Genesis is best looked
at as an allegory.
Looking at the OT through the lens of Christ for me means looking
at it as an allegory showing our need for G * d's love.
Not exact matches
I should have specified
at the beginning that only fundamentalist Christians believe the Bible is the literal, inerrant word of God, and that many people interpret the stories
as allegories.
When reading the history of interpretation of Scripture, one is permitted to smile but not to laugh
at allegory, symbolism, typology, and levels of meaning, for these were sincere efforts to hold the Scripture
as Scripture while insisting that the congregation deserved some relevant word for its own situation.
If there was any other book claiming to be the authority on everything that you kept having to make excuses for like «Well, that part is ment
as an
allegory» or «God years are different than man years» or «Well, its says to not eat shelfish or pork in the hebrew scriptures, but apparently God changed his mind later, but that part about ga y's stays» I don't think anyone would have given it a second look had it not been
at the point of a sword.
Carissa Robinson (
at To Parent
As One Who Has Been Richly Forgiven) has posted The Story of John Law and John Grace which is an
allegory which explains the difference between living under the law and living under grace.
Mr. Dauda Joki - Lasisi, Head of Procurement and Fraud Section of the EFCC who represented the agency
at the report launch said that, «The fight against corruption can be likened to an
allegory of a giant in the midst of ants,
as little
as an ant is, it may not be able to wear the trouser of a giant, but will remove it.»
I think that this is the way to look
at the film:
as an
allegory for whatever is called New European Populism right now.
The class implications of this
allegory are painfully clear: though I suspect that Rockwell's background is more comfortable, the working - class origins of Anders, Rodriguez, and Tarantino (or
at least what are perceived
as his working - class origins) are central to their movies, and the myth of these filmmakers» ascendancy derives its power from the American dream.
Reeves is
at the top of his game
as a director, imbuing this film with Biblical
allegories and exploring grounded, relatable emotions through an unlikely group of protagonists.
Looking
at the Mimic series
as a sort of
allegory of the dangers of technology is a given; locating a man - child, his room encased in a plastic sheath and taking pictures of his neighbours for a collage on his wall,
as the centre of a Mimic sequel is something like a stroke of (derivative) genius.
Although this is an animated film and is
at its core a comedy (with many dog - related jokes), the story also serves
as an
allegory for serious topics.
The film, which has been interpreted
as a commentary on the empty bromides of self - help culture
as well
as an
allegory of the AIDS crisis, became a breakthrough for both Haynes and Moore, who would go on to collaborate on such ravishing period pieces
as Far from Heaven and Wonderstruck (which premiered
at Cannes last month).
Showing
at Panic Fest this weekend in Kansas City, «The Cured» starring Ellen Page, is a zombie movie
as sociopolitical
allegory.
A moving and finely observed look
at race relations and oppression in the World War II - era South, «Mudbound» also functions
as a fascinating, almost Marxist
allegory within its constructed community.
On Wednesday, Hollywood legend John Carpenter hit back
at neo-Nazis and white supremacists online who had been idolizing his 1988 cult classic, They Live,
as an
allegory for fighting against Jewish supremacy.
House of Flying Daggers (its title in Chinese the loaded «Ambush from Ten Directions» — essentially an ambush from everywhere) is
at its essence an
allegory for rape and the Chinese tradition of concubinage that Zhang has already explored to varying degrees in Raise the Red Lantern, Ju Dou, Shanghai Triad, and, of course, Red Sorghum, in which a young woman played by Gong Li (Ziyi's predecessor
as Zhang's muse) is saved from rape by a young man with whom she later runs a winery.
Over
at Kirkus today, I talk with author - illustrator Lita Judge, pictured here, about her new book about Mary Shelley (and her first YA book), which she describes
as «part biography, part visual fantasy, and part feminist
allegory.»
surface - level portrayal of psychosis has been lauded from many quarters, including being named
as Game Beyond Entertainment
at the recent BAFTA Game Awards, yet the adventure doubles
as an
allegory for life with mental illness.
Hellblade's surface - level portrayal of psychosis has been lauded from many quarters, including being named
as Game Beyond Entertainment
at the recent BAFTA Game Awards, yet the adventure doubles
as an
allegory for life with mental illness.
