Sentences with phrase «at public housing projects»

Many a time I would look at public housing projects and would always think the same thing: How depressing.

NEW YORK (CBSNewYork / AP)-- The Bronx district attorney's office is no longer prosecuting people stopped at public housing projects under the city's stop - and - frisk policy unless the arresting officer ensures the arrest is warranted.

Some politicians are pushing for more security features and police officers at public housing projects after a news report revealed an alarming spike in...

Some politicians are pushing for more security features and police officers at public housing projects after a news report revealed an alarming spike in criminal activity in the city - run buildings.

At an appearance at a public housing project in Brooklyn last week, Nixon slammed Cuomo and de Blasio for engaging in a years - long «pissing contest» that allowed dire public housing conditions to deteriorate further.

Gov. Andrew M. Cuomo, center, at a public housing project in the Bronx in March.

Not exact matches

Specifically, he was one of a gang of twenty teenagers and thirteen young adults from Chicago's vast, grim Robert Taylor Homes public housing project arrested for pickpocketing at Churchill Downs in Louisville on Kentucky Derby Day.

The project team's recommendations were presented to the Park Board in advance of the fourth public open house which took place in June 2015 which gave the community its first look at the GreenPrint 2024 plan and an opportunity for their consideration and comment.

Such bonds function as an alternative to direct public financing of housing projects: Since interest income on PABs is tax exempt, investors are willing to buy them at very low interest rates, and this makes it relatively affordable for states, municipalities, and nonprofits to finance housing (and hospitals, infrastructure, and other public works) through the private capital market.

Also at 10 a.m., NYC Councilman Andy King and NYCHA Chairwoman and CEO Shola Olatoye, joined by state Sen. Ruth Hassell - Thompson, lead a tour of the authority's Boston Secor Houses, as King discusses nearly $ 1.5 million in funding for projects to install security cameras and renovate the public housing development's senior center and track and field; 3475 Bivona St., the Bronx.

NORTH HUDSON The public got their first look at the Gateway to the Adirondacks in North Hudson project on Monday when state agencies held an open house - type event to showcase early blueprints for the facility.

«We could be two years into working through a project... and at the last minute the Public Authorities Control Board, one member, could say, «I don't approve that project,»» Been said, referring to the proposed new approval process for using the housing bonds.

The death of an 84 - year - old man in December in an elevator at a Bronx housing project exposed «significant flaws» in how public housing officials complied with safety laws and responded to urgent complaints about elevator breakdowns from residents across New York City.

Also at noon, the Jamaica Downtown Revitalization Initiative hosts a public open house to hear about potential neighborhood projects from residents, Queens Public Library — Central Branch, 89 - 11 Merrick Blvd., Jamaica, Qpublic open house to hear about potential neighborhood projects from residents, Queens Public Library — Central Branch, 89 - 11 Merrick Blvd., Jamaica, QPublic Library — Central Branch, 89 - 11 Merrick Blvd., Jamaica, Queens.

«This is a very different plan than was presented in the past,» Mr. de Blasio insisted to the Observer at the James Weldon Community Center in East Harlem, emphasizing that the plan will also guarantee NYCHA residents work on the construction projects, and earmark the new revenue for work on the existing public housing buildings on the parcels.

2) International PB Conference: During this two - day conference organized by The Participatory Budgeting Project, Pratt Institute, and the Silberman School of Social Work at Hunter College, CVH leaders and staff, along with over 200 elected officials, community leaders, and activists from across the world, will discuss key topics and trends for this model of grassroots democracy, including PB in Public Housing, PB in Community Organizations, Online Participation, and the PBNYC Briefing (see below).

Just after last Thursday's health care summit at Blair House, the folks at YouTube corralled three of Congress» top officials — Speaker Nancy Pelosi, House Minority Leader John Boehner, and Senate Majority Leader Harry Reid — and had them answer, on video, the same five questions from the public that had been bubbled up to the top of the project using Google Moderator.

Cindy Williams, a Massachusetts Institute of Technology researcher who chaired a study of the S&T directorate at the behest of the National Academy of Public Administration (NAPA), told the House Science Subcommittee on Technology and Innovation that DHS was awarding «many basic research projects» without «competition or peer review.»

«The only reason I made it as far as I did is because of special teachers along the way who let me know that I was capable and I could do it,» said Torok - Storb, looking back at her impoverished childhood in a public housing project in Erie, Pennsylvania.

