Sentences with phrase «at narrative projects»

Installation view of XIAO - YANG LI's Battle Wheel Man and After Pontormo at Narrative Projects, London, 2017.

Installation view of XIAO - YANG LI's «Totem Index» at Narrative Projects, London, 2017.

From the 23th of November, Harm van den Dorpel will show his work in the solo exhibition Asking for a friend at Narrative Projects.

Published by BON - GAH, Tehran on the occasion of Nikita Alexeev solo exhibition at narrative projects.

The current exhibition by Zimbabwean artist Gareth Nyandoro and Hull - born Richard Parry at Narrative Projects profoundly hints at all this and more.

This kimono is one of a few singular, arresting, indigestible chunks of history that Portuguese artist Carlos Noronha Feio has included in his exhibition «discursive foundations of sunsight» at narrative projects.

In Xiao - yang Li's first solo show, «Totem Index,» at Narrative Projects gallery in London, the artist exploits a wide base of knowledge to explore one such truth.

Not exact matches

Every project at the company starts with a narrative.

It is thus not surprising that the media at large will always want to come up with a narrative that projects Arsenal as the villain in every article involving Arsenal.

So while warming might not be a political imperative, it is an economic one, said Jeff Biggers, who oversees the Climate Narrative Project at the University of Iowa.

It can be overindulgent at times and Myers» over-the-top lens through which he projected his early comedy films can seep into the narrative and produce some overbearing results at times, though «Supermensch» feels like a work of minimalist restraint compared to films like «Wayne's World» and «Austin Powers».

The San Francisco Film Society (SFFS) and Kenneth Rainin Foundation (KRF) have selected 15 finalists for the latest round of SFFS / KRF Filmmaking Grants; more than $ 300,000 will be awarded to one or more narrative feature film projects at any stage of production.

My first big project I tried to do which I failed at was a feature documentary right after college which was actually a narrative.

Director James Marsh's first narrative feature, «Shadow Dancer,» may not have received the same attention as his documentaries («Man on Wire» and «Project Nim»), but his follow - up is guaranteed to be in the awards mix thanks to some early buzz following its premiere at the Toronto International Film Festival.

Red Hook Summer, Lee's latest and the first narrative film he's written (or co-written, in this case with novelist James McBride, who also wrote Lee's little - loved Miracle At St. Anna and the novel it was based upon) since the unholy mess that was 2004's She Hate Me, illustrates why even Lee's fans (including myself) are right to view his intensely personal projects with profound skepticism.

And the two will overlap in the upcoming 2018 Sundance Film Festival as Froehle's company, Chicago Media Project (where she serves as co-founder and CEO) has six documentary films and the Gamechanger Film Fund, of which Froehle is a member, has three narrative feature films premiering at this prestigious festival.

While both projects, as well as Maggie's Plan, are distinctly different, they do share a common element: a narrative with a complex woman at the forefront.

At a project open house in 2004, Calkins said, «I tell kids that after they've finished writing [personal narrative] they should go back and lop off the beginning and lop off the ending.

Projects at King have included an aquarium design judged by local architects; a CD narrative of Whitman's «O Captain!

These students at Claremont Middle School have just completed their slave narrative project, a unit that's been taught at the school by eighth - grade history and English teachers for three years.

To help the students personally connect to writing, Mount Desert uses the Reading and Writing Project (RWP) from Lucy Calkins of Teachers College at Columbia University, which focuses on writing narrative from a personal and emotional perspective and places a strong emphasis on reading topics matched to the students» reading and comprehension ability.

A frequent speaker at conferences and universities on the confluence of digital activism and narrative, Dan currently serves as Narrative Lead at Kinjin Story Lab, where he incubates story - based projects at the intersection of technological innovation and socnarrative, Dan currently serves as Narrative Lead at Kinjin Story Lab, where he incubates story - based projects at the intersection of technological innovation and socNarrative Lead at Kinjin Story Lab, where he incubates story - based projects at the intersection of technological innovation and social good.

A personal project for Pete — a huge dog lover — was the touching conditional, named «Best Narrative Short Film» at the Orlando Film Festival.

Prior to that, she led the Narrative Design department at Microsoft Studios, where her projects included Xbox One titles Sunset Overdrive, Killer Instinct, and Quantum Break.

