Sentences with phrase «at real ads»

This is what made me start to think about what happens when you look at real ads and you remove the advertising information — the text, the logo.

Not exact matches

Then they have three options for monetizing the site: They can «park» the domain, placing relevant ads on it to generate money; they can sell the domain to an interested party or at auction; or they can develop the site into a real business.

After dropping out of high school to pursue his passion for technology, he gained real - world experience as a lead engineer at photo - sharing startup Fotolog, which ad network Hi - Media purchased in 2007 for $ 100 million.

As Tim Nudd at AdFreak notes, «If your game or ad isn't enough like real war, then you're trivializing or sanitizing combat....

This automated way of purchasing ads helps to better manage costs at scale, increase transparency of where your budgets are spent, and enables real time decision - making.

And, with 95 percent of search results now containing AdWords ad placements either at the top or bottom — not to mention how much above - the-fold real estate is now taken up by AdWords — it's a must for beating the competition.

then if nothing on your ad page attracts the client within milliseconds, they turn the page again and you are done and over with, ready to be fish - wrapping paper, while if there are other ads on the page, or some article text, it gives the reader a reason to stop at that page, and then your ad has a higher visibility and ability to intrigue the customer, giving it several times the mental real estate and visibility than an ad costing thrice as much.

He is the CEO and co-founder at Metamarkets, a start - up he founded in 2010 that delivers real - time analytic and predictive insight for high volume transaction - centric companies, ranging from programmatic ad platforms to financial trading systems.

There is a real danger that no evangelism ad extra will take place at all if this impulse is followed too strongly: the church will spend its whole time doing evangelism ad intra.

The irony to the ad was then, as it is now, that Coke isn't the real thing at all.

Such moves often appear as ad hoc procedure in Whitehead's metaphysics, but the real issue at stake is the coherence and adequacy of the entire system.

John calls Paul prejudice and not scientific but lets look into this real man of God born in Tarsus, Paul was raised in Jerusalem at the feet of Gamaliel a leading authority in the Sanhedrin in the mid 1st century AD Gamaliel once gave some advice to the Sanhedrin in Acts to refrain from slaying the disciples of Jesus.

having said all that, we can offer him a million pound per week if we like, if we don't start wining trophies, and i mean real important trophies (no disrespect to the F.A cup) he will up ad leave because like i said earlier he is a WINNER... none of these» project»,» loyalty»,» building» talks we are so fond of at Arsenal, Wenger and the board has to fork out for world class players to compliment his efforts and help us win trophies otherwise he will leave to win stuffs elsewhere and i will not be one to blame him....

Aiming breastfeeding promotion ads at the five to ten percent of the population that do not want to breastfeed may make a small dent in breastfeeding rates, but figuring out how to battle the systemic barriers to successful breastfeeding is more important, more difficult and more likely to make a real difference.

I did a video of all the moms» responses at twitter, this is real moms saying what they thought of the ad: http://www.ladybuglandings.com/2008/11/motrin-makes-moms-mad/

Here's a good example of using a proxy target for your REAL opponent in an online advertising campaign: Media Matters has gone on the digital offensive against Fox News, but their ads are actually aimed at online travel service Orbitz.

Despite an avalanche of negative ads, nobody is shooting real bullets at him.

DiNapoli said at the time that the lack of data on businesses attracted to the state by the ads or new jobs created left «real questions about whether the results justify the cost.»

Only the computer hints at the ad's real vintage.

The benefits are real, says Fraser Kyle, who is in charge of new product design at the French tyre manufacturer Michelin, whose ad this is.

That mystery has inspired many in the AD field to ask whether a second misfolded protein, tau, is the real driver of the condition's neurodegeneration and symptoms, or at least an important accomplice.

Grazia posted a look at the ads, which continue DKNY's recent trend of casting «real» people for ads and runway shows.

When I was growing up (a very long time ago now when England were good at sports and the Bee Gees were topping the charts) there was a real TABOO about dating agencies and classified personal ads.

There are no fake personal ads at Loveawake.com, no spammers or scammers, only real single men and women who are looking for romance.

There are no fake personal ads at Loveawake.com, no spammers or scammers, only real single men and women looking for their second halves.

