Sentences with phrase «at paint strips»

I'm ALWAYS looking at paint strips.

Not exact matches

Poughkeepsie... The Dutchess County Department of Public Works (DPW) has announced the Dutchess Rail Trail parking lot at Diddell Road in the Town of Wappinger will be closed on Thursday morning, July 11th for paint striping, weather permitting.

I hung my set of tobacco baskets from our curated collection at Painted Fox (with command strips for those wondering!)

-LSB-...] weeks DIY pick is: This adorable Painted Striped Suitcase created by Patti at Old Things New!

Sources: Main Room Paint color — Benjamin Moore «Winds Breath», mixed at 75 % saturation Striped Rug - Dash and Albert Yacht Stripe (3 rugs sewn together to get the large square size) Lantern - Urban Electric Co, custom finish («seaside bronze» washed in a white to soften it up) Bedroom paint color — Benjamin Moore «Fanfare» Blue Quilt and Shams — Pottery Barn Sheets — Pottery Barn Seagrass Lamps — Arteriors Home

New In Scandinavia / Denmark: DEAR MR. WATTERSON «Calvin and Hobbs» creator Bill Watterson created one of the most iconic comic strips ever made, ended the run at it's peak of success after only a decade (which is relatively short for the medium) and walked away from the business to paint.

The Car displayed at the 2016 Auto Expo was finished off in a bright red paint job, along with two white strips which run along the cars bonnet, roof, doors and boot along with number 10 either side of front passenger door, apart from the stickers and paint strips; the car also gets a body kit consisting of side skirts, roof spoiler, blacked out A and B pillars and Black alloys with Red Suzuki logo.

1993 Dodge Ram 1/2 ton shortbed318 engine with 727 TCI built transmission and TCI stall converterBad A / C needs compressor Needs wet sanded just in primer now (rattle can) Needs new weather striping and carpet Small chip on windshield Good Runs drivesHeat works great New tires at 165000Halfway to new paint jobVery little rust Fuel injectedTool box included New mufflerNew front shocksReliable I don n

The car was stripped to bare metal and sprayed using correct single stage paints, as used at the factory.

The 405 horsepower Z06 bears the special Le Mans blue paint with silver and red striping, along with special badging commemorating Corvette Racing's consecutive 1 - 2 finishes in its class at the 2001 and 2002 24 Hours of Le Mans.

It included «Road & Track» decal kit (number» 1» decal at front door and hood, decorative stripe in red / grey runs along the centre of the car), carbon fibre - style exterior mirror housings, front apron spoiler lip and rear spoiler; red - painted brake callipers, Styling Package Night (black window surrounds, black shoulderline trip strips), 18 - inch two - tone 5 - twin - spoke light - alloy wheels in matt black with red rim flange, Sport badge at front wings, illuminated door sill panels with Sport lettering, a leather sports steering wheel, sports pedals in brushed stainless steel, Sport floor mats Drive Kit Plus.

SEO, a former master class student of Georg Baselitz (of whom original works are on display at art» otel berlin mitte), has created bespoke large - scale paintings mainly consisting of coloured rice paper torn into strips, which she then used to create dramatic picturesque collages.

At first glance it might not seem sinister, but strip back the glamour and Las Vegas paints a sad picture - its denizens cogs in a billion - dollar machine fuelled by potentially addictive gaming.

During an art exhibit at the Konami Style store in Tokyo, Shinkawa shows off his artsy chops and paints a portrait of Solid Snake in that famous MGS «blobby style,» with nothing but two strips of tape, a small tub of paint, and some weird white marker thing.

SATURDAY, MAY 13 Opening: Daniel Buren at Bortolami Since 1965, Daniel Buren has rigorously obeyed a formula for his site - specific painting - sculptures: alternate between white and color strips of canvas, with each piece measuring exactly 8.7 centimeters wide, no more, no less.

More recently, in Kasmin's usual confines, the same Frank Stella who had nurtured blackness came out from under wraps — or at least stripped off the paint and much of the formalism — letting found metal twist and shine.

Throughout his career, from early striped oil paintings that hint at atmospheric landscapes to his celebrated interference paintings that shimmer and alter in the light, depending on their angle of view, Simpson has maintained a boundless curiosity and desire to expand the limits of his chosen medium.

He studied art at the Carnegie Institute of Technology from 1945 to 1949 and then went to New York City where he became an illustrator until 1960 when he began making paintings based on comic strip characters such as Popeye, Dick Tracy, and Superman.

