Sentences with phrase «at nature scenes»

In a pinch, you can even listen to nature sounds and look at nature scenes on your computer.

The study is a part of ART (Attention Restoration Theory), a cognitive science field which suggests that individuals experience improved concentration after looking at nature scenes or spending time in nature.

Not exact matches

Yaniv Erlich, a geneticist at Columbia University, was far from surprised at last week's news that police may have found a serial murderer and rapist, California's long - sought Golden State Killer, by tapping a public DNA database to match crime scene DNA: Erlich had cautioned in a June 2014 article about genetic privacy, published in Nature Reviews Genetics, that GEDmatch, the website that was reportedly used, could allow for such «genealogical triangulation.»

At his birth a human being enters on the scene of life, draws a breath of air, beginning the process of living with a cry of pain, pays the tribute of a tear to Nature, just tastes life's sorrows before any sweets have been his, and before his joints have consolidated, tender as he is, he dies, perhaps because he was left exposed as a newborn child, or because he has suffocated, or because some illness has suddenly put a stop to his life.

At a circus in the second scene, Ross (I. M. Hobson), the manager who discovered Merrick in a workhouse, hawks his traveling mutation show as «Mother Nature uncorseted and in malignant rage!»

If Ross occasionally plays loose with the facts, he remains true to the core of the story, and many of the racetrack scenes evoke more sharply than ever before on film a sense of the surpassing grace and power of the running horse, the sound of rolling thunder of the hooves and a sense of the precarious, perilous nature of the jockeys» existence as they bound along hell - fired at 40 miles an hour, monkeys on a stick, wind - sheared and often screaming at each other in the din.

Regardless of the true nature of his departure, it's all been cleverly PR managed behind the scenes, and you can see Emenalo in an official club video here explaining why he's leaving and speaking in glowing terms about the ten years he had at Chelsea.

Yes, meals are included, as are all organized activities (ziplines and ropes for those 10 - years - old and up, plus climbing wall, fishing, nature hikes, and water play for everyone) and non-organized options such as horseshoes, archery, catching fireflies at dusk (it was like a scene from a movie), and simply relaxing on the deck with a coffee or lemonade and taking in the beautiful views.

The unique park contains five immersive worlds with the aim of making guests feel at one with nature and offering a complete change of scene to help them reconnect with the things that truly matter.

Unlike traditional pictures of Mother Nature nurturing her offspring, this scene shows her looking gloomily into an uncertain future and ignoring her babies, who are already at each other's throats.

Nature reports that a bag found at the scene contained three letters addressed to Riken management, Sasai's laboratory members and Obokata.

The scene, which is the first documented case of such an attack, was captured at the Lazovsky State Nature Reserve in southern Russia by a camera trap used to monitor Siberian tigers.

With the mature nature of the dating scene curated at Elite Singles, there is no gamification involved in finding your ideal match.

I think Keaton's Wayne gets his shining moments (the scene at Vale's apartment later), but that's the nature of Batman.

Scott Calvin (Tim Allen), who doubles as Santa Claus, has settled into his home at the North Pole with his new wife, Carol (Elizabeth Mitchell), and is preparing for another Christmas when he receives a visitor — Jack Frost (Martin Short), the cold - weather sprite who has been sent to help out St. Nick by Mother Nature (Aisha Tyler) and Father Time (Peter Boyle) after making a scene at a meeting of the Council of Legendary Figures.

Ben Stiller / Owen Wilson Shared Filmography: «The Cable Guy» (1996), «Permanent Midnight» (1998), «Meet The Parents» (2000), «Zoolander» (2001), «The Royal Tenenbaums» (2001), «Starsky & Hutch» (2004), «Meet The Fockers» (2004), «Night At The Museum» (2006), «Night At The Museum: Battle Of The Smithsonian» (2009), «Little Fockers» (2010), «Night At The Museum: Secret Of The Tomb» (2010) «Zoolander 2» (2016) Given the incestuous nature of the modern comedy scene, with everybody cropping up for cameos in each other's movies, it's easy to overlook that Ben Stiller and Owen Wilson have appeared in eleven movies together (with a twelfth on the way).

Ehren Kruger's (The Skeleton Key, The Ring 2) script does have a coherent premise and the semblance of a plot, but it's so hard to spot underneath the constant and very forced ad - libby nature of the cheeseball, comical interplay, and even tougher to remember after experiencing action scenes that go on for five, ten, or, in the finale, nearly an hour at a time.

That contradictory nature comes through in every scene in which Lincoln both makes a point (usually about slavery) and breaks the tension with a story, with Day - Lewis varying the rhythm and volume of his speech and timing every gesture to carry everyone in the room along with him at the same time.

At the same time that it works as a narrative, Walkabout is just as good as a film about nature, languishing on scenes depicting the exotic creatures one might find in the Australian outback.

The film's nadir is a scene in which Curtis recites a poetic «song» to a group around a campfire and which becomes the occasion for a montage devoted to the beauties of a kitschy soundstage version of «nature,» followed by glimpses of other salt - of - the - earth slaves at rest who register like warmed - over Depression archetypes.

A Dangerous Method, which opens Friday at Landmark's Century Centre and Century 12 / CineArts 6, never really delivers on that promise, mainly because its scenes of two brilliant men discussing the nature of the subconscious can't compare with Cronenberg's visual rendering of that subconscious in earlier movies.

