Sentences with phrase «at pure painting»

Not exact matches

A genuine philosophy of history regarding the beginning8 of genuinely human history, and a genuine theology of the experience of man's own existence as a fallen one which can not have been so «in the beginning», would show that where it is a question of the history of the spirit, the pure beginning in reality already possesses in its dawn - like innocence and simplicity, what is to ensue from it, and that consequently the theological picture of man in the beginning as it was traditionally painted and as it in part belongs to the Church's dogma, expresses much more reality and truth than a superficial person might at first admit.

At the exterior the BMW Z4 Design Pure Balance comes with the Mineral White metallic paint finish, while optional non-metallic and metallic exterior finishes are also available.

Steve Strope of Pure Vision Design is another fan of Mick's Paint and Steve has had no less than 5 cars painted by Mick, with at least other 4 of their stunning works of art on the schedule for the coming year.

Grand Cayman's best galleries that sell locally produced original paintings (as well as prints) can be found at: Guy Harvey Gallery & Shoppe in George Town; The National Gallery of the Cayman Islands and Kennedy Gallery (Tel: [phone]) both in the Seven Mile Beach area; Pure Art Gallery & Gifts [phone] in South Sound and the Bodden Town Art Shop [phone].

They make people look at a painting for what it is — pure painting.»

Bursts of pure red, yellow, blue, and green echo de Kooning's abstract paintings of the 1970s, five of which were presented alongside Baselitz's early work in the pivotal exhibition «A New Spirit in Painting» of 1981 at the Royal Academy in London.

By turning back to the birth of «pure painting,» in all its contradictions and impurity, one can appreciate how much was at stake.

And this leads us directly to «formalist» art and criticism.11 Formalist art (painting and sculpture) is the vanguard of decoration, and, strictly speaking, one could reasonably assert that its art condition is so minimal that for all functional purposes it is not art at all, but pure exercises in aesthetics.

Recently, however, this hybrid category has become more prominent, almost suggesting that, at a time when «pure» painting struggles for relevance, the medium's best chance of survival could depend on forming a coalition with the object.

Currently on view at MCA Chicago through May 20, the exhibition spans Pindell's five - decade career, «featuring early figurative paintings, pure abstraction and conceptual works, and personal and political art that emerged in the aftermath of a life - threatening car accident in 1979.

Back when people talked about «pure form» or «action painting,» were the interpretations at odds or complementary?

But given all that, the work at Marian Goodman still feels like a decisive swing toward pure painting.

Beginning with her poured latex «floor paintings,» and her layered wax pieces, Benglis pursued pure form, putting her at the forefront of New York Post-Minimalism.

When Bob made this set of pure white paintings, he wrote Betty and wanted them shown at her gallery.

LG: In the end you had three types of drawing at the US Pavilion at the Venice Biennale in 2015 — in terms of almost pure drawing: the fish, the Rorschach bees and then the kites, which were not made by you but you painted them and put images on them.

His aim has been, as Miro once said, to «remain within pure painting» while «at the same time going beyond it.»

Byron Kim's work sits at the threshold between abstraction and representation, between conceptualism and pure painting.

Speaking to the Evening Standard last year, a Tate insider said: «Letting them go, particularly when, at the heart of your collection, you have the world's largest collection of paintings by Turner, was an act of pure idiocy.

[17] With its large expanse of blue, simplicity of design and emphasis on pure feeling the painting was enormously influential to American artists who viewed it at MoMA in New York City.

The artist's choice of «dirty», everyday colours deliberately puts him at one remove from the traditional «pure» colours of painting.

The artists in the running for this year's Turner prize for contemporary art have put their work on show at Tate Britain — a mixture of sculpture, painting, video work and pure sound

Rejecting both naturalism and pure abstraction at the end of the Second World War, Cobra valued unbridled experimentation and creative freedom, manifested in brilliant, colorful paintings of distorted figures that provided a more symbolic and political European counterpoint to the roughly contemporary «action painting» of the Abstract Expressionists in the U.S..