A new study published in the journal Environment International found that even «green» public housing projects in Boston had at least one toxic chemical in the air both before and after renovation.

She and many of her neighbors in a public housing project are accused of selling drugs on the word of a single informant and her bail is set at $ 70,000 which of course she can not afford.

Computers outfitted with the filtering programs checked about 650 Web sites of candidates for the House and the Senate from a list provided by NetElection.org, which is a project of the Annenberg Public Policy Center at the University of Pennsylvania.

High School Project — «Give Me Shelter»: Juniors at Casco Bay High School, in Portland, Maine, explore homelessness by working in teams to make audio slide - show portraits in a semester - long project about housing issues and public Project — «Give Me Shelter»: Juniors at Casco Bay High School, in Portland, Maine, explore homelessness by working in teams to make audio slide - show portraits in a semester - long project about housing issues and public project about housing issues and public policy.

Most of the local efforts are run during the summer by volunteers at public libraries or housing projects.

-- Anatomy of a Project: «Give Me Shelter» — Juniors at Casco Bay High School, in Portland, Maine, explore homelessness by working in teams to make audio slide - show portraits in a semester - long project about housing issues and public Project: «Give Me Shelter» — Juniors at Casco Bay High School, in Portland, Maine, explore homelessness by working in teams to make audio slide - show portraits in a semester - long project about housing issues and public project about housing issues and public policy.

I was a Harvard undergraduate at the time, dabbling in social reform and social action via a slew of student - volunteer programs in schools, settlement houses, public - housing projects, and hospitals; not studying very hard; and expected by my family to join my father and grandfather in their Dayton law firm.

Colorful posters promoting books would appear also on the walls at recreation centers and the common areas of public housing projects.

We will have information about these projects available to the public at the Open House.

Talk: Dana Lixenberg at Aperture Gallery and Bookstore After the Rodney King trial and subsequent riots, photographer Dana Lixenberg began taking pictures of the residents of the Imperial Courts public housing project in South Central Los Angeles.

Open Plan is a long term public art and education project which invites international and British artists to create artworks with and for the SLG's close neighbours on Elmington, Pelican and Sceaux Gardens housing estates, along with a programme of events at the gallery.

He has recently created major public art projects: Scaffold (2012), installed at the Walker Art Center in 2017 and now in an ongoing process of transformation after mediations with Dakota Native American elders, represented gallows used in seven hangings from 1859 to 2006 sanctioned by the U.S. government; Labyrinth (2015) in Philadelphia, PA, addressed mass incarceration; and The Meeting House (2016) in Concord, MA, examined the subject of race in colonial and contemporary New England.

Recent solo shows include The Present Moment, Instituto Moreira Salles, Sao Paulo, Brazil; (2017 - 2018); Museo Tamayo, Mexico City (2017); The Last Resort, Kaldor Public Art Projects, Sydney, Australia (2017); Answer Me, The New Museum (2016); The Present Moment, Instituto Moreira Salles, Rio de Janeiro (2016); Teshima Seawall House, Benesse Art Site Naoshima, Teshima Island, Japan (2016); Haus der Kunst, Munich (2014); the French Pavilion at the 55th Venice Biennale (2013); the Centre Georges Pompidou, Paris (2012); The Serpentine Gallery, London (2011); The Contemporary Arts Center, Cincinnati (2009); The Museum of Contemporary Art, North Miami (2008); and the Fondazione Nicola Trussardi, Milan (2005); among other venues.

The house would have a two - level basement, closed to the public, conceived as an underground studio where he would make his art — a secret lair and such a natural extension of his overall artistic project that it seems like some kind of joke (it is tempting to think of it as a real - life «Fortress of Solitude,» Superman's hideout, which Kelley constructed in three - dimensional form and used as the central image in his final solo exhibition last September at the Gagosian Gallery in London).

Erik's work been featured in solo exhibitions at the Arts Club of Chicago, Open House Contemporary, EXPO CHICAGO, Bert Green Fine Art, Waubonsee Community College, Project 1612, Chicago Artists Coalition; via public art projects and performances for the Broadview Hotel in Toronto, the Downtown Norfolk Council, Chicago Department of Special Events & Cultural Affairs (DCASE), and Pick Museum of Anthropology; and in group shows at The Franklin, Arizona State University, Eastern Illinois University, University of Nebraska — Omaha, University of Wisconsin - Milwaukee, and Columbia College, among others.

