Sentences with phrase «at objects in the room»

Candidates who constantly look down at their hands or at objects in the room seem distracted an uninterested.

Not exact matches

For instance, he'll look at the objects on display in people's «perception room,» i.e., the room in which they entertain visitors.

Switch the direction your baby lays in her crib since often babies fall asleep while looking at a preferred object in the room.

Elana — first — you are doing a good job second — at 9 months your bubba is learning about object permanence — if he fusses when you leave the room — he is developmentally right on track don't worry — it doesn't last — and is actually a good sign — it signals that he is well attached to you — which is highly desirable in terms of raising happy well adjusted children that are willing to explore their world He isn't to young for independent play — It just might be for a little while that it happens while he can see you As he chooses to — allow him to move himself out of your sight (somewhere safe of course) i.e around the edge of a couch, through a door way etc — playing disappearing and reappearing games like peek - a-boo and hiding things under boxes / blankets for him to «find» etc is good too as time goes on — he will learn that things re-appear when they disappear

In 10 - 12 months of age, your little one will probably be cruising (shuffled walking) across the room with support from an adult or the furniture, finding mobile ways to reach desired objects across the room, pointing at specific objects and people, using their thumb and fingers to pick up small objects, and physically and visually exploring their toys!

He can now see things that are in the distance, and thus you will find him staring off at objects that are farther across the room.

For example, a person with autism who is viewing a movie of people in a room will spend a relatively large amount of time looking at non-social objects — such as chairs — and is more likely to look at the mouths or bodies of the characters than their eyes.

The collagen slurry, semisolid at room temperature, held printed objects in place until they hardened.

«If you have an ideal cloak in front of you in a room, it's hard to tell if there is an object with a cloak around it, or if there is nothing,» says Jad Halimeh at the Ludwig Maximilian University of Munich in Germany.

The resulting video and audio recordings revealed that babies whose caregivers used more nouns for objects in the room were better at the word task in the lab.

In a press briefing at the National Museum of Anthropology in Mexico City, Mexican archeologists say that the new rooms contained thousands of objects, including carved statues, rubber balls, jade from Guatemala and a wooden box of shellIn a press briefing at the National Museum of Anthropology in Mexico City, Mexican archeologists say that the new rooms contained thousands of objects, including carved statues, rubber balls, jade from Guatemala and a wooden box of shellin Mexico City, Mexican archeologists say that the new rooms contained thousands of objects, including carved statues, rubber balls, jade from Guatemala and a wooden box of shells.

Whether you are working with a space slightly larger than a mat or the most expansive room in your house, making physical space at home for your mediation, yoga practice — or simply honoring objects that have deep meaning — can have a profound effect...

Online Dating at Australia's Premier Greek Dating Site An office is generally a room or other area where administrative work is done by an organizations users in order to support and realize objects and goals

It's a miracle that The Room was finished at all, let alone in the semi-coherent form that has made it an object of adoration and scorn the world over.

Ridiculously conceived, one can only laugh at how the film is set - up, with gratuitous car chases chock full of spontaneous explosions, muscle - bound pretty boys, and rooms in deserted buildings which seem to be used for little more than storage for dangerous objects for Seagal to use in hand - to - hand combat.

Erasing his fingerprints from a few surfaces, the burglar panics and starts wiping objects in rooms he hadn't visited and items, such as the fruit at the bottom of a bowl, he could not have handled.

It can be erected quickly and is self - supporting so provides an easy way of eliminating all the distractions in the room at a stroke and make a clean and clear space in which to tell a story, meet a puppet or pass round a precious object.

Companies like the MLB, the Wall Street Journal and the New York Times were given the actual device under very strict compliance requisites of secrecy, like keeping the device in an isolated room with blackened windows while making sure the device is fastened to a fixed object at all times.

It is principally when their owner is in the room that the dog's behaviour becomes this alternating gaze - at - the - person - and - then - the - object, which is repeated until they get some kind of response.

If you find yourself at a resort that uses shared seating and you prefer not to eat in the restaurant you can take the food back to your room or if they object have them deliver the food to your room.

Guest rooms and suites at Wickaninnish Inn generally contain: • Comfy king beds with high - denier Egyptian cotton linens • Gas fireplace • Multiple closets with robes, ironing board, slippers, and a safe • A Douglas fir writing desk, a cedar coffee table, and driftwood art objects • An interesting minibar with local treats and British Columbia wines • Complimentary in - room tea and coffee •... MORE Fruit basket • His - and - hers stainless Thermos bottles, filtered water pitcher, and umbrellas • Helly Hansen rainwear for Vancouver Island rain • Bushnell binoculars for birdwatching and nature - gazing • iPhone / iPod dock • Free wifi

The 199 rooms at Raffles Grand Hotel D Angkor embody Cambodian elegance and charm.Each of the air - conditioned rooms has Cambodian object dart and Art Deco country style furnishings.A few of the available amenities in each of the rooms include an in - room safe, in - room tea and coffee making facilities, large working desk, fully equipped minibar, bathroom with separate shower and bathtub, 42 inch flat screen LCD television, wireless and LAN Internet connection.

