With insane fatalities and X-ray moves, not to mention the blood and gore that the series has built itself on, I never really found myself staring
at my character too much.
Not exact matches
And yet, with breathtaking cluelessness, TIME framed the millennials» desperate search for stable work as a privileged
character flaw — look
at the kids
too flaky to handle «choosing from a huge array of career options.»
It seemed
at once pretentious and unfocused —
characters too cursorily sketched to sustain interest, the clanking machinery of the plot irritatingly audible, and the narration shifting unsatisfactorily from lucid monologue to leaden description.
It is increasingly clear that Deuteronomy and the Priestly writings contain
at least some material much older than is indicated by the usual dating of the documents.9 Increasingly,
too, it would appear that scholars are disposed to accept the substantial reliability of the persistent tradition which sees Moses as a lawgiver.10 That law was an early and significant aspect of Israelite culture is further attested not only by ancient Near Eastern parallels but even more strikingly in the life, the work and the
character of the first three great names in Israel's national history: Moses, Samuel and Elijah.
Many who found the holy blood and gore of Mel Gibson's Passion quite acceptable will find the all -
too - human flesh and blood of Ball's cast of
characters unacceptably disturbing in its aching, uncertain, struggling humanity, weeping and giggling
at the awkward facts of life and death.
He's
too light (288), played
at a division II school after taking a couple years off from football, and has
character flags.
We need a new spine and we need that spine to be full of big
characters, one of them should be our new captain,
at least 3 if not all 4 should be big in stature
too as our current squad is simply
too small.
If it's becos of Wenger's
character traits such as stubbornness, doing
too many jobs
at one time & not spending enough time & effort on improving the team that resulted in Arsenal's embarrassing defeats, he has to be blamed, he's being paid 8m per annum that's more than some CEO «s pay!
He stared blankly
at the Fort Worth morning Star - Telegram, which had the starting lineups for the Texas - OU game, and said, half to his sons and half to the western world, «They outweigh us, but we got
too much
character.»
For now, @MarcoRubio team,
at the very least include a
character counter so that constituents don't take the trouble to share their story, only to be told it's
too long for you to manage.
His Conservative opponents sought to make Mr Miliband's
character an issue
at the general election, constantly saying he was
too weak and «in the pocket» of the SNP to be prime minister.
Hunger Games premiere fashion master Elizabeth styles her asymmetrical Leonard gown (
at the Mockingjay L.A. premiere) with pointy Roger Vivier gold heels (reminiscent of her
character Effie), a coordinating clutch and a not -
too - done updo.
On here looking for genuine female friends - leading to a beach and paddling
at dawn - im larger than life
character - def a book you should not judge by the cover - lots of interesting stories inside - i like going to watch friends rock band — writing - meeting and talking - im self employed - last job was a steeplejack - but fell through a floor - oops i guess best place to start is to talk to me - best description is a giantgentlebear - im looking for someone to talk
too any where in the world or outer
In free time I love to have rest on
character, to play on musical tools, my works of the mother
at musical school, and I
too there st...
The film is
too short because the
characters just aren't sufficiently developed, but even
at a scant 90 minutes, it feels way
too long.
It's perhaps not surprising to note that Breathe inevitably segues into a fairly meandering midsection, as Laurent, along with coscripter Julien Lambroschini, devotes just a little
too much time to the
characters» uneventful exploits
at a countryside cottage.
The game can be way
too easy that it holds your hand on easy and while difficult on hard, the difficulty spikes out of no where which can be frustating
at times, Overall this game is great where it counts the gameplay and
characters and music but the difficulty and unsteady framerate brings down the experience.
Without divulging
too many details, Carrey has a sudden, unexplained change of
character at a crucial point in the story that undermines the rest of the picture and evaporates its emotional hold on the audience.
Hostiles, as indicated earlier, ultimately focuses
too much on creating and maintaining its dour mood and tone,
at the expense of its
character / thematic development and sense of pacing.
Alas, Baldwin gives the strong impression that he has, Nicholson - like, become
too large a
character in his own right to convincingly play anyone else,
at least in non-comic roles.
It is not
too surprising that a movie that forces its
characters into a debate between science and religion
at nearly every turn would get both wrong with almost equal frequency.
His look is extreme — like a cartoon
character — but his manner couldn't be more down - to - earth, and he has a way of being inside the action, making sense of it, and standing on the outside,
too, not quite making fun of it, but winking
at us all the same.
While the choreography is generally fairly minimal (
at least for this sort of mega-production), first time film director Phyllida Lloyd (who helmed the original stage version) has woven together a tightly edited and exceedingly well shot film that capitalizes on the music wonderfully while never worrying
too much about such nettlesome items as
character or motivation, providing enough other movement that one ultimately doesn't miss huge dance numbers a la Robbins or Fosse that much in the long run.
Katniss is a marvelous cutdown of the preposterousness that
too often passes for heroism in Hollywood, and a marvelous jab
at the limited autonomy Hollywood most often grants women
characters.
