Sentences with phrase «at a female audience»

despite what you say, there is no part of «Tully» «s marketing that isn't targeted at a female audience... Counter-example: «Hidden Figures» marketing was targeted at both sexes and did MUCH better.
Changeling Press is an eBook Publisher that only publishes Erotic fiction targeted at a female audience.
Usually created by female authors, the stories are aimed at a female audience.
«The Men of Yoshiwara: Ohgiya» is a popular romance game in Japan aimed at a female audience.

Not exact matches

«Just look at Pinterest that's been able to really cater to the female audience generally and has seen explosive growth.
At Digital Marketer, since their now VP or Marketing and Digital Marketer Molly Pittman was brought on board as an intern, she has helped grow their female digital marketing audience by 60 percent in 3 years.
Dohen was raised on the customary sermons on chastity delivered to all - female audiences at Catholic missions and (later) retreats, homilies that all sounded a bit like the exemplar in The Mission Book (Catholic Publication Society, 1870):
Ads related to sports are usually aimed at a male audience, while ads for cleaning products and diet programs often target female viewers.
Lam found that movies aimed at a more female audience tended to get short shrift.
At an international conservation biology conference, male scientists asked on average 1.8 questions for every one question posed by a female scientist, the first study reports, even though the audiences of the 2015 meeting sessions that the researchers analyzed ranged from 40 % to 75 % female.
Yes, that particular article is mainly aimed at a male audience, but the points I make in it hold up well for a female audience too, so check it out if you are female too.
See at a glance the prices, the audience, male - female ratio, ratings of dating websites.
This site is aimed at an audience of males / females aged 50 +.
The audience observes TheWrap and The Female Quotient's «Changing Hollywood: The Road to 50/50 by 2020» panel at The Girls Lounge in Cannes.
Given how audiences have responded to the groundbreaking way that Black Panther has represented both black and female characters on screen, a sequel is all but guaranteed at this point.
Like the Hunger Games series, it's got at least 2 female protagonists (who have considerable degrees of agency, unlike Katniss), and it's targeted at an older audience than a lot of Nix's series.
An overhauled version of the comedy, adapted for modern female audiences, is in the works at 20th Century Fox, Deadline reported Wednesday.
At this year's Locarno Festival, (recently renewed) artistic director Carlos Chatrian similarly declared that he foresaw increasing numbers of women filmmakers in the competitions of major festivals and that he was especially proud to tout, in Locarno's main competition section (with 17 world premieres), eight women directors.1 And Locarno's outcome, amid an impressively deep competition pool, was unexpectedly different: although I, Daniel Blake did win the audience award of the Festival's mainstream Piazza Grande section, a female writer / director, Ralitza Petrova, took the festival's top prize for her brooding and bleak Bulgarian film Godless.
Best Feature Winner: «Moonrise Kingdom» «Bernie» «The Loneliest Planet» «The Master» «Middle Of Nowhere» Best Documentary Winner: «How To Survive A Plague» «Detropia» «Marina Abramovic: The Artist Is Present» «Room 237» «The Waiting Room» Best Ensemble Performance Winner: «Your Sister's Sister» «Bernie» «Moonrise Kingdom» «Safety Not Guaranteed» «Silver Linings Playbook» Breakthrough Actor Winner: Emayatzy Corinealdi («Middle Of Nowhere») Mike Birbiglia («Sleepwalk With Me») Thure Lindhardt («Keep The Lights On») Melanie Lynskey («Hello, I Must Be Going») Quvenzhané Wallis («Beasts Of The Southern Wild») Breakthrough Director Winner: Benh Zeitlin («Beasts Of The Southern Wild») Zal Batmanglij («Sound Of My Voice») Brian M. Cassidy and Melanie Shatzky («Francine») Jason Cortlund and Julia Halperin («Now, Forager») Antonio Méndez Esparza («Aquí y Allá») Calvin Klein Female Filmmaker Award Stacie Passon («Concussion») Bingham Ray Award Benh Zeitlin («Beasts Of The Southern Wild») Best Film Not Playing At A Theater Near You «An Oversimplification Of Her Beauty» (written and directed by Terence Nance) Gotham Independent Film Audience Award «Artifact»
Perhaps due to the recent string of successful horror movies at the box office, with «Split» and STX's «The Bye Bye Man,» audiences (54 % female, 67 % under 25) didn't take to the picture.
Warners is hoping that more of those older female Wonder Woman fans come out, just like they did for her June solo outing: Females over 25 are giving Justice League its best grades at 90 %, but they're still in the minority among the pic's headcount repping only 18 % of the audience.
The books may be directed at a tween female audience, but the director made Catching Fire to a broader audience.
«Those of us in the industry who are still foolishly clinging to the idea that female films with women at the center are niche experiences — they are not; audiences want to see them and in fact, they earn money.
