Sentences with phrase «at edge of paper»

Fold square in half, then in quarters, then eights and cut curve at edge of paper and unfold to create a circle (Image 2).

As students we were doing lots of things around our paintings while we were making miniatures: checking our colour palette and tools at the edge of the paper, trying out different kinds of lines while making the borders, even tracing figures then hiding them behind a thick layer of paint.

If you look at the edge of paper under a microscope you'll see it's jagged, sort of like shark teeth.

Not exact matches

In this issue's Cutting Edge column we offer some extracts from the introduction to a philosopher - physicist's paper at the 2009 Vatican - sponsored conference on the philosophy of evolution which clearly lays the foundation for such development.

-- On a lower speed, add eggs one at a time and vanilla until well incorporated — Increase mixing speed to high and let it go for 10 minutes — the mixture will become really pale and will almost double in size — In a medium sized bowl, whisk together flour, baking powder, baking soda, and salt — When 10 minutes are up, add flour mixture slowly until just combined, about 45 - 60 seconds — Chop up and mix together all of your baking and snack ingredients in a small bowl, and fold into batter with a spatula until just incorporated — Using a medium - sized ice cream scoop, portion cookie dough on parchment paper - lined cookie sheet and wrap the entire thing tightly with plastic wrap — Refrigerate for a minimum of 1 hour and up to 1 week — Heat oven to 400F and arrange cookies on cookie sheets at least 4 ″ apart — Bake 9 - 11 minutes, until they are golden in color and slightly brown along the edges — Cool the cookies completely on the sheet pan (or just eat them immediately...)

Line a deep slice tray with baking paper so that the sides over hang the edge of the tray slightly (this will make it easy for you to be able to simply pull the slice out at the end).

Roll in parchment to 1 1/2 inches in diameter, pressing a ruler along edge of paper at each turn to narrow the log and force out air.

1) Mix flour, butter and icing sugar in a bowl using two knives to cut the butter until the mixture resembles fine breadcrumbs 2) Add in the egg yolks and vanilla extracts and mix well, then add iced water until the dough starts to come together 3) Shape the dough into a ball on a cool, flat, floured surface 4) Flatten dough into a disc and then wrap in plastic wrap, and chill in the refrigerator for at least 30 minutes 5) Meanwhile, peel, core and slice the apples into as thin slices as possible 6) Mix sugar and ground cinnamon powder with sliced apples and let it rest for a while 7) Pre-heat oven to 180 deg cel 8) Once dough has chilled, roll pastry dough on a sheet of parchment paper until it has expanded to the size of the tart mold (I used a rough mold the size of a large pizza) 9) Leaving at least an inch of dough free, arrange apple slices by overlapping them slightly in the shape of a circle, starting from the outermost part of the circle, until you reach the inside 10) Fold the edges of dough over the filling and then sprinkle the dough with a bit of sugar 11) Bake for about 40 - 45 minutes, or until the crust is golden brown and the apples are soft 12) Serve warm, with a side of whipped cream or ice cream (optional)

Flatten into a disk and place on a piece of parchment paper (if at this point the ball is cracked all around the edges, you'll need to return it to the processor and add a bit more water and process again — that's an indication the mixture is too dry.

He helps her aim the blue - hot flame at his Argentine - style outdoor grill until the edges of the paper light.

small tin buckets easy to find at paint supply stores small cardboard paint buckets also at paint supply stores; paint or cover with paper chinese food boxes most craft stores have these in a variety of colors plain paper sack with a drawing or stickers on the front and tied with a ribbon or a cardstock header stapling the bag closed plastic beach buckets check the dollar store for the best price terra cotta flower pots perfect for a garden theme; the kids can paint these for a party craft too fabric or felt bags with or without a drawstring large tin cans of course, make sure the edges are not sharp mini canvas totes bought or homemade cardboard boxes such as a cereal box, cut down and covered with paper or painted; add a ribbon, string or wire handle baskets lots of inexpensive ones available at thrift stores popcorn boxes available at party supply stores Helpful Tips:

As your toddler gets better at this type of tearing, you can introduce her to other types of tearing, like folding paper first and tearing along the crease or folding first and tearing along the edge of a table when your child is around 3 - 4 years of age.

On its face, probably not all that much, since to most of the GOP primary electorate the paper remains a liberal rag that frequently skirts the edge of treason, but with turnout expected to be low, there remain Republicans in wealthy parts of New York City suburbs who aren't paying much attention to the race, and will only decide who to vote for at the last moment, so a nod from the paper of record could prove decisive.

