Sentences with phrase «at apexart»

Following last year's Life After Death and Elsewhere at apexart, which highlighted artwork by men on death row at the Riverbend Maximum Security Institution in Nashville, Tennessee, activist and artist Fury Young organizes a group show of artwork created by prisoners from all - across the country.

at apexart, which highlighted artwork by men on death row at the Riverbend Maximum Security Institution in Nashville, Tennessee, activist and artist Fury Young organizes a group show of artwork created by prisoners from all - across the country.

Winning proposals will be presented at apexart's New York City space as part... Continue reading →

Lou Cantor's work is currently on view at apexart, New York.

He has curated, among other exhibitions, To Be Political it Has to Look Nice (2003) at apexart and Art in General in New York; PR04 Biennale (2004, co-curator) in Puerto Rico; George and Dragon at ICA (2005) at the ICA London; This Is Not America (2009) at Beta Local in San Juan, Puerto Rico; Incidents of Travel in Central America, Chiapas, Yucatan and Elsewhere (2010) at the CCE in Guatemala; Incidents of Mirror Travel in Yucatan and Elsewhere (2011) at Museo Tamayo, Mexico City; Bananas is my Business: the Southamerican Way (2011, co-curated with Julieta Gonzalez) at Museu Carmen Miranda, Rio de Janeiro; and MicroclimaS (2012) at Kunsthalle Zurich.

«The Art of 9/11, «curated by Arthur C. Danto, ran at apexart through October 15, 2005.

He has curated, among other exhibitions, To Be Political it Has to Look Nice (2003) at apexart and Art in General in New York; PR04 Biennale (2004, co-curator) in Puerto Rico; Incidents of Mirror Travel in Yucatan and Elsewhere (2011) at Museo Tamayo, Mexico City; Bananas is my Business: the Southamerican Way (2011, co-curated with Julieta Gonzalez) at Museu Carmen Miranda, Rio de Janeiro; Bienal Tropical (2011) in San Juan, Puerto Rico; Under the Same Sun: Art from Latin America Today (2014 - 15) at the Guggenheim Museum in New York and Museo Jumex in Mexico City.

Installation view, Fellow Travelers, organized by Katherine Rochester and on view through October 21 at apexart.

«Consent,» a new art show at the apexart gallery on Church Street, opened last week and will run through May 12.

Not exact matches

He held artist residencies at a.o. ISCP, SAHA Studio, NY (2014), Shangri La, Doris Duke Foundation, Hawaii (2011), Princeton University (2010), the Rijksakademie van Beeldende Kunsten in Amsterdam (2010), the apexart Inbound Residency Program, NY (2009), and at Platform Garanti Contemporary Art Center, Istanbul (2009).

He has lectured and led numerous panel discussions on art, business and legal issues faced by artists, and comics at a varied string of venues including apexart, threewalls, the National Museum Publishing Seminar, the Art Institute of Chicago, the School of the Art Institute of Chicago, and College Art Association.

Bad at Sports has done stuff with apexart in New York City, the Museum of Contemporary Art Chicago, Baer Ridgeway, NADA Art Fair, Open Engagement and many others.

León de la Barra has curated or cocurated more than a dozen exhibitions in the past decade, at institutions including the David Roberts Art Foundation and the Architecture Foundation, London; Centre de Art Contemporaine, Geneva, and Kunsthalle Zürich; apexart and Art in General, New York; Casa Luis Barragán, Casa del Lago, and Museo Tamayo, Mexico City; Museo La Ene, Buenos Aires; Museu Carmen Miranda, Rio de Janeiro; Beta Local, San Juan; Centro Cultural de España, Guatemala City; Casa Encendida, Madrid, Spain; and Proyecto AMIL, Lima.

Her research and curatorial projects are determined by the specific socio - political conditions: OtherIS (2011 - ongoing) is a curatorial platform of video art relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networks.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

León de la Barra has organized or co-organized more than a dozen exhibitions in the past decade at institutions including the David Roberts Art Foundation and the Architecture Foundation, London; Centre de Art Contemporaine, Geneva, and Kunsthalle Zürich; apexart and Art in General, New York; Casa Luis Barragán, Casa del Lago, and Museo Tamayo, Mexico City; Museo La Ene, Buenos Aires; Museu Carmen Miranda, Rio de Janeiro; Beta Local, San Juan; Centro Cultural de España, Guatemala City; Casa Encendida, Madrid, Spain; and Proyecto AMIL, Lima.

He has had solo exhibitions at the de Saisset Museum, California; apexart, New York; and Art in General, New York.