A graduate of Pratt Institute (BFA in Painting) and Parsons School of Design (MFA), Cake's works have been exhibited
at numerous galleries and exhibitions, including a solo show
at The Untitled Space in July 2015, «
Allegories Of The Held,»
as well
as public works such
as The Gateway Project's Mural in Newark Penn Station «Cast the Burden and the Light Will Impress».
Her work
as a curator includes exhibits «The «F» Word: Feminism in Art» a group show of 20 female artists, «Human / Nature» a group show revolving around environmental themes and «
Allegories of The Held», a solo show of works by artist Jennifer Caviola aka Cake,
as well
as «The Voyeur» exhibit
at Art Basel Miami sponsored by The American Friends of The Louvre.
The exhibition will include the artist's recent video Pre-Image (Blind
as the Mother Tongue)(2017), which debuted
at documenta 14 in Athens and presents a powerful
allegory for the experience of exile.
The motive of crucifixion served
as a symbol of pain and death, and Bacon used the
allegory to make Three studies for figures
at the base of a crucifixion.
Published concurrently with an exhibition
at Kunstmuseum Luzern, Blasted
Allegories functions
as a visual essay rather than an exhaustive account of the last four decades of contemporary art.
i'm only a passenger — just like you (from an Egyptian tomb)
As you round the corner of the entryway
at Diane Rosenstein where this phrase is visible, the first works on view in Eleanor Antin's Passengers are two massive photographs from her 2004 series Roman
Allegories.
Evading the reach of language, his subtly double - edged
allegories make visible a broad spectrum of sensory experience,
as well
as physical and emotional exchange, coalescing
at his work's center the unpredictable physicality of our world.
For this exhibition, Andrews situates her sculptures against a conceptual and,
at times, pictorial backdrop of presidential elections that functions
as a rich
allegory.
At the Deutsche Guggenheim, Berlin, she has overseen commissions by Andreas Slominski (1999), Hiroshi Sugimoto (2000), Lawrence Weiner (2000), and Gabriel Orozco (2012),
as well
as organized the exhibitions Douglas Gordon's The Vanity of
Allegory (2005) and All in the Present Must be Transformed: Matthew Barney and Joseph Beuys (2006).
Desiderio's picture is an
allegory of the unhealthy modern world
at its incurable worst,
as distinct from the healthy classical world
at its utopian best — the health - restoring world of curative light in Un» Historia in contrast to the wildly sick darkness in I» Liberati.
Beyond allusions to Hartley's seascapes, such
as the white foam, dark sky and lobster - red figures of Surfer (2015), there are associations to the tragic
allegory of Nine Bell's Folly (1933), his striking nocturnal commemoration of the poet Hart Crane's suicide
at sea, featuring eyes in the waves and apocalyptic commotion in the sky.
Equilibrium: An
Allegory of Rebirth opens May 5th
at The Lodge Gallery
as part of Frieze Week in New York City.
Transavanguardia not only reintroduced figurative painting into the predominantly Minimalist and Conceptual scene of the period, but proposed devices like
allegory and mythology
as valid strategies in contemporary art discourse, much to the chagrin of the art - world establishment
at the time.
Several artists, however, used the mayor's charismatic flair
as a motif in their works and humorously portrayed the losers of the last election campaign,
as can be seen in the photographs of the artist duo Jay Chung & Q Takeki Maeda
at Atelierhaus Monbijou, or the homage - like portrait to Berlin's mayor,
Allegory of Government, in an empty room
at KW - Institute for Contemporary Art Berlin by Clegg & Guttmann.
Each of his assemblages,
as they seemed to me
at the time I first encountered them, was a moral
allegory of his life
as well
as an expression of a personal existential surrealism, not to mention neo-narcissism (he often used casts of his own body in his art).