«On the basis of time and spatial correlations, we conclude the DFW sequence may be the result of fluid injection at the SWD [saltwater - disposal] well,» they wrote in a paper published in March 2010 in The Leading Edge.

AAAAH, the cutting edge of science... a paper in a recent issue of The Lancet was entitled No - scalpel vasectomy at the King's Birthday Vasectomy Festival.

The results show that murres «are really at the edge of what a bird can do,» says University of Missouri, St. Louis, seabird ecologist Robert Ricklefs, an author of the paper.

Pick up smallest edge of rice - paper and roll it away from you 1 1/2 times, then fold in at edges.Place chive at one end so that it will be exposed and finish rolling.

Fold up the edges of the paper, and bake at 450º for 15 minutes, or until puffy and lightly browned.

To properly package the gift, I always start by laying down a few sheets of tissue paper in the container before arranging items (tallest and biggest items in the back), and then fan out the excess paper at the edges of the gift.

In fact, this wall paper border was the only one in the house that I (kind of) liked at all, and wouldn't you know it??? One day there was a loose edge on that border and someone (not sure who because no one as confessed!)

But of course, it all comes down to the journalists on the cutting edge — the four Spotlight team members and their two bosses at the paper.

But while the notion of an online school evokes cutting - edge methods, much of the work is completed the old - fashioned way, with a pencil and paper while seated at a desk.

We are the organization which at first raised in light of the students necessities and formed into one of the main custom paper suppliers on the cutting edge scholastic help market.

Most importantly, when the rest of the class is reading an excerpt from «The Tell - Tale Heart,» no one is throwing paper wads at his neighbor or doodling on the edge of his notebook.

Edges are set at 1 inch, and the paper's body is twofold separated with the first line of every passage indented one half - crawl.

With the backlight off, it feels like you could be looking at ink on paper, and to the extent you might scrutinize the edges of the letters in the words in your ebook, that's nice.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Providing unexpected representations of common objects ranging from bird nests to fabric to crumpled photographic paper, West often provides a deeper look at the details of his subjects while pushing their image to the edge of abstraction.

The creator of panoramic vistas stretching to the very edge of a canvas, he showed on paper a fondness for the largest mountain, tree, or rock at a compositional dead center.

Traveled to: Museum of Modern Art, Belgrade, August 14 - September 11; Galleria d'Art Moderna, Rome, September 28 - October 26; National Museum of Poland, Warsaw, November 12 - December 10; Baltimore Museum of Art, at the Maryland Science Center, January 16 - February 6 «Aspects of Postwar Paintings in America,» Solomon R. Guggenheim Museum, New York, November - December «Surface, Edge and Color,» Whitney Museum of American Art, New York, December 8 - January 12, 1977 1977 «Eight Contemporary Masters,» United States Embassy, Ottawa, Canada, November 1978 «New Ways with Paper,» National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., December 2 - February 20 1979 «A Century of Ceramics in the United States, 1878 - 1978,» Everson Museum of Art, Syracuse, New York, May 5 - September 23.

In Jennifer Long's most recent solo exhibition On the Edge at the Percolator Gallery, Paddington (23 Sept - 6 Oct 2014) she presented a series of hybrid mixed media works - collage and oil on ply, rice paper bowls, etchings, lithographs, woodcuts and solvent transfers, where graphic and painterly styles combined in a new and contemporary manner.

In addition to her work on Rauschenberg, Davidson is senior curator for collections and exhibitions at the Solomon R. Guggenheim Museum, where her most recent exhibitions and catalogues include Robert Motherwell: Early Collages (2013); John Chamberlain: Choices (2012); Art in America: 300 Years of Innovation (2007); No Limits, Just Edges: Jackson Pollock's Paintings on Paper (2005); Peggy and Kiesler: The Collector and the Visionary (2004); and American Pop Icons (2003).

«Inter Weaving», Tayloe Piggott Gallery, Jackson, WY Gebert Contemporary, Santa Fe, NM «Papierwelten II», Galerie Renate Bender, Munich, Germany 2012 «Paper and More», Curated by Renate Bender, QuadrART, Dornbirn, Austria 2011 «Breathing», The Sylvia Wald & Po Kim Art Gallery, New York, NY 2010 «1960s Revisited», David Richard Gallery, Santa Fe, NM 2010 «The Responsive Mind», Madron Gallery, Chicago, IL 2009 International Women Artists» Biennale at Incheon, Korea, Curated by Soojung Hyun 2008 «The Winter Salon — Works on Paper», Bjorn Ressle Gallery, New York, NY «New American Abstraction 1960 - 1975» Gary Snyder Project Space, New York, NY 2007 «Papierwelten» Galerie Renate Bender, Munich, Germany «Optic Nerve: Perceptual Art of the 1960s» Curated by Joe Houston, Columbus Museum of Art, Columbus, OH «Optical Edge», Curated by Robert C. Morgan, Pratt Institute Gallery, New York, NY 2006 «Honest Echo», Curated by J. Grace Rim, 2X13 Gallery, New York, NY 2005 «Neutral», The Lab Gallery at Roger Smith, Curated by Robert C. Morgan, New York, NY «Papier = Kunst 5» Neuen Kunstvereins Aschaffenburg, Germany «Horsefeathers Etc..»

