Sentences with phrase «at black and white images»

As a developmental psychologist I knew that babies love to look at black and white images, but now as the mom of a 2 month old I've really seen this in action.

Not exact matches

Black and white and Persian and Korean they come, not to mark the occasion of death, but to get where they are going — to pick up bulgogi from a nearby street cart, or fill a prescription at the Shoppers Drug Mart, or to make it to an appointment with the dentist whose office sits under the image of a broad smile just down the block.
The black and white images are quick and light, but even at the book's airy beginning, they convey a mood of portent.
Live time lapse images from the Olympic Stadium show white and black seats being re-installed in the lower tier of the rebuilt Olympic stadium this week.The sight will be disappointing to many Hammers fans who expected to see new Claret and Blue seats in the rebuilt lower tier at the stadium.
At the end of the test you will receive the first black and white image of your growing baby.
The black - and - white image has south at the bottom.
At that point, however, they could generate only black - and - white images.
A high resolution image of the bacteria, Entercoccus faecalis, a microbe that lives in the human gut, is available in color at www.genome.gov/dmd/img.cfm?node=Photos/Microorganisms&id=79092, or in black and white at www.genome.gov/dmd/img.cfm?node=Photos/Microorganisms&id=79093.
Humans are among the animals that have image - forming vision, and are able to see in colour in the day (polychromatic diurnal vision) and in black and white at night (monochromatic nocturnal vision)-- the shades of colour that we pick up on an evening out trigger our diurnal receptors at very low levels.
On July 20, 1969, peeking through her fingers at the images on her family's black - and - white television set, 8 - year - old Bowman, her sister and mother watched astronaut Neil Armstrong land on the moon.
The Mars Reconnaissance Orbiter (MRO) Context Camera (CTX) is currently orbiting Mars and acquring grayscale (black & white) images at 6 meters per pixel scale over a swath 30 kilometers wide.
Material: 95 % Polyester, 5 % Spandex 4 Colors: Black white, Blue white, Pink white, Grey white Style: Casual Occasion: casual, party, work, holiday get - together or just at home, go out, date striped t shirt dress Design: striped, contrast color, 3 / 4 sleeves, pockets Season: Spring, Summer, Autumn (wear it along in summer and pair with jean or other coat in spring or summer if cold) Collar: Crew neck Closure Type: Pullover Sleeve: long sleeve Waistline: Natural Length: Above Knee length Pattern: Striped Fit Style: A line striped shirt dress Package Content: 1 x Women Dress Note: As different computers display colors differently, the color of the actual item may vary slightly from the above images, thanks for your understanding.
I'm lucky enough to have a projector at work and I used it to project each image on to 2 sheets of white poster board (they were out of black at Wal - Mart!!!).
«Images of stars in vintage clothing made it socially acceptable to wear vintage,» agreed Silver, recalling Julia Roberts in black - and - white vintage Valentino at the 2001 Academy Awards, Renée Zellweger that same year in a 1959 strapless yellow chiffon gown by Jean Dessès, and Reese Witherspoon in a 1955 champagne - coloured Dior gown, accepting her Oscar in 2006.
If you had a mental image of pants always being beige, brown, black, and white, you will be astounded by the colourful range of pants at Myntra.
A 60 - minute Sapphire shoot (starting at $ 199) offers 100 photos, 3 wardrobe changes, and black and white or sepia images.
Or there's also the black and white one sheet featuring Rocky with his arms raised at the top of the Philadelphia Museum of Art, which is an iconic image, but it's not exactly a great poster.
The very first image we see announces Chazelle's grand ambitions: we see a black - and - white square frame — the old pre-1953 Academy aspect ratio of 4:3 — with the word CinemaScope framed in the center, its right and left syllables cut off, which suddenly expands to the wider aspect ratio that the word implies (in this case, 2.55:1), gaining color at the same time.
Here's the full list of 142 films that featured on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!
This image has been converted to black and white) Actor Eddie Redmayne poses for a portrait session at the 2013 Giffoni Film Festival on July 26, 2013 in Giffoni Valle Piana, Italy.
The images are available both in colour, and in black and white outline, in png format at 300 dpi for transparent backgrounds and good resolution.
While white students may have their identity and self - worth constantly reinforced by the media and their white teacher, they may, at the same time, harbor negative images of Black people through the media, literature, or in school.
But if you take a look at the image, you will notice it comes painted in red, white and black as an homage to the early 1980s.
BBC News takes its time to load in (around a minute at least) and is black and white with very rudimentary text and images and a magnifying glass you move around the page to enlarge text.
It has several serious errors, including a requirement that all images on the cover of a black - and - white book be at 3,000 dpi.
At this time, we can not print full - bleed images in our black - and - white books because in these formats all text and images must fit within the margins of your selected book size.
