Sentences with phrase «at artistic languages»

These shows, which include «Uncertain States of America», «China Power Station», «Indian Highway» and «Imagine Brazil», look at artistic languages, but also take into account the social and cultural context, the role of institutions, the critical discourses and the commercial art system in the countries in question.

Not exact matches

I think it is true to say that preaching at the present time is rarely artistic, because many preachers, while good journeymen, have not become true masters of the English language.

I have heard from his teachers and principal at Annapolis, Maryland's Wiley H. Bates Middle School about the academic benefits of arts integration, how various forms of artistic expression (PDF) are employed to learn math and science as well as language arts.

Although even artistic signs have their own peculiar language, artistic traits tend to be cross-cultural in the emotion and engagement they inspire in every human being who looks at and interacts with them.

The following are common characteristics of gifted children, although not all will necessarily apply to every gifted child: • Has an extensive and detailed memory, particularly in a specific area of interest • Has advanced vocabulary for his or her age; uses precocious language • Has communication skills advanced for his or her age and is able to express ideas and feelings • Asks intelligent and complex questions • Is able to identify the important characteristics of new concepts and problems • Learns information quickly • Uses logic in arriving at common sense answers • Has a broad base of knowledge; a large quantity of information • Understands abstract ideas and complex concepts • Uses analogical thinking, problem solving, or reasoning • Observes relationships and sees connections • Finds and solves difficult and unusual problems • Understands principles, forms generalizations, and uses them in new situations • Wants to learn and is curious • Works conscientiously and has a high degree of concentration in areas of interest • Understands and uses various symbol systems • Is reflective about learning • Is enraptured by a specific subject • Has reading comprehension skills advanced for his or her age • Has advanced writing abilities for his or her age • Has strong artistic or musical abilities • Concentrates intensely for long periods of time, particularly in a specific area of interest • Is more aware, stimulated, and affected by surroundings • Experiences extreme positive or negative feelings • Experiences a strong physical reaction to emotion • Has a strong affective memory, re-living or re-feeling things long after the triggering event

Multimedia, DVD, Projector, Flip chart, Internet — wireless, Laser pointer, Direct phone, Simultaneous interpreting at 6 languages, Booths — 3, Sound system, Microphones — at request, Air conditioning, Natural lighting, Artistic design, Catering, Coffee break.

Margit Rowell, chief curator of drawings at MoMA and organizer of Works on Paper, declares in the accompanying catalogue that Mr. Polke's art «regenerate [s] the language and meaning of Western artistic experience.»

Susan is really looking at aesthetics right now and trying to sort out a new artistic language that allows her to maybe express things in more abstract ways.

Opening: «Martin Wong: Voices» at P.P.O.W Concurrent with his retrospective «Human Instamatic» on view at The Bronx Museum of the Arts, P.P.O.W presents Voices, an exhibition of more than 100 works focusing on language as the source of Martin Wong's artistic practice.

Seeking a language to resolve a pictorial crisis that was at once personally and politically engaged, Guston's adaptation of the comic - strip style of caricature emerged at a pivotal crux in his artistic career.

Miller studied at California Institute of the Arts in the late 1970s, during the heyday of conceptual and language - based artistic practice and instruction.

Formed in collaboration with Otto Piene, a fellow student at the Kunstakademie Düsseldorf, the ZERO movement departed from the gestural language of European abstract expressionism and sought to reclaim an artistic purity from the ravages of the Second World War.

A solo exhibition that is at once immersive and intricate, On the Wall: Nadia Haji Omar simultaneously alludes to the uniquely complex cultural histories of Sigiriya as a built and natural environment replete with overlapping religious narratives, artistic styles, and the calligraphic traditions of the Sinhalese and Tamil languages, among others.

He has translated the readymade into a new artistic language, fusing neolithic pottery, fourteenth - century doors and seventeenth - century temple beams into surprising, at times shocking sculptures.

The Cinema Effect: Realisms at Caixa Forum Madrid is an exhibition that reflects on the influence and impact of cinema in constructing our visual culture, highlighting how cinematographic language has taken on various artistic forms including video and installation art.

At A+P, McMillian, whose artistic practice embodies a wide range of media and techniques, will discuss how he manipulates a multitude of materials, including those found in his everyday life, to create striking sculptural works, paintings, and videos that challenge the relationships between language, aesthetics and content.

Organized by CCA Wattis Institute of Contemporary Art director Anthony Huberman, the exhibition, spanning three floors at the gallery's uptown location, offers a breakdown of the artist's broad artistic language alongside a publication edited by Wouter Davidts.

The exhibition unfolds chronologically, showcasing the experimentation of each artist as, departing from the work of Lucio Fontana, these new generations developed a personal language at a critical moment of their artistic practice between the 60s and 70s.

Stories of Espai 10 and Espai 13 at the Fundació Joan Miró Featuring Ana Laura Aláez March 13 - May 25, 2014 Fundació Joan Miró Parc de Montjuic, Barcelona, Spain The exhibition, with Manuel Segade as its curator, is organised around seven thematic chapters that show and explain the links between different artistic generations and languages over the past four decades.

Juror Kathryn Markel, of Kathryn Markel Fine Arts, NYC, has selected 45 pieces by 35 artists that express «individual artistic language, masterful technique and clarity of intention - a distinct way of looking at the world.»

Their artworks reflect the covert origins of current social problems of China at the end of the 1980s and re-examine the way artistic practice from that period changed the language and development of art thereafter.

In this work, he used his own artistic practice to examine his relation to the language of power used in the art world while deconstructing its authority and influence at the same time.

Each in its own way is an attempt at eking out some ineluctable truth whether that kernel of knowledge be hidden in the history of language, the development of images as objects, the failure of various artistic tropes, or the duplicity of an object that serves both form and function and neither simultaneously.

Selected by Site's Artistic Director, Laura Sillars, Curator of a Making Ways Sheffield exhibition, Jeanine Griffin and Head of Exhibitions at Museum's Sheffield, Kirstie Hamilton, Holmes's project, Dot Dot Dit Dit Dot Dot Dash investigates black British cultural production, unspoken coded languages and the history of black personae in popular culture.

He studied landscape painting in Germany at the Dusseldorf Academy and then travelled widely around the world, which shaped his specific artistic language.

Celebrate the creative process at this annual juried exhibition that highlights drawing as a fundamental language in all artistic fields.

Zimbabwe remains at the core of my practice: it's where I spent my formative years and where I developed my artistic language.

Yet his cultish personality only supplemented his singular artistic language, at once unique and patched together from infinite scavenged influences.

With reference to my current project of retelling the story of the 2008 match in a real - time literary narrative — I ask whether critical artistic practice is currently the best way to represent and interrogate the diversity of violent ideologies at work in the language of football culture.

They go on to say that, the artist strives to create a «new form of thought» by transforming conventional language with the use of images that «at times... explosively ignite the world of language and concepts,» proving that the relationship between language and photography is central to Nakahira's artistic practice.

The conceptual analysis of his own artistic form language is at the centre of the abstractions of Jonathan Lasker (b. 1948); something that he performs in a particularly fastidious way in his painting Explanation of Ice to a Summer Insect.

Shot in 16 mm and 35 mm and using a visual language so reduced it is at times almost abstracted, the works use the early cinematographic technique of multiple exposure as a framework to investigate synchronicity and divergence, originality and reproduction and the deferment of artistic control.