From 1909 to 1913 many experimental works in the search for this «pure art» had been created by a number of artists: Francis Picabia painted Caoutchouc, 1909, [20] The Spring, 1912, [21] Dances at the Spring [22] and The Procession, Seville, 1912; [23] Wassily Kandinsky painted Untitled (First Abstract Watercolor), 1910, [24] Improvisation 21A, the Impression series, and Picture with a Circle (1911); [25] František Kupka had painted the Orphist works, Discs of Newton (Study for Fugue in Two Colors), 1912 [26] and Amorpha, Fugue en deux couleurs (Fugue in Two Colors), 1912; Robert Delaunay painted a series entitled Simultaneous Windows and Formes Circulaires, Soleil n ° 2 (1912 — 13); [27] Léopold Survage created Colored Rhythm (Study for the film), 1913; [28] Piet Mondrian, painted Tableau No. 1 and Composition No. 11, 1913.

In 2012 he was getting up at four every morning to do a cleaning job to support his work as an artist; in 2013 his paintings — teeming with loose, scratchy, expressive marks, patches of pure colour, and daily dust and grime from the studio, scrawled with words such as burrito, yuka and chorizo — started reaching six - figure sums.

«Liminal Squared» by Julie Mehretu at the Marian Goodman Gallery In «Liminal Squared,» Julie Mehretu's latest show at the Marian Goodman Gallery on W 57 Street, she presents a small number of huge, nonrepresentational paintings that blur the lines between landscape, architectural drawing, and pure abstraction.

«If we can look at a drawing or a painting as an object, pure and simple, (sometimes I think that I can, sometimes not), it must have a quality that I...

The work on view at the Santa Monica Museum of Art is a massive network of pure paint, a comprehensive survey of the color system the artist began developing in 1973 with a research grant from the City University of New York.

While Edwards was at USC, theories of art continued to hold on to an ideal of «pure» abstraction and the pursuit of form for its own sake in painting and sculpture.

He enclosed vast panoramas in abstract lines of color that created an oscillation between pure painting at the edges and moments of illusionistic space at the center of the work.

Since 1998, the artist has exhibited seven date paintings at kindergartens around the world under the title Pure Consciousness.

Instead, he combines his own pigments in an attempt to explore pure unadulterated light through color that can not be easily explained... Unlike Yves Klein, known for the idiosyncratic blue paint, or Frank Stella, whose early works are exclusively black, Knutsson investigates the entire color spectrum, focusing on one hue at a time.

Inside these baroque forms are uniformly sized blocks, each square its own pure color, sometimes only subtly distinguished from neighboring colors... Gordon's shapes are carefully molded in heavy impasto paint with a palette knife, a bas - relief in color that pops off the canvas... [Diamond] uses nature - based drawings to create forms that at first glance resemble figures but after closer study escape into the realm of the imagination.

You look at Kandinsky, and you see Kandinsky wanting to do pure abstract paintings as abstract as music.

West Gallery: Art in the Obsessional Style Night Vision: Stars in her Eyes «The Pure Gold Baby that Melts to a Shriek» Toronto artist Catherine MacTavish will be presenting paintings at Mercer Union from March 8th — March 26th.

For whatever reason there are many artists right now who are really good at making abstract works of various kinds, whether pure painting or the materials explorations seen here.

Part II: Unreasonable Sized Paintings at SVA Chelsea Gallery does not, in this instance, refer to unorthodox variations in canvas shape or size, but rather to particular occasions where painters, who otherwise produce larger works, feel compelled to make paintings approximately within this modest scale — occasions that are often less influenced by reason than by the need to concretize, without limitation, pure emotion or spontaneous Paintings at SVA Chelsea Gallery does not, in this instance, refer to unorthodox variations in canvas shape or size, but rather to particular occasions where painters, who otherwise produce larger works, feel compelled to make paintings approximately within this modest scale — occasions that are often less influenced by reason than by the need to concretize, without limitation, pure emotion or spontaneous paintings approximately within this modest scale — occasions that are often less influenced by reason than by the need to concretize, without limitation, pure emotion or spontaneous thoughts.

Looking at these triptychs, one might have thought for a moment of Aleksandr Rodchenko's iconoclastic Pure Red Color, Pure Yellow Color, Pure Blue Color of 1921, except that where the Russian Constructivist's work was meant to boil down painting to its primary colors, what the artist called its «logical conclusion,» Levine's wooden panels are invested in painting's history: The color of each is derived from the digital averaging of the hues in one of Renoir's many zaftig yet jaundiced nudes.

