Sentences with phrase «at art museums saying»

Art critic Christian Viveros - Faune in fact ends his January 2012 article in Art Review magazine Pg 50, about how OWS has been handling their involvement with their OWS events at art museums saying: «Artist's have a responsibility to address the issues of their time - creatively, provocatively, thoughtfully.

Not exact matches

«I just feel like this is putting a barrier between the common man and the art museum,» Nancy Stone said at an Indianapolis town hall, as reported by WTTV.
«This is an opportunity for Hollywood, not a competition for Hollywood,» Wang said from a podium on stage at the Los Angeles County Museum of Art, speaking through a translator.
The Metropolitan Museum of Art's president said that she will retire next spring after more than a decade in the post and nearly 40 years at the mMuseum of Art's president said that she will retire next spring after more than a decade in the post and nearly 40 years at the museummuseum.
«This idea of having a museum — and it was his vision, at that time, that it be a contemporary - art venue — as part of public education at a higher institution is really a pretty amazing and significant contribution, and has been a lasting contribution to this campus, certainly,» said Corinna Ripps Schaming, curator and interim director.
Every inch of it was swallowed by water during the hurricane,» Stringer is set to say in the speech, which will be delivered at the Metropolitan Museum of Art.
«In this respect they are believed to have behaved in a similar way to hyenas today,» said the study's lead author, Steven E. Jasinski, a student in the Department of Earth and Environmental Science in Penn's School of Arts & Sciences and acting curator of paleontology and geology at the State Museum of Pennsylvania in Harrisburg.
Although Lyon's visualizations have appeared in computing textbooks and at the Museum of Modern Art in New York, he says he has yet to collect on his bet.
If Weiss did cut classes, it wasn't to hang out on the corner, says his son, Benjamin Weiss, a historian and curator at Boston's Museum of Fine Arts.
Being an «Atlanta girl» at heart, in my opinion, I'd say Tulsa's Philbrook Museum is very similar to Atlanta's High Museum of Art.
Indeed, in the Q&A that followed the screening of In the Fade that I attended at New York's Museum of Modern Art, Akin went so far as to say that he wanted Katja to be a blonde - haired, blue - eyed avatar of himself; he wanted to cast a woman who would be a Nazi's ideal as the sworn enemy of Nazis, and to inject his own anger about the way he is treated as an «other» by neo-Nazis and their ilk into the character of an Aryan - looking woman who would otherwise be embraced by them.
The story of a contemporary art museum curator is maddening and meandering, at times obscuring what it is trying to say.
April 17, 2018 • «There is nothing except the canvas, the artist, his gaze, and you,» says Stephanie Barron, a curator at the Los Angeles County Museum of Art.
«Eve was at the top of my list,» says Cavallo, whose organization Alter Projects — which focuses on bridging the gaps among contemporary art communities, the city of Boston, and educators — developed the residency at the request of the museum as a way to incorporate more contemporary art into its exhibits.
«The whole tour is about the students,» says Lydia Ross, an educator at the Museum of Contemporary Art (MCA) in Chicago.
«The history of the CPS art collection is in many ways the history of the last century of the Chicago public school system,» says Robert Eskridge, executive director of museum education at the Art Institute of Chicago and one of the key players in the collection's revivart collection is in many ways the history of the last century of the Chicago public school system,» says Robert Eskridge, executive director of museum education at the Art Institute of Chicago and one of the key players in the collection's revivArt Institute of Chicago and one of the key players in the collection's revival.
Smith is said by some to still maintain a presence at the center, now operated as a historic site, museum gallery and community art school.
I literally loved Maine and I don't know what all this means, but Mommy said it's a law that I have to put here that we received two complimentary nights at the hotel (Mommy paid for the third), and we received complimentary admission to Farnsworth Art Museum.
«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.
«Very broadly, one could state that Pomona, between 1969 and 1973, had the most radical art program, not only in California, but probably in the U.S.,» says Rebecca McGrew, senior curator at the Pomona College Museum of Aart program, not only in California, but probably in the U.S.,» says Rebecca McGrew, senior curator at the Pomona College Museum of ArtArt.
«Over the last 20 years, she has been really educating black collectors to step away from focusing on the WPA era,» says Jones, who will have a solo show at the Contemporary Arts Museum Houston in October.
«Now is the moment to launch him onto an international platform,» said Andy Massad, Christie's deputy chairman of postwar and contemporary art department, said of Wojnarowicz, whose retrospective opens at the Whitney Museum in New York in July.
«Some illustrators make a living creating personal work that's exhibited at major museums and sold through dealers [and college illustration programs that offer gallery / fine art as a concentration],» she says.
«I did a show at the Hammer five years ago called «Oranges and Sardines: Conversations on Abstract Painting,»» says Gary Garrels, senior curator of painting and sculpture at the San Francisco Museum of Modern Art.
In a wide - ranging interview the Metropolitan Museum of Art's CEO, Daniel Weiss, when asked about the budget overrun at the Met Breuer, had this to say: «I think we could have done a better job at the beginning of outlining specifically what those goals are and figuring out what it's really going to cost to run it....
This raises very serious issues about what is going on at MoMA [the Museum of Modern Art, New York],» Sen. Charles Grassley (R - Iowa) said in a statement to ARTnewsletter.
When all is said and done this enormous exhibition at the Whitney Museum of American Art, The American Century: Art and Culture 1900 - 1950 falls far short of any expectations of experiencing the true greatness of American Art.
«Our collaboration with the Fine Arts Museums of San Francisco on this historic acquisition is at the heart of our mission to make the work of these African American artists from the South accessible to the public and scholars alike,» said Anderson, Souls Grown Deep's president.