YOU Have Nothing To Lose With YOUR FREE REGISTRATION At Adult Friend Finder Where You can meet real people near you to Adult personals and online dating with free video chat, photo ads, personal blogs, members erotic stories, voicemail and sex forums

Melbourne Outcall 247 REAL HOOKUPS FOR MEN AND GooD BLOW GO - NSA HeadDiscrete - m4w 45 minute quickies and the freedom as well as a smile is the fun (no strings attached escort couple single women wanting sex Victoria and adult massage with ads with Whatsapp at 1.

The mockumentary format is at least an attempt to do something fresh in the animated film world, but mockumentaries are only really funny because they mirror real life in an ironic, satirical fashion, often featuring comedians employing a naturalistic ad - lib delivery.

With a million horsemen at his back, the ultimate warrior king approaches, and his sights are set on Rome... The next instalment in the multi award - winning PC series that combines turn - based strategy with real - time tactics, Total War: ATTILA casts players back to 395 AD.

But, looked at objectively (or, as objectively as possible when judging any piece of artistic expression) we're looking at a completely average, by - the - books, documentary that reveals very little real insight, and keeps hitting the same point over and over ad nauseam.

It's free with an ever - present banner ad at the bottom of the screen, and you can spend real money on extra diamonds for power - ups.

Though I haven't been able to find this product for sale in real life, I loved this ad for a bar in Brazil that crafted the perfect solution for getting the full attention of the people you're at the pub with.

AD:... I think that a Flipped Classroom model, I mean, a real Flipped Classroom model where you are really taking all of the didactic instruction out of the classroom and doing that through video and podcast, I think that format probably lends itself better at the senior end of the school.

By the way, all these disclaimers are in a tiny statement at the bottom of the ad following an asterisk... but there is no asterisk next to the prices to indicate that it isn't the real price.

Audrey Walker took a real hard look at her life after a computer - user error caused her to lose her job with Tadd, Collins ad agency on the brink of her son's departure for college.

Before my publication date, I looked at several ad agencies and found Smith Publicity to be the most professional, responsive, and enthusiastic, with a clear plan, great follow - through, and a real sense that I was part of a team that wanted only terrific success for my book.

He previously helped cover the media and ad industries as a news assistant at The New York Times and reported on commercial real estate for Institutional Investor newsletters.

Apple's iPad ad is getting some real good exposure at the moment, so it «ll be interesting to see how well Amazon's ad do in light of that.

Not by flipping real estate, not by playing the lottery and no, not by responding to one of those â $ œMake big $ $ $ at homeâ $ ads.

Through the years humorous articles have been written poking fun at comments in real estate ads.

On one of the ads, two of the people commenting both worked at the Dept. of Ed and were encouraging people to go to the real sites to apply for free.

If possible, start to check ads and contact real estate agents and rental agencies at least six weeks before you plan to move.

We travel at Christmas most years and have had some real disappointments upon arrival due to units not being as presented in their ads.

The Gran Turismo series has long been known for its emphasis on accuracy, with the developers at Polyphony Digital going to extreme lengths to create cars and tracks that are as close to the real life equivalents as possible, using exacting measurements ad physics models that are as close to reality as modern technology can make them.

At first, you take up the notion these ads just want to remind you how fruits and vegetables are the building blocks of basic eating habits or the go - to components of real food.

