Sentences with phrase «at numerous biennials»
She has also been featured at numerous biennials, including the Venice Biennale in 1982 and 2005 and the Whitney Biennial in 1983 and 1985.
https://www.artspace.com/ Not exact matches
We carried out a sustained advocacy and engagement plan, discussing and / or presenting our findings at numerous events including: the National Information Board Ethics Advisory Committee of the 100,000 Genomes Project, Human Variome Project biennial meeting, the joint congress of the European Society of Human Genetics and European Meeting on Psychosocial Aspects of Genetics, Curating the Clinical Genome and Association for Clinical Genetic Science annual conference
Pich's work has been featured in numerous international museum exhibitions and biennials such as his solo exhibition at The Metropolitan Museum of Art in 2013 and Documenta 13.
View from Inside, the biennial's principal exhibition, features 48 contemporary Arab artists from 13 countries, as well as numerous additional artists and scholars who are involved with exhibitions, workshops, and other related events at participating venues throughout Houston.
Vernon Fisher's artwork has been featured in numerous museum exhibitions, including the Museum of Modern Art, New York, the Hirshhorn Museum and Sculpture Garden, Washington, D.C., the Museum of Contemporary Art, Chicago, and two biennials at the Whitney Museum of American Art, New York (most recently in 2000).
By the time I joined Andre Emmerich's Gallery and my mother died in April 1972, I was at twenty five, already a veteran with six solo shows, numerous appearances in important museum exhibitions including two Whitney Biennials and my work was in several permanent and private collections.
He has written about the work of Andrea Bowers, Mark Bradford, Glenn Ligon, Sharon Hayes, and Wangechi Mutu, among others, and has organized exhibitions including: «Quadruple - Consciousness» at Vox Populi, Philadelphia, «Fade: African American Artists in Los Angeles,» for the city of Los Angeles, numerous exhibitions and programs for LAXART, Los Angeles, where he served as Curator, and «Made in L.A., 2012,» the first Los Angeles biennial, co-organized by a curatorial team from the Hammer Museum and LAXART.
His work has been featured in solo exhibitions at museums such as the Centre Pompidou in Paris (2006), the Vienna Secession (2009) and Modern Art Oxford (2009), and included in Documenta 10 (1997) and at numerous international biennials, including Berlin (2006), Istanbul (2005) and Venice (2003).
Özgür's work has been presented at numerous institutions and biennials all over the world, including the 6th Berlin Biennial; 10th International Istanbul Biennial; 1st Tirana Biennial; 3rd Örebro Open Art Biennial; 1st Mardin Biennial; 1st & 3rd Sinopale; Centre Georges Pompidou, Paris; Haus der Kulturen der Welt, Berlin; Museum der Moderne, Salzburg; MUMOK, Vienna; Fondazione Sandretto Re Rebaudengo, Turin; Ludwig Forum, Aachen; Mattress Factory Art Museum, Pittsburgh; Kunsthalle Winterthur, Switzerland; Magazin4, Bregenz; Casino Luxembourg — Forum d'art contemporain, Luxembourg; Zone Contemporaine, Bern and MoMA PS1, New York.
At CCA, he curated seven Performance Art Biennials and four International Video Art Biennials (Video Zone), as well as numerous experimental and video art screenings, retrospectives, and performance events there and elsewhere in Israel.
She has exhibited widely at prominent institutions and biennials worldwide, and her work can be found in numerous public and private collections, including The Chrysler Museum of Art, Virginia; Centro de Arte Contemporaneo de Malaga, Spain; Hammer Museum, Los Angeles, California; Istanbul Museum, Turkey; Los Angeles County Museum of Art, California; Minneapolis Institute of Arts, Minnesota; Museum of Contemporary Art, North Miami, Florida; and Museum of Fine Arts, Houston, Texas.
She has won numerous awards including the Ryerson Alumni Achievement Award, 2015; the Fine Prize for an emerging artist at the 2013 Carnegie International; a Prince Claus Award, 2013; the Index on Censorship — Freedom of Expression art award, 2013; and the Casa Africa award for best female photographer and a Fondation Blachère award at Les Rencontres de Bamako biennial of African photography, 2009.
He has participated in numerous biennials, including those held in Venice, Italy; Lyon, France; Liverpool, England; Taipei, Taiwan; and Sydney, and at the Whitney Museum of American Art.
Ericka Beckman's work has been the subject of numerous solo and group exhibitions and film festivals most recently at Kunst - Werke (Berlin, Germany) in 2018; the Secession (Vienna, Austria) in 2017; Walker Art Center (Minneapolis, MN), Muzeum Sztuki (Łódź, Poland), MAMCO (Geneva, Switzerland) in 2016; Whitney Museum of American Art (New York, NY), Raven Row (London, UK) in 2015; Modern Art Oxford (Oxford, UK) and Swiss Institute (New York, NY) in 2014; Kunsthalle Bern (Bern, Switzerland), Tate Modern (London, UK) and Centre Pompidou (Paris, France), Castello di Rivoli Museo d'Arte Contemporanea (Turin, Italy) all 2013 and has been included in four Biennials at the Whitney Museum of American Art, New York.
McClelland's work has been exhibited at numerous notable institutions, including The Whitney Museum of American Art (2014 and 1993 Biennials) and The New Museum of Contemporary Art (2013).
About Connie Butler Connie Butler is the Chief Curator at the Hammer Museum, Los Angeles where she has organized numerous exhibitions including the biennial of Los Angeles artists «Made in LA» (2014), «Mark Bradford: Scorched Earth» (2015) and «Marisa Merz: The Sky Is a Great Space» (2017).
His work has also been featured in numerous group exhibitions and biennials, most recently the 14th Biennale de Lyon, curated by Emma Lavigne (2017), Manifesta 7 (2015), along with 2017 group shows at Guggenheim Bilbao, Albright Knox Art Gallery, Centre Pompidou - Metz, and a permanent installation at the Museum of Contemporary Art, Chicago.