallery, another of the most active artists» cooperatives, and in three annual exhibitions from 1953 to 1955 at the Stable Gallery on West 58th Street.

Starting with a show of engravings and intaglios at the Tanager Gallery in 1960 his work was painted from nature and always representational.

That started at Cooper Union and continues when he starts showing at the Tanager Gallery.

That same year he had his first solo show at Tanager Gallery.

Moderator Irving Sandler, art historian and critic, in conversation with artists Lois Dodd and Philip Pearlstein, will reflect on their early days at the Tanager Gallery.

They hung shows just marvelously at the Tanager Gallery.

These are the works that Katz's peers — including Guston and de Kooning — saw at the Tanager Gallery in New York in 1959 and responded to with genuine enthusiasm.

Actually I had the first show; I had a two - man show with Lois Dodd at Tanager.

They both said, «I met an interesting girl,» which meant that neither of them was able to connect with her — they meant Ada, also a friend of Tom Boutis, whom I was having a two - man collage exhibit with at Tanager Gallery.

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

Not exact matches

Hanging with Peggy and Monica at the Holly & Tanager event.

Drawing lessons with David Sibley, while observing the colorful tanagers and honeycreepers at the fruit trays, was also a superb opportunity.

Here's a bit about H&T's story: «Holly & Tanager was created to solve an important problem — how to carry all your things at once.

Some of the wildlife that you will find at Poás Volcano National Park are the amazing cloud forest birds, including hummingbirds, tanagers, toucanets, the clay - colored robin and the stunning quetzal.

At the edge of the Tambopata National Reserve, the Refugio Amazonas Lodge provides expert guides to explore the rainforest to find several different monkeys, including tamarins, squirrel monkeys, capuchins, howler monkeys, titi monkeys, parrots at the clay lick, tanagers, capybaras, and caiman crocodileAt the edge of the Tambopata National Reserve, the Refugio Amazonas Lodge provides expert guides to explore the rainforest to find several different monkeys, including tamarins, squirrel monkeys, capuchins, howler monkeys, titi monkeys, parrots at the clay lick, tanagers, capybaras, and caiman crocodileat the clay lick, tanagers, capybaras, and caiman crocodiles.

Dodd speaks about starting the artist run Tanager Gallery, her choice to be an observational painter at the height of Abstract Expressionism and her «minimal» approach.

The Tanager Gallery (1952 — 1962) at 51 East Fourth Street, one of the earliest of the new spaces, was founded by five Americans — Sculptor Williiam «Bill» King (1925 — 2015) and painters Lois Dodd (b. 1927), Angelo Ippolito (1922 — 2001), Charles Cajori (1913 — 2013), and Fred Mitchell (1923 — 2013).

The exhibition, which starts at Fifty - One East Fourth Street (Tanager Gallery) and travels all the way up to Fifteen West Fifty - Seventh Street (Green Gallery), introduces us to the nascent and crackerjack happenings from some of New York's finest and most renowned artists.

The figurative painter Lois Dodd, the last living founder of the Tanager Gallery (1952 - 1962), the most influential of the artist - run galleries that clustered on East 10th Street, said it was difficult for people in today's supercharged contemporary art world to imagine how profoundly uninterested collectors and dealers were in the 1950s in most art being made at the time.

A key member of New York's postwar art scene, she was a founding member of Tanager Gallery, one of the 10th Street cooperatives, and later taught at Brooklyn College for 25 years.

In 1960, he had his first solo show in San Francisco at the San Francisco Museum of Modern Art, and shows in New York City at the Staempfli and Tanager galleries.

Most of what I know about art I learned by listening to artists in their lofts; at The Club (which I ran from 1957 to 1962), where the Abstract Expressionists met for panel discussions, lectures, drinking, and dancing; the Cedar Street Tavern; and the Tenth Street cooperative galleries, notably the Tanager Gallery (which I managed from 1956 to 1959).

He took part in historic exhibitions at the Stable and Tanager galleries and in important group shows, including annuals at the Carnegie Museum of Art, Pittsburgh, Pennsylvania; the Corcoran Gallery of Art, Washington, DC; the Museum of Modern Art, New York; and the Whitney Museum of American Art, New York.

Subsequently she showed at Betty Parsons Gallery and the Tanager Gallery, the first New York artist's cooperative.

JS: Your first exhibitions were held at some of the influential artist cooperatives of the 1950s, like Roko Gallery, the Sun Gallery, and Tanager Gallery.

Still, there is plenty to look at, starting with two canvases from the 1950s that hint at Ms. Dodd's ability and certainly demonstrate her confidence, but also show her squarely in thrall to the improvisatory style of Willem de Kooning, whose studio was near Tanager.

He showed at the Stable Gallery and Tanager Gallery, and he was represented by the Bertha Schaefer Gallery, and in 1959, the Martha Jackson Gallery.

She studied at Cooper Union in the 1940's; she was one of the founders of the Tanager Gallery in the 50's; and she taught at Brooklyn College for many years.

But it bothered me, too, that an artist long associated with New York, who had studied at the Cooper Union in the 1940's, who in the 1950's had been one of the founders of the Tanager Gallery - the most famous of the New York artists» co-op galleries - and who is today a member of two distinguished New York institutions (the American Academy and Institute of Arts and Letters, and the National Academy of Design), should be denied a showing here of one of her most remarkable exhibitions.

Galleries like Hansa, Tanager (shown at top), James and Brata were established as co-operatives, and artists lived and worked around them.

Birding trip afield Search for scarlet tanagers, hooded and Kentucky warblers at birding flag ponds and Battle Creek Cypress in Calvert County.