Sentences with phrase «at art museums charging»

Gallery shows are open to the public and often rival the quality of exhibits at art museums charging you $ 20 and up to get in.

Not exact matches

-- Harold Koda, Curator in Charge, The Costume Institute at the Metropolitan Museum of Art «Scott doesn't just take pictures, he captures emotion.

I also am in charge of running our visiting artist lecture series here at the school and at the Museum of Fine Arts, Boston.

Several recent exhibitions have taken up the charge as well, most notably this fall's blockbuster - scaled «Regarding Warhol: Sixty Artists, Fifty Years,» opening September 18 at the Metropolitan Museum of Art, which will travel to the Andy Warhol Museum in Pittsburgh next year.

A 45 - minute tour of Shade will be offered at the Denver Art Museum on Wednesdays, Fridays, and Sundays at 2 p.m.. On Wednesdays and Sundays, continue your tour at CSM at 3 p.m. Members of either museum enjoy both tours at no cMuseum on Wednesdays, Fridays, and Sundays at 2 p.m.. On Wednesdays and Sundays, continue your tour at CSM at 3 p.m. Members of either museum enjoy both tours at no cmuseum enjoy both tours at no charge.

Dennis Barrie, director of Cincinnati's Contemporary Arts Center, is acquitted of obscenity charges after presenting Robert Mapplethorpe's photographs at the museum.

At the Contemporary Art Museum St. Louis, an exhibition of works by Kelley Walker, a white, Georgia - born artist, sparked a boycott over his use of racially and sexually charged images of black people.

Retrospective: The Latest News in Black Art — Black Panthers at 50, Museums Respond to Charges of Racism and Historical Inaccuracy

But given the corporate underwriting of this presumably challenging exhibition at the Whitney Museum and the vast quantity of Pop, representational and politically charged art that has appealed to corporate collectors over the years, who is she kidding?

NEWS At the Contemporary Art Museum St. Louis, an exhibition of works by Kelley Walker, a white, Georgia - born artist, spark a boycott over his use of racially and sexually charged images of black people.

With a foreword by Valerie Steele, director of the Museum at F.I.T., and an introduction by Harold Koda, curator - in - charge of the Costume Institute at the Metropolitan Museum of Art, this beautifully designed book provides an intimate perspective on these unique and influential men and women, offering frank insight to their views on fashion and life through evocative interviews and lush photography.

Barneys New York creative ambassador - at - large Simon Doonan will present the Pratt Fashion Award for Lifetime Achievement to Harold Koda, former curator in charge at The Costume Institute at The Metropolitan Museum of Art, at the Pratt Institute Fashion Show + Cocktail Benefit on May 5.

Following the runway show, Barneys New York Creative Ambassador - at - Large Simon Doonan presented former Curator - in - Charge of The Costume Institute at The Metropolitan Museum of Art Harold Koda with the Pratt Fashion Award for Lifetime Achievement.

Founded by the late visionary artist and curator Noah Davis, and artists Karon Davis and Khalil Joseph, The Underground Museum is a 6,000 square foot nonprofit exhibition space located in West Adams / Crenshaw, Los Angeles, whose mission is to showcase world - class art to diverse, underserved and at - risk communities, free of charge.

He is the current Educator in Charge at the Metropolitan Museum of Art since 2016.

«New Works» opens on the heels of a year in which Bradford received acclaim for «Tomorrow Is Another Day,» his searing exhibition for the US Pavilion at the 2017 Venice Biennale, which will travel to The Baltimore Museum of Art (BMA), and unveiled «Pickett's Charge,» a monumental commission for the Hirshhorn Museum and Sculpture Garden in Washington, D.C., inspired by artist Paul Philippoteaux's nineteenth - century cyclorama in Gettysburg National Military Park, Pennsylvania.

Subsequent tickets for this event will be charged at # 4 (# 3 concession) Word ref: details provided by the Ashmolean museum, special thanks to Theresa Nicolson, The Henry Moore Foundation, Ashmolean Museum of Art and Archaeology, University of Omuseum, special thanks to Theresa Nicolson, The Henry Moore Foundation, Ashmolean Museum of Art and Archaeology, University of OMuseum of Art and Archaeology, University of Oxford.

We are grateful for the visionary leadership of Fine Arts Museums Director Max Hollein, his team at the Fine Arts Museums, including Tim Burgard, Curator - in - Charge, American Art Department, and their board, both in making this important acquisition possible and in helping us advance our mission in such a meaningful way.»