Edwards has had a longstanding commitment to public art, working on projects for public housing and universities since the 1960s, including Homage to My Father and the Spirit (1969) at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York; Holder of the Light (1985) at Lafayette Gardens, Jersey City, NJ; and Asafokra (1990) at the Utsukushi - Ga - Hara Open - Air Museum, Nagano Prefecture, Japan.

For example, his Gramsci Monument, a major public artwork installed during summer 2013 with the help of residents at Forest Houses, a New York City Housing Authority development in the Bronx, New York, culminating in the publication of a substantial book documenting the project produced by Dia Art Foundation.

During his tenure at the WPA, Diller championed abstract art and oversaw the execution of more than 200 public murals, most of which were completed as part of his largest undertaking: in the late 1930s, he supervised the artwork for the Williamsburg Housing Project in Brooklyn (1937 - 1939).

In recent years, they have worked with a collective of performers and musicians in the group My Barbarian, creating projects including «Gods of Canada,» a super-heroic paean to Canadian liberalism commissioned in 2005 by the Power Plant in Toronto, Ontario; «Pagan Rights,» a quirky California dreamscape celebrating opposition to the Christian Right performed in 2005 at the Evidence Room Theater and UCLA Hammer Museum in Los Angeles, Participant, Inc., in New York, and the Drake Hotel in Toronto; «Squirrel Radio Action,» a public radio send - up commissioned in 2005 by Pacific Drift on NPR - affiliate KPCC; «Medieval Morality,» a site - specific play at Los Angeles» MAK Center Schindler House in 2004.

Published to coincide with the show The Sleepers at Pallant House Gallery, Chichester, and ahead of a series of important exhibitions and commissions, this beautifully designed and illustrated volume presents all the major works from her career to date, from small - scale intimate paintings in oil and enamel to ambitious high - profile public commissions and architectural projects.

Recent solo projects include «Flamme Eternelle» at Palais de Tokyo in Paris, France (2014) and «Gramsci Monument», a major public installation presented by Dia Art Foundation and located at Forest Houses, a New York City Housing Authority development in the Morrisania neighbourhood of the Bronx, New York, USA (2013).

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

She has also served as Curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»; Curator of Collections and Public Programs at the Price Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and culture.

«Notable public projects and commissions include, «One Day, After the Rain,» commissioned by the Phillips Collection in Washington D.C., «Encounter of Waters,» at Seattle Art Museum's Olympic Park Pavilion, and «A Casa das Fontes: The House of Fountains,» an installation conceived for the Casa do Sertanista in São Paulo.»

Upcoming projects also include: a monumental outdoor surveillance mirror in the Art Public section of Art Basel Miami Beach (December, 2010); solo shows at The Lubin House (of Syracuse University) in New York City, (Fall 2010); The Dorsky Museum, New Paltz, NY and Vassar College Museum, Poughkeepsie, NY (2011 - 2012).

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

Recent independent curatorial projects include Many Voices: Indigenous Art at Bellevue House National Historic Site, co-curated with Tania Willard; PARK LIFE: Interventions in Public Space in Thousand Islands National Park; Brad Isaacs: The Map of the Empire at the Centre for Indigenous Research Creation; Cheryl L'Hirondelle: STANDING UP, SITTING IN, SOUNDING OUT at the Art & Media Lab, co-curated with Ellyn Walker.

In addition to participating in the group shows This Is With It As It Is at Lora Reynolds Gallery in Austin and In The Making at Roberts and Tilton in Los Angeles, the Californian artist contributed to the Hammer Museum's biennial, Made in LA 2012, with a presentation of works at the Los Angeles Municipal Art Gallery (LAMAG) at Barnsdall Park and a site - specific public billboard on Sunset Boulevard above the House of Blues as part of the Made in LA 2012 Billboard Project.

For example, his Gramsci Monument, a major public artwork installed during summer 2013 with the help of residents at Forest Houses, a New York City Housing Authority development in the Bronx, New York, culminated in the publication of a substantial book documenting the project produced by Dia Art Foundation.

Most recently, she co-organized I want a president... (a collective reading — DC), a socially - engaged public art project that culminated in an action at The White House during the 2016 Creative Time Summit in DC.