Sentences with phrase «at a painting without»

However, despite Martin's desire to remove herself from her work, I find it difficult to look at the paintings without thinking of her.

«I can't look at a painting without thinking about all the structure around it,» he says.

I was really interested in the idea that you would be looking at paintings without seeing their edges.

However, most spectators who look at a painting without recognizing anything in it, almost always describe it as «abstract», whether or not it has a naturalistic squiggle or two.

Not exact matches

I'm noticing that when it comes to Israel, you seem to consistently, and almost without exception (at least the posts I've read the last several weeks), paint the Jews and the Israelites in the worst possible light.

The Spurs just couldn't score in the paint, and it's mighty hard to pull out a win without easy buckets at the rim or free throws.

small tin buckets easy to find at paint supply stores small cardboard paint buckets also at paint supply stores; paint or cover with paper chinese food boxes most craft stores have these in a variety of colors plain paper sack with a drawing or stickers on the front and tied with a ribbon or a cardstock header stapling the bag closed plastic beach buckets check the dollar store for the best price terra cotta flower pots perfect for a garden theme; the kids can paint these for a party craft too fabric or felt bags with or without a drawstring large tin cans of course, make sure the edges are not sharp mini canvas totes bought or homemade cardboard boxes such as a cereal box, cut down and covered with paper or painted; add a ribbon, string or wire handle baskets lots of inexpensive ones available at thrift stores popcorn boxes available at party supply stores Helpful Tips:

The group pointed to the revelations that NYCHA submitted false certifications for lead paint inspections in recent years and that 80 percent of NYCHA tenants, or more than 323,000 residents, went without heat or hot water at some point this winter as examples of how NYCHA has allegedly failed to protect the health and safety of its tenants.

Given that this was the decade that saw two whole parliamentary sessions without a single vote being cast against their whip by a member of the governing party, this observation was at least more accurate then than modern - day attempts to paint politicians as a bunch of spineless sheep.

What we aimed at was an innovative coat that works differently from conventional intumescent coatings and can stick to the steel surface for as long as possible under high temperatures, and yet has durability and weather resistance under normal conditions without a need for a top coat of paint.»

Ten bucks but I was able to paint my nails at 9 pm and go to bed without fear of messing it up (note: it was fine the next morning).

And I'm glad you made the outright statement «chalk paint can be applied without sanding» because I didn't go to the Annie Sloan session and I had read other people make hints at that, but I wasn't totally sure... I'm glad to hear how easy it is, and that you used 220 sandpaper to distress.

If you want to use the Plaster, you will need a paint like Glidden Premium (Home Depot — check label - they still sell the old formula without primer or Easy Care Brand paint sold at your local hardware store or Sears.

The plot is, especially at the beginning, paint by numbers, without any major surprises for the first half of the flick.

You made Melanie Griffith embarrass her daughter at the Oscars and you basically painted Dornan in a corner to the point where he can't hold literally one single press interview without describing what a horrible experience it all was.

With an urban - slum setting similar to Danny Boyle's Oscar - winning phenomenon Slumdog Millionaire, only without any feel - good carrot at the end of the string, Pedro Costa's three - hour drama In Vanda's Room paints a realist picture of the more

With an urban - slum setting similar to Danny Boyle's Oscar - winning phenomenon Slumdog Millionaire, only without any feel - good carrot at the end of the string, Pedro Costa's three - hour drama In Vanda's Room paints a realist picture of the

Some days you just want to walk down the street in your bright - red wig and blue body paint without the whole world staring at you; if you're Jennifer Lawrence, you can get away with the first part, at least.

Told in cumbersome flashback as the onetime NSA contractor relates his story to journalist Glenn Greenwald (Zachary Quinto) and Citizenfour director Laura Poitras (Melissa Leo) in a Hong Kong hotel room, the movie paints him as a more familiar type of righteous protagonist; in the process, it divorces itself from anything an audience might recognize as present - day reality without offering the juicy pulpiness that would at least qualify it as a «fun» Oliver Stone movie.

Despite the uptick in remakes, it's extremely difficult to identify a few dozen great ones — particularly when you exclude movies like The Thing, which represent the second attempt at adapting a novel — and yet we can't deny that some of the greatest films ever made wouldn't have been possible without slapping a new paint job on an old chassis.

Curtis paints, Animal House style, the Radio Rock as this Shangri - la of rock and sex, where even the ugliest of inhabitants can get laid without effort, and they always have the right song at the right time to play.

Lego City is, at its core, simply another Lego game without a franchise painted over it, & NFS has been out for awhile now.

I asked the paint guy at Home Depot if I could have 30 paint sticks, and without batting an eye, he gave them to me for free!

At 100 mph, flick the wheel left or right a few degrees, and the car remains so composed, your mother - in - law could apply lipstick in the back seat without painting her ears.

