Sentences with phrase «at films in general»

Like many of Rogen's other films, «Sausage Party» exists to poke fun at films in general with its meta - references and seeks to emphasize some sort of screwed up part of our psyches.

Not exact matches

He and his coresearcher, Dr. Neil Malamuth, Chair of the Department of Communications at UCLA, believe that the increase in «slasher» films and R - rated violence movies in general («I Was a Teenage Werewolf,» «I Spit on Your Grave,»» Maniac,» «Texas Chainsaw Massacre,» and «The Toolbox Murders») are creating a serious problem in homes where such films are now readily available via cable television and home video.

If Arsene Wenger and his assistants decide against adjusting their tactics to get the best out of their marquee summer signing by letting him run with the ball at defences, Lacazette needs to take the initiative by training and watching game film to learn how to thrive in Arsenal's system and in English football in general.

In a Daily Politics film, Giles Dilnot looked at the party's hopes for the 2015 general election, and whether it can build on European election gains, by turning poll ratings into MPs in WestminsteIn a Daily Politics film, Giles Dilnot looked at the party's hopes for the 2015 general election, and whether it can build on European election gains, by turning poll ratings into MPs in Westminstein Westminster.

In a Sunday Politics film, Giles Dilnot looked at rumours of Westminster plots to remove him, and hears from the MP charged with the party's general election campaign.

In a Daily Politics film, Giles Dilnot reports from the marginal seat of Thurrock, in south Essex, on whether has Labour woken up to the threat UKIP might pose to its chances at the 2015 general electioIn a Daily Politics film, Giles Dilnot reports from the marginal seat of Thurrock, in south Essex, on whether has Labour woken up to the threat UKIP might pose to its chances at the 2015 general electioin south Essex, on whether has Labour woken up to the threat UKIP might pose to its chances at the 2015 general election.

In addition to providing an inside look at the BUGSS lab, the film explores the issues surrounding DIYbio community labs in general, including how they secure funding, where they find their equipment, and how they address concerns about biosafetIn addition to providing an inside look at the BUGSS lab, the film explores the issues surrounding DIYbio community labs in general, including how they secure funding, where they find their equipment, and how they address concerns about biosafetin general, including how they secure funding, where they find their equipment, and how they address concerns about biosafety.

Companionship, dancing, music, film, theater, literature, the arts in general, and simple things like spending hours vegging at home, or cooking a good meal, having a hot chocolate in...

Laura Poitras» thrilling look at the Edward Snowden affair (and government snooping in general) is one of the year's best - reviewed documentaries (and possibly this month's best new film, period).

First, a seven - minute piece called «The Spirit of the Ride» has the director and various other cast and crew discussing how they drew on the amusement park ride for ideas and general atmosphere for the film; the 14 - minute mini-documentary «Dead Men Tell No Tales» (also available in the DVD - ROM content in the two - disc edition) gives a history of the «Pirates of the Caribbean» ride, complete with lots of behind - the - scenes looks at the animatronic pirates and nostalgia - inducing footage from the ride itself.

Look at «The Hangover», because the first film was so well liked the sequel became an even bigger hit, but because the sequel was considered to be inferior by critics in general, the 3rd film really suffered and paid the price as it came nowhere near the previous films domestic box office grosses.

If, in general, foretelling what's going to be good and what's not is a bit of a blindfolded darts game, these films at least are known quantities, and on their strength alone, we can be pretty excited for 2014.

Recent years have favored films released earlier in the season, and as a general rule of thumb films shown (at least somewhere on the globe) more than a week or two after the Toronto International Film Festival are disadvantaged.

Winning the Jury Award at the Cannes Film Festival this year, the film is the highly anticipated English language debut of internationally acclaimed Greek director Yorgos Lanthimos and is set for general release in Ireland on 16th October.

But, fascinatingly, Catch Me If You Can resembles Hitchcock's pictures in general in its self - mocking self - awareness: Spielberg's film is a canny satire of American culture and cinema, and, shockingly, a sly auto - critique of his decades - long pandering to the lowest common denominator; to the blinding flash of materialism; and to his almost pathological desire to restore nuclear order at the cost of any faithfulness to theme and mood.