Curtis, whose time at the helm began in the wake of large cuts to the arts sector in 2010, leaves to take charge of the Calouste Gulbenkian museum in Lisbon

Alexey Novoselov — curator, director of the exhibition department at Moscow Museum of Contemporary Art, one of the top - managers in charge of Moscow Biennial of the Young Art, corresponding member of the Russian Academy of Arts.

As an intern at the Whitney, she was charged with sitting on the gallery floor inside a 1975 exhibition of the work of Richard Tuttle, art so minimal and humble it infuriated many viewers and was a factor in the firing of the curator, Ms. Tucker, who promptly went out and started the New Museum in two small temporary rooms in TriBeCa.

Rebecca Rabinow named new director of the Menil Collection Rebecca Rabinow, currently the curator of modern art at the Metropolitan Museum, where she is also the curator in charge of the Leonard A. Lauder Research Center for Modern Art, will be the new director of the Menil Collection in Houston, Texart at the Metropolitan Museum, where she is also the curator in charge of the Leonard A. Lauder Research Center for Modern Art, will be the new director of the Menil Collection in Houston, TexArt, will be the new director of the Menil Collection in Houston, Texas.

In contrast, Germany's Humboldt Forum will trial a free entry scheme for its federal museums — though according to the Art Newspaper, critics are warning that the no - charge admissions policy for permanent collections might make it difficult to introduce ticketing at a later stage.

Originally published on December 12, 2008 Rachel Whiteread, who lives and works in London, has created a new politically charged piece titled Place (Village) on view now at the Museum of Fine Arts in Boston.

(Two such photos exhibited at the Contemporary Arts Center in Cincinnati 25 years ago were part of a trial believed to be the first in which a museum was charged with obscenity.)

Dr. Sylvia L. Yount, Chief Curator and the Louise B. and J. Harwood Cochrane Curator of American Art at the Virginia Museum of Fine Arts, will be joining the staff of New York's Metropolitan Museum of Art this September as the Lawrence A. Fleischman Curator in Charge of The American Wing.

«Rodin's conception of the body as expressive of his subjects» psychic condition, and his embrace of the fragment as a motif in its own right, deeply influenced the trajectory of modern sculpture,» says Claudia Schmuckli, Curator - in - Charge, Contemporary Art and Programming, at the Fine Arts Museums of San Francisco.

View charges: [the public] 800 yen (640 yen) ※ Rate general more than 65 years old [university student] 500 yen (400 yen)[less than high school student] Free of charge ※ (in) advance sale and more than 20 groups rate ※ A certificate of the physically disabled, a nursing notebook, the mental patient health welfare notebook owner is no charge for admission ※ The booking ticket is sold at art museum the first floor reception desk, Takamatsu - shi government office consumers» cooperative, Yumetaun Takamatsu service counter, the Miyawaki Bookstore head office and the south head office until Saturday, October 21

[10] Greenberg's annotated library is available at the Portland Art Museum's Crumpacker Family Library which is open to the public free of charge.

He is an honorary member of the International Cultural Association of Shanghai, a government agency in charge of cultural exchange, a lecturer at large at Shanghai's Institute of Visual Arts and he was the curator for contemporary art at the Aurora Museum, Shanghai from 2013 to 2016.

«Urs Fischer's sprawling exhibition at the Legion of Honor offers a unique opportunity to appreciate his voracious and inventive reinterpretation of image traditions in the context of a historic collection,» says Claudia Schmuckli, curator - in - charge, contemporary art and programming, the Fine Arts Museums of San Francisco.

Sylvia Yount, chief curator and head of the American art department at the Virginia Museum of Fine Arts in Richmond, will become curator in charge of the American art wing of New York's Metropolitan Museum of Art this faart department at the Virginia Museum of Fine Arts in Richmond, will become curator in charge of the American art wing of New York's Metropolitan Museum of Art this faart wing of New York's Metropolitan Museum of Art this faArt this fall.

Rebecca Rabinow is the Leonard A. Lauder Curator of Modern Art and Curator in Charge of the Leonard A. Lauder Research Center for Modern Art at the Metropolitan Museum of Art.

Exhibited together at the New Museum, the two works introduced a sense of monumentality hitherto unseen in his practice, which most recently found its zenith in Bradford's installation for the U.S. Pavilion at the 2017 Venice Biennial, and Pickett's Charge, currently on view at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. Bradford was first catapulted onto the contemporary art scene in 2001, following the inclusion of his multi-layered collage paintings in Thelma Golden's Freestyle exhibition at the Studio Museum in Harlem.