1989 Concept - Decoratif (Anti-Formalist Art of the 70s), Nahan Contemporary, New York, US The Presence of Absence: New Installations, Gallery 400, University of Illinois at Chicago, Chicago, Illinois, US; University of Arizona Museum of Art, Tucson, Arizona, US; Laumeire Sculpture Park and Garden, St. Louis, Missouri, US; Albany Institute of History and Art, Albany, New York, US; Oakville Galleries, Oakville, Ontario, CA; University of Kentucky Art Museum, Lexington, Kentucky, US; Longview Museum and Arts Center, Longview, Texas, US; Prichard Art Gallery, University of Idaho, Idaho, US; Museum of Art, Penn State University, University Park, Pennsylvania, US; The University of Iowa Museum of Art, Iowa City, Iowa, US; University Art Museum, University of New Mexico, Albuquerque, MX; Otis / Parsons Gallery, Los Angeles, California, US Words, Tony Shafrazi Gallery, New York, US Inedits / I, FRAC Bourgogne, Dijon, FR; APAC, Centre d'Art Contemporain, Nevers, FR Micro Sculpture, Fine Arts Center, University of Rhode Island, Kingston, Rhode Island, US Early Conceptual Works, Sperone Westwater Gallery, New York, US From Concept to Context, The Art Gallery of York University, Toronto, CA Saga 89, Eric Linard Editions, Grand - Palais, Paris, FR Un Choix dans les Collections du Nouveau Musee de Villeurbanne, Palais de Beaux Arts de Charleroi, Charleroi, BE Collections du Frac Nord Pas - de-Calais, Santa Scolastica, Bari, IT Group Show, San Francisco University Art Department Gallery, A&I Room 201, San Francisco, US Word / Image, Lehman College Art Gallery, Bronx, New York, US Ad Usum Dimorae, Palazzo Querini Stampalia, Venice, IT Bilderstreit, Ludwig Museum, Rheinhallen, Cologne fair grounds, Cologne, DE From the Collection of Dorothy and Herbert Vogel, Terra Museum of American Art, Chicago, Illinois, US Open Mind - Circuit Ferme, Museum van Hedendaagse Kunst, Ghent, BE Ohne Auftrag, Mai 36 Gallery, Art Frankfurt, The New International Art Fair, Frankfurt, DE Magiciens de la Terre, Centre Georges Pompidou and Grande Halle, La Villette, Paris, FR Competition Diomede, The Clocktower Gallery, New York, US; San Francisco State University Art Department Gallery, A&I Room 201, San Francisco, California, US Ideas and Ephemera, Real Art Ways, Hartford, Conneticut, US Geometrie Meridienne, Chateau Coquelle, FRAC Nord Pas - de-Calais, Dunkerque, FR Noise et Fenetres en Vue, Musee d'Art Moderne, Liege, BE Locus Solus XII, Galerie Hubert Winter, Vienna, AT Fondation Daniel Templon, L'Exposition Inaugurale, Capitou, FR Furkart 1989, Furkapasshoehe, CH Analytic to Poetic, Burnett Miller Gallery, Los Angeles, California, US Skulpturen für Krefeld I, Museum Haus Esters, Krefeld, DE John Miller / Gary Mirabelle / Lawrence Weiner, American Fine Arts Co, New York, US In Other Words, Museum am Ostwall, Dortmund, DE Gran Pavese: The Flag Project, Museum van Hedendaagse Kunst, Antwerpen, BE; Druot Montaigne, Paris, FR Another Group Show, Galerie Hubert Winter, Vienna, AT Forum, Stalke Gallery, Hamburg, DE Hier Wird Getanzt, XPO Galerie, Hamburg, DE Group Show, Elizabeth Kaufman, Basel, CH Lineart»89 Gent, Galerie B. Coppens and R. Van De Velde, Flanders Expo, Brussels, BE «Dreams» and Other Works on Paper, Leo Castelli Gallery, New York, US Moscow - Vienna - New York, Wiener Festwochen, Messepalast, Vienna, AT Minimal and Conceptuel, Oeuvres Anciennes, Gabrielle Maubrie, Paris, FR The Library - Artists» Books, A / D, New York, US Hamburg Projekt 1989, Hamburg, DE Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg, DE Musee d'Art Contemporain Lyon / Werke aus der Sammlung, Stadtische Galerie Goppingen, Goppingen, DE Sculptures de Kabakof, et al, ELAC, Lyon, FR Conceptual Art - Une Perspective, ARC, Paris, FR; Deichtorhallen Hamburg, Hamburg, DE; Fundacio Caixa de Pensions, Madrid, ES Broken Lines, Victoria Miro Gallery, London, UK Bel voor de Laatste Ronde, Art and Project, Amsterdam, NL Die Letzen 22 Jahre, Kunstverein in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, at