And, at the end of film, it's not simply a movie about a lesbian relationship, but a film about marriage in general.

The 1970s were not in general a good time for film composers, until Star Wars came along at least.

But also, for the general public, Spider - Man's appearance in the film will likely be something of a surprise, or at least something to be trotted out much later in marketing.

Shrinking violets held under the thrall of a powerful patriarchy is a theme oft repeated in film in general, and 2017 in specific, but there's nothing shrinking about the violet at the center of Lady Macbeth.

«General Phillips: Boots on the Ground» (8:38) looks at the film in terms of Todd Phillips» direction but also in more general terms like filming all over theGeneral Phillips: Boots on the Ground» (8:38) looks at the film in terms of Todd Phillips» direction but also in more general terms like filming all over thegeneral terms like filming all over the world.

Moriarty (Jared Harris) and the rationale (or, better, the lack thereof) of his plan are the best things about this sequel, which broadens the scope of the first film to have Holmes (Robert Downey Jr.) and Watson (Jude Law) traverse Europe by train, horse (Holmes is forced upon a miniature one, since he sees the larger ones as «dangerous at both ends and uncomfortable in the middle»), ship, and foot — fighting, outrunning bullets, and witnessing or causing general destruction as they go.

There is much in the film that's silly and grotesque, on top of its general hodgepodge of tones and sensibilities, but at least it has the courtesy to be a fiasco rather than timidly shuffling off into the ether.

All the scenes are short (at least until the film moves into its homestretch), and director Wes Anderson also films these scenes in long and medium shots; in general he indulges in long scenes and close - ups only after he's earned them.

Distributor eOne reported that the film did exceptionally well in London, as you'd expect for a reviews - driven title, but also in the south - east in general, with big numbers at plexes in Guildford, Tunbridge Wells and Chichester.

The gravity and significance of the task at hand is never in question, nor do laughs stem from the sacrifices that surround their efforts; however the general tenor of the film values gentle amusement as much as historical appreciation.

At a certain point, The Light Between Oceans seems almost single - minded in its pursuit of theme; by the time the nationality of the dead man in the boat is revealed, the film has made clear that we're watching variations on survivor's guilt — the idea that, in war and maybe life in general, staying alive (or emotionally fulfilled) is often a zero - sum game, dependent on choosing your own well - being over that of a stranger.

There's a moment about three - quarters of the way through BPM — this crucial shot's placement in the narrative, neither too early nor too late, is another mark of this film's exacting delicacy — when we get a glimpse into the dream world of Sean, a passionate lover of both life in general and his new boyfriend in particular, who's unrelievedly furious at the prospect of dying this far before his time.

I liked the film's grainy cinematography, nervous editing and moody Clint Mansell score, and even though Tillman Jr. indulges in flashy visuals at times (I bet he's a fan of Tony Scott's «Man on Fire), «Faster» feels surprisingly grounded in general.

The film is an intimate exploration of the dynamics of both the creative process and relationships in general, shining a rare light into what our own Chuck Bowen described as a «fleeting paradise of camaraderie and heartbreak, which at least offers proof of capacity for feeling.»

Given that the score of Breakfast at Tiffany's — especially the signature «Moon River» tune — is as iconic as Hepburn's character of Holly Golightly, it's rather surprising that only in the new DVD release is there a documentary featurette focusing solely on composer Henry Mancini and his indelible and enduring contribution to this film and the movie music world in general.

It replicates in an extraordinarily genuine way how filmmakers at almost every level of success discuss film as well as of how festivalgoers are just the distillation / magnification of Joe Everybody's militaristic politicism, nascent anti-intellectualism, and general ignorance.

This gay male gaze did not sit well with many straight Bat - fans, and while Batman & Robin isn't good, I realized in reading up on the film for this podcast that a lot of the criticism against it smacks of homophobia — in general and directed specifically at out director Joel Schumacher.

Perhaps Mangold's ire is more directed at the idea of Universe filmmaking in general, where each film serves as a set - up for the next.

Anyway, I'm rambling... at any rate, my point is that not only was this a great year for performances in general, it was an especially good year for Spielberg films, and it never ceases to amaze me how many great performances in his films have been overlooked.

