Not exact matches
I would say Evans, and many of the commenters, are missing the point that several hundred years of scholarship in the fields of
literary and textual
criticism enable us to arrive
at at - least reasonable interpretations of religious texts driven by context, the
literary genre, etc..
Performance studies was developing,
at that time, into a discipline of inquiry within communication studies that acknowledged many ancestors in its family tree including rhetorical theory, dramaturgy, and
literary criticism.
If you properly engage in this work, you will be interested in arriving
at a position on whatever it is that interests you (philosophy, critical theory, history, philology,
literary criticism, or whatever) that is preferable to any other that you know of on that question, and you will concomitantly want to be clear as to what the position that you construct and defend is, what it excludes, how best to show that its competitors are less adequate than the one you want to defend, and in what sense this is true.
He seemed to be unaware of this actual process, even though some of the centers of biblical form and
literary criticism, (especially in Austria - Germany (ie Tubingen University)-RRB- HAD begun to be aware of the historical, (archeologically validated) processes, (and eventually
at Harvard and Yale and Princeton, and I'm sure other places I don't know about), by the time Smith was doing his thing.
Higher
criticism includes an analysis of the
literary genre of the text, its historical background, the history of the oral tradition behind the text, and the cultural and psychological factors
at work on the author and editor (or editors) of the text.
Kenyon College
at Gambier was the center of the New
Criticism and the home of the journal which for two decades dominated
literary circles — the Kenyon Review.
At the heart of a thriving
literary culture, we should find a thriving
criticism.
... my memory of his sojourn there [
at Tuskeegee University] was kept alive by the sight of his name on checkout slips of so many of the library books of fiction, poetry, history, and
literary criticism that had become the main part of my own personal extracurricular reading program.
And this is what I have found myself doing,
at first almost by accident and now more self - consciously, both because I think that
literary criticism can do some things that historical
criticism can not do and because I find it to be of compelling interest.
I have already indicated the way in which
literary criticism furthers the development of approaches used in Gospel studies, while
at the same time it represents a major shift in orientation away from the longstanding preoccupation with historical questions.
Fish's own tolerance during his chairmanship
at Duke for the cacophony that
literary criticism has become, indeed his encouragement of it, does not contradict his exegesis of Milton; rather, that exegesis confirms it.
The English poet and essayist Matthew Arnold speaks about such historic moments of creative arousal in literature in his 1865 essay «The Function of
Criticism at the Pres - ent Time»: «The grand work of
literary genius,» says Arnold, «is a work of synthesis and exposition,... its gift lies in the faculty of being happily inspired by a certain intellectual and spiritual atmosphere, by a certain order of ideas, when it finds itself in them; of dealing divinely with these ideas....
Players that weren't forced into
literary criticism classes as kids will probably be too busy marvelling
at the colourful, cartoony visuals, and cracking sound effects to spend too much time contemplating what it all means anyway.
She has contributed to, and been written about, in several anthologies of
literary criticism including: The Racial Imaginary: Writers on Race in the Life of the Mind (Fence Books, 2015); The BreakBeat Poets: New American Poetry in the Age of Hip - Hop (Haymarket Books, 2015); What I Say: Innovative Poetry by Black Writers in America (University of Alabama Press, 2015); The & Now Awards 3: The Best Innovative Writing (Northwestern University Press, 2015); I'll Drown My Book: Conceptual Writing By Women (Les Figues Pess, 2012); eco language reader (Portable Press
at Yo - Yo Labs and Nightboat Books, 2010); American Women Poets in the 21st Century (Wesleyan University Press, 2002); and An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art (University of Michigan Press, 2002).
Hanson's adoption of this close, line by line analysis of a poem was greatly influenced by his relationship with the New
Criticism movement that proliferated mid-century literary criticism while he was studying poetry at the University of
Criticism movement that proliferated mid-century
literary criticism while he was studying poetry at the University of
criticism while he was studying poetry
at the University of Chicago.
In fifteen essays, the novelist looks
at the work of Gerhard Richter, On Kawara, and Ed Ruscha, among
literary criticism and pop culture.
But
at least it's good to know that your
criticism isn't
literary.