The announcement also detailed what the studio is currently working on: Vampyr, coming out on June 5th, the Life is Strange sequel (announced in May 2017), a narrative game for Bandai Namco (revealed exclusively by MCV at Gamescom last year) and a fourth secret project that already has a name and a publisher.

That's why at the moment our two main projects are Monster Buster, which is innovative, and Crowns and Pawns, which is completely based on narrative.

Coming from Ready At Dawn, the studio that brought us the PSP God of War games and the poorly received (but utterly beautiful to look at) The Order 1886 on PS4, Echo Arena is one of the first proper second - generation VR titles and serves as a sister title to RAD's other project, a poignant Adr1ft - style narrative in spacAt Dawn, the studio that brought us the PSP God of War games and the poorly received (but utterly beautiful to look at) The Order 1886 on PS4, Echo Arena is one of the first proper second - generation VR titles and serves as a sister title to RAD's other project, a poignant Adr1ft - style narrative in spacat) The Order 1886 on PS4, Echo Arena is one of the first proper second - generation VR titles and serves as a sister title to RAD's other project, a poignant Adr1ft - style narrative in space.

In addition to geographic borders, the project sought to look at the limits of race, culture, and gender by centering the series around Ramoncita, a «two - spirit» person of mixed racial heritage played, like all of the characters in the narrative, by Gonzales - Day.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

As a curator, he has organised a number of projects independently, including the exhibition Not ready yet (2011) at the Exchange Building in Nottingham and Tall tales and wayward narratives at Nottingham Contemporary (2015).

A visual and narrative feast, it was published in conjunction with the Fall / Winter 2014 presentation of «Ten Thousand Waves» (2010), a 55 - minute immersive film installation projected onto nine double - sided screens at the Museum of Modern Art in New York.

The project also consists of an installation at both museum buildings and a live web component that incorporates live footage of viewers from the Legion of Honor by digitally inserting and implicating them into the narrative.

News of the latest discoveries was sent back to England and Europe by way of travel journals and published maps, which mixed factual insight with subjective narratives aimed at sparking imaginative interest in the exploration project.

If that narrative sounds like recent collecting at its worst, it continued in Chelsea the same year of «The Glamour Project» and again this year in a solo act.

The exhibition at Middlesborough Institute of Modern Art (until 4 June 2017) examines the relationship between personal narratives and social conditions and includes a newly commissioned project that, six months in the making, features four local people who have transformed their own situation and that of the community around them.

It makes sense then, that O'Shea and I would revisit the history and the thinking behind the diversified and cross-platform project as our narrative, at least, comes full circle.

«For this original performance, Jonah Bokaer uses movement to explore the timely subject of human migration around the Mediterranean Basin, a narrative of personal significance to the artist, who is of Tunisian heritage,» said Andrea Grover, Century Arts Foundation Curator of Special Projects at the Parrish, and curator of Platform.

AG: Your show Plastic Flowers at Stephanie Chefas Projects is primarily composed of still life paintings can you discuss why this subject matter interests you and the narrative that you're exploring in these still life paintings?

/ rive is a Brooklyn - based artist collective focused on site - specific, locative projects that meet at the intersection of psychogeography, locative media and documentary narrative.

The complex spatial and temporal relationships that his narrative films suggest are explored most boldly in the Primitive project (2009), which received its American debut at the New Museum.

And so, Raad's astringent performance and sizable exhibition of works associated with the long - term project Scratching on Things I Could Disavow (2007 — ongoing) delve into the after - effects of violence in the Middle East that are not only political but also economic, such as the creation of a retirement fund for artists that blithely hops across the major fault line of the Arab — Israeli conflict, or the construction of new museum projects in the Gulf, or the movement of Raad's own work in relation to art - historical narratives in different places and times that exert various pressures on him, which at one point appear to drive the artist - as - performer insane.