We talk about the film's various strengths, the rich themes woven into the story, the meteoric rise of director Ryan Coogler, the incredible villain, how it compares to other Marvel movies (there are more than a few insults lobbed at Doctor Strange), how Marvel movies changed after the dissolution of the story group, what Black Panther means for the future of the MCU and for blockbusters in general, and more.

In fact he's a secret lover of exploitation films in general and can be found at many genre festivalIn fact he's a secret lover of exploitation films in general and can be found at many genre festivalin general and can be found at many genre festivals.

Joanna Robinson of Vanity Fair reported in April 2017 that a scene was cut from the film that hinted at a romance between the film Ayo (played by Florence Kasumba) and Okoye, who as general of the Dora Milaje functions in a similar capacity as Aneka in the comics:

At the film's press junket, James Corden, Rose Byrne, Domhnall Gleeson, Margot Robbie and Elizabeth Debicki spoke at a conference about finding their character's voice, working opposite CGI characters that weren't really there, Flopsy's lisp, the similarities between General Hux (in the Star Wars films) and Mr. McGregor, the mystery of why these rabbits where jackets, and what they would like children to learn from seeing this moviAt the film's press junket, James Corden, Rose Byrne, Domhnall Gleeson, Margot Robbie and Elizabeth Debicki spoke at a conference about finding their character's voice, working opposite CGI characters that weren't really there, Flopsy's lisp, the similarities between General Hux (in the Star Wars films) and Mr. McGregor, the mystery of why these rabbits where jackets, and what they would like children to learn from seeing this moviat a conference about finding their character's voice, working opposite CGI characters that weren't really there, Flopsy's lisp, the similarities between General Hux (in the Star Wars films) and Mr. McGregor, the mystery of why these rabbits where jackets, and what they would like children to learn from seeing this movie.

In general, these voters emphasized their desire to stay away from «hot take» culture and any social - media fervor surrounding these films so that they can look at them objectively.

Speaking at the Consul General of France in Beverly Hills, COLCOA's executive producer and artistic director François Truffart revealed that 68 films (including three world premieres and 14 U.S. premieres) will be shown over nine days.

As much as the 1946 adaptation of The Postman Always Rings Twice has earned its place as an important American Film Noir, so too Ossessione is essential to Italy's history of lurid, intoxicating giallo cinema.16 Ossessione provides a perfect bookend to Calamai's final performance as Marta in Dario Argento's Profondo Rosso (1975): in both films Calamai embodies a similar bug - eyed feminine insanity, both characters pushed to the edge of violence and despair at their seeming invisibility to the men in their lives, and to society in general.

There seems little doubt that the film would have been more exciting, both visually and in general, with Wright at the helm.

FC Editor - in - Chief Nicolas Rapold is joined by Justin Chang, film critic for the Los Angeles Times; Mara Gourd - Mercado, general director of Montreal doc-fest RIDM; and Eric Hynes, FC contributor and film programmer at the Museum of the Moving Image.

Their subjects include a look at Black Panther in general, Wakanda, Black Panther's female characters (this was my favorite because of all the talent involved and how happy they seem) and the film's vibranium technology.

Whether it's on blogs like this one or in loftier film publications, there appears to be a general consensus that 2008 hasn't been the best year at the movies, particularly in terms of American cinema.

With that being said, the general storyline follows our protagonist, retired composer Fred Ballinger (Michael Caine), during his stay at a spa resort in the Alps with his daughter, Lena (Rachel Weisz), as well as his longtime best friend, illustrious film director Mick Boyle (Harvey Keitel).

I'll be astonished if the film doesn't at least make the January shortlist — it should play well enough with general voters, but the executive committee should swoop in if it doesn't.

Growing up in a small town in the smallest state, Matt began developing a taste in film and general geekdom at a young age.

If you love blues, or just entertaining films about music in general, Crossroads is one to seek out at your local rental store when the new releases aren't satisfying enough.

Deadpool will arrive at an interesting moment for Reynolds, who will once again headline a large - ish studio film, and for comic - book movies in general.