Sentences with phrase «at humor into»

Gomez - Rejon also forces way too many attempts at humor into the story, especially from over-the-top supporting cast members Nick Offerman and Molly Shannon.

Not exact matches

That alone sounds like a pretty good case for letting fly with more humor at work, but the study goes on to identify further reasons to let more humor into the sometimes straight - faced world of business.
If you don't, this is still a movie that draws you into a richly imagined world, and hurls action and humor at you so fast you don't have time to stop and realize that maybe it doesn't all make complete sense without a Ph.D. understanding of comics.
Garcia's ignorant attempt at humor during Tuesday night's black - tie affair was as wide of the mark as the two balls he dumped into the water at No. 17 at Sawgrass in Sunday's finale of the Players.
No offense but since no one from the south reads any news thats not printed on a bazooka joe gum wrapper, we can just humor them if we happen to run into them at a gun shop or courthouse and say «Oh Bama beat LSU by a score of 5 to negative 3 this year in your final?
With her characteristic blend of outrageous humor and uncanny insight (yes, she does peer into your living rooms at night), Alyson will show you how to diagnose and reverse the root cause of all misbehavior (even the most baffling) so that you can rediscover the joy of parenting your kids.
Not every candidate will be comfortable embracing humor, but it'll be fascinating to see how Buzzfeed's expertise at creating good video on the fly translates into paid political content on their site.
Since April is «National Humor Month,» our friends at SKOUT, the global app that helps you meet people and expand your social circle, asked 3,372 of their members their thoughts about profile photos and also did a deep dive into the topics of humor, friendship, and Humor Month,» our friends at SKOUT, the global app that helps you meet people and expand your social circle, asked 3,372 of their members their thoughts about profile photos and also did a deep dive into the topics of humor, friendship, and humor, friendship, and more.
funny character at times always love to inject humor into conversationst humo I'm into all types of music except rap and hip - hop I. often put others before mysel..
When your cat is wearing your lingerie, and it makes absolutely no logic or sense at all, it falls into the category of surreal humor.
I consider myself to be open and honest, and not into games.I have a great sense of humor, and even a bit funny at times.
At a benchmark of less than 10 minutes into the pilot episode, this gentleman fails to keep a balance of proper etiquette and proper humor.
The reveal of Po's backstory, which both explains why pandas are rare and why his father is a goose, could easily have drifted into being overly sentimental; but while it is emotional at times it is well balanced with humor and action.
In the conclusion Berg finally hits that completely over-the-top bad taste bonanza that the film has been working up to, where everyone — and I mean everyone — gets their cosmic justice and Berg finally let's his sniggering little digs at the handicapped kid blossoms into a truly tasteless foray into gimp humor.
Distributor Sony Pictures Classics has pulled off a number of wins in this category, and, in Andrei Zvyagintsev's «Leviathan,» which took the screenplay award at Cannes, the studio has another strong contender, a movie that weaves naturalism, allegory and dark humor into a multi-layered masterpiece.
Boiled down into concrete words, this sounds corny, but in execution on screen it's all rather affecting, with Stoltz's understated but sure direction eliciting vivid, multi-dimensional, and highly appealing turns by Holt and Gisondo, who are equally adept at selling both the absurd humor of August's characters and the genuine, relatable emotions that drive their behaviors and goals.
The occasional tangents into humor, intentional or not, are more than welcome, though they're too few and far between to make Fifty Shades Freed anything except a tiresome, perfunctory entry in a series that should have ended with Fifty Shades of Grey, assuming it should have been made at all.
When Old School does take time away from the sophomoric humor for the sentimental scenes, it is clearly busting at the seams to jump into the next gag involving boobs and blowjobs.
Fleming and Brady don't exactly provide enough genuinely witty moments to laugh at, and the burden is on Coogan to try to use his charm and knack for physical humor to elevate the material into something humorous.
Whether they're delivering sharp jabs at the dissatisfied lives they've come to inhabit or embracing their similar sense of humor over a rib - busting scene of nitrous oxide use at the dental office where Maggie works (reportedly the only scene where the two legendary improvs were allowed to strut their off - script skills), Hader and Wiig have cultivated a sibling camaraderie that you simply can't fake and yet at the same time they never fall into the traps that could have come with their years together on a show like Saturday Night Live.
Based on that example of the kind of lazy humor on display here, it will surprise no one that the climax of the parties takes place at a strip club where both groups just happen to be and breaks out into a fight.
Birbiglia sat down with RogerEbert.com inside one of the city's improv studios to discuss his new film, how he enlisted Nicole Holofcener and Greta Gerwig to help with his script, a true story of dark humor at a Benihana that didn't make into the final draft and more.
The film, a satirical look at the Soviet dictator's last days and the chaos of the regime after his death, fits neatly into Iannucci's ongoing study of biting political commentary, situational humor, and a lot of people badgering each other in hallways.
But rather than inject any genuine humor into the thing, all the «jokes» are culled from McCarthy letting loose a string of expletives or throwing karate chops at unexpected vocal chords.
The comedy in 50/50 goes a long way toward keeping the sentimentality at bay, with Rogen, playing a version of his real - life self, showing how the affection between male friends can be smuggled into teasing and gallows humor.
The point, I think, at which I dangerously lost faith comes near the end, when what should be the film's rather horrifying climax is turned into an ill - timed bit of jaunty humor.
Director John Landis blends horror, humor, and a little romance with cutting edge (at the time) special effects to tell the tale of a handsome American tourist David (David Naughton) doomed to turn into a Pepper — I mean a werewolf — at the next full moon.