There's little doubt, though, that Kubrick's solid eye for compelling visuals is firmly in place even
at this nascent stage in his career, and it's worth noting,
too, that the movie boasts a very small handful of genuinely compelling sequences (eg Mazursky's unhinged
character is left alone with a woman from a nearby village).
Of course, the show is a notorious slow - burner; this first season is an introduction to our
characters and the barriers that they must overcome, and
at times may appear
too slow for the casual viewer.
Though an admirable attempt to allow the
characters to tell their own story in their own voices, docu may be a bit
too freely associative, as it becomes difficult
at times to identify individual
characters... Picture's second half, which proceeds in a more linear fashion, is resolutely gripping.
An honest, observant portrait of sibling rivalry stumbling awkwardly toward friendship, and of children realizing that parents are people
too, there's no attempt
at concealing the indulgences and insecurities of its
characters — all of which make them endearing and human.
The film is, like its main
character,
too naïve to understand or,
at least, to deploy the reparative powers of camp.
There are a lot of unique ideas
at play and I didn't find the story or
characters to be
too generic as others
And Manohla Dargis of The N.Y. Times claims Farhadi's script is «far
too busy — the movie is crammed with
characters and underexplored themes, including class tensions, nativism and ugly attitudes toward migrant workers — but he's exceptionally deft
at mining the spaces that open up between people, particularly during a crisis.»
There are a lot of unique ideas
at play and I didn't find the story or
characters to be
too generic as others have stated.
While it may feel
too simple
at moments and its gameplay not as varied as it would be expected, it's a good departure from the Pokémon world for one of its most recognizable
characters and one which will be a pleasant surprise for many.
A lot of the things happening in this movie are a bit
too coincidental and the
characters are a bit
too lucky
at some parts.
Season 1 of Kimmy Schmidt does indeed have its laugh out loud moments, however
at times Kimmy herself becomes
too much like a late - season 30 Rock
character.
What's different about Life's
Too Short, and what makes it watchable, is that Mr. Davis — who portrayed Filius Flitwick in the «Harry Potter» films, as well as multiple «Star Wars» Ewoks — is so good
at playing Mr. Gervais's stock
character.
True Blood returns with
too many new
characters, not enough time with the
characters I like, a general evasion of the most prickly parts of last season's finale, and some plodding hints
at a lumbering dramatic direction for this season.
Sure, the ladies in the audience may appreciate the Clooney's bare chested push - ups and chin - ups that are part of his
character's cautious regimen, but everyone will grab on to Jack's crafty sensibilities to sniff out the off - kilter — be it a pair of lonely footprints in the snow or a glance of a
too observant face
at a coffee shop.
Ceylan has an unerring gift for camera placement, and his slow, measured scenes can be as hypnotic as they are lovely —
at times,
too much so, with the
characters constrained by his poetic perfection.
At times, it lingers there
too long, ambling when it should advance, but the series» combination of carefully sketched
characters and stewing atmosphere is potent enough to overcome such occasional lethargy.
Freeman is still good as Bilbo, Mckellan is great as Gandalf as always, and Richard Armitage, while being a bit
too broody
at points, does play off the
character of Thorin well.
At times perhaps over-ambitious: a pace that's
too slow, a cast of
characters too large, and
too many points to make to possibly bring them all home.
For that matter, I don't know that I'd quibble
too hard with anyone who looked
at the damsel - in - distress and the obnoxious
characters, shrugged, and wanted to play anyway.
Crucially, it's the sort of film that breathes in concept and gently suffocates in realization,
too internalized to move a wide audience with its subject and
characters —
at least not in the same way it's clearly moved Holmer.
Writer / director Alex Garland delivers a striking and impressively captivating opening stretch that instantly captures the viewer's attention and interest, with the movie's compelling atmosphere heightened by Portman's stirring work as the conflicted, grieving central
character (and it's clear,
too, that Portman's costars fare just as well, though Leigh's bizarrely ambivalent take on her
character is questionable
at best).
Singleton is better
at criticizing than understanding, and he leaves
too many
characters lacking a legitimate voice.
Yes, do note that I said that the underdevelopment makes it «hard [u] er [/ u]» to get invested in the
characters, because as if it's not bad enough that the
characters are so undercooked and, well, kind of bland, they're unlikable, or
at least the lead is, for although Sam Eidman's portrayal of the Scott Weidemeyer
character is engaging convincing, the
character himself is just
too much of a manchild - concerned with the superficial and his own self - esteem over the concerns of others and growing up - for you to feel for him all that much.
Wiseman is still
too flashy a director for this franchise, but his love for the
character comes through, and some of the action set pieces — especially the tunnel sequence that ends with a vehicle basically being thrown
at a helicopter — are phenomenally staged.
For example, there is a funny bit where Kevin James»
character, Eric, is a little
too attached to his mom (the super adorable Georgia Engel from The Mary Tyler Moore Show), but they chose to spend more time on a stupid running gag: Eric has the ability to «burp - snart» (burping, sneezing, and farting
at the same time).
Looking
at the team behind this, and certainly from the trailer, it doesn't feel
too misguided as they're trying to bring a different look
at to the lead
character but it also seems to state that money really can buy you anything you want... but can it buy you your mind?