Chicago, Chicago, Illinois, US; University of Arizona Museum of Art, Tucson, Arizona, US; Laumeire Sculpture Park and Garden, St. Louis, Missouri, US; Albany Institute of History and Art, Albany, New York, US; Oakville Galleries, Oakville, Ontario, CA; University of Kentucky Art Museum, Lexington, Kentucky, US; Longview Museum and Arts Center, Longview, Texas, US; Prichard Art Gallery, University of Idaho, Idaho, US; Museum of Art, Penn State University, University Park, Pennsylvania, US; The University of Iowa Museum of Art, Iowa City, Iowa, US; University Art Museum, University of New Mexico, Albuquerque, MX; Otis / Parsons Gallery, Los Angeles, California, US Words, Tony Shafrazi Gallery, New York, US Inedits / I, FRAC Bourgogne, Dijon, FR; APAC, Centre d'Art Contemporain, Nevers, FR Micro Sculpture, Fine Arts Center, University of Rhode Island, Kingston, Rhode Island, US Early Conceptual Works, Sperone Westwater Gallery, New York, US From Concept to Context, The Art Gallery of York University, Toronto, CA Saga 89, Eric Linard Editions, Grand - Palais, Paris, FR Un Choix dans les Collections du Nouveau Musee de Villeurbanne, Palais de Beaux Arts de Charleroi, Charleroi, BE Collections du Frac Nord Pas - de-Calais, Santa Scolastica, Bari, IT Group Show, San Francisco University Art Department Gallery, A&I Room 201, San Francisco, US Word / Image, Lehman College Art Gallery, Bronx, New York, US Ad Usum Dimorae, Palazzo Querini Stampalia, Venice, IT Bilderstreit, Ludwig Museum, Rheinhallen, Cologne fair grounds, Cologne, DE From the Collection of Dorothy and Herbert Vogel, Terra Museum of American Art, Chicago, Illinois, US Open Mind - Circuit Ferme, Museum van Hedendaagse Kunst, Ghent, BE Ohne Auftrag, Mai 36 Gallery, Art Frankfurt, The New International Art Fair, Frankfurt, DE Magiciens de la Terre, Centre Georges Pompidou and Grande Halle, La Villette, Paris, FR Competition Diomede, The Clocktower Gallery, New York, US; San Francisco State University Art Department Gallery, A&I Room 201, San Francisco, California, US Ideas and Ephemera, Real Art Ways, Hartford, Conneticut, US Geometrie Meridienne, Chateau Coquelle, FRAC Nord Pas - de-Calais, Dunkerque, FR Noise et Fenetres en Vue, Musee d'Art Moderne, Liege, BE Locus Solus XII, Galerie Hubert Winter, Vienna, AT Fondation Daniel Templon, L'Exposition Inaugurale, Capitou, FR Furkart 1989, Furkapasshoehe, CH Analytic to Poetic, Burnett Miller Gallery, Los Angeles, California, US Skulpturen für Krefeld I, Museum Haus Esters, Krefeld, DE John Miller / Gary Mirabelle / Lawrence Weiner, American Fine Arts Co, New York, US In Other Words, Museum am Ostwall, Dortmund, DE Gran Pavese: The Flag Project, Museum van Hedendaagse Kunst, Antwerpen, BE; Druot Montaigne, Paris, FR Another Group Show, Galerie Hubert Winter, Vienna, AT Forum, Stalke Gallery, Hamburg, DE Hier Wird Getanzt, XPO Galerie, Hamburg, DE Group Show, Elizabeth Kaufman, Basel, CH Lineart»89 Gent, Galerie B. Coppens and R. Van De Velde, Flanders Expo, Brussels, BE «Dreams» and Other Works on Paper, Leo Castelli Gallery, New York, US Moscow - Vienna - New York, Wiener Festwochen, Messepalast, Vienna, AT Minimal and Conceptuel, Oeuvres Anciennes, Gabrielle Maubrie, Paris, FR The Library - Artists» Books, A / D, New York, US Hamburg Projekt 1989, Hamburg, DE Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg, DE Musee d'Art Contemporain Lyon / Werke aus der Sammlung, Stadtische Galerie Goppingen, Goppingen, DE Sculptures de Kabakof, et al, ELAC, Lyon, FR Conceptual Art - Une Perspective, ARC, Paris, FR; Deichtorhallen Hamburg, Hamburg, DE; Fundacio Caixa de Pensions, Madrid, ES Broken Lines, Victoria Miro Gallery, London, UK Bel voor de Laatste Ronde, Art and Project, Amsterdam, NL Die Letzen 22 Jahre, Kunstverein in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, AT Fondation Daniel Templon, L'Exposition Inaugurale, Capitou, FR Furkart 1989, Furkapasshoehe, CH Analytic to Poetic, Burnett Miller Gallery, Los Angeles, California, US Skulpturen für Krefeld I, Museum Haus