I have already seen Catfish (and absolutely loved it) but the other 9 movies all seem like must - see's or
at least an interesting movie to watch so I appreciate you taking the time to make us aware of these films!
Not exact matches
Another Jack Reacher
movie is planned, along with
at least one more installment of Mission: Impossible, and Cruise has expressed
interest in making sequels to Edge of Tomorrow and even Top Gun.
The
movie mostly forgot it was about this by its midpoint, but the effort still suggested Marvel was
at least interested in what it would mean to live in a world with godlike beings who had no real checks on their power.
It's ultimately clear, however, that Fear and Desire simply isn't able to justify its feature - length running time (ie the whole thing feels padded - out even
at 61 minutes), with the
movie's less - than - consistent vibe paving the way for a second half that could hardly be less
interesting or anti-climactic - which does, in the end, confirm the film's place as a fairly ineffective first effort that does,
at least, highlight the eye - catching visual sensibilities of its preternaturally - talented director.
There's no rule that says a
movie must have a likable character
at its center, but it helps if a nonlikable central character is
at least interesting.
I thought,
at the
least, this would be a fairly
interesting movie.
Make your sappy true - life tabloid story, but
at the very
least take a small amount of time flipping back over the entire history of music in search of a cut that's more
interesting, more vital than the god - damn Passenger — something which doesn't instantly remind you of many other, better
movies.
And every time Theron is on screen, the
movie gets crazy campy, and therefore,
at least somewhat
interesting.
OUR TAKE: The trailer looks like a mix of so many other horror
movies - and we're not sure our horror
interest will extend beyond the Halloween holiday (
at least not for this film).
Franco also directed the film, imbuing his docu - dramedy with an
interesting bit of irony by directing himself in a very good
movie where he plays the real life director (
at least according to the credits) of a famously bad
movie.
I think An Education will be a more
interesting movie (obvious comparison I think), since
at least some of the people in that
movie have personalities.
I realize that I'm in the minority of people who don't think this isn't really that good of a
movie, although I'll admit, it did hold my
interest enough for me to think it still worthwhile, which for a film about chess means it deserves
at least some props.
Some
movies this summer and every summer manage to rise above some silly source material to be something that is genuinely compelling or
at the very
least interesting.
At the very
least, it's good to have a
movie like this able to find an audience, because this feels like the kind of comedy that otherwise might not get any
interest for a studio.
I suppose you can't make a superhero
movie without a supervillian, but I'd like to see someone try (or
at least make the supervillains more
interesting, more damaged and human, rather than just mad for power).
An Education — I'd expect that a film about a young girl in 1962 who's so infatuated with the life of the Parisian intellectual (jazz, cigarettes, New Wave
movies) that she dates an older man to have
at least a sense of why that Parisian lifestyle is so
interesting.
There are more coming of age
movies than anyone would probably want to count, but the journey from youth to (
at least a little) maturity isn't always all that
interesting.
Buck's on the receiving end of one of these pitiful stares
at least once, when the
movie's putative love
interest, Chanice (Amy Madigan), walks in on him dancing with a neighbour lady (Laurie Metcalf).
If all you're going to do is use a
movie still and throw some text on there and call it a poster then
at least choose an image that's a bit more
interesting.
A lesser
movie or
at least one less
interesting would have the focus on the direct connections between Thomas and WCKD and what it means for him to be attacking them.
Goldsmith went on to score sequels to The Omen, Star Trek: The Motion Picture and Poltergeist — and it's
interesting to note that on each occasion (
at least until the latter - day Trek
movies) he pretty much reinvented the wheel every time.
Twice, Amityville: The Awakening suggests a different route the
movie could have taken, which may not have resulted in a better
movie but
at least could have been more
interesting than what we get here.
Families who enjoy this decade's other dad - driven family flicks, like Steve Martin's Cheaper by the Dozen
movies and Tim Allen's The Santa Clause sequels, would probably find enough of
interest to
at least justify a rental, but Evan fails to reach even the modest heights of those comedies.
It's something that, when taken with Harry's attempts to show women respect, makes of Kiss Kiss, Bang Bang a boy's
movie that's actually
interested in teaching boys,
at the
least, how their actions impact women.
Tom Green's follow - up to Gareth Edwards» inventive «Monsters» does
at least attempt something
interesting: Just as the first film fused monster -
movie sci - fi paranoia with a gentle indie love story to become an offbeat take on genre, «Dark Continent» basically wants to be a war
movie with vague sci - fi elements.
I'm very
interested in this film,
at least these guys did something out of love for the
movies.
This is not to say that the film as a whole is a failure by any means — however, it will be up to the individual viewer to figure out for themselves whether it is an okay
movie containing a few too many hiccups to keep it from completely pulling together or a not - so - good
movie with enough strong individual elements to hold one's
interest for
at least most of its running time.
Other
movies that I was excited about / or
at least really
interested in were Cabin the in Woods (not that it wasn't theaterworthy, but I prefer horror
movies at home), Paranormal Activity 4 (it's got its ups and downs, but my sis in - law and I are so attached to this series), The Expendables 2 (first one was underwhelming, but I'm still gonna see it anyway), and Hansel and Gretel: Witch Hunters (based almost entirely on how much I enjoyed Dead Snow).
For a while
at least, Brian Goodman's film does find some mildly
interesting ways to distinguish itself from Stephen King's novel (and Rob Reiner's
movie).
But, rather refreshingly, the film finds new angles of approach, or
at least ones that aren't too well worn, reshaping huge chunks of Alien and sizable portions of Gravity to form something bracing and scary and
interesting, a B -
movie with brains.
While the film ultimately loses
interest for me, I try to include
at least one family film in every column, and it should be noted that my three sons adore this
movie.
Being a
movie around a cab company, you'd
at least expect there to be a plethora of celebrities, comedians, or
interesting actors as passengers, to keep the comedic possibilities fresh.
It's a good thing they threw in some other superheroes to make things
interesting: Captain America (
at least I think that's him - he wears a star) and a couple others you wouldn't expect in a Marvel
movie.
I see PLENTY of
movies that I WANT to walk out on but don't because it is
at least interesting enough that I want to see how the terribleness ends.
In some cases, the filmmaker's methods have, themselves, replicated the mad genius of those of Herzog's protagonists (the story of the filming of Fitzcarraldo, as profiled in Les Blank's documentary Burden of Dreams, is
at least as
interesting as the
movie, itself).
Most monster
movies have
at least one bleeding - heart environmentalist to argue the case of the monstrous beast, but here we get only Niko Tatopoulos (Matthew Broderick), an expert on the mutant earthworms of Chernobyl, who seems less like a scientist than like a place - holder waiting for a rewrite («insert more
interesting character here»).
Students list
at least ten links to topics that they are
interested in, such as news, weather, sports, entertainment,
movies, music, and / or television series.
Mark Lehain, Interim director, New Schools Network Start date: March 2018 Previous job: Director, Parents and Teachers for Excellence (ongoing)
Interesting fact: Mark watches the complete Godfather trilogy of
movies at least twice a year, as he believes they contain lots of lessons on strategy and leadership.
Now a number of Expanded Universe fans have
at least tried to get into the new novels, I haven't and have no
interest in reading them, and many people are trying to reserve judgment until after they watch the first of the new
movies, but the reception of these books in many fan circles has been mediocre, not on the level of some of the better EU books.