Since 2008 doing approx 1000 miles per year, I put it through an mot on the 10th January, it passed without advisories;; The underneath is very solid indeed and doesn't need any work, the current paint was done approx 7 years ago to a good standard but is not perfect, when it had a change from Albert Blue (traces of it around the battery boxes) to the current black;; It still has the US import sticker on the left side door post, the original chassis plate and the chassis stamp on the bulkhead are all there;; It drives very well, I've driven it for circa 40 miles with no problems;; It has 15» Fuchs alloys and the spare is a chrome steel wheel;; The rear end has been «modernised» at some point, I personally would remove the rear Porsche reflector and fit an original panel and bumper stops to get it back to the original pre impact bumper look, I could do this for you if required, cost circa GBP 800;; The seats have been changed to 80's leather recaros and the door cards to a later style, again I'd put some period seats in and back date the door cards if required at cost price;; The 80's recaros are worth good money so shouldn't be too much further expense if they were sold separately;; Further information to come but please contact me if you have any queries;; In summary, a really good looking classic 911Targa, that is great value and can be enjoyed as is, or improved for not a lot of money;;

So a quick math gets us at a grand total of about $ 58,000 for the entire LB Works aero kit with exhaust, suspension, wheels and tires... but without the donor car, which in this case is a $ 400,000 Lamborghini Aventador LP700 - 4, and the required paint and fitment... and trust me, fitting an LB Works wide finder kit onto an Aventador isn't for the faint hearted... it involves actually cutting into all four wheel arches with an angle grinder.

In 1962 (445 years later) the painting was appraised for a staggering $ 100 million dollars, without a doubt the most valuable painting in the world at the time.

Offering a yoga shala, which they allow guests to use with or without a teacher, painted murals, hammocks, and quiet garden nooks, this place is the perfect place to practice mindfulness, and the art of doing nothing, all at the same time.

The current bid is at a little over $ 1,000, with nine more days to go, so maybe I'll support this good cause by purchasing and downloading «All You Need Is Love» — starting September 9, a mere 160 Microsoft points will get you the song, help Doctors Without Borders, and enter you into a contest to win one of the custom painted Xbox 360s and a Rickenbacker 325 replica guitar controller.

New main weapons include: Splat Dualies, dual - wielded sub-machine gun - style guns with two reticles that allow the player to perform dodge rolls with concentrated fire; Flingza Roller, an elongated paint roller capable of fast short range horizontal attacks as well as slow long range vertical attacks; Goo Tuber, which is similar to the Charger weapon but is able to hold a full charge for much longer, allowing players to get a better vantage point or sneak attack opportunity without having to charge the weapon again; Dapple Dualies, essentially an improved version of the Splat Dualies, allowing players to perform quicker dodge rolls at the cost of reduced range; Clash Blaster, which fires crayon - like objects in a short range, high speed manner similar to the Luna Blaster in the first game, but you must hit the opponent with multiple direct hits to splat them; and finally the Splat Brella, a shotgun - like weapon that also functions like a shield that can fly off the handle to provide mobile cover.

Similarly, Transistors opening was my personal favourite, as it gave an absolutely beautiful animated painting for the player to look at, without even a menu screen before it.

The exuberance and the gestural approach that was a condition at the birth of his paintings from the»50s could not be «maintained without pretense forever.»

Still, these are human interventions, like rust - resistant paint, working against time and change without being able to keep them quite at bay.

Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin Gallery, New York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?

There are spin paintings with and without human skulls at their centre, and spot paintings that move between the vibrant and the purely ambient.

Without figurative motifs to distract the viewer's attention, Richter's application of paint onto the vast canvas is a demonstration of reduction at its most convincing.

Even dedicated fans of his work have inevitably faltered at one or another of his forking paths over the past twenty years, while Bradley, on the other hand, shifts gears without pause: from starkly minimalist to gestural abstract paintings with stops in between, from discomfiting assemblage sculptures to boldly graphic silkscreens, and from jagged, sometimes comic drawings to obdurate geometric sculptures.

These recent paintings provide a mature amalgamation of Kim's previous concerns and their suggestions of the romantic, and even the super-natural, draw the viewer in deep without ever hinting at the secret of the attraction.

Instead, he finished paintings in long «varnishing days» at the Academy, like a crowded opening today without the cheap wine.

Gianni has an upcoming show titled «AUDIBLE» opening — March 27th 7pm - 10 pm; running through April 16th at Stone Malone Gallery, located at 7619 1/2 Melrose Ave, Los Angeles — featuring an expressive collection without concealment of Arone's new paperworks, installation, sculpture and paintings.

Recent group exhibitions include: Change at Crew, The Studio, Llandudno; Painted Thought, Arcade, Cardiff; Without an edge there is no middle, Pluspace, Coventry; Like A Monkey With A Miniature Cymbal, Aid & Abet, Cambridge; Uncle Vern's Dog, Gallery North, Newcastle; National Open, Motorcade Flash Parade, Bristol; AreWeNotDrawnOnwardToNewEra?

