Sentences with phrase «at numerous international exhibitions»

His work was represented by the avant - garde Galerie Denise René and showed at numerous international exhibitions of Op - Art, including the the ground - breaking «The Responsive Eye» organized by the Museum of Modern Art, exhibited in 1965 at the Seattle Art Museum, and the landmark show «La Lumière et le Mouvement» in 1967.

Raetz has exhibited works at numerous international exhibitions, including at documenta 4, 5 and 7.

Their collaborative works have been showcased at numerous international exhibitions and art festivals, including Kassel dOCUMENTA (13)(2012), Singapore Biennale (2013), and Fukuoka Triennale (2014).

His films have been presented at numerous international exhibitions and festivals including Bergen Assembly in Norway, Shanghai Biennale in China, the Berlin International Film Festival and Forum Expanded in Germany, Gwangju Biennale in South Korea.

Not exact matches

Cai has been the subject of numerous international solo exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia Society Museum, as well as a part of such seminal group exhibitions as Asia Society's «Inside Out: New Chinese Art» (1998).

The 38 - year old Arcangel has been the subject of numerous international monographic exhibitions at both galleries and major museums, including The Carnegie Museum of Art in Pittsburgh, The Whitney Museum in New York, The Hamburger Bahnhof in Berlin, The Barbican in London and MoCA in Miami.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Landers» work has been included in numerous museum exhibitions including: «Slightly Unbalanced,» organized by the Independent Curators International, «Superconscious, Automatisms Now,» at the Contemporary Arts Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, New York.

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among others.

Her work has been featured in numerous exhibitions at the Wexner Center for the Arts, Columbus; Rose Art Museum, Brandies University; Blanton Museum of Art, University of Texas; Institute of Contemporary Art, Philadelphia: Yale University Art Gallery, New Haven; ZKM Museum of Contemporary Art, Karlsruhe, Germany; and the SITE Santa Fe Eighth International Biennial, Santa Fe.

Latham has had numerous international exhibitions at institutions including the Barbican Art Gallery and Lisson Gallery, London, UK; Kunsthalle Bern, Switzerland; Städtische Kunsthalle, Düsseldorf, Germany; and Musée d'Art Moderne, Paris, France.

Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, and the Solomon Guggenheim Museum in New York.

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

Among the most critically acclaimed contemporary artists in Europe, Fischli / Weiss have been the subject of numerous international exhibitions, including a major retrospective, Flowers and Questions: A Retrospective, that opened at Tate Modern in 2006.

His work has been featured in international exhibitions including the Sculpture Project in Munster (1997); XXIV São Paulo Biennial; Documenta X; Venice Biennale (1993, 2003); as well as numerous solo exhibitions at the Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; the Serpentine Gallery, London; and the Kunsthalle, Zurich.

Mthethwa has had more than 35 international solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography, New Yinternational solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography, New YInternational Center of Photography, New York, in 2006.

Her work has been presented in numerous group exhibitions at international venues, including the San Francisco Museum of Modern Art (2011); Stedelijk Museum Schiedam, Netherlands (2011); South London Gallery (2010); Centre National d'Art Contemporain, Grenoble, France (2009), and De Appel, Amsterdam (2008).

His work has featured at major international events such as Art Basel 2010 and he has held numerous solo exhibitions in South Africa.

Her work has been featured in numerous international group exhibitions including Horn Please: Narratives in Contemporary Indian Art, Kunstmuseum Bern (2007 — 08); Orientations: Trajectories in Indian Art, Foundation De 11 Lijnen, Oudenburg, Belgium (2010); Equator # 1: Shadow Lines: Indonesia Meets India in the Yogyakarta Biennale (2011); and The Encyclopedic Palace, curated by Massimiliano Gioni, at the 55th Venice Biennale (2013).

From 1994 to 1996 Bauer was guest curator for NowHere at the Louisiana Museum of Modern Art, Humlebæk (1996), and was Artistic Director at Künstlerhaus Stuttgart e.V. from 1990 to 1994, she has also been responsible for numerous exhibitions, lectures and international conferences such as Radical Chic (1993) and A New Spirit in Curating «(1992).

He has shown at numerous international venues including exhibitions in London,...

Since his first solo show, at Roko Gallery in New York in 1954, Katz has been the subject of numerous international exhibitions, including solo shows at the Museum of Fine Arts in Boston, the Whitney Museum of American Art, the National Portrait Gallery in London, the Jewish Museum in New York, the Carnegie Museum of Art in Pittsburgh, the London Institute of Contemporary Arts, the Irish Museum of Modern Art in Dublin, the Albertina Museum in Vienna, the Saatchi Collection in London, the Brooklyn Museum, the Musée Grenoble, the Deichtorhallen Hamburg, and the Museum fur Moderne Kunst in Frankfurt.