Interview with Georganne Deen, Summer 2011 Fee, Georgia, Artslant, Interview w / Georganne Deen, Apr 22, 2008 Bors, Chris, Artinfo, Georganne Deen in New York, Apr 3, 2008 Reverend Jen, Artnet, Diary of an Art Star, Mar 31, 2008 Tanner, Matt, Beware the Wild Children, Grand Street News, Mar 2008 Powers, Kevin, Interview with Georganne Deen, Artes & Leiloes (Portugal), Nov, 2007 Behrens, Katja, Verspielter Exorzismus, TAZ nrw, March 20, 2007 Wertheim, Christine, Georganne Deen: Underground Woman, X-TRA, Winter 2006 Harvey, Doug, I Art the 80's, L.A. Weekly, March, 2006 Fahl, David, Text Hook, Houston Press, June 17, 2004 Klaasmeyer, Kelly, Deen's List, Houston Press, Jan. 2, 2003 Lowry, Mark, Artist's Work Hits Close to Home, Fort Worth Star Telegram, Mar. 13, 2002 Mitchell, Charles Dee, Self Examination Turns Disturbing, The Dallas Morning News, Feb. 28, 2002 Deen, Georganne, The Girlfriend and The Devil, Grand Street # 70 Halstrup, Anjee, Georganne Deen: The Secret Storm and the Vogue Book of the Dead, ZERO magazine, July, 2001 Rodriguez, Juan, Georganne Deen
at Babilonia 1808, Artweek, June, 2001 McEwam, Ann, 15 Psychic Orgasms, Waitako Times, Mar. 8, 2000 Mutch, Nicola, Ads Undermine American Dream, Otago Daily Times, Oct. 26, 1999 Munro, Bruce, Artist Explores Dream World, The Star, Oct. 27, 1999 Madoff, Steven Henry, Pop Surrealism ARTFORUM, Oct., 1998 Gopnick, Blake, Old Wounds Healed Through Older Art Form, The Globe & Mail, Jul 29, 1998 Hume, Christopher,
Allegories of Her Hateful Family Tree The Toronto Star, Jul 11, 1998 Schoenkopf, Rebecca, The Glamour of Ugly, Orange County Weekly, Sept 19, 1997 Curtis, Cathy, Light Images, Dark Truth, Los Angeles Times, Sept 9, 1997 Dambrot, Shana Nys, Georganne Deen, JUXTAPOZ, Fall 1997 Kim, Soo Jin, Georganne Deen, Art Issues, Summer 1997 Kandel, Susan, Fierce: Georganne Deen, Los Angeles Times, Feb 28, 1997 McKenna, Kristine, Los Angeles, Art & Antiques, Summer 1996 Zellen, Jody, The Mother Load, World Art, Summer 1995 Lueck, Brock, Co-Mix Art: Fine Tooning Pop, The New Art Examiner, Mar, 1995 McKenna, Kristine, Coming to Terms With Mom, L.A. Times, Dec 18, 1994 Desmarais, Charles, Georganne Deen, Grand Street # 49, 1994 Dubin, Zan, Experiences of a Girl
as Seen by a Woman, L.A. Times, Oct 23, 1993 Rose, Cynthia, Pacific Meltdown, British Vogue, Jul, 1991 Carlin, John, Bad Influences, The Paper, Jun, 1988 Smith, Alton, Reinventing the WheelI, Village Voice, Nov 29, 1988 Tanney, Kathy, Paper Tigers, Plastic Toys, Art Week, Aug 22, 1987 Knight, Christopher, Bad Influences Knocks Popular Culture Wisdom, L.A. Herald Examiner, Aug 4, 1987 Leston, Kimberely, Georganne Deen, the Face, Dec, 1986 Pincus, Robt, Voyage on Sculpture May Make Some Viewers Ill, San Diego Union, Jul 10, 1986 Wilson, William, Social Distortion Exhibition, L.A. Times, Jul 10, 1986 Rugoff, Ralph, Exterminating Angel, Los Angeles Weekly, Oct 11, 1985 Drohojowska, Hunter, The Art World's Biggest Pests, Los Angeles Herald Examiner, Oct 20, 1985
I was very excited last fall when Integreon acquired the company, and I'm now focusing on combining
Allegory with the other services that Integreon offers,
as well
as looking
at how we can deliver the best practices and technology to the entire industry.
Named an ABA Journal Legal Rebel earlier this year, Asay started her career
as an associate
at Gibson Dunn in New York, but left in 2012 to establish
Allegory.
While the Divine Comedy ``... describes Dante's travels through Hell, Purgatory, and Heaven;
at a deeper level it represents allegorically the soul's journey towards god (truth)»; am I going so far
as to say that that legal citation is an
allegory for the legal soul's journey towards truth?
So it's no longer me going in and explaining to them why they have a need, it's more they have the need and they're looking
at Allegory as a possible solution.