Sentences with phrase «at drama feel»

The series roots been torn up and burnt so messily that any new attempts at drama feel like worthless padding.

Not exact matches

I'm so torn because I don't want to leave the people I care about at the other churches, but yet I feel lonely, worthless, and completely broken at the current church I'm at because of the drama.

I loved the creativity, drama and interplay with the congregation and felt very much at home in the pulpit.

A lot of family dramas happen around this time, because the child, the 16 year old or the 17 year old feels the parent want to still control them right at the moment when they want to become most independent.

This week's extraordinary events, in which former spy Sergei Skripal and his daughter Yulia were attacked using some kind of nerve agent, even felt at times like an ITV drama.

Despite having moved away from black over the last few years, at least as a mainstay in my wardrobe, I wore black sweater - dark denim jeans yesterday, and it felt like coming home... And for you there should be no doubt — you look fabulous in this outfit and the drama of the black sets off your blonde hair beautifully!

I am 56 but young at heart, have various interest such as beach walking, under the stars, dancing, enjoy quite time at home in front of TV with a good movie that could b either a drama, romance, true life, fictional and comedy but will watch SOME men's action movies depends how I feel, enjoy...

Dr. Kirschner shares the following love advice: Have fun in and out of the bedroom; be radiantly happy; don't be a drama queen; make him feel good about you; and be patient with where you're at in the relationship process.

An underdog drama with clanging metal - on - metal action, «Real Steel» feels scientifically programmed to claw at your heart while its battling robots, which have a semblance of human personality, drum up your adrenaline.

Director Max Joseph (MTV's Catfish) makes his narrative feature debut here and while he is keen on tapping into that younger audience he knows so well, at thirty - three this drama of young angst feels more manufactured than authentic.

Solid writing and a cast to die for make for a smart, savvy drama but at the same time The Ides Of March does leave you with the feeling that you walked in half way through the story; there's a certain sense of context that is missing and the lack of a weighty, focal message makes it seem a little soapy.

The Post, on the other hand, runs just 115 minutes, moving along at a brisk pace that often makes it feel like a taut thriller as much as a drama about journalism.

The show, although plenty entertaining, also feels like it's grasping to keep the drama of Tara's situation at a suitably heightened level while other character story arcs, most notably Marshall's, feel more believable.

For Mana, showing up for practice and competing in the meet are acts of open defiance, and Ariki isn't the kind of character you want to make angry, which pulls the openly conflicted Gen into the center of a potentially violent situation — one that feels like something out of a Paul Schrader movie (say, Travis Bickle's foolhardy attempt to liberate Iris at the end of «Taxi Driver») rather than the sort of climax audiences might anticipate from this otherwise Disney - appropriate inspirational drama.

Then you will feel oppressed by the boundless freedom at your reach, and you will feel the tension of a developing drama.

An acclaimed early work by Olivier Assayas that has long remained unavailable, the deeply felt coming - of - age drama Cold Water at long last makes its way to U.S. theaters.

Drama, tension, unexpected humor... Characters who you feel empathy for, but who can frustrate you at the same time... It's messy, harsh, all too human stuff, and this is what makes «Rabbit Hole» such a compelling watch.

Wile I'd like to see another few episodes to make sure, there's something comfortably gooey right away about This Is Us, reminding us once more that amid all the high - functioning detectives, emergency - rescue personnel and secret - agent superheroes covered in cryptic tattoos, there are very few network dramas aimed at viewers who are simply interested in everyday people and how they feel.

We are at a point with reality television where we can recognize its fabrication yet still enjoy its drama, and The Hunger Games succeeds by allowing us to care about who teenagers are hooking up with while also still feeling smart about it.

Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...

Judging by what I've seen so far, I like the look and feel of the movie, and if you're looking at the Oscar chart, Nebraska «s small scale currently makes it a stand - out among the big, star - studded dramas.

All - time great screenwriter Robert Towne made his first foray into direction with «Personal Best» which is still a pretty decent drama set among the women competing for a place on the US athletics Olympics team, even if it's now become something of a pop - culture byword among men who felt early stirrings at its scenes of hardbodied lesbianism.

While still fantastic, Dory delved a little too far down the emotional drama pipe and at times felt suffocating.

At times, the film feels to be a straight drama, exploring the emotional arcs of Assaf and Tamar on their respective journeys.

and X-rated, gay - tinged drama «Midnight Cowboy» in 1968 - 9, a turnabout which Bart feels reflected significant social change at the time.

Watching this staggeringly well - made Russian drama is like reading a great novel: it leaves you feeling changed at the end.

At a little over two hours, the film isn't excessively long for a serious drama, but it feels lengthier due to the brutal subject matter that offers little room for levity and even less hope.

So he changed his course and began taking drama and screenwriting classes, feeling instantly at home.

