Sentences with phrase «at an art fair once»

I was at an art fair once I sell pics on canvas didn't sell any.

Not exact matches

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Jackson

We are once again being shown by One Church Street Gallery at Battersea Affordable Art Fair.

In La Bella Crisis, Puerto Rican artist José Lerma revisits MOCAD's history by transforming the museum's main gallery, once an auto showroom, into a series of booths like those typically found at international art fairs, where art is routinely displayed and sold to the public.

One Church Street Gallery are once again showing a number of our paintings at the Affordable Art Fair in Battersea, London, March 9th — 12th.

In 1986 he re-created Yves Klein's famous performative painting Anthropometries (1960), and when he first met Nam June Paik, he cut off the artist's tie, as Paik had once done to John Cage.4 At the IFPDA print fair in November, Bidlo will reenact Manzoni's Carta d'autenticita, enabling visitors to become works of art (or reproductions, depending on how you think about it).

Gregor Muir, Executive Director of the ICA, London and incoming Director of Collection, International Art at Tate, said: «This year's Frieze Art Fair contin - ued to stimulate the imagination with a reassuring degree of certainty, proving once again how London is a world - class centre for contemporary art.&raqArt at Tate, said: «This year's Frieze Art Fair contin - ued to stimulate the imagination with a reassuring degree of certainty, proving once again how London is a world - class centre for contemporary art.&raqArt Fair contin - ued to stimulate the imagination with a reassuring degree of certainty, proving once again how London is a world - class centre for contemporary art.&raqart.»

+ Velázquez, una «ganga» por once millones de euros lasprovincias + VIPs Offered «Reasonably Priced» $ 14 Million Velazquez bloomberg + Picasso Sells: Kanye West, Lauder View $ 5.4 Billion Fair bloomberg + A Glimpse of TEFAF's Treasures, From a Velazquez's «Gentleman» to Gutai Greats artinfo + Mary Poppins at Art Fair in Maastricht nyt + Tefaf: que la fête commence!

Fair (with Steve Turner Contemporary), Miami Beach artBO (with Steve Turner Contemporary), Bogotá Unoriginal Genius, Carroll / Fletcher, London The Moving Museum, Istanbul Paddles On, Phillips, London Suchroutinen: Erzählungen von Datenbanken, d21, Leipzig Il Delitto Quasi Perfetto, Padiglione d'Arte Contemporanea, Milan The Value of Nothing, Tent, Rotterdam Do It With Others, Click Festival, Helsingör, Denmark Art Brussels, Brussels (with Boetzelaer Nispen) Return Of Investment, Link Cabinet, Link Art Center (online) Out Of Office, Arcade Cardiff, Cardiff, United Kingdom All at once all of the time, VAMFF, Melbourne Art Rotterdam, Rotterdam (with Cokkie Snoei) The Crime Was Almost Perfect, Witte De With, Rotterdam

The Hammer is pleased to be participating once again in Printed Matter's LA Art Book Fair on Thursday, January 30 through Sunday, February 2, 2014 at The Geffen Contemporary at MOCA.

This year the Dallas Art Fair opening gala (preceded by the debut of an incredible Irving Penn exhibition at the Dallas Museum of Art the night before) showed once more how the fair is gaining favor from both local and international patrFair opening gala (preceded by the debut of an incredible Irving Penn exhibition at the Dallas Museum of Art the night before) showed once more how the fair is gaining favor from both local and international patrfair is gaining favor from both local and international patrons.

In La Bella Crisis, José Lerma revisits MOCAD's history by transforming the museum's main gallery, once an auto showroom, into a series of booths like those typically found at international art fairs, where art is routinely displayed and sold to the public.

Once again we will see galleries from different fields collaborate on groundbreaking presentations, as the fair continues to offer new models for looking at and collecting art.»

Mounted annually at the Park Avenue Armory by the ADAA, a nonprofit membership organization of the leading art dealers from around the country, The Art Show 2017 once again fostered a distinct fair environment — encouraging active conversations with gallerists and close looking at works by artists from a variety of genres, practices, and national and international origiart dealers from around the country, The Art Show 2017 once again fostered a distinct fair environment — encouraging active conversations with gallerists and close looking at works by artists from a variety of genres, practices, and national and international origiArt Show 2017 once again fostered a distinct fair environment — encouraging active conversations with gallerists and close looking at works by artists from a variety of genres, practices, and national and international origins.

