Sentences with phrase «at least his character gets»

Not exact matches

Get him back in the dressing room at least, his character may influence heart and passion for this club.?

the best coaches n teams like utd and city, psg and chelshit are chasing sanchez... besiktas are lukin at ozil just for their fan base and club status not for football reasons... the earlier we start creating space for iwobi or a better ten to come the better... as for ozil hes been good for us... we are not the best character team in the epl n the least we can do is get players... beast like players..

Of course you may get a few lawyers knocking at your door, suing you for defamation of character, but at least you will have the satisfaction of knowing you have penetrated the glass bubble that surrounds AFC.

If you're heading to Florida, make sure you book at least one character breakfast where you get to meet some of Disney's stars up close and personal.

Specifically, I got the impression that the EC members were supposed to exercise some sort of double - check on the candidate's validity, character and legal qualifications (e.g. lack of conflicts - of - interest) and thereby moderate the influence of pure populism on the outcome, at least to some extent.

Yet by the end, at least it gets under the skin of both its characters and the audience.

Meanwhile, all of the pancake - flat supporting characters get to have all of the fun (at least someone got to).

We get to see cheesy, poorly produced scenes of lame flirting between Troy and Riker inbetween plays of the Holodeck program, one of the main Enterprise characters dies in a really forced, badly - directed and pointless way (the character deserved a much more meaningful and dramatic death than that at least).

As for story, Tarzan will remain trapped in monotony unless the writers can get him out of the city sometime (at least to the Catskills or Poconos), or bring in wild and bizarre comic book characters like the Batman series did.

Far from the stilted caricatures of the Johns Wayne and Ford, these days Native Americans are more likely to be represented on screen as sympathetic characters, which is refreshing, because after decades of dehumanization at the hands of Hollywood, they finally have gotten a chance to shine by occasionally telling stories that feature them if not as heroes, at least as human.

Yes, do note that I said that the underdevelopment makes it «hard [u] er [/ u]» to get invested in the characters, because as if it's not bad enough that the characters are so undercooked and, well, kind of bland, they're unlikable, or at least the lead is, for although Sam Eidman's portrayal of the Scott Weidemeyer character is engaging convincing, the character himself is just too much of a manchild - concerned with the superficial and his own self - esteem over the concerns of others and growing up - for you to feel for him all that much.

Sadly, we won't see his original character return, but at least we get the look.

Despite the cloying cutesiness and perpetual whimsy, I get the impression that Stillman cares more about his characters than his oft - unrelatable, more commercially successful counterpart, Wes Anderson; at least, I did.

Jeff Bridges wasn't happy when a script rewrite killed off his character, but at least he got to be the main villain of an Iron Man movie, right?

Diesel's Xander Cage is the least - interesting element here, but that's okay, because the film surrounds him with super-cool supporting characters played by super-cool actors, including Tony Jaa, who gets to bob his head to music at a funeral, and Ruby Rose, who doesn't have a whole lot to do but still looks incredibly badass anyway.

There's no word on how many beloved cinematic icons Driver's character will stab through the heart in this movie, but you've got to assume it'll be at least one or two.

If you need to catch up, watch at least the first X-Men movie and X-Men: First Class to get you familiar with the cast and characters.

Since this takes place before «Alien» and has dumber characters, at least I know humanity gets smarter in the future.

Church and Gershon play their trailer trashers with a stock character rigidness, though Gershon, who is a bit miscast here, at least gets to leak all over the place in the film's gnarly climax.

Let's be honest, though — just because an MCU character is getting a standalone film doesn't mean it's going to be a solo film... At least not in the purest sense of the word.

Having played the voluptuous female mascot in this boys» club for so long, Johansson at least gets to be an actual character this time.

Each character gets at least one moment where they step to the fore of the rhetorical stage, but there's no single protagonist.

With van Heijningen Jr's film, at least I got a sense of the supporting characters.

You play as one of at least four potential characters, and get dropped into a group of levels designed like a 2d beat em» up.

Characters discuss the seemingly endless franchise of fictional Stab movies, based — at least at first — on the «real world» events we've been watching (They've gotten less concerned with reality, we learn from a character who bemoans the phony fifth movie's time - travel plot).

Every character in the demo gets at least one chance to fight, be it Captain America with Mega Man X, Thor with Nathan Spencer, or Captain Marvel with Chun - Li.

This one's almost as overcrowded as «Apocalypse,» but at least the characters still get some breathing room.

The material here more closely resembles his efforts on «Scott Pilgrim vs. the World» than «Project X,» at least in the sense that he's lending a sensitive or sympathetic edge to all of the characters» shenanigans, and it proves that he's got a voice as a writer that articulates honestly the point of view of young characters in a pop - culture - saturated society.