If you follow the screenplay's every move, it's pretty clear that this is a story about a woman's self - liberation from cold servitude, but when you sit there and watch the domestic drama play out, with Margaret ultimately triumphing over Walter and exposing his scam, the story surprisingly doesn't feel empowering or energetic at all.

T2 will doubtless always be the cinematic franchise at its peak, simply because it blends everything so well — Cameron directs with verve, intensity & emotion; his cast balance drama, comedy & feeling perfectly; the script avoids cheese or schmaltz to touch on deeper themes & be remarkably human & the narrative expands the story logically and satisfyingly outwards.

The comedy and drama are heart felt and affectionate (even if the characters would snort with derision at such emotion).

A stark, brutal, yet tender prison drama starring Jack O'Connell as a violent inmate sent to the same lock - up as his jailbird father (Ben Mendelsohn), the film's shot through with a raw energy and authenticity that's closer to «A Prophet» than to most other British films in the genre, with Mackenzie making the movie feel like he's bottled up a hurricane of tension, which at any second could kick through the screen at you and hit you with a sock full of snooker balls.

The fact that we have so much drama going on in one film does at times make it feel like a soap opera act.

• The Coens have never lacked for confidence, but this was their most confident film to date, a blending of humor and drama that at the time felt daring but in retrospect seems almost obvious.

Yeah, I don't know, it's funny because I look at the four movies that I've made this year or last year and I wouldn't say that they were like all intense dramas, and so for me, it feels like the impact for a finished film feels particularly tense, but I didn't... I don't know why, to be honest.

I went in expecting a strong adaptation of the stage musical, but this take on Jersey Boys feels more like a cheap behind - the - scenes look at the drama amongst the guys.

As it stands, the only one who actually stands a real chance at pulling an Elizabeth Berkeley on Cody is Tony Gilroy, whose double - dip on Michael Clayton and status as a lost cause over in best director ensure a few votes from those who feel pity and from those who have apparently seen none of the myriad law - and - order TV dramas from which the film's ruinously clichéd plot resolution was lifted.

The new restoration of this deeply felt coming - of - age drama will open on April 27 at the IFC Center before traveling across the country to Los Angeles» Laemmle's Royal Theatre on May 18.

With an urban - slum setting similar to Danny Boyle's Oscar - winning phenomenon Slumdog Millionaire, only without any feel - good carrot at the end of the string, Pedro Costa's three - hour drama In Vanda's Room paints a realist picture of the more

With an urban - slum setting similar to Danny Boyle's Oscar - winning phenomenon Slumdog Millionaire, only without any feel - good carrot at the end of the string, Pedro Costa's three - hour drama In Vanda's Room paints a realist picture of the

Though it is a thriller at heart, and does have a high - speed driving subtext, the film feels more like a throwback to the music video stylized, R - rated crime dramas of the 1980s than the new Fast & the Furious over-the-top, CGI - infused modern action - thrillers.

An adaptation of Kazuo Ishiguro's novel, Never Let Me Go is a drama that reaches for a strong emotional resonance, but feels cold at times.

A soul - searcher family drama, the film follows Winstead's Alex, an environmentalist attorney so preoccupied with work that her husband (Messina), feeling neglected and trapped as a stay - at - home dad, takes a sabbatical from the family, leaving Alex to take care of her aging actor dad (Johnson) and ten - year - old son (Skylar Gaertner).

Mudbound is a sprawling family drama and portrait of Americana that can — and should — stand next to classics like Giant as an epic that so thoroughly captures a time and a place you can practically smell the loamy dirt and feel the mud sucking at your shoes.

At times it feels like we've plunked down in a family drama set in the 1950s, either «Revolutionary Road» or, reaching further back, «The Man in the Gray Flannel Suit» with Gregory Peck caught in a different kind of job - vs.

I felt his scenes at work, where he was designing a plane with his co-worker, Ben (Sean Gunn), were a good way to add drama and moments of comedy, without feeling forced, but the romance which comes to focus a little further into the film feels unnecessary and takes away from the main focus of the film — the relationship between Po and his father.

, the Jay Russell - directed The Water Horse: Legend of the Deep is a disappointing fantasy flick that never quite decides if it's a feel - good children's film or a weighty coming - of - age drama, and ultimately isn't quite good enough at being either.

You can feel Joel and Ethan Coen, consummate auteurs, practically laughing aloud at the absurdity of a studio head sticking a cowboy picture star like Hobie Doyle (Alden Ehrenreich) in a tux and shoving him onto the soundstage of a prestigious costume drama helmed by an artiste.

A dramatic comedy or comedic drama, depending on how you want to look at it, Tully is a soaring success no matter what box you want to put it in; a well - meaning, deeply felt, irreverently mature exploration of growing pains and adulating.

If that means some of the film feels chilly, a little distant, it's at the expense of easy sympathy and simplistic drama.