A Taiwanese Bitcoin Miner almost paid for his life after being shot
at by gangsters for allegedly reneging on a mining deal by not offering cost.
Not exact matches
Just
by hinting
at the existence of moral knowledge, Dawkins gives us reason to doubt that we actually do live in a world ruled
by gangster genes.
He rose to fame as bandleader
at Harlem's Cotton Club, run
by gangster Owney Madden, where well - heeled white patrons would go «slumming» and enjoy (in the words of a Harold Arlen song that made its debut
at the club):
Diaz brothers have so many other things to them, two vegeterian triathletes who came up from the lowest of the lows, nothing to eat
at home, in a rough neighbourhood saying no to all the drugs, later on to all the roids, serving their community, teaching kids,... they have been awarded many times
by their local authorities and all... but all UFC wants people to think of a Nate Diaz is a mexican
gangster who smokes weed and does not give a damn...
The movie, which follows Phil (Bradley Cooper), Stu (Ed Helms), and Alan (Zach Galifianakis) as they're forced to track down Ken Jeong's nefarious Mr. Chow
by a ruthless
gangster (John Goodman's Marshall), is actually
at its best in its opening half hour, as filmmaker Todd Phillips has infused the proceedings with an affable feel that compensates for the lack of wholeheartedly funny elements.
When his friend Professor Kingsely (Ridges) is
at deaths door, brain surgeon Dr. Sovac (Karloff) saves his life
by means of an illegal operation that transplants part of injured
gangster Red Cannon's brain.
As it happens, a handful of
gangsters led
by the sexy but dangerous Riley (Carmen Electra) have learned that Jude's valuables are in Harlan's car, and they'll stop
at nothing to get them back, including kidnapping Tuesday.
«
Gangster Squad» is a deliberately retro crime thriller about the rise and fall of Los Angeles mobster Mickey Cohen, played
by Sean Penn with such twisted relish that
at times he resembles a gargoyle — or maybe Gollum.
«I think American
Gangster got elbowed out
by Juno because the latter is a better, or
at least more distinctive, film.»
Zootopia unfolds as a mystery procedural, as Judy and Nick traverse the varied terrains of Zootopia to crash the place of a mouse
gangster modeled after Don Corleone, drop in
at a DMV hilariously run
by sloths (whose slow speech and movements give the film
by far its biggest laughs), and uncover corruption and conspiracy.
To be honest, I think American
Gangster got elbowed out
by Juno because the latter is a better, or
at least more distinctive, film.
This time he also throws in a nostalgic look
at Hollywood
by name - dropping some famous stars of the era, but he's just as quick to flash his lack of respect for the movie industry and seems to compare it to the world of east coast
gangsters (such as Bobby's brother played
by Corey Stoll).
They include an infamous bounty hunter who always brings his quarry in alive (Kurt Russell); his current «client,» a foul - mouthed lady
gangster (Jennifer Jason Leigh); a proud and decrepit ex-Confederate general (Bruce Dern) searching for his lost son; a black Union officer who's also turned to the bounty hunting game (Samuel L. Jackson); a former rebel raider who claims to be the new sheriff
at the closest town (Walton Goggins); a prissy British hangman (Tim Roth); a near - silent cow puncher (Michael Madsen); and Bob (Demián Bichir), a mysterious Mexican almost completely hidden
by his coat, hat and beard.
Even so, the film hadn't really been on our radar
at first, and it was only after failing to get into Susanne
Bier's «Love Is All You Need,» and deciding that not having seen its predecessor probably precluded us from seeing Takeshi Kitano's
gangster sequel «Outrage Beyond,» that we headed to the late - night press screening of the film.
Rocknrolla is good
at what it does, which is play out a violent criminal fairy tale in a movie
gangster fantasy, where the good guys are just bad guys who look good only
by contrast to the really bad guys, and where we root for the thugs who prey upon other thugs.
by Walter Chaw Justin Lin's feature debut caused something of a minor firestorm
at this year's Sundance Film Festival, where it was charged that Asian - American stereotypes of the «model minority» were being indulged
by Better Luck Tomorrow's tale of honor - roll
gangsters amuck in SoCal.
Before anyone gets a glimpse
at The Batman however, Affleck's newest upcoming project is the Prohibition Era
gangster film Live
By Night.
Deadline reports executives
at the studio are pushing the project forward with a script written
by William Monahan, the writer behind the 73 - year - old director's 2006
gangster thriller The Departed, which picked up four Academy Awards, including a Best Director title for Scorsese and a Best Adapted Screenplay honour for Monahan.
The plot concerns a Brooklyn bar that's run
by Hardy's Bob Saginowski and Gandofini's Cousin Marv and is used
at random
by the local
gangsters as a drop bar for their dirty money.
It doesn't matter that nearly all Ben's moments in the film are all strictly
by the book, in a strain of
gangster humor going back
at least to George Raft's insouciant line about his lawyers, «all Harvard men,» in Some Like It Hot.
I liked Drive, a vigorous 2011 take on Hollywood car - chase movies with noirish undertones starring Ryan Gosling, but its 2013 successor, Only God Forgives, a muddled romp (also starring Gosling) about a mama's boy adrift in the Bangkok underworld
at the mercy of a
gangster who performed musical numbers between bloodbaths, was parboiled
by critics and avoided
by audiences like an airborne virus.
One might say that he's on a cinematic roll,
at least behind the camera, so it's no surprise that he has aimed high for his latest, the period
gangster epic Live
By Night.
It is a milieu of blissful ignorance and arch sophisticates, genuine emotion and heart - rending revelations that will fuel Bobby's return east, where he will take a job
at the nightclub run
by his brother, Ben (Corey Stoll), a violent but principled
gangster with a soft spot for family.
Loosely based on a true story, as documented in the «American Legacy» article
by Tony Scherman, The Great Debaters centers on poet Melvin B. Tolson (Washington, American
Gangster), who spent several years as a teacher of speech and English
at all - negro Wiley College in the mid-1930s.
Willem Dafoe is a
gangster or something made up to look like Charlton Heston from Touch of Evil, Mickey Rourke, carrying around a Chihuahua
at all times, is Dafoe's number - one man, maybe, and then there's the president of Mexico (I think), who is about to be assassinated or something
by someone or someones.
The film takes a wonderfully atmospheric and psychologically acute look
at the Parisian underworld:
at a legendary, stylish old
gangster named Max le Menteur (played
by the legendary, stylish Jean Gabin),
at the spoils of Max's last big job and
at the unbreakable ties of friendship that entrap him.
Instead of being a quirky gimmick, this character trait enhances the film, turning what could be an average pulpy yarn into something
at once more solemn and exciting to watch: a poetic meditation on mortality and honor that delivers the action and suspense of any good
gangster film — all set to a moody rap score (
by RZA).
Little
by little, Wilmot enters a mirror house of illusions and hallucinations that propels him into a secret world of
gangsters, greed, and murder, with his mystery patron
at the center of it all, either as the mastermind behind a plot to forge a painting worth hundreds of millions, or as the man who will save Wilmot from obscurity and madness.
The section of a level we got to play
at Paris Games Week had me trying to track down a mid-level
gangster named Keech in the casino he runs, taking the opportunity to cut off another part of the criminal empire in the process...
by blowing the casino up with C4 presumably borrowed from the British military.
After a long day
at work, all I want to do is sit down and relax...
by breaking legs and setting
gangster's...
Installation view, «Jan Frank:
Gangster of Love / Crushed,»
at Nahmad Contemporary, New York, with works
by John Chamberlain and Jan Frank.