Though I include a photograph of the work below, the camera fails to capture the tangible thicknesses at the edges of torn papers, the white areas sanded smooth, the divots and pockmarks in the grids, or the directional marks of a brush dragged through thick gel medium.

The Santa Fe based artist, Guy Cross, has exhibited his photo - based works at numerous galleries throughout Santa Fe, as well is the publisher and creative director of THE magazine and formerly of Edge City Magazine and The Picture Paper.

At that point, the creamy edges of the paper and a signature gesture of Cunningham — the frame within the frame made by 90 - degree meetings of vertical and horizontal strokes at the edge of the color field — become more apparenAt that point, the creamy edges of the paper and a signature gesture of Cunningham — the frame within the frame made by 90 - degree meetings of vertical and horizontal strokes at the edge of the color field — become more apparenat the edge of the color field — become more apparent.

«Each of these exhibitions — Eden's Edge, Thing, International Paper, and Snapshot — has brought a wholly unique perspective and surprising look at artists working in L.A. and beyond.

HELEN FRANKENTHALER Flirt screenprint in colors, 1995, on wove paper, signed in pencil, numbered 67/125 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, hinged to the support in places at the reverse of the sheet edges, otherwise in very good condition, framed S. 26 3/4 x 39 1/2 in.

Jack Tworkov, «TL # 3,» Lithograph, 1977, signed, dated, titled and numbered from the edition of 10, printed at Tamarind Institute, with blindstamp in the lower - left sheet corner (and also that of the collaborating master printer), on Arches paper, printed to the edge of the sheet, sheet size: 26 x 26 inches.

Often starting with an excerpt of text, a totem, a gesture, or all three at once, Natasha Bowdoin's drawings grow instinctively, sprawling across a wall or tightening into a thicket of words and imagery contained by the paper's edge.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Condition: Floated within frames, deckled edges, Prison hinged at corners and sides with rice paper (hinges at bottom corners broken), Home not examined out of frame.

I think of this as the subtext of Untitled (1968), a relatively small work painted in acrylic on paper mounted on board, with its flickering flames of bright cardinal red licking at the edges of the bottom beam of black.

HELEN FRANKENTHALER Tahiti (H. 168) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 18/45 (there were also 11 artist's proofs), published by Mixografía Los Angeles, the full sheet, one short tear at the lower left sheet edge, otherwise apparently in very good condition, not examined out of the frame S. 32 x 54 in.

Shown at the New Museum, seated in her solo exhibition Don't Axe Me (2013), she explains how she scrapped away areas of her thickly painted canvases and inlaid black paper birds, leaving their sharply cut edges distinctly visible.

Her new paintings and works on paper present a single, animated rectangle, often thicker on the top and bottom and narrower on the sides, which sits slightly off - center at the bottom edge of the canvas or paper support.

Ref: Harrison, 13 Not examined out of frame; float mounted; slight yellowing at edges of sheet; slight cockling of paper at upper right corner; otherwise appears in general good and stable condition.

HELEN FRANKENTHALER Essence Mulberry (H. 57) woodcut in colors, 1977, the colors fresh, on buff Maniai Gampi handmade, signed and dated in pencil, numbered 21/46, published by Tyler Graphics Ltd., Bedford Village, New York, with their blindstamp, the full sheet printed to three sides, soft rippling throughout (characteristic of this paper) stronger along the upper edge, several vertical hairline fissures in the center of the image (common to this edition), soft crimping at the extreme lower edge of the sheet, otherwise in very good condition S. 39 1/2 x 18 3/4 in.

I haven't read the papers and don't know what is happening with salinity in the rest of the Atlantic, but looking at your map it occurred to me that if there was increased freshwater in the Northern Ocean due to ice melting and increase salinity in the tropical Atlantic due to increased evaporation, couldn't a mixing effect at the southern edge of the Northern ocean as tropical water is circulated north show similar results?

Both papers are on the cutting edge of climate science, and both lead authors research at the University of Bristol.