A REVIEW OF THE WEEK»S NEWS AND ANNOUNCEMENTS IN THE ART WORLD: New York Times Reviews Civil Rights Exhibit In a review of «Witness: Art and Civil Rights in the Sixties,» at the Brooklyn Museum, the Times says the show gets both the balance of history and selection of artists rigART WORLD: New York Times Reviews Civil Rights Exhibit In a review of «Witness: Art and Civil Rights in the Sixties,» at the Brooklyn Museum, the Times says the show gets both the balance of history and selection of artists rigArt and Civil Rights in the Sixties,» at the Brooklyn Museum, the Times says the show gets both the balance of history and selection of artists right.
This is the first time the museum has shown so many at once, Corwin said, noting that Katz has shaped Colby's collection with his gifts of modern and contemporary art.
His latest works, inspired by the 17th century French painter Nicolas Poussin («I'm always in a dialogue with painting and its history,» he says), are on view at the Savannah College of Art Design Museum of Art, in Georgia, where W caught up with him.
These works were the foundation on which this institution was built,» said Lucinda Barnes, curator and director of programs at the UC Berkeley Art Museum.
The director of the Whitney Museum David A. Ross, is quoted as saying, «Wherever the important work was in postwar American art, Leo has been at the center of it.»
Born in Alabama, Roger Brown first came to prominence as an artist when his work was included in the 1969 exhibition, «Don Baum Says: Chicago Needs Famous Artists,» at Chicago's Museum of Contemporary Art.
Opie, who last year had a two - part exhibition of her photographs at the Hammer Museum and Los Angeles» Museum of Contemporary Art, has taught at UCLA for 16 years and says the new studios can't arrive soon enough.
«I think she is an extraordinary chronicler of America in the late 20th and early 21st century,» says Helen Molesworth, chief curator at the Museum of Contemporary Art, Los Angeles.
«This image comments upon notions of idealized beach scenes with a dead - pan and subtle, but sweetly satirical play on the notion of a «view,»» said Dianne Vanderlip, esteemed curator of the ART hotel, who previously served as the founding curator of modern and contemporary art at the Denver Art MuseART hotel, who previously served as the founding curator of modern and contemporary art at the Denver Art MuseART hotel, who previously served as the founding curator of modern and contemporary art at the Denver Art Museart at the Denver Art Museart at the Denver Art MuseArt MuseArt Museum.
Frankenthaler did not try to be a spokeswoman for feminism, but her very success was an inspiration, says Ann Temkin, chief curator at the Museum of Modern Art in New York.
Some will say that «Inventing Abstraction» reflects an old orthodoxy at the Museum of Modern Art, where sometimes (although by no means always) abstraction has been regarded as a one - way street leading to ever increasing purity.
He said that, after it was given at the Museum of Modern Art, a girl came up to him and said: I didn't quite understand what you said in such and such a place; could you say it to me in other words?
«From Thornton Dial's magisterial constructions to the emblematic compositions by the Gee's Bend quilters from the 1930s onwards, this extraordinary group of works contributes immeasurably to the Museum's representation of works by contemporary American artists and augments on a historic scale its holdings of contemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum press reMuseum's representation of works by contemporary American artists and augments on a historic scale its holdings of contemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum press releaartsaid Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum press releaArt at the Metropolitan Museum, in a museum press reMuseum, in a museum press remuseum press release.
In 1966, several years after his stark, expansive «black paintings» stole the show in a group exhibition at New York's Museum of Modern Art titled «Sixteen Americans,» Frank Stella said of his work, «What you see is what you see.»
Janine Antoni will be included in This Is a Portrait If I Say So: Identity in American Art, 1912 to Today at Bowdoin College Museum of Art, 25 June - 23 October 2016.
Artists and art professionals protested the work's inclusion in the Biennial, blocking its viewing at the museum with their bodies, because they said Schutz, who is white, had misappropriated the image.
The statement shared by Sarah Lloyd Stifler, a MOCA spokeswoman, said Ms. Molesworth will continue to work with the museum on her upcoming exhibition, «One Day at A Time: Manny Farber and Termite Art,» scheduled for October 2018.
«It is an honor and delight to have the opportunity to join such a dynamic and engaging staff at the Dallas Museum of Artsaid Kimberly Jones.
In related articles, I look more at the birth of the modern museum, the sale of the Rose Museum at Brandeis, and what these say about commercial pressures on contemporarmuseum, the sale of the Rose Museum at Brandeis, and what these say about commercial pressures on contemporarMuseum at Brandeis, and what these say about commercial pressures on contemporary art.
NB: I can not really talk about the reception of my own work, but I can say that as a viewer and recipient of art in different contexts that when, for example, I see a work by Cady Noland at the Art Institute of Chicago or in the Museum Ludwig Cologne, or somewhere else in the world, the initial impetus of the work stays with me the same whilst my view on the surrounding realities can be affectart in different contexts that when, for example, I see a work by Cady Noland at the Art Institute of Chicago or in the Museum Ludwig Cologne, or somewhere else in the world, the initial impetus of the work stays with me the same whilst my view on the surrounding realities can be affectArt Institute of Chicago or in the Museum Ludwig Cologne, or somewhere else in the world, the initial impetus of the work stays with me the same whilst my view on the surrounding realities can be affected.
«Tania is obviously at the forefront of this kind of art,» said Mr. Finkelpearl, the former executive director of the Queens Museum of Art, which helped Ms. Bruguera form a social - services art project, Immigrant Movement International, in Corona in 20artsaid Mr. Finkelpearl, the former executive director of the Queens Museum of Art, which helped Ms. Bruguera form a social - services art project, Immigrant Movement International, in Corona in 20Art, which helped Ms. Bruguera form a social - services art project, Immigrant Movement International, in Corona in 20art project, Immigrant Movement International, in Corona in 2011.
-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
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