Sentences with phrase «at bright circles»

To move around the car lot, users must stare at bright circles on the ground for a few seconds so that they travel further down the aisle to the next circle.

Not exact matches

The impish slightly built youngster had the briefest of World Cup's coming on twice as sub during the unsuccessful group stage but the talk is of his growing potential and given the size of club's circling Ninis it appears that he has a bright future and perhaps that future could be at Old Trafford?

The lighting above the gold circle is big and bright and centered, illuminating a setting where men will soon be doing what men have been doing for thousands of years, using arms and legs and hands and minds and brawn and strength to see who is the toughest of the tribe, the one who survives and gets his hand held high at the end.

Stars indicate quasars and bright (faint) galaxies at the same epoch are shown as circles (dots).

Scientists used these observations of the sun's atmosphere (the bright light of the sun itself is blocked by the black circle at the middle) from NASA's Solar Terrestrial Relations Observatory on Aug. 5, 2007, to define the outer limits of the solar atmosphere, the corona.

Space.com said that the bright star at the center has a companion separated by 62 times the distance from the Earth to the sun, and the third protostar circles out in the dust cloud, 183 times the Earth - Sun distance.

The benefits of turmeric aren't new, but the bright orange root is blowing up in more mainstream wellness circles these days because it's so insanely effective at lowering inflammation and helping to improve everything from skin rashes to gut motility.

Its science - fiction status is hinted at by visual design, as in the film's opening moments, when concentric circles appear out of the darkness on screen, then are seen to separate, inhabiting three - dimensional space, from left to right, with a bright light blazing on one side.

My experience of the novel surely was colored by the silent, stop - all - the - clocks quality of the hours in which I read it, when the novel's beauty seemed to shine forth from the page, bright in the circle of light from my bedside lamp, but I believe it would be equally magical at any hour.

Meshes of wide dynamic marks; improvised arrangements of grids and crosses and circles and splodges; jabs and drips, curves and swirls, overlapping or reframing each other; and colour, gloriously bright no - compromise colour, at the uppermost tones of red, pink, yellow, orange, blue and green.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Today he's hosting the second White House Science Fair — which is essentially a fair of fairs, honoring awardees and leaders in dozens of separate competitions and programs aimed at nurturing the brightest students in science, technology, engineering and mathematics — the collection of disciplines known as STEM in education circles.

Working on a post for our Minus Oil series, looking at the relationship of oil, cars and urban design, I keep circling around a post Alex Steffen of Worldchanging wrote two and a half years ago: My Other Car Is A Bright Green City.»