Sentences with phrase «at sleight»

Barely a year after these funds joined the iShares family, the 2013 federal budget took aim at this sleight of hand.
«You need to be a contortionist to get in and skilled at sleight of hand to buckle the safety belts,» Cumberford grumbled.

Not exact matches

Now I'm not advocating using sleight of hand in tackling the issues at your workplace.
Anyone, and this includes many Israelis and American Jews, who has looked closely at the history of Palestine realizes the sleight of hand in this presentation.
This sleight of hand resists The falling of those leaves The lemon cleanser scent deceives Even at the knife the dream persists
«Shifting the local cost share to the state is a political sleight of hand — if Republicans steal billions from New York to pay for tax cuts for the wealthy it doesn't matter if taxpayers have to cover the cost at the county or the state level.
He said people's jobs were at stake, accused the chancellor of adopting a «sleight of hand» approach to the figures and insisted he needed to continue fighting the government's policies, before adding: «I don't apologise for one second.
I told you guys,» project manager Harvey Sleight had crowed to reporters at the eagerly - awaited bid opening.
Rep. Louise Slaughter, D - N.Y., called the GOP plan «a political sleight of hand» that seeks to buy GOP votes - and pay for tax cuts for the wealthy - at the expense of New Yorkers.
Stephen L. Macknik is a professor of opthalmology, neurology, and physiology and pharmacology at SUNY Downstate Medical Center in Brooklyn, N.Y. Along with Susana Martinez - Conde and Sandra Blakeslee, he is author of the Prisma Prize - winning Sleights of Mind.
Bonham Carter playing wicked Bellatrix as (badly) impersonated by upright Hermione is a wonderful piece of actorly sleight - of - hand; I almost believed I was looking at a digitally altered Emma Watson.
At the end of the counter, the ubiquitous Tricycle Man / magician privately amuses himself with another sleight - of - hand trick: he removes the saltshaker cap, pours salt into his left hand fist, lifts both hands and waves the salt goodbye, then grabs thin air with his right fist and distributes salt on his salad.
Dealt Not Rated Rotten Tomatoes Score: 95 % Available on Disc and Streaming For decades, Richard Turner has been one of the premier up close magicians at the infamous Magic Castle in Hollywood, wowing audiences with his unbelievable sleight of hand.
The story finds Day as mild - mannered English teacher Andy Campbell who must man up when his feared colleague, Ron Strickland (Cube), at his less - than - top - notch school challenges him to a good old - fashioned punch - up over a perceived sleight.
Sleight is both written and directed by young filmmaker J.D. Dillard, making his feature directorial debut after working in the kitchen at J.J. Abrams» Bad Robot.
Employing sleight of hand, some fast talking, and a lot of tall tales, it exaggerates the legend until the illusion takes on a life of its own, turning into the promised «fever dream» that, while admittedly stuffed with some truly excellent musical setpieces, has something sinister at its core.
Set at the tail end of the 1980s, it's a what - if piece of can - do entrepreneurial spirit mixed with Wall Street greed crossed with intelligently underhanded sleight of hand.
SLEIGHT BH Tilt Reviewed by: Harvey Karten, Showbiz Grade: B Director: JD Dillard Written by: JD Dillard, Alex Theurer Cast: Jacob Latimore, Dule Hill Seychelle Gabriel, Storm Reid, Sasheer Zamata, Cameron Esposito Screened at: Review 1, NYC, 3/23/17 Opens: April 28, 2017
But one of the greatest sleights of hand critics perform is conflating, or at least failing to articulate, that a decrease in reported income does not equal the actual tax dollars NYS loses.
The wild card here is whether Warren Lichtenstein will screw us little unitholders with a creeping takeunder at below full value or some other sleight of hand.
Her current exhibition at Tate Modern is astonishing in the rich visual slips and sleights of hand explored and displayed, and exhilarating and life - affirming in the breath of light, multilayered imagery and spaces given to the audience.
Smithee is a text; his words are fed to him by a teleprompter, but his delivery is at times self - aware, as if the persona that he is condemned to inhabit might be overcome by the performer's clever sleight of hand and agency.
In her wall works, many of which play, sleight - of - hand - style, with the shifts between two - to three - dimensionality — inviting the viewer to enter their world while at the same time sealing themselves off from engagement — Rafferty prints photographic imagery on thin, clear film, often mixed with paint and solvents, and attaches these to irregularly rectangular clear acrylic sheets.
David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.
ATLANTA — Pratfall Tramps at the Atlanta Contemporary Art Center is an exhibition that works by sleight of hand.
Special events at this year's Fair include Ricky Jay, the world's greatest sleight - of - hand artist discussing Magic, Cheaters & Remarkable Characters; a hands - on bookbinding demonstration by British book artist Mark Cockram; curators Christine Nelson of the The Morgan Library & Museum in New York and David Wood, curator of the Concord Museum, on the largest exhibition on American icon Henry David Thoreau ever mounted; and the 16th annual Ticknor Society Roundtable panel discussion.
Her five years in film set design made her adept at artifice, and she is an expert in misdirection and sleight of hand.
Curated by students from the MFA Curating courses at Goldsmiths College and Chelsea College of Art, the exhibition draws on ideas of sleight of hand and misdirection in both the production and presentation of artworks.
The discussion I had recently about this had been irritating, so many examples in my research which showed the faked Hockey Stick cause was alive and well and now not just eliminating the warmer periods like the MWP and Roman, but taking it even further back and ludicrously even positing that temps now were rising higher than at any time in the Holocene, but the 6/7, 000 year had been a first step to this, eliminating the Holocene Maximum by clever sleights of hand and word play.
This sleight of hand has taken the difference between -18 °C of the Earth without any atmosphere at all and the 15 °C of our atmosphere as we have it, and attributed the difference to the imaginary supermolecule properties of our beloved carbon dioxide, without ever giving any details of how this wonderfood for plants and oxygen transporter for our blood can raise the temp of the Earth 33 °C from -18 to +15..?
That calculation is based on «sleight of hand and faulty logic», said Bob Ward, policy director at the London School of Economics Grantham Research Institute on Climate Change and the Environment, and it ignores the possibility of warming at the higher end of estimates by the Intergovernmental Panel on Climate Change.
Look at this carefully and also the IPCC report and you'll see the logical sleight of hand involved.
Try your luck at this classic sleight of hand game.
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