Sentences with phrase «at leading art institutions»

She has six years of experience working at leading art institutions such as MoMA, the Art Institute of Chicago, ART21, and Creative Time.

Selective content presents programs at leading art institutions: museums, biennials, and art centers, as well as notable artist - run spaces and experimental venues.

Not exact matches

Unless you have a very strong vision like at Antwerp or Central Saint Martins, where they want to make designers, then you need to have a new methodology,» says Linda Loppa, who previously led the Royal Academy of Fine Art Antwerp's fashion department and is now director of strategy at Polimoda, a private institution in Florence.

I have used mine at the Seattle Art Museum; you could also visit leading institutions like the Art Institute of Chicago or the Museum of Fine Arts in Houston.

Bellet has a broad background in education and studio art having led workshops at various academic art institutions.

Carla Hayden, the 14th Librarian of Congress, the first woman and first African American to lead the institution, spoke at MICA's graduate commencement ceremony where she was awarded an honorary doctor of fine arts degree.

We are grateful they've turned their attention to Ireland - now it is time for the gatekeepers of our leading arts institutions to take a look at their practices and get more art by women up on those walls.»

Drawing significant institutional attendance, Frieze New York 2018 welcomed more than 200 groups from leadership and stakeholders at leading art museums and institutions from around the world.

When you support the Harvard Art Museums, you're enriching the experiences of thousands of students, scholars, and visitors at one of the world's leading visual arts institutions.

Mediengruppe Bitnik's work has been the subject of solo exhibitions at leading international institutions, most recently at Centre Culturel Suisse, Paris, France (2016); Haus of Electronic Arts, Basel, Switzerland (2015); and Helmhouse, Zurich, Switzerland (2014).

Henri did not look highly upon American art institutions at the time, which led to him joining John Sloan and six other anti-institutional artists (known as «the Eight») to put on an exhibit at the Macbeth Gallery in 1908.

His work has been featured at such leading international institutions as Whitechapel Gallery (London), Tate Modern (London), Centre Pompidou (Paris), MoMA (New York), the Solomon R. Guggenheim Museum (New York), the Museum of Contemporary Art Australia (Sydney), the KW Institute for Contemporary Art (Berlin), and the Museum für Moderne Kunst (Frankfurt), among others.

As an educator Fraser has lectured at leading fine art and design institutions, and from 2001 until 2017 was a Visiting Artist and Adjunct Professor in the Department of Fiber and Material Studies at the School of the Art Institute of Chicaart and design institutions, and from 2001 until 2017 was a Visiting Artist and Adjunct Professor in the Department of Fiber and Material Studies at the School of the Art Institute of ChicaArt Institute of Chicago.

Having studied sculpture at Sir J. J. School of Fine Arts from 1992 to 1997, and has been shown in a number of leading institutions such as Tate Modern, London, Serpentine Gallery, London, Solomon R. Guggenheim Museum and New Museum, New York, amongst many others.

His work has been exhibited internationally at leading institutions such as the Centre George Pompidou (Paris), the Leopold Museum and Vienna Künstlerhaus (Vienna), Sirius Art Center (Cork, Ireland), The Deutsche Kinemathek (Berlin), and the International Festival of Photography (Lodz, Poland).

A leading figure in the British Black Art Movement of the 1980s, she organized important group exhibitions at public institutions in London.

Since 2010 however, KAWS has been receiving more attention from the more established art world and has been invited to exhibit at art institutions and galleries, with solo exhibitions and commissions for larger - scale works worldwide, leading up to his current show at PAFA.

The Alternative Museum's first exhibition was «10 Japanese Artists» which led the way to the many presentations of contemporary art works and artists from the diverse global community at a time when most contemporary arts institutions were only interested in Eurocentric art.

In conjunction with its 25th anniversary, the Armory Center for the Arts presents Caught Looking: Simone Gad, Tracy Nakayama, Ruby Neri, Lauralee Pope, Mary Weatherford, an exhibition of works by five painters who have taught or led workshops at the Armory during its tenure as one of Pasadena's leading arts institutiArts presents Caught Looking: Simone Gad, Tracy Nakayama, Ruby Neri, Lauralee Pope, Mary Weatherford, an exhibition of works by five painters who have taught or led workshops at the Armory during its tenure as one of Pasadena's leading arts institutiarts institutions.

Her videos and installations have been exhibited in solo shows at some of the world's leading art institutions, including Hayward Gallery in London (2011), the Museum of Contemporary Art in Tokyo and Fundació Joan Miró in Barcelona (2010), KIASMA in Helsinki (2009), the Museum of Modern Art in New York (2008), Centre Georges Pompidou in Paris (2007) and Museo Nacional de Arte Reina Sofía in Madrid (200art institutions, including Hayward Gallery in London (2011), the Museum of Contemporary Art in Tokyo and Fundació Joan Miró in Barcelona (2010), KIASMA in Helsinki (2009), the Museum of Modern Art in New York (2008), Centre Georges Pompidou in Paris (2007) and Museo Nacional de Arte Reina Sofía in Madrid (200Art in Tokyo and Fundació Joan Miró in Barcelona (2010), KIASMA in Helsinki (2009), the Museum of Modern Art in New York (2008), Centre Georges Pompidou in Paris (2007) and Museo Nacional de Arte Reina Sofía in Madrid (200Art in New York (2008), Centre Georges Pompidou in Paris (2007) and Museo Nacional de Arte Reina Sofía in Madrid (2001).