Filling the featurette requisition, «Bikes, Brawls & Burning Bars: The Making of Wild Hogs» (16:15) covers the film's production by looking at how each of the four leads handled riding a motorcycle (with footage from test spins), the improvisational nature of the cast, and the logistics behind three set pieces (the irate bull, the climactic fight, and the biker explosion scenes).

Disney has an insurance policy on Ford, who at 71 years old, is more likely to sustain injury than his younger co-stars, especially if his scenes are of a physical nature.

Besides, they clue the audience in to the tongue - in - cheek nature of their «true crime» story by repeatedly displaying a giant Paul Bunyan statue at the entrance of Brainerd, Minnesota (only one brief scene actually takes place in Fargo, North Dakota).

Kiarostami uses off - centered camera angles and hints at what the character is experiencing to convey the graphic nature of the scene.

They go deep on the shocking nature of killing your star in the opening scene, the rules and tropes of horror film, and the killers» ridiculous plan to stab each other at the end.

In the event of an accident, this system gives the emergency services detailed information on the nature of the collision before they arrive at the scene of the accident.

But it is likely that you'll come upon scenes of exquisite beauty, where you'll feel compelled to pull over and simply marvel at how amazing nature can be, when all her elements are in perfect balance.

Set at the foothills of the Rocky Mountains, Denver has it all — a thriving craft beer scene, world class museums and incredible nature on its doorstep.

But then the writers make a few more terrible jokes, including one scene where Bryce checks out Arcadia's lingerie in her apartment, that start to drag poor Bryce back into the realms of being unlikable, and that leaves me at a bit of an impasse: I could argue that Bryce is perhaps an interesting study on human nature, questioning what someone would actually become after 500 - years of watching friends and family die around them without being able to die themselves, always having to live on the outer fringes of society.

Mafia 3 is supposed to be locked at 30 fps but it struggles to maintain that as there are many instances where the frame rate drops below 30 fps considerably but it either occurs mainly in scenes of an action packed nature when a lot is going on or, oddly enough it happens at times where there isn't much going on around you at all.

The over-expository story told to you by floating heads via radio, the confusing (for my age) plot, the meta nature of the game where you have to look at the back of game's case to find a Codec frequency or, similarly, look at a girl's ass to figure out her disguise, the eerie existence of Psycho Mantis, his goddamn ominous theme, plus all the ambient sounds within the game itself — it was just so full of moments that all seemed like isolated but big events, like remembering scenes and elements from a film.

The simplistic nature of the game feels refreshing at a time where almost everything coming from the indie scene tries to reinvent the wheel or push some social agenda.

«We looked at that [scene] very carefully in terms of how [Capcom] handled the sandbox nature of the combat,» he said.

Also, its open - world setting seemed at odds with the naturally enclosed nature of a scripted action scene; what kind of game did Rise of the Tomb Raider want to be?

The New York Times» Roberta Smith reviewed Martha Armstrong's Bowery show, Martha Armstrong's Nature Scenes at Bowery Gallery, in Sept. 24, 2015 saying:

He alternates between cramped interiors and outdoor scenes at the border between decaying cities and an unproductive nature.

(There's also an image of a devil - face De Miguel spotted graffitied onto a wall, and a rudimentary nature scene that she says was inspired by a residency at Skowhegan, in Maine.)

Charles Burchfield (1893 - 1967), worked almost exclusively in watercolor on paper and his primary subject was his experience of nature in his immediate surroundings — scenes from his backyard, vistas near his home captured and imbued with highly expressionistic light, at times creating a clear - eyed depiction of the world and at other times one that is wholly unique, mystical, and visionary.

Invoking the exquisite landscape paintings of the Song dynasty (960-1279 A.D.), he rendered in watercolors and pastels a series of nature scenes that were moody, lyrical and atmospheric, at once lush and spare.

Pornographic images from a Tokyo library book are among the exhibits in this year's Turner Prize show at Tate Britain, which carries a warning about «scenes of an adult nature».

In the 60s, Dubuffet's work gradually became more graphical in nature and the occasional human and animal figures were replaced by complex scenes made up of contour lines around «cells» in bright colours, as can be seen at the exhibition in the Rijksmuseum Gardens.

This Thursday, Hyperallergic editor, Hrag Vartanian, who is no stranger to Bushwick, broadens the discussion as he moderates the «Confronting Bushwick: A Discussion on the Nature and Future of the Bushwick Art Scene» panel at Bushwick's Bogart Salon, one of the galleries in the burgeoning 56 Bogart Street art building.

Beginning his career in New York at a time when the modern art scene was dominated by the formidable paintings of the Abstract Expressionists, Johns forged a unique artistic path that echoed the painterly qualities of his contemporaries whilst working with materials and themes in a manner that questioned the very nature of art.

Small pastels of domestic and nature scenes are included in Jill Romanoke's «Life Lines,» at Watergate Gallery.

This show marks the first New York museum survey exhibition of Eisenman's work and provides an in - depth look at the symbolic nature of the artist's most striking depictions of individuals and groups — from intimate portraits to more complex narrative scenes.

When arriving at a scene, paramedics usually have to check the nature and the severity of a patient's condition.