Once again we will see galleries from different fields collaborate on ground - breaking presentations, as the fair continues to offer new models for looking at and collecting art.»

Frieze art fair is almost upon us, and in an effort to tempt the crowds out of Regent's Park galleries across London are putting on their best shows all at once.

The row over Becchina's former stock has reignited after two vases that were once in his possession went on sale at the prestigious Frieze Masters art fair in Regent's Park, London.

I haven't seen Janice Kerbel's work for voices, Doug, for which she was nominated, though remember being amused by some spoof posters she once showed at the Frieze Art Fair.

Woolff Gallery from the London, UK was showing at both ArtHamptons and Art Southampton fair this year since as Nick Woolff explained, «once the staff and inventory are here, it made sense to stay.»

Nelson, who like Wallinger has been shortlisted once before, recently made his mark with a striking project at the 2006 Frieze Art Fair, which installed a photographic darkroom inside the bowels of the fFair, which installed a photographic darkroom inside the bowels of the fairfair.

Fraenkel Gallery is pleased to exhibit once again at the Fog Design + Art Fair this month and will feature work by Christian Marclay, Robert Adams, Lee Friedlander, Harry Callahan, Hiroshi Sugimoto, and others.

Twenty - six years ago, Mahlangu was the first woman to create artwork on a BMW 525i Sedan, and in 2016 she was once again commissioned to refine a BMW 7 Series, which was exhibited at the Frieze London art fair.

2013 UNTITLED (with Steve Turner), Miami Merge Visible, Horton Gallery, New York Sydney Contemporary 13 Art Fair, with Artereal Gallery, Sydney #Pseudoreal, Charles Bank Gallery, New York Charles Bank Gallery Summer Hang, New York Paint 13, Artereal Gallery, Sydney Everything At Once, Paradise Hills, Melbourne

2013 Untitled (with Steve Turner, Los Angeles), Miami Merge Visible, Horton Gallery, New York Sydney Contemporary 13 Art Fair, with Artereal Gallery, Sydney #Pseudoreal, Charles Bank Gallery, New York Charles Bank Gallery Summer Hang, New York Paint 13, Artereal Gallery, Sydney Everything At Once, Paradise Hills, Melbourne

I am looking forward to seeing even more antiquities dealers in the fair, as well as Indian art, alongside the best Old Masters and 20th - century work... Once again we will see galleries from different fields collaborate on ground - breaking presentations, as the fair continues to offer new models for looking at and collecting art.»

2013 Untitled (with Steve Turner Contemporary, Los Angeles), Miami Merge Visible, Horton Gallery, New York Sydney Contemporary 13 Art Fair, with Artereal Gallery, Sydney #Pseudoreal, Charles Bank Gallery, New York Charles Bank Gallery Summer Hang, New York Paint 13, Artereal Gallery, Sydney Everything At Once, Paradise Hills, Melbourne

Following the Affordable Art Fair that occupied capital of Netherland at the beginning of November, «Amsterdam Art Weekend» will once again become a rendezvous point for promising and renowned artists, art enthusiasts and professionaArt Fair that occupied capital of Netherland at the beginning of November, «Amsterdam Art Weekend» will once again become a rendezvous point for promising and renowned artists, art enthusiasts and professionaArt Weekend» will once again become a rendezvous point for promising and renowned artists, art enthusiasts and professionaart enthusiasts and professionals.

We are once again excited to be able to select work from Frieze Art Fair in London, so that a broad public at Tate can experience new art as it emerges.&raqArt Fair in London, so that a broad public at Tate can experience new art as it emerges.&raqart as it emerges.»

Gregor Muir, Executive Director of the ICA, London and incoming Director of Collection, International Art at Tate, said: «This year's Frieze Art Fair continued to stimulate the imagination with a reassuring degree of certainty, proving once again how London is a world - class centre for contemporary art.&raqArt at Tate, said: «This year's Frieze Art Fair continued to stimulate the imagination with a reassuring degree of certainty, proving once again how London is a world - class centre for contemporary art.&raqArt Fair continued to stimulate the imagination with a reassuring degree of certainty, proving once again how London is a world - class centre for contemporary art.&raqart.»