Sentences with phrase «at our action archive»

For some examples, take a look at our action archive.

Not exact matches

Furthermore, if so inclined, one could even study our free archive of past newsletter issues over the years to see that similar defensive action was taken at the right time with most other market tops as well.

For links, archived information and a statement from Baby Milk Action see the article at: http://www.babymilkaction.org/archives/6984

When Goswami worked at Amnesty International USA, he partnered with DataKind, who convened a group of data scientists to analyze a 30 - year archive of Urgent Action bulletins that contained information about prisoners of conscience, detainees, and other individuals whose human rights were being threatened.

What urged the authors of the open letter into action was the slow progress of PubMed Central, a free electronic full - text archive of research articles started by the National Center for Biotechnology Information (NCBI) at the NIH in early 2000.

The Old School Kung Fu Fest, a four - day celebration of the rarest, wildest, and most incredible martial arts and action cinema from the «60s, «70s and «80s is back at the Anthology Film Archives for its 5th edition, which is dedicated to the deadliest fighter of them all... the ninja!

The following resources are available to download throughout the lessons: • Advanced Guide to Microsoft ® Access 2013 • Microsoft Access 2013 Advanced Sample files In Microsoft Access, you'll cover basic through advanced topics, including: • Understand how to create and Normalize a database • Learn how to create relationships between Tables in a Database: using Key data • Understand Primary Keys and Relationships • Create a Receipt Form that uses a Report and Subreport to calculate the total • Become skilled at working with Dates in a Query • Visualize the results and export the Reports • Learn strategies for Archiving data using Action Queries • Optimize a database for Multi-Users and improve network performance The Microsoft Access 2013 Certification Training Program is part of the Microsoft Business Certification program: Microsoft Office Specialist (MOS).

Black Lives Matter at School Week of Action 2018 was earlier this year in February and we compiled some free resources from our archives and the book, Teaching for Black Lives, that teachers could use with students both during that week and throughout the year.

Cutscenes come directly from the History Channels archives meaning it's all live action, and bad live action at that.

If the stream is down you can check out some archived action like this at the LevelUp Series Justin.Tv channel:

2006 Renegades: 25 Years of Performance Art at EXIT ART - A Selection From The Archives, Exit Art, New York, NY Do Not Stack, Roberts & Tilton, Los Angeles, CA One Way or Another: Asian American Art Now, The Asia Society, New York It's Time for Action (There's No Option), The Migros Museum für Gegenwartskunst, Zurich, Switzerland New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOVE!

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

The New Media program at Purchase College, SUNY and Franklin Street Works, a contemporary art space in Stamford, CT, will present a group exhibition, «Collective Action Archive,» at Purchase College's The Passage Gallery, beginning September 6.

You can see Ms. Jonas in action, at Anthology Film Archives and elsewhere, in a series of photographs.

The exhibition No Colour Bar: Black British Art in Action 1960 - 1990, made possible through generous grant from the Heritage Lottery Fund (HLF), is a collaboration between the Friends of the Huntley Archives at the LMA (FHALMA), the Guildhall Art Gallery and the London Metropolitan Archives (LMA) and supported by the City of London.

2016 Open Spaces, Secret Places, Sammlung Verbund Wien at Bozar, Brüssel, Belgium A Lesson in Sculpture with John Latham, Henry Moore Institute, Leeds, UK Between Sculpture and Photography, Musée Rodin, Paris, France Cut, Folded, Pressed & Other Actions — David Zwirner, New York, NY This Just In: Recent Acquisitions — Berkeley Art Museum and Pacific Film Archive (BAM / PFA), Berkeley, CA Open Spaces Secret Places.

Yet Ana Longoni, the art historian of the Left, was, at the time, building an archive documenting the interventions and actions of artists and collectives who had spoken out against the recent dictatorship and were dealing with its aftermath.

A pair of pages seemingly point in that direction: Within Greenpeace's archives (what I term «Greenpeace USA née Ozone Action» archives, page 80 here) is an undated, unsourced «Guide to the Ozone Hole Skeptics» with Ozone Action's name at the bottom, no mention of the EWG, and the following wording.....

But the 2013 Desmog piece didn't explain what led them to link to Greenpeace's scans; not one word on why Greenpeace didn't reveal the scans as a major news item back in 2007 when they were archived, not one word explaining why those scans were at Greenpeace when it was reported that the Sierra Club had them more than sixteen years earlier,... and not a word of why those scans have a cover page from some outfit called Ozone Action (lest anyone forget, when the Union of Concerned Scientists breathlessly «revealed» those old scans in 2015, the reason their collection is only 49 pages vs Greenpeace's 50 is because they simply erased the problem of the Ozone Action cover page).

The main conclusions of the Cosmos paper, including the most - referred - to quotes like «Look before you leap» and «The scientific basis for a greenhouse warming is too uncertain to justify drastic action at this time,» both appeared before the publication of the Cosmos article, in a separate paper authored by Fred Singer alone in the journal ES&T (see archived PDF here).

Altman's second sentence links to a currently non-functioning Greenpeace PDF file (which works at this archive site) of the API's «Global Climate Science Communications Action Plan», which contains no form of the «reposition global warming» phrase.