«V (planchette)» (2014), whose smooth aluminum surface is painted a chalky black, swerves from wide at its base to slight at its middle and swells again at its top, resembling an hourglass shape when seen from a certain angle, whereas «X» (2013), is just that, in mirrored and polished stainless steel, with its thin, shiny strips arched upwards, criss - crossing parallel to the surface of the ground, each bending under like strange feet or paws to support itself.

At ABMB, Pace showed (and sold, at prices ranging from $ 75,000 to $ 1m) 16 signature black Louise Nevelsons; Mitchell - Innes & Nash gave a wall to Jessica Stockholder's 14 - element assemblage; Rosalyn Drexler's canvas collages of magazine strips took over Garth Greenan's Survey booth; a Kiki Smith white car - painted bronze anchored Timothy Taylor's space; Noga, the sole Israeli gallery (whyAt ABMB, Pace showed (and sold, at prices ranging from $ 75,000 to $ 1m) 16 signature black Louise Nevelsons; Mitchell - Innes & Nash gave a wall to Jessica Stockholder's 14 - element assemblage; Rosalyn Drexler's canvas collages of magazine strips took over Garth Greenan's Survey booth; a Kiki Smith white car - painted bronze anchored Timothy Taylor's space; Noga, the sole Israeli gallery (whyat prices ranging from $ 75,000 to $ 1m) 16 signature black Louise Nevelsons; Mitchell - Innes & Nash gave a wall to Jessica Stockholder's 14 - element assemblage; Rosalyn Drexler's canvas collages of magazine strips took over Garth Greenan's Survey booth; a Kiki Smith white car - painted bronze anchored Timothy Taylor's space; Noga, the sole Israeli gallery (why?)

The room she has at the Hepworth is divided by a sort of screen that is also a drawing made from bent, bolted - together strips of grey - painted steel.

Beat Zoderer, Flicken - Pavillon No. 1/08, 2008 Acrylic paint on strips of sheet metal, strings, wires, riveted 440 x 770 x 580 cm Temporary installation at Haus Konstruktiv, Zürich October 9 — November 22, 2009 Bartha Contemporary is delighted to present an exhibition of new works by Swiss artist Beat Zoderer.

Later in the decade Riley shifted to nuanced color, and in 1968, with three monumental striped canvases that seem to radiate light, she was the first woman and first contemporary British artist to win the international painting prize at the Venice Biennale.

A strip of wood, painted in diagonal stripes like a barrier at a construction site, serves as a warning, but of what?

Lately, the jet setting art writer has been pounding life into the staid blue chip art scene, from stripping his Madison Avenue space down to cement and drywall to planning an exhibit of Betty Tompkins» seldom - shown porn paintings at Art Basel Miami.

Further highlights include Polly Apfelbaum's strips of textile that are combined to form a colorfully woven painting; Rashid Johnson's tropical enclave containing various unexpected elements from sculptures made with shea butter to video portraits; Katherine Bernhardt's monumental painting with tropical birds, cuddly robots and cigarette stubs, which at once editorializes and summarizes modern culture and the artist herself; an interactive multimedia installation by Nedko Solakov comprising nine sofas in the shapes of the nine Chinese characters constituting the phrase «I miss Socialism, maybe»; and Yu Hong's large - scale painting depicting a famous Chinese fable widely cited in both modern Chinese art history and Chinese Communist narratives.

He was, of course, aware of the rejection that could be directed at him by his professional avant - garde peers and the unwelcome reception he could receive from parties for whom a landscape means conformity and lack of criticality.At that time, the»60s, he started framing his paintings with the gold - faced wooden strip that Greenbergian Colorfield painters were using.

The revelation can be architectural - as in his 1973 work at the Galleria Toselli in Milan, where he had layers of paint stripped from the walls to expose the original plaster surface - or functional, as in his piece for the Claire Copley Gallery in Los Angeles, in which he made public the business operation of the gallery by removing the wall dividing the exhibition area from the office and storage space.

Taking in the legacies of American landscape painting and reductive modernism, as well as tourist photography, fashion advertising, generic stock photography and the aesthetics of clearance sales and shop - window display, the work looks to where one finds the sublime and the utopic in the experience of the everyday, be it in a temple, on a treadmill, at a designer clothing sale, or at the bottom of a whiskey - bottle — complex plays of crafted and consumed desire, scrambled and stripped.