For example, if you're using CreateSpace and enroll in the Expanded Distribution program, you will have to charge at least $ 8.25 per copy for a 200 - page book with 5.5» x 8.5» trim size and black - and - white interior (including images).
Your book cover will be a tiny image at first either on a computer screen or a black and white ereader, you need to make them want to click on your book and explore further!
I also recommend you size the images between 500 x 700 pixels at 72 - dpi, and make sure they have enough contrast so they display well in both color and in black and white (for Kindle and Nook e-ink devices).
At the Contemporary Art Museum St. Louis, an exhibition of works by Kelley Walker, a white, Georgia - born artist, sparked a boycott over his use of racially and sexually charged images of black people.
However, with «Choreograph,» on display starting tomorrow at David Zwirner, Welling has developed a more physical way of deconstructing color: feeding three black - and - white images into Photoshop's red, green and blue color channels, and dragging the «adjustment» sliders until he creates one serendipitous, psychedelic composition.
NEWS At the Contemporary Art Museum St. Louis, an exhibition of works by Kelley Walker, a white, Georgia - born artist, spark a boycott over his use of racially and sexually charged images of black people.
Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..
At that time, Held switched his style to black and white, spatially challenging images, and reintroduced color in the late 1970s.
Joan Semmel looks like two different artists in the group show («Anni Albers, Robert Beck, Cady Noland, Joan Semmel and Nancy Shaver: Black and White Photographs 1975 — 77») curated by Robert Gober at Matthew Marks and in her jewel of a solo («Joan Semmel: Self - Images») at Mitchell Algus.
Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenImages (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenimages of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.
As I was screen printing the images and I did not want to deal with four - color process — I just gravitated towards magazines that were black and white, like People magazine which was black and white at that time, and Der Spiegel, the German news magazine.
Since his bravura institutional outing in 1997 at the Stedelijk Museum, Amsterdam, Melgaard's forté has been crass, crudely drawn, graffiti - like images of, and writings about, bareback and interracial gay sex — «hate fucking,» «gay terrorism,» «white Daddy dick,» «big fat black dick,» «straight cock,» and other delightful variations on the theme, all layered and scrawled on paintings, old beds, couches spilling over with posters, and other messy piles of carefully amalgamated bric - a-brac.
The exhibition, titled Intersections Intersected, looks at the relationship between the past and present by pairing Goldblatt's earlier black - and - white images with his more recent color work.
On each visit, Albers took hundreds of black - and - white photographs of the pyramids, shrines, and sanctuaries at these sites, often grouping multiple images printed at various sizes onto paperboard sheets.
Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY
Stan Douglas's 1995 Der Sandmann, a nine minute, 16 mm black and white film uses two film projectors synchronized to play so that their film tracks repeatedly overlap images of events in the same location taking place at different times.
Franz Kline By the time he held his first solo show in 1950, Franz Kline (Wilkes - Barre, Pennsylvania, 1910 — New York, 1962) revealed a mature oeuvre in which he explored black and white in contradictory configurations and violent imbalances, creating images that were at once architectural and poetic.
Reinterpreting the Otto Dix image using recent polaroids of himself and Elke nude, sitting in a similar position as Dix's parents, the artist painted the figures using predominantly black and white palette and addressed the powerful themes of his celebrated «Avignon» canvases exhibited at the 2015 Venice Biennale.
Shown only in black - and - white, the images paint a picture of the rich photographic community practicing together at the Lexington Camera Club between 1954 and 1974.
Conner was particularly productive with photography during the late 1970s when he shot a body of work featuring bright color images (in contrast to his frequent use of black and white) of punk bands performing at the legendary Mabuhay Gardens in S.F..
If these renowned faces make up her current tribe, the seven black and white images from the O Portfolio at Lacma, running until 15 September, provide a glimpse of her old tribe, the lesbian bondage community in San Francisco where Opie went to school in the 80s.
Now more than 400 of his black - and - white images from this period are on view at the Kohn Gallery in Hollywood.
At 125 images — most of which are black - and - white — it's a smaller adaptation of the recent presentation of the work at the San Francisco Museum of Modern ArAt 125 images — most of which are black - and - white — it's a smaller adaptation of the recent presentation of the work at the San Francisco Museum of Modern Arat the San Francisco Museum of Modern Art.
His grainy black - and - white images of youths in his hometown shooting drugs, engaging in sex, and inflicting violence on one another spoke a truth rarely acknowledged at the time.
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