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

If you're old enough to remember seeing Disney's music film Fantasia — either during the original release in theaters (you must be really old), VHS, TV or even the sequel that came out in 1999, I'm pretty sure that you most likely imagined what would have happened if you were in the apprentice's shoes, making objects dance around the room at your leisure to the tune of epic orchestral pieces.

Much more than a port, the team at Zojoi has painstakingly redesigned the game from the ground up, adding in tons of new mind - bending puzzles, lots of new rooms with stunning hand - painted 2D graphical detail, and more objects to interact with and help you along your quest.

In the final room entering back into a well - lit space are many curious objects, the largest of which relates directly to Starling's sister show at the Chicago Arts Club.

Recent exhibitions include System of Objects, The Dakis Joannou Collection Reloaded by Andreas Angelidakis at DESTE Foundation in Athens (co-curator and exhibition architecture), 2013; DO - IT Moscow at Garage, 2014 (exhibition architecture); Crash Pad, A preliminary statement for the 8th Berlin Biennial, 2014 (artist); Every End is A Beginning at National Museum of Contemporary Art Athens, 2014 (artist, co-curator); Fin de Siècle at Swiss Institute / Contemporary Art, New York, 2014 (curator, exhibition architecture); and 1:1 Period Rooms at Het Nieuwe Instituut, Rotterdam, 2015 (artist, curator).

By 2007 the collection had grown to 888 objects, making the room no longer enterable.12 Since that year, the objects have been shipped and reinstalled for exhibitions at Gagosian New York and at Tate Britain, which now owns the work in partnership with the National Galleries of Scotland.

Hobbs creates installations in living spaces such «Alarmist (Motel 6)» that features a tent and objects hoarded by a survivalist; or, the room with walls clad in gold metallic sheets that features the iconic refreshment tables found at high school proms in «Prom Forever.»

A new Site Specific project by Matthew Jensen at Green - Wood Cemetery where he has assembled a room - sized cabinet of curiosities drawing from specimens and photographs amassed in his many walks through the cemetery, as well as from Green - Wood's rarely seen collection of fine art and historic objects

The latest solo exhibition Silence of the Music at Lehmann Maupin gallery in New York was conceived as a site - specific, where each of the five rooms had a unique selection of paintings and objects covering the walls, from the floor to the ceiling.

Prominently placed in the Garden Room at the beginning of the exhibition is Scatter Piece (1968), whose setting gives the viewer control over how he experiences the objects by moving through the space.

She continues to pursue her personal interests through various independent endeavors, such as her recent group exhibition Objects Food Rooms at Tanya Bonakdar Gallery in New York.

In other words, viewers no longer focus on an object atop a pedestal placed within the open space of a room as they do in regarding conventional sculpture, but are directed to one wall and then across to the other, at first bemused by the illusion of the figures coming through the wall before realizing that they are seeing two halves of a wholIn other words, viewers no longer focus on an object atop a pedestal placed within the open space of a room as they do in regarding conventional sculpture, but are directed to one wall and then across to the other, at first bemused by the illusion of the figures coming through the wall before realizing that they are seeing two halves of a wholin regarding conventional sculpture, but are directed to one wall and then across to the other, at first bemused by the illusion of the figures coming through the wall before realizing that they are seeing two halves of a whole.

The Whitney installation was a continuation of ideas he had explored in a similarly minimal work executed in an out - of - the - way room at the Museum of Modern Art, as he was gradually shedding most of the trappings of an object - making artist.

Rauschenberg's exhibition at Betty Parsons Gallery opened on May 14, 1951, and, as was standard for the time, remained on view for just three short weeks.36 The presentation consisted of thirteen easel - size oils in the smaller gallery while the larger main room featured works by Walter Tandy Murch, an artist known for his realistic depictions of mechanical objects and illustrations for such magazines as Forbes and Scientific American.

The room and the light continue to disintegrate, objects appearing and disappearing across the nine large panels, concluding with an exterior view: two birds flying in a sky that is at once stormy and clear.

From 1988 to 2005 a programme of restoration within the Museum was carried out under Peter Thornton and then Margaret Richardson with spaces such as the Drawing Rooms, Picture Room, Study and Dressing Room, Picture Room Recess and others being put back to their original colour schemes and in most cases having their original sequences of objects reinstated; Soane's three courtyards were also restored with his pasticcio (a column of architectural fragments) being reinstated in the Monument Court at the heart of the Museum.

