Soft white on rich blue hints
at infinite space.
Not exact matches
Some models of the Big Bang theory predict that the inflation that stretched
space at the beginning of time also produced an
infinite number of «pocket universes,» separated by impassable inflated areas of
space.
These three industries are the largest TV advertisers, and Prime is taking aim
at all three: Prime Video and its competitors are increasingly dominating non-live television viewing, and there are no commercials, while Amazon Prime obviates the need to visit retailers, and its
infinite shelf
space means niche products are much more viable.
Rather, it is precisely in response to the
infinite God that time and
space become so saturated with eternity that they are able, in perfect peace and harmony (what he calls as «easy as children
at play»), to bear this eternity in their very womb.
To obey Paul's command for your children means giving them more than a rational faith — it means also giving them a well - formed Christian imagination that can look
at a starry night sky and see more than the
infinite reach of empty
space and the eternal stretch of endless time, that can «keep seeking the things above, where Christ is, seated
at the right hand of God» (3:1).
It is as if, having accepted an
infinite space which has no center (or has «centers» everywhere), we are told that God sits
at «the» center.
[17] Hawking, 46, notes that
at the Big Bang moment «the density of the universe and the curvature of
space - time would have been
infinite,» yet «because mathematics can not really handle
infinite numbers,... the general theory of relativity... itself breaks down.»
In explaining the scientific theory that the universe originated in a big bang, Paul Davies remarked: «The conditions
at the big bang imply an
infinite distortion of time, so that the very concept of time (and
space) can not be extended back beyond the big bang» (24).
Marvel
at life and how our bodies work, when time began (
infinite), where
space ends (
infinite) and before long it becomes apparent that for all that our rationale minds want to impose structure, order and a conviction that we have it all together, we understand surprisingly little.
At the same time it must be remembered that modern science is perhaps not so confident as it was at the turn of the century that time and space are infinit
At the same time it must be remembered that modern science is perhaps not so confident as it was
at the turn of the century that time and space are infinit
at the turn of the century that time and
space are
infinite.
AT THE moment of the big bang, our universe emerged from a state of infinite density, a point in space and time so small it had no size at al
AT THE moment of the big bang, our universe emerged from a state of
infinite density, a point in
space and time so small it had no size
at al
at all.
For a start, right
at the centre of such bodies, the curvature of
space - time becomes
infinite — forming a feature called a singularity.
At that point,
space - time ends and the pull of gravity becomes
infinite.
At that point,
space - time ends, andthe pull of gravity becomes
infinite.
And this fits in, allegedly — I mean Peter Usher makes a big deal of it, but a few other people; it's not just Peter Usher, a few other people have looked
at that and said, «Well, you know, there is one English thinker who spoke about
infinite space in Shakespeare's time» and we've already met him, it was Thomas Digges.
General relativity says it's impossible to send rockets through
space at the speed of light, because this would require
infinite energy.
Nothing can be located
at a precise point in
space or time, preventing the formation of a blip of
infinite energy and density.
How could it have taken us so long to realize we were obviously but one of an
infinite number of universes arrayed upon a nine - dimensional Möbius strip and that time,
space, matter, and energy are simply congealed probability vibrating
at four different frequencies?
Without these forces doing most of the heavy lifting (these forces are also partly behind the success of businesses like Amazon,
at least the second one if not the first, enabling the retailing giant to develop a business model that undercut existing retailers and took advantage of almost
infinite shelf
space to appeal to huge swathes of customers) authors and self publishing would still be clamouring for attention not demanding a place
at the table.
That will all end when
Infinite Space launches for the DS on June 11 in the land across the sea (and
at some pont later here).
Whether you're looking
at the very beginning, industry - changing moments like the release of the Unreal engine, or simply stretching what you can do inside the genre with atmosphere or narrative content, shooters have explored practically
infinite space and continue even still to push the envelope.
Irrational Games will attempt to raise the co-op AI bar with its time - and -
space - tearing partner, Elizabeth, in BioShock
Infinite, and as the latest trailer demonstrates, she will,
at the very least, pack a powerful punch.
It launched
at the very tail end of the gen 3 cycle, and if you look
at games across the whole industry, whether it was Tomb Raider or BioShock
Infinite or Dead
Space, there were a lot of critically acclaimed games
at the time.
The one knock against
Infinite Space, beyond the sheer inability to find the thing
at a reasonable price these days, is that it is sometimes completely impenetrable.
Infinite Space was met with a positive reception, but unfortunately it was given a low print
at launch and was difficult to find soon after in North America.
At the top of the list is Call of Duty:
Infinite Warfare, which will shake up the standard formula and take to planet - hopping
space battles.
Look
at the
infinite scrolling world of life and death in Passage (2007), the collage of frustrations in Dys4ia (2012), the awkward online conversations of Cibele (2015), and the interweaving of emotionally - charged 3D
spaces in That Dragon, Cancer (2016).
Chimera Q.T.E
at London's Cell Project
Space draws its curatorial theme from a collagist interpretation of the Internet — a view that sees the web as a collection of orphaned, mashed and re-mashed digital fragments, or a kind of
infinite patchwork quilt.