I also think it is incredibly unfair to lump this film into the «Marvel machine,» since it has been a huge uphill battle to get this film made (Ryan Reynolds has been wanting to play the character in a film for at least a decade).

At least there was a much better animated series on HBO that lasted for two seasons and had the awesome Keith David to voice the character, but we'll have to wait until the new «Spawn» film comes out to get the bad taste of this hellish bottom - dweller out of our mouths.

Many of these are first - world problems to be sure, especially when the movie gives all of its characters plenty of money and means to get by, but at least they're first - world problems rooted in the psychological reality that many parents, especially mothers, feel enormous pressure to make their kids» lives conform to ever - shifting standards of perfection.

That the quartet get there through E.L. James» tortured pop - erotica prose is pretty silly, but at least the characters have some perspective on the questionable quality of the «50 Shades» trilogy, and we don't have to delve too deeply into the world of Anastasia Steele and Christian Grey's red room.

As for «Morton's Fork» in particular, it had plenty of great little character moments, from the illustration of Lester as having become a criminal mastermind (or at least, as someone who has gotten really good at killing off wives), to Budge and Pepper's hilarious conversations and interactions.

Sherlock Holmes is a character that people (at least filmmakers) can't seem to get enough of.

Most of the film's eight major characters get a ploddy introduction, with 15 minutes of windy expositional dialogue devoted to their convoluted backstories so that audiences know exactly where everyone stands (or, at least, purports to stand) when the climax arrives.

If that's the case, we could get Singer's version of what should have happened in X-Men 3 (read about it here) and all of these characters — or at least most of them — could potentially return.

Again, we have more characters than the film really needs — I swear at least five of the dwarfs get a single line each — and the screenplay strays outside the original source material in an attempt to paint a broader picture than Tolkein's initial fairy tale - like novel.

Made a better film by a great cast, Four Christmases isn't anything new, but it's funny and it's got at least one character that everyone can cringe in recognition at having in their extended family tree.

Despite some of the terrible things Mickey winds up doing, Darragh almost always gets the audience to at least understand, if not downright empathize, with the reckless character.

Still, at least this two - hander saw featured player Heidi Gardner get a chance to show off her formidable character chops, as her effusive townie cousin greets the home - for - the - holidays Franco (as himself) with eccentric tales from her own life, and concern for the direction Franco's career is taking.

Third, at least one of the actors involved gets plenty of screen time — Daniel Radcliffe, who plays the character this movie is all about.

There are at least ten Disney films that have gotten this treatment, and some of them have gotten it more than once — adaptation of The Jungle Book, for instance, has resulted in both TaleSpin (a debatable example, but many of the characters are clearly named and patterned after ones in the film) and Jungle Cubs (which gives the characters the «Muppet Babies» treatment).

Should have at least got a nod with how well they set up the characters and story.

Because her thinking man's Ilsa act in The Reader is at least conceptually riskier than her put - upon dishrag Debbie Downer in Revolutionary Road, we were that close to throwing her by the wayside in this category, especially because there's a clearly superior crypto - leading role in the mix (Rosemarie DeWitt, whose titular character in Rachel Getting Married has been shut out of a lot of races thus far, but we feel anyone who actually watches enough of the film to justify throwing their vote toward frontrunner Anne Hathaway should have no other choice but to recognize DeWitt's equally tricky, equally attention - stealing performance).

«Truth or Dare» is basically «Final Destination» or «I Know What You Did Last Summer» or any other teen horror movie where generic pretty characters get knocked off one - by - one, but at least those movies had a through line that made sense.

There are at least 28 characters with «key» roles — and that's not counting the end credit stinger, or the missing characters we thought we would see, or the one that gets a logo tease as a coming attraction for part 2.

For a start, matches usually last at least a couple of minutes because you've got to knock out three characters instead of one, which lets you really dig into the synergy potential of assists and supers.

Gibson, along with all of the human characters in the original live - action Transformers trilogy, took a break from the series with 2014's Transformers: Age of Extinction, but director Michael Bay seems to have made it his goal to get at least part of the gang back together for the upcoming fifth installment.

Argo thinks Get Out was a little hard on its white characters — or at least wonders if they were too one - dimensional — but keeps that to itself, and laughs politely when its one half - black friend says «Give me the keys, Rose!»

The dialogue is all text based which I found pretty jarring considering we've got voice acting in pretty much all other games... the only somewhat reasonable excuse I could think of was that with the expanded roster in this edition (the largest roster so far) perhaps they didn't want to have the odd experience of some characters voiced while others weren't (or at least not by the actual star... and given some are no longer with us it would be a bit hard).