His works have been shown in numerous international solo and group exhibitions, including the Gemeentemuseum Den Haag (2014), in the Secession in Vienna (2010), in the Neue Nationalgalerie in Berlin (2010), at the Centre Pompidou, Paris (2009), the Venice Biennial (2003), the documenta11 in Kassel (2002) and at Portikus in Frankfurt a.M. (2000).

Late in her career, she was honoured with numerous international exhibitions and received countless prizes, among them a Golden Lion at the Venice Biennale.

He exhibited regularly at the prestigious Willard Gallery in New York from 1949 to 1965, and he was included in numerous museum exhibitions during his lifetime, among them the «Pittsburgh International Exhibition of Contemporary Painting» (now called the «Carnegie «International») in 1955, and received the Popularity Prize for a 1953 painting called «Migrating Birds.»

He currently has a solo exhibition at the Virginia Museum of Fine Arts, and has been shown in numerous international exhibitions in recent years.

Her work has been the subject of numerous international presentations, including exhibitions at the New Museum of Contemporary Art, New York; the Museum of Arts and Design, New York; the DeutscheBank Kunsthalle, Berlin; The Contemporary, Baltimore; Ronald Feldman Fine Arts, New York; the Museum of Fine Arts, Split; the Bemis Center for Contemporary Arts, Omaha; the Himalayas Museum, Shanghai; and the Beall Center for Art + Technology, Irvine.

He has shown at numerous international venues including exhibitions in London, Dubai and Mumbai.

She has been responsible for numerous exhibitions including: Ceramix: Georgia's Creative Claymakers, E-Merge Contemporary Atlanta Artists at Hartsfield - Jackson Atlanta International Airport; SCORE: Sports + Art at MOCA GA..

Charles Esche has curated or co-curated numerous international exhibitions, including the 9th Muslim Mulliqi Prize Exhibition, It Doesn't always have to be Beautiful Unless it's Beautiful at National Gallery of Kosovo, Prishtinë, 2012; the sixth U3 Triennial for Contemporary Art in Slovenia, An Idea for Living, Moderna Galerija, Ljubljana, 2011; the 9th International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, international exhibitions, including the 9th Muslim Mulliqi Prize Exhibition, It Doesn't always have to be Beautiful Unless it's Beautiful at National Gallery of Kosovo, Prishtinë, 2012; the sixth U3 Triennial for Contemporary Art in Slovenia, An Idea for Living, Moderna Galerija, Ljubljana, 2011; the 9th International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, London, 2000.

He has also organized numerous art exhibitions, including the first retrospective of the work of Frida Kahlo at the Whitechapel Gallery (1982), The Situationist International at the Centre Pompidou (1989), and Global Conceptualism at the Queens Museum (1999).

Samaras has been the subject of numerous solo exhibitions at venues including the Museum of Contemporary Art, Chicago (1971); Whitney Museum of American Art, New York (1972 — 73, 2003 — 04); Metropolitan Museum of Modern Art, New York (1989 — 90, 2014); The Museum of Modern Art, New York (1975, 1992); and International Center of Photography (2008).

She has had solo exhibitions at numerous museums, including the International Center of Photography, New York; the Museum of Contemporary Photography, Chicago; and the George Eastman House.

Simon's photographs and writing have been featured in numerous international publications and her work has been the subject of monograph exhibitions at institutions including the Tate Modern, London; Museum für Moderne Kunst, Frankfurt; Kunst - Werke Institute for Contemporary Art and Neue Nationalgalerie, both in Berlin; and the Whitney Museum of American Art and MoMA PS1, both in New York.

Moran has been included in group exhibitions at numerous international institutions including Kunstverein Freiberg, Germany, as well as Tate Britain, London, San Francisco MOMA, and Walker Art Center, Minneapolis where her works are in the public collections.

Mariko Mori has been the subject of numerous international solo exhibitions at institutions such as the Royal Academy of Arts, London, United Kingdom; the Japan Society, New York; Espace Louis Vuitton, Tokyo, Japan; The Museum of Contemporary Art, Tokyo, Japan; The Brooklyn Museum of Art, New York; the Museum of Contemporary Art, Chicago; and the Serpentine Gallery, London, United Kingdom among others.

Solien has been invited to participate in numerous exhibitions of National and International magnitude including, the 1983 Whitney Biennial, the 39th Biennial of American Painting at the Corcoran Museum, Washington D.C.; Avant - Grade in the 80's, at the Los Angeles County Museum of Art; The American Artist as Printmaker, Brooklyn Museum NY; Images and Impressions, Walker Art Center, Minneapolis and Contemporary Drawings, High Museum of Art, Atlanta.

He recently had solo - exhibitions at Centre for Contemporary Art (Derry, 2016); Walker Gallery (Liverpool, 2016) and Art on the Underground (London, 2015) and has participated in numerous group exhibitions: British Art Show 8 (Leeds, Edinburgh, Norwich and Southampton, 2015 - 2016); Institute of Contemporary Arts (London, 2015), Jerwood Space (London, 2015); Baltic 39 (Newcastle, 2014); Adelaide International 2014 (Adelaide, 2014), and Museum of Arts and Design (New York, 2013).