06.2017 Suffering ², MONA, Tasmania (solo show) 04.2017 The World Made New, PiArts London [commissioned] 03.2017 Casebooks, Ambika P3 London [commission] 10.2016 Suffering, Queenstown, Tasmania [commission] 10.2016 Nowhere Less Now ⁷ Glynn Vivian Gallery, Swansea, Wales, UK [commissioned solo show] 07.2016 Leisure Land Golf, Quad, Derby, UK 06.2016 Seeing Round Corners, Turner Contemporary UK 04.2016 Leisure Land Golf, New Art Exchange, Nottingham, UK 02.2016 Objects Do Things, Ujazdowsky Castle, Centre for Contemporary Art, Poland 03.2016 Stories in the Dark, The Beaney, Whitstable Biennale, UK 05.2015 Leisure Land Golf, Venice Biennale (EM15 commission) 01.2015 Reads Like a Book, Cricoteka, Kraków, Poland 09.2014 Mirrorcity, Hayward Gallery, Southbank Centre, London [new work] 10.2014 Top of the World, Sami Centre for Contemporary Art, Karasjok, Norway 01.2014 For The Record, Birmingham Museum and Art Gallery, UK 09.2013 Entangled ², (Theatre II), Matt's Gallery, London (solo show) 09.2013 Monocular ⁴, Quad, Derby [commission] 08.2013 Narrative Structures, Stryx, Birmingham, UK 06.2013 Nowhere Less Now ², (Red Queen) MONA, Tasmania, Australia [commission] 05.2013 A» Comes First, Toulouse International Art Festival, France [commission] 01.2013 The Book Lovers, EFA Project Space, New York, USA 11.2012 The Book Lovers, MHKA, Antwerp, Begium 11.2012 Reality Bites, Kiasma, Helsinki, Finland 09.2012 Nowhere Less Now, Tin Tabernacle, Kilburn, London [Artangel commission solo show] 07.2012 Entangled ², Turner Contemporary, Margate [commission] 06.2012 Focal Points: Art and Photography, Manchester Art Gallery, UK 05.2012 Møte (Meeting), Galleri Festiviteten, Norway 03.2012 Ich is ein Anderer, Kunstverein Freiburg, Germany 02.2012 A Trip to the Moon, Bonniers Konsthall, Stockholm, Sweden11.2011 Monodrome, Athens Biennale, Greece 11.2011 Beyond Deception, Erik Steen Gallery, Oslo, Norway 08.2011 Something In The Way, Lofoten International Art Festival, Norway 07.2011 Outrageous Fortunes, Focal Point Gallery, Southend, UK 03.2011 Extramission 6, TPW Gallery, Toronto [as part of Images Festival solo show] 03.2011 Dis - covery, Salamanca Art Centre, Tasmania 03.2011 The Collection, Rugby Art Gallery, inaugural exhibition of CAS and V&A purchase for the collection 03.2011 Just Photography, Ancient and Modern at Martos Gallery, New York, USA 02.2011 It has to be this way ², BALTIC, Gateshead (solo show) 11.2010 Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark 10.2010 It has to be this way ², Mead Gallery, Warwick (solo show) 10.2010 It has to be this way1.5, Aspex Gallery, Porstmouth (solo show) 09.

The narratives are related by performers, and in turn, the recordings played out in a project space at Art Dubai.

Los Angeles - based artist and performer Gordon Henderson brings his own macabre methodology to this eldritch narrative of innocence abandoned to devouring menace with his own Hansel and Gretel exhibition on view through January 14, 2017 at Bermudez Projects.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

22/3 - 5/5/2018 CARLOS NORONHA FEIO narrative projects is pleased to present «even if at heart we are uncertain of the will to connect, there is a common future ahead» by Carlos Noronha Feio.

As in her recent solo exhibition at the Fondation Cartier pour l'art contemporain, Paris, the works in this show continue her engagement with the fractured tropes and narratives of utopian modernity, in particular what she sees as the «melancholic traces of the collapse and disintegration of progressivist projects to reinvent the world.»

The project, which works with the narratives of objects, started at our presentation and workshop Thoughts on the Living Room at the Museum of Modern Art in New York in November 2012 and continued as part of our solo exhibition Homescape in the Karlin Studios in December 2012.

The narrative in some ways echoes that of the film Construction of One (2016), projected in the adjacent room at the CAC.

«We at the Mitchell Center have been transformed by Marc Bamuthi Joseph's amazing talent and energy over the past several years and can not wait to see this project travel nationwide, carrying with it narratives and images of Houston.»