At the same time, they present the viewer with a spatial and perceptual conundrum; we are drawn into a space at once determinate and infinite, natural and contrived, prosaic and otherworldl
At the same time, they present the viewer with a spatial and perceptual conundrum; we are drawn into a
space at once determinate and infinite, natural and contrived, prosaic and otherworldl
at once determinate and
infinite, natural and contrived, prosaic and otherworldly.
At Siobhan Davies Studios, British artist Conrad Shawcross installs Slow Arc Inside a Cube III, a sculpture consisting of a singular light source that is programmed to make random movements within a mesh cage, casting
infinite shadows across the
space and creating limitless spatial distortions.
Dressed like soccer referees, the trinity is also, for Roccasalva, a depiction of Zurvan, the Persian god of
infinite time,
space, and fate, father of twin brothers, who are the personification of good and evil.Finally, all the elements are held together by a text in violet neon that can only be read by looking
at it in the mirror.
10, No. 5, September / October 2011 «Prologue» (co-author: Josh Thorpe), Gordon Lebredt: Nonworks 1975 - 2008, (Centre for Contemporary Canadian Art: Toronto / Plug In Editions: Winnipeg), 2011 «And Other Essays,» C Magazine C105, Spring 2010 «Tris Vonna - Michell,» Art Papers 34:01, January / February 2010 «Yam Lau's Hutong House As I Imagine It,» (Yuanfen Media Art
Space: Beijing), 2009 «The Reproduction of
Space,»
Space, WIDEN (Workshop for Inter-Discipline Novelty and Exchange), University of Toronto, April 2009 «Towards Infinity But Not
Infinite,» Dynamic Encounters Panel, Universities of Art Association of Canada Conference, 2008 «Living the Image: Looking
at Yam Lau's ScapeLand II,» The Fillip Review 8, 2008 «The Possibility of Art: Adorno and the Politics of Aesthetics,» Re-Thinking the Frankfurt School Graduate Conference, York University, 2007
Through recent installations that include filmed performances, where projections of the «ghosted» human body wash over sculptural elements, the artist attempts to create an alienating / disorienting illusory effect that reflects an increasing loss of the corporeal gesture in the every day, the
infinite attempt
at calibrating the body to technology, as well as the entrapment of the human psyche within it; manipulating and playing with memory,
space and time.
In using these visual structures, Acha creates pictorial
spaces that are
at once shallow and
infinite.
Catalogue published on the occasion of the exhibition «
Infinite Space: Carla Accardi and Lucio Fontana,» presented
at Sperone Westwater, New York, 6 January - 25 February 2006.
Using hardware - store materials in commercially available colors, they could be hung in any order and,
at least theoretically, produced in an
infinite number: the number of canvases made was determined by the amount of
space available in the gallery.
I am taking liberties by starting off the 2014 year in late 2013, but the fact of this show in Los Angeles, Sturtevant's first in decades, was an important lead - up to her retrospective
at New York's Museum of Modern Art and a significant marker in her return to visibility in the U.S. Given her death prior to the opening of the MoMA show, this generous presentation of the film Finite
Infinite (2010) underscored the importance of that
space for bringing projects that would otherwise not be seen or given such gorgeous and ample
space.
Each element of these works is interdependent, and can not be isolated from the overall composition, which handles
space with such complexity that the viewer is
at once pushed to the surface of the work and the detail of the pen line, and simultaneously pulled into a seemingly
infinite dimension.
Opening during Frieze week this October, this ambitious exhibition — featuring a range of historical and recent works by Nathalie Djurberg and Hans Berg, Ryan Gander, Rodney Graham, Susan Hiller, Shirazeh Houshiary, Richard Long and Stanley Whitney (among others to be announced) in a variety of media, as well as many commissioned works on a large scale — will be staged
at London's most dynamic new
space, The Store Studios, 180 The Strand, host of last year's blockbuster exhibition jointly staged by the Hayward Gallery and The Vinyl Factory, «The
Infinite Mix: Contemporary Sound and Image.»
Highlights included solo shows
at the National Gallery of Iceland by Italian artist Claudio Parmiggiani, who exhibited sculptural and installation works; photos by American Minimalist Roni Horn; abstract three - dimensional colored - paper works by Iceland's Svava Bjorndottir; and Jon Gunnar Arnarson's installation Cosmos (1982, first shown
at the 1982 Venice Biennale), which approaches «
infinite space and Earth's gravity.»
... Roni Horn; abstract three - dimensional colored - paper works by Iceland's Svava Bjorndottir; and Jon Gunnar Arnarson's installation Cosmos (1982, first shown
at the 1982 Venice Biennale), which approaches «
infinite space and Earth's gravity.»
infinite heat sink
at the temperature of interstellar
space.
a zeroth order thermodynamical model in which there are two large (in thermo speak
infinite) heat baths, the sun @ 6000 K and
space at 3 K.
Although there is an almost
infinite variety of types of rentals facilitated by peer - to - peer rental sites (rooms, apartments within homes, entire homes, condominium units, cottages, camping
spaces, parking units, etc.),
at the core of the matter is the fact that the homeowner / host is changing the nature and use of a property from purely residential to mixed use residential / commercial.