Sentences with phrase «at celebrity cameos»

Not exact matches

MTV has almost seven times the amount of video views than any other brand on Vine, with its behind - the - scenes peeks at shows and celebrity cameos.

The inclusion of an absurd yet thoroughly captivating celebrity cameo, which essentially stands as a high point within the entire series, perpetuates Night at the Museum: Secret of the Tomb's better - than - expected third - act atmosphere, although, unfortunately, director Shawn Levy ensures that the film concludes with a whimper by offering up an excessively sappy final stretch that just goes on and on - with this underwhelming climax confirming the movie's place as an almost passable concluding entry in a seriously forgettable trilogy.

As for bizzaro celebrity cameos, they don't come much more off - the - wall than Mike Tyson singing along to Phil Collins» In The Air Tonight and smashing Galifianakis full in the face at the climax of the iconic drum fill.

There are also plenty of surreal tangents that highjack the «plot» for their own sake, a flood of celebrity cameos that seems to have no limit, and the assurance that the people on hand are actually very smart at being very stupid.

But wait, there was more: stealth celebrity cameos, confirmed after the festival's program guide went to press, by Alan Cumming, director Taylor Hackford, Juliet Mills, Simon Pegg, Tim Robbins, Mario Van Peebles and the biggest surprise of them all, Jeff Bridges, «The Dude,» abiding at a 20th - anniversary screening of «The Big Lebowski.»

Not so much those infamous celebrity cameos (who this time include Gregory Hines, Joan Rivers, Liza Minelli, Linda Lavin, Brooke Shields, and a host of other people I don't really recognize because I was too young at the time to know who they were), and not so much Louis Zorich, who played Pete, but Jenny (Juliana Donald) and Ron (Lonny Price).

There are even a series of celebrity cameos that occur at various points in the film.

Gnomeo & Juliet desperately straddled that sloppy middle ground between loud, kid - friendly slapstick and winking at adults through instantly dated pop - culture gags and celebrity cameos, to perfectly average results.

by Walter Chaw Self - referential and self - satisfied, Jay and Silent Bob Strike Back is a continual stream of grotesque sexual references, leering at scantily clad, foul - mouthed women, and enough broad swipes at mainstream cinema (while featuring a parade of celebrity cameos) that it ends up being a cross between «Beavis and Butthead», Cecil B. Demented, and a Bob Hope Christmas special, not to mention an endurance test.

We may be in the minority on this, considering the warm reception that has greeted the film at festival screenings, but The Disaster Artist struck us as less a movie than an over-extended Funny Or Die skit packed with celebrity cameos — which is to say, it makes little sense if you haven't already seen The Room.

It's a fitting start for a movie that acknowledges its own inescapable sequel - ness at least as often as «Jurassic World,» repeating some gags, inverting others, and lining up a new raft of «I can't believe that's really...» celebrity cameos.

That continues here; there are a handful of scenes that go too long, and at least one significant «intervention» sequence involving a number of celebrity cameos that falls flat.

Aside from Brick (who finds his true soul mate in Kristen Wiig's oddball secretary Channi), Ron's fellow anchors are not given a great deal to work with, and when the celebrity cameos eventually arrive (in a heightened version of the first film's Battle of the Anchors), they are thrown at the audience at a most extraordinary pace).

Adding to tons of pop culture references (Star Wars, Aliens, Monty Python and the Holy Grail, celebrities like Reynolds himself and Hugh Jackman) and two cameos of Stan Lee and Rob Liefeld (the latter is at Sister Margaret's School for Wayward Children), Tim Miller tied the knot with impressive fight choreography and a timely, mood - setting presence of Junkie XL's scores.

But these mildly amusing (at best) gags are nothing more than an obvious disguise for the thinness of the premise, as is the parade of celebrity cameos, encompassing the likes of Snoop Doggy Dogg, Willie Nelson, Janeane Garofalo, Stephen Baldwin, Steven Wright, Jon Stewart, and Bob Saget.

While subtlety wasn't expected, the never ending mugging at the camera, poorly scripted references to varied cultural phenomenon of that time (photography, burking, mob protection), and stream of celebrity cameos (Bill Bailey, Ronnie Corbett) gives the impression that Landis was more concerned in operating the cinematic equivalent of a «shock and awe» campaign, rather than making a solid piece of genre entertainment.