«Unreasonable Sized Paintings» (a term neither limited to unorthodox variations in canvas shape nor monumentally sized paintings), showing at SVA Chelsea Gallery, refers to the work of painters who, during occasional unpremeditated episodes, feel compelled to make paintings that are neither specific studies of larger or smaller paintings nor parts of particular ongoing series, but rather the byproduct of pure pleasure or the release of spontaneous thoughts that need to be concretized without limPaintings» (a term neither limited to unorthodox variations in canvas shape nor monumentally sized paintings), showing at SVA Chelsea Gallery, refers to the work of painters who, during occasional unpremeditated episodes, feel compelled to make paintings that are neither specific studies of larger or smaller paintings nor parts of particular ongoing series, but rather the byproduct of pure pleasure or the release of spontaneous thoughts that need to be concretized without limpaintings), showing at SVA Chelsea Gallery, refers to the work of painters who, during occasional unpremeditated episodes, feel compelled to make paintings that are neither specific studies of larger or smaller paintings nor parts of particular ongoing series, but rather the byproduct of pure pleasure or the release of spontaneous thoughts that need to be concretized without limpaintings that are neither specific studies of larger or smaller paintings nor parts of particular ongoing series, but rather the byproduct of pure pleasure or the release of spontaneous thoughts that need to be concretized without limpaintings nor parts of particular ongoing series, but rather the byproduct of pure pleasure or the release of spontaneous thoughts that need to be concretized without limitations.

German artist Gerhard Richter, one of the pioneers of New European Painting, has shown again and again that «pure» painting - oil colors unstintingly activated by gesture or merely by tools - can coax from our nervous systems embedded memories of other painters» mute triumphs at the levels of small detail or large Painting, has shown again and again that «pure» painting - oil colors unstintingly activated by gesture or merely by tools - can coax from our nervous systems embedded memories of other painters» mute triumphs at the levels of small detail or large painting - oil colors unstintingly activated by gesture or merely by tools - can coax from our nervous systems embedded memories of other painters» mute triumphs at the levels of small detail or large expanse.

Until this year I'd only seen two of her paintings in person, one at the Museum of Modern Art and one discovered by pure chance at the Peggy Guggenheim Museum in Venice, so I was entranced by the Guggenheim retrospective of Martin's work.

That's how he embarked on a strain of pure painting that seemed quite radical at the time: working with a prestretched canvas and unmixed oil paints, and figuring out his composition as his brush moved across the canvas.

Influenced by Japonism, it features the famous Japanese bridge in Monet's water garden at Giverny, demonstrating his fascination with plein - air painting and his pursuit of pure Impressionism.

Martin told the Tate that his painting was published there because «it was the purest expression of abstract art I had arrived at».

The paintings are at once abstract and representational: the multiple grids recall the bars of the bird cages; and the birds themselves are simultaneously recognizable forms and moments of pure color.

Mark Rothko, Barnet Newman and Clyfford Still who at the same time embarked on their independent journeys to find the more delicate painting style, the one capable of expressing the longing for sublime and transcendence, essential and purer sentiments.

While his style may seem predictable now, at the time no one else was painting such rich, immersive fields of pure color that engulf one's eyes.

At the time he belonged to the Hard Edge movement, whose proponents painted bands of pure colour with clearly marked outlines on the canvas.

Rejecting both naturalism and pure abstraction at the end of the Second World War, Cobra valued unbridled experimentation and creative freedom, manifested in brilliant, colorful expressionist paintings of distorted figures that provided a more emotional and ideological European counterpoint to the roughly contemporary «action painting» of the Abstract Expressionists in the United States.

Whitney is, as should now be apparent, among the supreme colorists of contemporary painting, but what's amazed me in his drawings has been his mysterious ability to communicate the variable weights and densities of color, as he does in his paintings — without actually using color at all, instead relying on pure line to express, as if through metaphor, chromatic differentiae.

I was also struck by the formal parallels between this very pure kind of painting and the Modernist architecture going on at the same time.