Sentences with phrase «at leading galleries»

Curated gallery guide for world - class contemporary art exhibitions at the leading galleries and museums in the USA.

Curated gallery guide for world - class contemporary art exhibitions at the leading galleries and museums in the Middle East.

Their mark has not only been honored and highlighted at leading galleries and institutions worldwide, but also widely documented and manifested as a mirror of cultural movements.

Our gallery guide helps you find world - class contemporary art at the leading galleries and museums worldwide.

... and don't miss our New York Gallery Map - great exhibitions at leading galleries across the Big Apple!

Curated gallery guide for world - class contemporary art exhibitions at the leading galleries and museums in Europe.

Curated gallery guide for world - class contemporary art exhibitions at the leading galleries and museums in Asia & Australia.

The definitive guide to current exhibitions at the leading galleries and museums around the globe

Curated gallery guide for world - class contemporary art exhibitions at the leading galleries and museums in South America.

This will result in a solo - project at a leading gallery space in London in Autumn 2016; as well as a three - month residency at the Delfina Foundation.

Not exact matches

David Morrison, a leading impact researcher at NASA's Ames Research Center in California, predicts a hundredfold increase in discoveries, which will make Schweickart's shooting gallery metaphor more believable.

The work was led by Ioanna Kakoulli, professor of materials science and engineering at the UCLA Henry Samueli School of Engineering and Applied Science, and John Delaney, a senior imaging scientist at the National Gallery.

A few blocks away at the Paramount (1990), guests enter a tall dark box with a massive wedge of stair in the corner which leads to a gallery where it's possible to watch the theatre of activity below.

Be part of an intimate group of yogis at the unique Orange Art Gallery flowing and grooving to a beautiful flow class, led by Jesse Beamish, in this amazing art gallery sGallery flowing and grooving to a beautiful flow class, led by Jesse Beamish, in this amazing art gallery sgallery setting.

Occasionally, there's a skin - care brand or aesthetician touting that they were on deck for handsome leading man # 1's grooming, but otherwise you just do not hear about these dudes wearing makeup, even though (judging by the Getty galleries of them with nary a shiny forehead in sight) I know your forehead has at least been dusted with some setting powder, bro.

Ottoman Hands can also be found in trend - led fashion stores like Topshop; online at ASOS.com and Very Exclusive, to esteemed cultural establishments like The British Museum, The National Gallery and The V&A Museum.

During college, she traveled 70 miles round - trip to an unpaid internship at an art gallery which then led to a desire to experience New York City — a mecca for artists and art lovers.

Lorena Bradford (left), head of accessible programs at the National Gallery of Art in Washington, D.C., leads a session of the museum's Just Us program.

The London Grid for Learning (LGfL) is offering London teachers a unique opportunity to attend a twilight CPD session led by Royal Collection Trust's education experts at the inspirational venue of The Queen's Gallery at Buckingham Palace.

The London Grid for Learning (LGfL) is offering London teachers a unique opportunity to attend a twilight CPD session led by Royal Collection Trust's education experts at the inspirational venue of The Queen's Gallery at -LSB-...]

As part of the exhibition «Metamorphosis: Titian 2012» at the National Gallery, London (11 July — 23 September 2012), fourteen leading poets were invited to respond to three masterpieces by the Renaissance painter, Titian: Diana and Callisto, Diana and Actaeon and The Death of Actaeon.

After leaving your transport at the top of the town wind your way through the traffic free cobbled streets, past small shops selling colourfully painted tiles and silks, artists» studios and galleries displaying paintings and drawings, meander under vine covered walkways leading to the sandy beach that is home to bars and restaurants stocked with fresh seafood.

Stairs lead to the mezzanine level where a galleried walkway overlooking the sitting area below leads to the two mezzanine ocean suites at either end.

Art lovers will definitely want to stop at the 26th Street Art Center, a onetime water - heater factory and warehouse complex that's now home to one of Southern California's leading collection of galleries.

Finally, at the end (opposite to the dining area) an elegant wooden stairs leads to the large gallery room (loft), where the bedroom area is situated.

Stairs lead to the mezzanine level where a galleried walkway overlooking the sitting area below leads to the two Mezzanine Ocean Suites at either end.

What if, following Steiner's lead, all artists refused to show at any gallery that does not cut its workweek to 20 hours?

For ten years he worked at the London Institute, now the University of the Arts in London, where he was responsible for developing the London Institute Gallery where he built an exhibition programme showcasing the work of outstanding students alongside leading contemporary artists, designers and photographers including Julian Opie, Richard Deacon, Nicola Hicks, Mike Leigh and Tom Hunter.

Graduate Student Gallery Talks at the List Center present focused explorations of our current exhibitions and are led by an MIT graduate student.

Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintings.