It does take a while for me to get into the film, Emmet is a little bit annoying in the start, and some of the humor does fall flat but overall it was definitely a really fun time at the theaters.
The movie is filled with spectacular special effects and a booming musical score from Michael Giacchino (Jurassic World / Star Trek Into Darkness), but unfortunately suffers from a convoluted plot, poor attempts at humor, mediocre dialogue, and below average acting performances.
There's Something About Mary (1998) was generally embraced by critics, who gave the brothers credit for having grown up, at least a little bit, when they integrated a sentimental love story into their wild humor.
Parrack also does an excellent job at injecting humor into the role, and gives the film a charismatic supporting player.
We get crazy aliens with a touch of toilet humor thrown in (king of a sci - fi Farrelly brothers punchline comes into play), a swipe at Shatner's infamous vanity (good work, Jim!)
As with his previous films, Wheatley presents Free Fire with a gleefully dark sense of humor, the ridiculousness of events playing out made all the more senseless when you take into account where everyone's mindset is at.
A big three - time winner at the Sundance Film Festival, here is a film with talent, sophistication, humor, and sensitivity rolled into a joyous, grief - cleansing, heart - lifting 90 minutes that earns both good word - of - mouth and positions itself for year - end acclaim on more than a handful of top - ten best lists.
R - rated by virtue of scatalogical humor — penii, both of the flaccid and majorly erect variety, crowd the screen; jaws dangle, gawking at flopping mammaries; — and frivolous vulgarities, Baywatch fails to insert much conviction into its raunch and lacks even more in the originality department.
Instead, the movie makes use of the earlier films» basic plot device (man turns involuntarily canine at the most inopportune moments) and hauls it into the New Millennium, adding plenty of computer generated effects, throwing in a politically correct storyline about the evils of animal experimentation, and making the humor a little ruder and cruder.
It's only during the rushed final act that the film starts to pull apart at the seams, the rest of it boxed up by the square «Academy» aspect ratio, bound together in Crystel Fournier's Cold War cinematography, and welded shut by the dry heat of Nicchiarelli's humor (which even reduces Nico's rumored anti-semitic streak into a cheap punchline rather than wrestle with it in a meaningful way).
Playing up the humor in an effort to differentiate this from George Romero's zombie flicks, O'Bannon and his fellow scribes (including John Russo, who also co-wrote Romero's original Night of the Living Dead) have Frank (James Karen) and Freddy (Thom Matthews), two employees at the Uneeda medical supply warehouse in Louisville, Kentucky, accidentally release not only a zombie from a misplaced military canister but also the attendant gas that soon turns the corpses at nearby Resurrection Cemetery into the walking dead.
Since the humor of The Office is the kind of sly, nuanced wit that doesn t exactly work well in the context of a two - minute movie trailer, I was holding out hope that the studio simply decided to cram the more obvious Robin Williams schtick into the previews to lure in the people who made cash cows out of such dross as RV and Night at the Museum and that the actual film would be more in the vein of The Office.
Sadly, what attempts there are at actual humor without vulgarity lay mostly dormant, and a few prolonged action scenes are so disgustingly full of blood and gore that they shift the tone further into the tasteless realm than even the barrage of sex and poop jokes can do.
This sequel loses its way and wanders into unfunny sitcom territory in its second half, but it still has enough humor to at least sporadically divert those who enjoyed the first movie and the large, charismatic cast reunited.
While a scene in which Mark gets laxatives slipped into his drink draws out the sure guffaws for those who titter at bathroom humor, that scene is also the last laugh to be had for most of the viewing audience, who will likely grow impatient for the next 30 minutes wondering when the next big gag is going to come into play.
The fact that so much charm, heart and humor was packed into the game's first half has the game's inevitable conclusion ranking at the top of the games I'm most excited for next year.
It's the kind of movie that one almost feels guilty for laughing at so readily, but it has such a random and very odd way of looking at this simple man's world, that it sneaks up on you, never settling into a predictable groove or over-utilizing its brand of humor to the point of redundancy.
«These references and parodies helped us strengthen the identity of the world, while at the same time [injecting] a bit of humor into an otherwise uncharacteristically dark and serious environment for a Rayman game,» McEntee explained.
He's had a few duds, but with such fare as Big Fat Liar, Cheaper by the Dozen, and the Night at the Museum movies, he's been able to weave heart, humor, character, and real life into an enjoyable ride.
So as this tension builds, the startling and abrupt use of off - the - wall humor takes us viewers out of our comfort zone and into the unusual place of utter surprise at the back and forth between violence, romantic notions and laughter.
At its best (Funny People, maybe), this approach imbues lowbrow humor with genuine pathos; at its worst, as with Will Ferrell and Kevin Hart's feature - length (and Apatow - free) 2015 prison - rape joke Get Hard, it veers into plain old homophobiAt its best (Funny People, maybe), this approach imbues lowbrow humor with genuine pathos; at its worst, as with Will Ferrell and Kevin Hart's feature - length (and Apatow - free) 2015 prison - rape joke Get Hard, it veers into plain old homophobiat its worst, as with Will Ferrell and Kevin Hart's feature - length (and Apatow - free) 2015 prison - rape joke Get Hard, it veers into plain old homophobia.
Director Stephen Frears (Florence Foster Jenkins, The Program) mines a lot of good - natured humor out of the outrageousness of royal existence, such as the absolute frenzy Windsor Castle is thrown into in preparation for the Queen's arrival for the banquet at which Abdul's coin will be presented.
One teacher took a particularly active role in the deliberation, helping students understand the issue at hand, elucidating the issue's component parts, inviting all students into the deliberation, and using humor to defuse tension.
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