She has been included in numerous international group exhibitions at venues including Documenta 14 (2017) with Rosalind Nashsashibi, The Renaissance Society, Chicago (2013), The Metropolitan Museum of Art (2013), Carnegie Museum of Art, Pittsburgh (2010), Centre Georges Pompidou, Paris (2010), and K21 Düsseldorf (2010), Tate Britain (2009), the 5th Berlin Biennale (2008), and the 52nd Venice Biennale (2007).

Her works have been part of numerous international group exhibitions, including Centro dos de Mayo, Madrid (2016), Van Abbemuseum, Eindhoven (2015), the Armenian Pavillion at the Venice Biennial (2015), Istanbul Biennial (2015), New Museum, New York (2014), São Paolo Biennial (2014) and Documenta 13, Kassel (2012).

Pich's work has been featured in numerous international museum exhibitions and biennials such as his solo exhibition at The Metropolitan Museum of Art in 2013 and Documenta 13.

The curator Okwui Enwezor's provocative 2008 exhibition at the International Center of Photography «Archive Fever: Uses of the Document in Contemporary Art» (the title of which references philosopher Jacques Derrida's 1995 book, Archive Fever) highlighted numerous examples of artists who employ archival documents in their work.

Her work has been the subject of numerous national and international exhibitions, including Unnatural Histories, MoMA P.S. 1, New York; All the World's Futures curated by Okwui Enwezor at the 56th International Art Exhibition La Biennale di Venezia, Italy; Players, Collezione Maramotti, Reggio Emilia, Italy; Huma Bhabha, Aspen Art Museum, Colorado, Stranger, Museum of Contemporary Art, Cleveland, Ohio; A Different Kind of Order: The ICP Triennial, International Center of Photography, New York; Land Marks, The Metropolitan Museum of Art, New York; Intense Proximity, La Triennale, Palais de Tokyo, Paris, France; 2010 Whitney Biennial, Whitney Museum, New York; and the 7th Gwangju Bieinternational exhibitions, including Unnatural Histories, MoMA P.S. 1, New York; All the World's Futures curated by Okwui Enwezor at the 56th International Art Exhibition La Biennale di Venezia, Italy; Players, Collezione Maramotti, Reggio Emilia, Italy; Huma Bhabha, Aspen Art Museum, Colorado, Stranger, Museum of Contemporary Art, Cleveland, Ohio; A Different Kind of Order: The ICP Triennial, International Center of Photography, New York; Land Marks, The Metropolitan Museum of Art, New York; Intense Proximity, La Triennale, Palais de Tokyo, Paris, France; 2010 Whitney Biennial, Whitney Museum, New York; and the 7th Gwangju BieInternational Art Exhibition La Biennale di Venezia, Italy; Players, Collezione Maramotti, Reggio Emilia, Italy; Huma Bhabha, Aspen Art Museum, Colorado, Stranger, Museum of Contemporary Art, Cleveland, Ohio; A Different Kind of Order: The ICP Triennial, International Center of Photography, New York; Land Marks, The Metropolitan Museum of Art, New York; Intense Proximity, La Triennale, Palais de Tokyo, Paris, France; 2010 Whitney Biennial, Whitney Museum, New York; and the 7th Gwangju BieInternational Center of Photography, New York; Land Marks, The Metropolitan Museum of Art, New York; Intense Proximity, La Triennale, Palais de Tokyo, Paris, France; 2010 Whitney Biennial, Whitney Museum, New York; and the 7th Gwangju Biennale, Korea.

She has participated in numerous solo and group exhibitions at major national and international museums including the Whitney Museum, the Museum of Modern Art, and the Solomon Guggenheim Museum.

Douglas's work has been featured in numerous solo and group exhibitions at major institutions around the world, and in 2012 he received the Infinity Award from the International Center of Photography, New York.

She has been featured in numerous group exhibitions including at Gallery IS (2017), SOMA Museum of Art Performance Festival - Bring Your Own Body (2016), Gwanghwamun International Art Festival (2017) and among others as a rising artist.

His work has been included in numerous exhibitions worldwide, including Santa Monica Museum of Art (solo show), California, 2002; Prague Biennial I, Czech Republic, and the Studio Museum, Harlem, New York in 2003; Musà © e International des Arts Modestes, Paris, France, and White Box, New York in 2004; Antiguo Museo de Arte Moderno, Guadalajara, Mexico, and the 51st Venice Biennale, Venice Italy, 2005, the Whitney Biennial, New York, 2008 and Phantom Sightings: Art after the Chicano Movement, at the Los Angeles County Museum of Art (traveled to Mexico City, San Antonio, Phoenix, Guadalajara and New York, 2008 — 2010).

Born in the Belgian Congo, Kingelez gained international renown following his participation in the landmark 1989 exhibition Magiciens de la Terre at Centre Georges Pompidou and the Grande Halle of the Parc de la Villette, and since that time, his work has been included in numerous global surveys and in several solo presentations.

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).