A lot is packed into the space without it seeming at all crowded, with surprising early things alongside classic works by Holzer (streaming LED signs and granite benches emblazoned with her aphorisms and poetic texts), Lawler (photographs of works of art uncomfortable in their contexts), Sherman self - portraits and Trockel wool paintings.

In the ones on exhibition at Algus Greenspon, he seems to have upped the requirements and ultimately the stakes, becoming both more meticulous and more rigorous; there is no other way he could have made the linear weave paintings he did between 1980 and ’83 without such intense concentration.

Given Müller's investment in content (which, it should be stated out front, never overwhelms the paintings» interlocking Cubist framework but rather engages it in a kind of communion), it is impossible to look at this exhibition of late paintings — almost all of them completed in the two years before the artist's death — without meditating on the extra 24 years of life (in Christopher Marlowe's version) that Faust received in exchange for his soul.

One encounters Louise Bourgeois without her marble phallus as she leaves an epic Picasso retrospective at the Museum of Modern Art, «Forty Years of His Art,» and can not paint again for two months.

DAVID DRISKELL Creative Spirit: Five Decades by Bridget Goodbody DAINA HIGGINS New Paintings by Charles Schultz LOIS DODD New Panel Paintings by Sharon Butler Unlikely Friends: JAMES BROOKS & DAN FLAVIN by Greg Lindquist DAMIEN HIRST The Complete Spot Paintings 1986 — 2011 by Corina Larkin LORI ELLISON by Corina Larkin GEORGES HUGNET The Love Life of the Spumifers by Valery Oisteanu Dark Christmas by Bradley Rubenstein ELLSWORTH KELLY Schwarz & Weiss by David Rhodes MALCOLM MORLEY Another Way to Make an Image, Monotypes by Robert Storr Five Works from the Collection of Albert Murray: ROMARE BEARDEN and NORMAN LEWIS by Charles Schultz THE RONALD S. LAUDER COLLECTION: Selections from the 3rd Century BC to the 20th Century / Germany, Austria, and France by Charles Schultz Anonymous Tantra Paintings by Noah Dillon SANGRAM MAJUMDAR New Work by Kara L. Rooney GUDMUNDUR THORODDSEN Father's Father by Paolo Javier SOTO Paris and Beyond, 1950 — 1970 by Cora Fisher JESS Paintings by Phong Bui GEORGE MCNEIL by Robert Berlind VICTOR MATTHEWS by Vincent Katz LOLA MONTES SCHNABEL Love Before Intimacy by David Markus THOMAS WOODRUFF The Four Temperament Variations by Kara L. Rooney MARTHA CLIPPINGER Hopscotch by Robert Berlind PETER GALLO by Jonathan Goodman Connected by Noah Dillon KANDINSKY's «Painting with White Border» by Susan Bee BARBARA SANDLER Straight On Till Morning by Robert Berlind December (Organized by Howie Chen) by Nathan Kernan EDWIN DICKINSON In Retrospect by Robert Berlind JOSÉ RIVERA by Nathan Kernan REMBRANDT»S WORLD: Dutch Drawings from the Clement C. Moore Collection by Sara Christoph JOSEPH MONTGOMERY Velveteen by Linnea Kniaz The Renaissance Portrait from Donatello to Bellini by Mira Schor BOSCO SODI Ubi Sunt by Jonathan Goodman DOUG WADA Americana by Lilly Wei Mind the Gap by Anne Sherwood Pundyk BILL JENSEN by Ben La Rocco WITHIN / WITHOUT: A Studio Visit With SHOSHANA DENTZ by Zachary Wollard SUSANNA HELLER's Studio by Robert Berlind STUDIO VISIT: JOYCE PENSATO by William Corwin Making American Taste: Narrative Art for a New Democracy by Shane McAdams Letter from BERLIN by David Rhodes JOSEPH MARIONI Eye to Eye by Robert C. Morgan GORDON MOORE by Joan Waltemath Master Bill at MoMA by Irving Sandler

From On Kawara at the Guggenheim this spring, I learned to be suspicious of Dia's display of his date paintings without the accompanying news clippings.

Painting here can serve as a diagram of imaginary structures, of their experience, of the gallery, or of painting itself, or it can mean painting as essentially schematic without referring to anythingPainting here can serve as a diagram of imaginary structures, of their experience, of the gallery, or of painting itself, or it can mean painting as essentially schematic without referring to anythingpainting itself, or it can mean painting as essentially schematic without referring to anythingpainting as essentially schematic without referring to anything at all.

In fact Rae wasn't a postgraduate and spent three years at art school without one formal tutorial with a painting tutor.

The unpredictable, rich yet uningratiating dimensional materiality of the paint strokes in these paintings, and the density of mark making has generally been of greater interest to me than the late paintings, some of which were on view in Mitchell's 2002 retrospective at the Whitney Museum — I saw these as too big, too empty, too facile, without tension.