Wednesday, April 25, 2018 Curator - led tour of The Long Run at MoMA Wednesday, April 25, 2018 Private Reception at the home of Laura Skoler Thursday, April 26, 2018 25th Annual Benefit and Award Ceremony Thursday, April 26, 2018 Annual Members» Reception Friday, April 27, 2018 Curator - led tour of Radical Women at the Brooklyn Museum Saturday, April 28, 2018 Curator - led tour of An Incomplete History of Protest at the Whitney Saturday, April 28, 2018 Reception & Conversation about Madison Avenue Galleries at James Goodman Gallery

Founded in 2004, Edinburgh Art Festival is the platform for the visual arts at the heart of Edinburgh's August festivals, bringing together the capital's leading galleries, museums and artist - run spaces in a city - wide celebration of the very best in visual art.

This present exhibition has been curated in parallel with a major exhibition at Pallant House Gallery of the works of Victor Pasmore, a leading figurehead of the nascent constructivist movement in post-war Britain.

Her new series of paintings, currently on display at Jack Shainman Gallery in New York, continues to be led by the process of remembering, as well as interiors that include objects of personal significance.

Prior to joining the Catalogue Raisonné, Alex worked at Driscoll Babcock Galleries (established 1852) in Chelsea, where she led the gallery's research program for five years.

In 2011 Prouvost won the Max Mara Prize for Women, which led to her 2013 exhibition at the Whitechapel Gallery, Farfromwords, for which she was awarded the UK's prestigious Turner Prize.

Leading the pack of institutionally - recognised artists enjoying solo attention at the fair are figures including Pierre Huyghe, whose mesmeric L'Expédition Scintillante Act II (Light Box)(2002) is presented by Marian Goodman Gallery (C21) following Huyghe's acclaimed installation at Skulptur Projekte Munster 8 and ahead of a new installation at London's Serpentine Galleries this October.

This exhibition film features leading British artist, Marcus Harvey, talking about his summer exhibition at Jerwood Gallery, his artistic practice and the painting that was the hot topic at the Sensations exhibition in 1997, the portrait of Myra Hindley.

Exhibitions presented in The Brown Foundation Gallery feature work by leading internationally - recognized artists working at the vanguard of contemporary art, as well as thematic exhibitions organized around questions central to the nature of art and life today.

A specialist in the examination and treatment of modern and contemporary paintings, Jennifer's past experience includes work at a number of leading conservation studios, both private and institutional: Cranmer Art Group, The Getty Conservation Institute, Modern Art Conservation, The Museum of Modern Art, The National Gallery of Art, and The Solomon R. Guggenheim Museum.

Sarah Robayo Sheridan is curator of exhibitions at The Power Plant, Canada's leading noncollecting contemporary art gallery in her hometown of Toronto.

Installed in the old Domino Sugar Factory in Brooklyn, the much - talked - about monumental sugar sphinx draws more than 130,000 visitors; inspires praise, countless opinions and selfies, and a porcelain pitcher; earns her recognition from Wall Street Journal Magazine as its 2014 Art Innovator and a spot on Foreign Policy magazine's list of leading 2014 Global Thinkers; and is currently being explored in «Afterword,» an exhibition at Sikkema Jenkins Gallery in New York.

Throughout the day, The Broad's Visitor Services Associates offer pop - up art talks in the third floor galleries and Jasper Johns: «Something Resembling Truth», as well as lead public gallery tours Tuesday through Sunday at 1:15 and 3:15 p.m. Tours meet on the third floor and are accessible with free general admission tickets.

Sophie Hackett, associate curator of photography at the Art Gallery of Ontario (AGO), will lead the 2014 Prize panel which will include luminaries Laurie Simmons, a New York photography and film - based artist, and Okwui Enwezor, director of Munich's renowned Haus der Kunst.

In the 55 years since his debut at Leo Castelli Gallery, Frank Stella has led the conversation about...

It dates from Anish Kapoor's breakthrough using this medium of hyper - reflective polished steel and was created in a decade that witnessed Kapoor winning the Premio Duemilia Prize for his British Pavilion at the Venice Biennale (1990); winning the Turner Prize (1991); staging a major retrospective at the Hayward Gallery (1998); and becoming a Royal Academician (1999), Untitled is central to the technical and artistic advancement that later led to such highly lauded monumental projects as Cloud Gate of 2004 for Chicago's Millennium Park, and Sky Mirror of 2006 at New York's Rockefeller Center.

These material experiments eventually led to her breakthrough series Samurai (1981 — 83), first shown at Phyllis Kind (1983) and recently on view at JTT Gallery, New York (November 13, 2016 — January 15, 2017), one of three galleries that currently represent the artist.4 Haunted by the memory of a scene from Akira Kurosawa's epic film Kagemusha (1980), in particular the armor worn by samurai during a ceremonial gathering, Simpson abstracted the cascading arcs and linear folds of the warriors» skirts into free - form structures.

Currently the Head of Exhibitions and Displays at Tate Liverpool, part of the family of Tate galleries, and previously Curator at Middlesbrough Institute of Modern Art, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and programs.

These practices led directly to the production of watercolor works between 2010 - 2014, which includes my recent painting showing at the Prince Street Gallery, «D.P.J. 2013» from 2013.

Anya Gallaccio's current exhibition «highway» at Annet Gelink Gallery in Amsterdam, is a graceful expression of a personal journey through the life and career of this leading British artist.