Not exact matches
But anyone who likes their
cinema off - piste should ignore the sniffier reviews and give Wheatley's call the chance it deserves: a good shot
at some
cult love.
But with the exodus of talent off the island in the wake of the handover to China (all of the above went to Hollywood,
at least for awhile), the deterioration of existing prints and the rise in the cost of running repertory, as well as the inevitable change in what counted as fashionable
cult cinema, the films disappeared from Seattle screens.
Read his essays on classic,
cult, and contemporary
cinema at gatewaycinephile.com and follow along with his film addiction
at letterboxd.com/awyatt76/.
Since winning the Palm D'Or 20 years ago
at Cannes, Quentin Tarantino's brand of filmmaking has become synonymous with
cult cinema.
Frustratingly, there weren't many
cinemas showing it on release, so you'll just have to order the DVD / Blu - ray / digital download and force your friends to agree it's an «instant
cult classic» so you can quote certain lines
at them
at will.
Xavier Mendik is the Director of the
Cult Film Archive at University College Northampton and a documentary producer working in the field of cult and horror cin
Cult Film Archive
at University College Northampton and a documentary producer working in the field of
cult and horror cin
cult and horror
cinema.
Today, the film is considered one of the great
cult classics of modern
cinema — «the «Citizen Kane» of bad movies,» as Ross Morin dubbed it in 2008 while an assistant film professor
at St. Cloud University in St. Cloud, Minnesota.
Watch the latest blockbuster or
cult classic movie in the community - funded open air
cinema at the township of Poon Saan.
Christened «the future of American
cinema» by Werner Herzog, Korine first garnered critical acclaim
at 18 years old for writing the screenplay for Kids, Larry Clark's 1995
cult classic about mischievous New York City youth.
Taking its title from the dark 80s teen
cult comedy by the same name, Heathers takes a look
at pop culture's (and pop
cinema's) co-option of contemporary art and its «impulse to vampirise levity as a cipher for criticality and de-subjectivisation».