FOMO at Friche Belle de Mai, Marseille Aldo Mondino: Rules for Illusion at Eden Eden, Berlin; Rules for Illusions, Part 2 at Galerie Isabella Bortolozzi, Berlin Bill Lynch at Tanya Leighton, Berlin Ametria at Benaki Museum, Athens Aleksandra Domanović at Art Space Pythagorion, Samos Fiamma Montezemolo at Maggazzino Arte Moderna, Roma Lofoten International Art Festival at Jern & Bygg, Svolvoer, Norway Under the Clouds: From Paranoia to the Digital Sublime at Serralves Museum of Contemporary Art, Porto Here We LTTR at Tensta Konsthall, Stockholm Variations on «An Andalusian Dog» at X-ist, Istanbul Europe: The Future of History at Kunsthaus Zürich Jennet Thomas at Grundy Art Gallery, Blackpool No Shadows in Hell at Pilar Corrias, London Parallel Oaxaca at Supplement, London e-studio Luanda at Tiwani Contemporary, London Magali Reus at The Calder, Hepworth Wakefield Beatrice Gibson at Collective, Edinburgh Tony Lewis at Shane Campbell Gallery, Chicago Drew Heitzler at Blum & Poe, Los Angeles Madison East: Elbow Room in Paradise; Quintessa Matranga: Peasant, at Chin's Push, Los Angeles Eirik Sæther at Jenny's @ 47 Canal, New York Nikolay Bakharev at Julie Saul Gallery, New York Yoko Ono at MoMA, New York JJ PEET at On Stellar Rays, New York Objects Food Rooms at Tanya Bonakdar Gallery, New York Stewart Uoo at Mendes Wood DM, São Paulo Portia Zvavahera at Stevenson, Cape Town Dor Guez at Centre for Contemporary Art, Tel Aviv

TUESDAY: Robin Cameron «s lovely prints, sculptures, paintings, and her new artists» book at Room East NYC WEDNESDAY: Familiar objects altered at «The Motorman» group exhibition, Richard Telles Fine Art, L.A. THURSDAY: Made in LA opens this weekend at -LSB-...]

Printmaking and found objects came together to form visually compelling juxtapositions in «Jannis Kounellis, Objects» at Carolina Nitsch Projecobjects came together to form visually compelling juxtapositions in «Jannis Kounellis, Objects» at Carolina Nitsch ProjecObjects» at Carolina Nitsch Project Room.

Although these concerns were not immediately evident in her latest solo show at Hannah Hoffman, the more time one spent immersed in the exhibition, the more conscious one became of the dynamic relationships between one's own moving body, the installed objects, and the surrounding architecture of the rooms.

PaceWildenstein has collaborated with The Isamu Noguchi Garden Museum to include a room in the exhibition devoted to historical objects related to Noguchi's life at MacDougal Alley.

In a series of hand - painted and collaged monoprints on view through March 2 at Pace Prints in Chelsea, Hammond redefines a Renaissance - style room with a checkerboard floor framed by arches, which she has populated with her eccentric company of stock objects and figures — including a jester, a bear, and Einstein wearing a bear costumIn a series of hand - painted and collaged monoprints on view through March 2 at Pace Prints in Chelsea, Hammond redefines a Renaissance - style room with a checkerboard floor framed by arches, which she has populated with her eccentric company of stock objects and figures — including a jester, a bear, and Einstein wearing a bear costumin Chelsea, Hammond redefines a Renaissance - style room with a checkerboard floor framed by arches, which she has populated with her eccentric company of stock objects and figures — including a jester, a bear, and Einstein wearing a bear costume.

Thomas Hirschhorn's Concordia, Concordia, shown in 2012 at Gladstone Gallery in New York, was a helter - skelter room - size assemblage of replicas of objects from the Costa Concordia, the cruise ship that sank off the coast of Italy earlier that year.

The project, which works with the narratives of objects, started at our presentation and workshop Thoughts on the Living Room at the Museum of Modern Art in New York in November 2012 and continued as part of our solo exhibition Homescape in the Karlin Studios in December 2012.

Conversely, Roman Ondák's «Swap» has the artist or an actor sitting at a table in the middle of the room, constantly attempting to barter an object in his hands with the entering audience.

(Susan Sontag) If we consider an artwork not solely as an object but as an experience, we might also consider the gallery as a hybrid space in permanent reconfiguration: all at once a gallery, an auditorium, a screening room, and a performance space.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

Recent projects include her solo exhibition Learning about Heraldry, Ceri Hand Gallery, United Kingdom; Pick Me Ups & Pick Ups, ICA, United Kingdom; NY — LUX, MUDAM, Luxembourg; Throw Up / On Line, House for Electronic Arts Switzerland; read the room / you've got to, S.A.L.T.S., Switzerland; Inflected Objects, Instituto Svizzero, Milan, Italy; Panda Sex, State of Concept, Greece; X&X at Oslo10, Switzerland, her most recent solo show New Waiting at Temnikova & Kasela, Tallinn, Estonia, an online comission for Inflected Objects at Instituto Svizzero in Milan, curated by Melanie Bühler, the 4th edition of the Eternal Internet Brotherhood, Uncanny Valley at Wysing Arts Centre (UK) as well as Äppärät curated by Tom Morton at Ballroom Marfa (US).