`' Roy Lichtenstein's triple screen film installation is a mesmerising hybrid of film, painting, billboard, comic strip and kinetic spectacle... Lichtenstein's only venture into filmmaking premiered at the Los Angeles County Museum of Art in 1971 as part of the ground - breaking Art and Technology program.»

Richard Aldrich's elegantly offhand works, one of which has strips of painted wood and canvas at right angles to the canvas.

Much has been written recently about his current retrospective at the Whitney, trying to connect his wildly expressive, three - dimensional works of the past few decades with his singular striped paintings of the 1960s.

In a way, as critic Charles Darwent has written, Ofili «seems to be reliving 20th - century modernism backwards,» cycling through clear formal periods wherein his compositions have become more stripped - down, foregoing the dense layering and collaged elements of earlier works, and often focusing on a limited color palette — including the red, green, and black of Marcus Garvey's pan-African flag in the series of paintings he began in 2000 and showed in concert in an immersive environment at the 2003 Venice Biennale's British Pavilion.

As he prepared the show, however, Marshall decided that «multiple fronts were needed to set forth a black aesthetic» and the exhibition then expanded into the museum's two main second floor galleries with paintings, sculpture, photographs, videos, installations, drawings and excerpts from the artist's cartoon series RYTHM MASTR, which originally began as a newspaper comic strip at the 1999 Carnegie International exhibition.

At that time, the»60s, he started framing his paintings with the gold - faced wooden strip that Greenbergian Colorfield painters were using.

At 10 feet high and wide, this simple but imposing wall piece consists of the title form rendered with painted, polyester - coated wood strips.

As Doig prepares for these hurdles in New York, he has settled into a somewhat monastic regime of morning ice hockey at Chelsea Piers (his strip is hanging to dry in the studio basement), painting and reading.

In addition to his well - known Cubism - inspired paintings and woodcuts, «At the Edge of the World» includes comic strips he created for German and American newspapers and wooden toys carved for his children.

In Arlene Shechet's Meissen Recast at the RISD Museum, strips of clay lie in slag heaps atop intricately painted ceramic vessels.

A few weeks later, the catalogue remarked, Warhol saw some «comic - strip» paintings by Roy Lictenstein at the Leo Castelli Gallery and «disappointed by this strange coincidence, and hoping to avoid further conflicts of interest, Warhol abandoned the comic strip altogether and sought out alternative subjects for his paintings.»

The striped paintings, made according to a strict principle, are as boring as the method itself and seeing so many at the Fruitmarket Gallery only makes one conscious of the difference between permutation and actual variety.

Biscuity sand, cerulean blue, sun - bleached and sunburned strips frame a chaotic smudge of strokes and movement at the painting's center, huddled around some illegible summer scene.»

At Mark Moore Gallery, New York painter Cordy Ryman exploits it with masterful nonchalance, making tasteful abstractions out of such studio leftovers as paint stirrers, strips of Velcro and sliced up stretcher bars.

Looking at Owen's three paintings in the group exhibition one would think that they may be hung too close together, yet they thrived within close proximity to one another; maintaining their own boundaries yet simultaneously creating an overall environment - as if a strip - mall of construction.

While many artists of his generation such as Andy Warhol and Tom Wesselman have used the popular image to explore the cultural landscape, Wesley has employed a comic strip style and a compositional rigor to make deeply personal, often hermetic paintings that strike at the core of our most primal fears, joys, and desires.

While many artists of his generation have used the popular image to explore the cultural landscape, Wesley has employed a comic - strip style and a compositional rigor to make deeply personal, often hermetic paintings that strike at the core of our most primal fears, joys, and desires.

He began teaching at Rutgers University in 1960, and by 1961, he had created his first paintings of cartoon and comic strip icons with his trademark use of Benday dots.

Dressed casually in a striped shirt and khakis, Economou said he bought a canvas by postwar Japanese artist Kazuo Shiraga, known for painting with his bare feet, at the fair in Basel.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

At a time when the so - called New Image Painters — Baselitz, Schnabel and co — were reviving interest in neo-expressionist painting, the existential cruelty of Titian's painting, in which a satyr is skinned alive, seemed like a message from the past, telling us that the truly great artist can not so much transcend the infirmities of old age — failing eyesight and diminished muscular control — as turn them into an aspect of genius, in works that strip back to the essence of things, and which can communicate to any age.