Nesbit has led many talks at major institutions of art and higher learning.

His work has been featured at leading international institutions such as The Whitechapel Gallery (London), Tate Modern (London), Centre Pompidou (Paris), MoMA (New York), the Solomon R. Guggenheim Museum (New York), the Museum of Contemporary Art Australia (Sydney), the KW Institute for Contemporary Art (Berlin), and the Museum für Moderne Kunst (Frankfurt), among others.

According to the museum it's Jeffrey Deitch, the former New York art dealer who — with virtually no prior museum experience — assumed the top job at one of America's leading institutions two years ago.

San Diego, CA — Several San Diego institutions will host exciting exhibitions and collaborations this fall thanks to the Getty - led Pacific Standard Time: LA / LA initiative, a far - reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles taking place from September 2017 through January 2018 at more than 70 cultural institutions across Southern California.

Among his curated exhibitions, workshops, and talks at the Parkingallery are Deep Depression (2004 - 2006); Sideways (2008); Urban Jealousy, 1st international roaming biennial of Tehran (2008 - 2009); and three editions of Limited Access Festival (2007 - 2011), which led to a variety of projects with art and education institutions in Germany, Netherlands, Serbia, UK, Egypt, Turkey, Brazil, and India.

Delfina Foundation invites artists, arts professionals and experts across civic society to engage and collaborate through discussions, exhibitions, performances, and workshops at our London base and with leading institutions internationally.

Kiki Smith has had solo exhibitions at leading institutions across the world, including at the MoMA in NYC, the Walker Art Center in Minneapolis, the Whitechapel Art Gallery in London and the Centre d'art Contemporain in Geneva.

Taking its name from the 54 countries on the continent, 1:54 Contemporary African Art Fair at Somerset House returned as a leading platform for artists, galleries, curators, independent art centres and institutions dedicated to promoting African and Africa related art practices and projecArt Fair at Somerset House returned as a leading platform for artists, galleries, curators, independent art centres and institutions dedicated to promoting African and Africa related art practices and projecart centres and institutions dedicated to promoting African and Africa related art practices and projecart practices and projects.

She has had solo exhibitions at numerous leading art institutions, including Inverleith House, Edinburgh (2006), Fotomuseum Winterthur (2003), The Art Institute of Chicago (2004), Folkwang Museum, Essen (2004), Centre Pompidou, Paris (2003), Dia Center for the Arts, New York (2001 - 02) and Museo Serralves, Porto (200art institutions, including Inverleith House, Edinburgh (2006), Fotomuseum Winterthur (2003), The Art Institute of Chicago (2004), Folkwang Museum, Essen (2004), Centre Pompidou, Paris (2003), Dia Center for the Arts, New York (2001 - 02) and Museo Serralves, Porto (200Art Institute of Chicago (2004), Folkwang Museum, Essen (2004), Centre Pompidou, Paris (2003), Dia Center for the Arts, New York (2001 - 02) and Museo Serralves, Porto (2001).

Soon he was widely exhibited across the globe, with exhibitions at some of the world's leading art institutions, among them London's Tate Britain (2006) and New York's Metropolitan Museum of Art (200art institutions, among them London's Tate Britain (2006) and New York's Metropolitan Museum of Art (200Art (2008).

In addition to the exhibitions at IMMA, the Collection will also be shown in a number of arts centres and other locations around Ireland, as part of IMMA's National Programm e, an area in which the Museum has led the way as a truly national institution over the past 13 years.

A new annual initiative, conceived and produced by Artissima, realised in collaboration with the leading museums and art institutions of the city: Castello di Rivoli Museo d'Arte Contemporanea, GAM — Galleria Civica d'Arte Moderna e Contemporanea, Fondazione Merz and Fondazione Sandretto Re Rebaudengo, and a special project at Palazzo Cavour.

Speaking at the launch, leading Irish artist Gerard Byrne, also an IMMA Board member, said; «As an artist working in Ireland for the last twenty years I've seen first - hand how critical it is that our arts institutions are enabled to support artists» ongoing practice and the making and collecting of their work.

She has had a solo show at the Institute of Contemporary Art, Boston (2007); a solo show at one of Japan's leading private institutions, Watari Museum of Contemporary Art, Tokyo (2006); she was included in «Greater New York 2» at PS1 Contemporary art center, New York (2005); «Fun» at Rhiimaki Art Museum Finland (2012); and presented solo museum exhibitions at Malmo Konsthall (2012) and at the Children's Museum of Art in New York City (201Art, Boston (2007); a solo show at one of Japan's leading private institutions, Watari Museum of Contemporary Art, Tokyo (2006); she was included in «Greater New York 2» at PS1 Contemporary art center, New York (2005); «Fun» at Rhiimaki Art Museum Finland (2012); and presented solo museum exhibitions at Malmo Konsthall (2012) and at the Children's Museum of Art in New York City (201Art, Tokyo (2006); she was included in «Greater New York 2» at PS1 Contemporary art center, New York (2005); «Fun» at Rhiimaki Art Museum Finland (2012); and presented solo museum exhibitions at Malmo Konsthall (2012) and at the Children's Museum of Art in New York City (201art center, New York (2005); «Fun» at Rhiimaki Art Museum Finland (2012); and presented solo museum exhibitions at Malmo Konsthall (2012) and at the Children's Museum of Art in New York City (201Art Museum Finland (2012); and presented solo museum exhibitions at Malmo Konsthall (2012) and at the Children's Museum of Art in New York City (201Art in New York City (2012).