Esters, Krefeld, DE John Miller / Gary Mirabelle / Lawrence Weiner, American Fine Arts Co, New York, US In Other Words, Museum am Ostwall, Dortmund, DE Gran Pavese: The Flag Project, Museum van Hedendaagse Kunst, Antwerpen, BE; Druot Montaigne, Paris, FR Another Group Show, Galerie Hubert Winter, Vienna, AT Forum, Stalke Gallery, Hamburg, DE Hier Wird Getanzt, XPO Galerie, Hamburg, DE Group Show, Elizabeth Kaufman, Basel, CH Lineart»89 Gent, Galerie B. Coppens and R. Van De Velde, Flanders Expo, Brussels, BE «Dreams» and Other Works on Paper, Leo Castelli Gallery, New York, US Moscow - Vienna - New York, Wiener Festwochen, Messepalast, Vienna, AT Minimal and Conceptuel, Oeuvres Anciennes, Gabrielle Maubrie, Paris, FR The Library - Artists» Books, A / D, New York, US Hamburg Projekt 1989, Hamburg, DE Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg, DE Musee d'Art Contemporain Lyon / Werke aus der Sammlung, Stadtische Galerie Goppingen, Goppingen, DE Sculptures de Kabakof, et al, ELAC, Lyon, FR Conceptual Art - Une Perspective, ARC, Paris, FR; Deichtorhallen Hamburg, Hamburg, DE; Fundacio Caixa de Pensions, Madrid, ES Broken Lines, Victoria Miro Gallery, London, UK Bel voor de Laatste Ronde, Art and Project, Amsterdam, NL Die Letzen 22 Jahre, Kunstverein in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, AT Forum, Stalke Gallery, Hamburg, DE Hier Wird Getanzt, XPO Galerie, Hamburg, DE Group Show, Elizabeth Kaufman, Basel, CH Lineart»89 Gent, Galerie B. Coppens and R. Van De Velde, Flanders Expo, Brussels, BE «Dreams» and Other Works on Paper, Leo Castelli Gallery, New York, US Moscow - Vienna - New York, Wiener Festwochen, Messepalast, Vienna, AT Minimal and Conceptuel, Oeuvres Anciennes, Gabrielle Maubrie, Paris, FR The Library - Artists» Books, A / D, New York, US Hamburg Projekt 1989, Hamburg, DE Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg, DE Musee d'Art Contemporain Lyon / Werke aus der Sammlung, Stadtische Galerie Goppingen, Goppingen, DE Sculptures de Kabakof, et al, ELAC, Lyon, FR Conceptual Art - Une Perspective, ARC, Paris, FR; Deichtorhallen Hamburg, Hamburg, DE; Fundacio Caixa de Pensions, Madrid, ES Broken Lines, Victoria Miro Gallery, London, UK Bel voor de Laatste Ronde, Art and Project, Amsterdam, NL Die Letzen 22 Jahre, Kunstverein in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, AT Minimal and Conceptuel, Oeuvres Anciennes, Gabrielle Maubrie, Paris, FR The Library - Artists» Books, A / D, New York, US Hamburg Projekt 1989, Hamburg, DE Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg, DE Musee d'Art Contemporain Lyon / Werke aus der Sammlung, Stadtische Galerie Goppingen, Goppingen, DE Sculptures de Kabakof, et al, ELAC, Lyon, FR Conceptual Art - Une Perspective, ARC, Paris, FR; Deichtorhallen Hamburg, Hamburg, DE; Fundacio Caixa de Pensions, Madrid, ES Broken Lines, Victoria Miro Gallery, London, UK Bel voor de Laatste Ronde, Art and Project, Amsterdam, NL Die Letzen 22 Jahre, Kunstverein in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, DE

Then there's a real Wagnerian nutcase - the Viennese Hermann Nitsch, notorious for actions with blood and guts, throws red paint at giant canvases in a reductio ad absurdum of expression that is profoundly impressive.

If you tried this at a scientific meeting you would be instantly labeled as an idiot or crank and brushed off with quite «ad hominem» comments by «real scientists» should you persist.

The first ad outlines three supposed myths about global warming and urges listeners to «get the real answers at friendsofscience.org and then ask your MPs why they want to spend billions on global warming theories.»

Christopher C. Horner, a senior fellow at the Competitive Enterprise Institute, a free - enterprise think tank, was referring specifically to Gore and his partners when he stated: «There are a bunch of folks that stand to make real money, who have invested a lot in companies that are not worth real money until the agenda that this ad campaign is advocating is achieved.»