Cruz was curator - in - charge of the Tàpies retrospective at the Singapore Art Museum (2005), co-curated All the Best: The Deutsche Bank Collection and Zaha Hadid, Singapore Art Museum (2006), and curated You Are Not a Tourist for Curating Lab, Singapore (part of the Singapore Art Show 2007) and Creative Index: An Exhibition in Manila (2010) for the 10th Regional Anniversary of the Nippon Foundation's Asian Public Intellectuals Fellowship program.

Only six months on the job as painting and sculpture curator at the San Francisco Museum of Modern Art, Madeleine Grynsztejn is charged and rarin'to go.

This exhibition comes on the heels of a number of major public projects including «Tomorrow Is Another Day,» Bradford's widely - lauded exhibition for the United States Pavilion at the 57th Venice Biennale (which will travel to The Baltimore Museum of Art in September); «Pickett's Charge,» a monumental cyclorama commissioned for the Hirshhorn Museum and Sculpture Garden in Washington, D.C.; and a 32 - panel, site - specific painting of the entire US Constitution for the new American Embassy in London.

Organization with an operating budget of more than $ 30 million: Sean Hemingway, curator of Greek and Roman art at the Metropolitan Museum of Art, and Carlos A. Picon, the curator - in - charge of Greek and Roman art at the Metropolitan Museum of Art, both for Pergamon and the Hellenistic Kingdoms of the Ancient Woart at the Metropolitan Museum of Art, and Carlos A. Picon, the curator - in - charge of Greek and Roman art at the Metropolitan Museum of Art, both for Pergamon and the Hellenistic Kingdoms of the Ancient WoArt, and Carlos A. Picon, the curator - in - charge of Greek and Roman art at the Metropolitan Museum of Art, both for Pergamon and the Hellenistic Kingdoms of the Ancient Woart at the Metropolitan Museum of Art, both for Pergamon and the Hellenistic Kingdoms of the Ancient WoArt, both for Pergamon and the Hellenistic Kingdoms of the Ancient World

Pickett's Charge will be available to the public between the 8th of November 2017 and 12th of November 2018 at Hirshhorn National Museum of Modern Art in Washington, DC.

«She has that rare mix of qualities required of a curator charged with operating in the new international art scene: intellectual seriousness, aesthetic open - mindedness combined with a discerning critical mind, and singular skill at working with artists,» said Robert Storr, Dean of the Yale School of Art, who worked closely with Manchanda on two exhibitions of Gerhard Richter at the Museum of Modern Aart scene: intellectual seriousness, aesthetic open - mindedness combined with a discerning critical mind, and singular skill at working with artists,» said Robert Storr, Dean of the Yale School of Art, who worked closely with Manchanda on two exhibitions of Gerhard Richter at the Museum of Modern AArt, who worked closely with Manchanda on two exhibitions of Gerhard Richter at the Museum of Modern ArtArt.

News, «Women in Charge: New Curatorial Appointments at MoMA, Walker Art Center, MCA Chicago, and Cleveland Museum of Art,» November 7, 2007

The typical Guerrilla Girls poster, which they've been producing variations of ever since, contains a selection of statistics and bold headlines that level charges of racism or sexism at various quarters of the arts world, from white, male critics and artists to galleries and museums.

Finney said the new fee is comparable to those at such museums as the Museum of Modern Art and the Whitney Museum in New York, both of which charge adults $ 10.

The Museum of Art, Franklin, OH 2/2011 — 1/2013 Gallery Aide • Welcomed visitors in a charged and enthusiastic manner and provided introduction of the type of art displayed at the museum • Conducted tours of assigned museum parts, providing visitors with information on art pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regularMuseum of Art, Franklin, OH 2/2011 — 1/2013 Gallery Aide • Welcomed visitors in a charged and enthusiastic manner and provided introduction of the type of art displayed at the museum • Conducted tours of assigned museum parts, providing visitors with information on art pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regular baArt, Franklin, OH 2/2011 — 1/2013 Gallery Aide • Welcomed visitors in a charged and enthusiastic manner and provided introduction of the type of art displayed at the museum • Conducted tours of assigned museum parts, providing visitors with information on art pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regular baart displayed at the museum • Conducted tours of assigned museum parts, providing visitors with information on art pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regularmuseum • Conducted tours of assigned museum parts, providing visitors with information on art pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regularmuseum parts, providing visitors with information on art pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regular baart pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regular baart pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regularmuseum was in good repair and cleaned and maintained on a regular basis