The studios roll out 12 comedies aimed at or produced by women after years of underserving female audiences
That if there's an audience for this, think of what the audience might be for a female - driven fantasy that was genuinely smart and funny, with a couple at its center who demonstrate actual sparks.
Two examples of festival success won't determine all that much in the scheme of things, but it does show that audiences and critics appreciate and applaud female narrative filmmakers, or at least when they follow a certain formula.
The episodic nature of the film, the various physical environments in which Babydoll and her fellow warrior - inmates find themselves, as well as the sexualized nature of these characters, bear all the earmarks of a videogame, but the real world filled with real danger that intrudes at crucial moments raises the stakes, engaging the audience in a way that the female - centric, video - game - turned - film Aeon Flux (2005), which I also like, never quite achieves.
Emily Watson has an important role as a blind photo technician who attracts Dolarhyde's affections, and though as great as she is, her character is essential to allow the audience to see a different side of Dolarhyde or at least the possibility of a different person if his female companionship in life was more like this.
NNancy Meyers (Something's Got ta Give, What Women Want), who excels at crafting just these sorts of romantic comedies for more mature female audiences, delivers perhaps her most original premise for a film.
We learn that test audiences played a big role in the pilot: a few scenes of the female leads in form - fitting clothing were inputted for male reaction (apparently, the women demanded that it never happen again), and it's confirmed that the suits at Fox suggested that Brennan needed to «connect to the victim.»
The New Yorker Richard Brody discusses the films he saw at SXSW as part of the narrative jury Tracking Board has the audience award winners from SXSW Spotify is now streaming the entire Batman v Superman: Dawn of Justice score by Hans Zimmer & Junkie XL Fandor celebrates great female film editors in a new 5 minute video Film School Rejects celebrates Mary Elizabeth Winstead's compelling humanity across multiple genres Towleroad Sally Field on parents and gay kids
Making the prospect of more Shades even likelier is the film's heavily female (75 percent) and majority under 30 (55 percent) audience, a once - dismissed demographic group whose power at the box office continues to grow.
Nancy Meyers (Something's Got ta Give, What Women Want), who excels at crafting just these sorts of romantic comedies for more mature female audiences, delivers perhaps her most original premise for a film.
(For example, even the incredibly wise Sarah Polley, who made this weekend's wonderful; Stories We Tell, conceded at a Q&A for the film that she hadn't even noticed her lead female characters are defined by their relationships with their male partners, as pointed out by an older woman in her audience.)
Through a combination of people discovering this activity at a later age, or simply reaching retirement age as a long - time gamer, this will see more games being created to suit older audience — in the same way that we are now seeing games created for a specifically female audience.
LordTentacleRape: We at Tecmo do not claim that the young and large - but - not - Brobdingnagian T & A standard burns true for all those attracted to female humans, but our market research shows that this is what most of our audience finds most attractive.
Paradise Bay, a farming simulation game targeted at the broad mobile female audience, was launched in mid-2015 and it failed to sustain in the top grossing charts.
The first female artist to be commissioned for a solo show at Wales in Venice, Helen Sear's solo presentation... the rest is smoke explores the ideas of mortality and temporality by playing with the audience's senses.
Mr. Blistène recalled Ms. Balshaw's program at the Whitworth — shows of female artists such as Mary Kelly and the «Trade and Empire: Remembering Slavery» exhibition in 2007 - 08 — as often «political and critical,» yet noted that she managed to appeal to Manchester audiences.
Housewife, on view at Sargent's Daughters in Lower East Side, includes a series of participatory sculptures that invites the audience to engage in performances that reenact house work, while questioning the presumptions about female identity and womanhood in society.
A lively question and answer session will follow the discourse and audience members are invited to stay afterwards to view «The «F» Word: Feminism in Art «the current exhibition on view at The Untitled Space which features the work of 20 female artists.
Most recently, The Oral History of Female Drummers was performed at the Brooklyn Museum in March 2016 to an audience of 10,000.
In the year and a half since finishing her MFA at Yale, 26 - year - old Self has garnered a wide audience for her dynamic representations of the black female body.
This survey looks at projects created over the past four decades by female artists for unexpected sites and audiences.
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